Review: Frog Detective 2: The Case of the Invisible Wizard (PC)

Posted on December 18, 2019 by geelw

Got five bucks and about an hour to spare? Frog Detective 2: The Case of the Invisible Wizard (also available here) will have you letting out a few much needed laughs as you solve the aforementioned case but good. It’s the first game I’ve played from Worm Club (@gracebruxner and @thomasbowker) and it won’t be the last, as I see Grace has an itch.io page and this is a good thing. Anyway, the game is short and simple, charming and droll, two tastes that taste great together, as it were. Oh, and it has LOBSTER COP in it, but don’t tell the Detective this, as he’s the real star. Don’t tell him that either (he’ll figure it out, as he’s a detective).

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Review: Hellboy (2019)

Posted on December 17, 2019 by geelw

London’s burning with boredom, now: Well, not yet on the burning part, but plot-wise, that’s all she rote. This is a busy flick that can be hell to watch.

Somewhere around the 10th level of Hell, it’s good.

So, I finally saw Hellboy a few days ago and waited to write this review to see if I still remembered what happened a few days later as it’s quite a busy flick (there’s a LOT going on, let me tell you). I did remember (mostly), but I also realized for the second time after a second viewing that it would have been better as a short mini-series on cable spread over a few days that the two-hour film that’s here. I mean, go big or go home, right? This film just goes big all the time, but all that effort manages to feel flat and canned.

The main issue here is despite the copious amounts of swearing, R-rated mostly CGI gore and a few decent performances, the film crams so much in its 120 minutes that it feels like three films worth of material. Between the flashbacks, references to the comic (of which there are plenty) and the fact that it’s quite loud most of the time and has a pretty annoying selection of “headbanging” hard rock tunes (if headbanging means bashing one’s own skull in with a Sisyphus-sized boulder), the end result manages to feel too much like a film made by committee. This one’s a push-button film designed to be some sort of forced “cult classic” and both looks and feels like it. At least some of the practical costume monsters look as if they’re perfect for prime time.

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Review: WRC 8: FIA World Rally Championship (PS4)

Posted on December 16, 2019 by geelw

Out for a Sunday drive, blinking is very optional.

In the options menu of WRC 8, ($59.99) there’s a race card screen that tracks your driving in the game, noting everything you do without any judgement. So far, on my time with the game I’ve ran my cars into stuff ~~3,302~~ 3,477 times (and counting) between small dings to major collisions that had me completely wrecking out of a few races, but this is a good thing (not for my poor garage, though).

The game is quite a massive effort from KT Racing and it’s their best racer to date as well as the sole officially licensed WRC game on the market. The assorted cars, courses and sounds are pretty lifelike and the rides all handle differently under a range of conditions once you get a grip on the controls. But practicing makes the game even better and finding the perfect settings for each car and course is key to getting the most out of the overall experience.

If you’re going too fast, that simple turn up ahead is a bear, but there’s no bear at the end of that turn, fortunately.

Codemasters’ DiRT franchise might be better looking (the terrain deformation adds to the realism) and better known to some, but the outside a PC mod, the more authentic to the WRC season licenses, courses, drivers, and cars here will be the way to go for fans who enjoy the sport and want the deepest dive into it. Thankfully, those options also include a number of tweaks to make the experience a good deal more flexible to new players. Granted, like the two DiRT Rally games, this is the sort of simulation that’s going to be daunting to novices no matter how many assists they turn on. But that sticking to the real deal thing is for me, what makes a good rally game and WRC 8 makes for the most the best WRC experience since the five great WRC titles by the late Evolution Studios way back on the PlayStation 2. That said, one has to give the still mighty Richard Burns Rally it’s own pedestal for what it brought to the virtual rally game.

Even when set to the easiest mode and with every assist on, the game still requires near flawless or even perfect mastering of its courses and weather conditions. New players to this on Easy can indeed make it around the special stage or a few rallies with some effort. but it’s a literal learning curve taking in the pace notes and reading the track ahead while not hitting something because you’re trying to do it while driving a car at high speed with a co-driver notes near-constant directions at you. Still, the game’s Season and Practice modes will be your friend for a while as you settle in. There are the much harder Weekly challenges to do, but you’ll want some mileage under your belt, as these are pretty difficult events.

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Random Film of the Week: Gold Diggers of 1933

Posted on December 14, 2019 by geelw

(Thanks, Classic Fun!)

For too many reasonable to reasonably odd reasons, after all these years, I’d never seen ALL of the Mervyn LeRoy/Busby Berkeley film extravaganza that is Gold Diggers of 1933. I’d seen the fantastic beginning many years back as a kid, but it was late at night and I fell asleep at some point, waking up to some other film playing. Another time, the film was on but I missed about half of it and I hate sitting down to watch half a film, and the back half, as that.

Years later, it was on rotation on TCM by this time, so I figured I’d always catch it at some point. By then, I’d seen 42nd Street, Footlight Parade, and a few other similar musicals, so I thought it would be along the same thematic lines. It is to some extent, very much like the others: a simple plot but elaborately made escapist film for the masses. With its fantasy of three pretty young ladies in a Depression-era New York City finding love and wealth despite their showgirl roots and assorted shenanigans via a case of mistaken identity that stretches credulity as it should in a film like this, it was gong to be as light and breezy a time as could be, I thought.

He’d buy that for a dollar: Aileen MacMahon, a lucky Guy Kibbee and Ginger Rogers, who. despite her charms, doesn’t get the guy here.

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Review: Yaga (PS4)

Posted on December 10, 2019 by geelw

For all that balalaika ringing out, this beastie just wants to keep you warm inside its stomach…

So, I wrote a poem as a game review again, or a game review as a poem. Cover your ears or something:

It took a while, oh yes, it did.
But this review’s now just un-hid
It’s for a game named Yaga ($24.99), see,
in some ways, it’s a victory.

Delivered in verse, the story is.
A nice choice, but it’s not for kids
Some blood’s here (you can turn it off)
Plus dark content might make some cough.

The brilliant writing and voices match
the music here, your ears will catch.
Painterly graphics wrap up this show
where myths from Slavic lands will flow.

You play a blacksmith with such bad luck
he’s one-armed ’cause he didn’t duck
and now is cursed to walk the land.
Problems he’ll solve with one good hand.

He’s fated to spend his bad time here
with witches binding moves so clear.
You pick a fate to trouble him
and then you set off with that whim.

That random nature hurts, but helps
you beat the foes, rescue the whelps.
It surely keeps you on your toes
wherever that cursed blacksmith goes.

While fixing things, he’s also tasked
With his Grandma’s most constant ask:
“Go find a wife to share your life”
(As if the Tzar’s decrees aren’t strife).

A black-bird will tell you to craft
So listen well, now – don’t be daft
You’ll make some gear to turn the tide
or be in for a tougher ride

But, weapons break via bad luck curse
Sometimes it seems, the timing’s worse.
Until you see that fate is tied.
All magic makes that meter slide

Now, even with less magic use
That bar will fill, and cook you goose.
Your carried weapon will just break
(and swapping it won’t make it fake).

You learn to deal (well, you’d better fast)
Escape that curse? Nope, that won’t last.
Get Yaga her gifts, aid folks you meet
Or else, it’s doom, right on the street.

Four times, you’ll play this game at least
Four paths to choose, from man to beast.
All these are based on choices made
so pick the path you’ve not yet played.

While levels could be better here
And combat seems to have less flair
The things I liked made this stand out
So buy this game! Oh, yes, I’ll shout.

-GW

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Random Film of the Week: Doctor X (DVD)

Posted on December 8, 2019 by geelw

For all that trouble setting their private and expensive game show up, no one could guess what was behind Curtain #1.

Let’s just say that as a kid of, oh, seven or eight years old back in the 70’s, I had no idea (not a clue!) what I was watching when the local public TV station ran Doctor X so very many years ago. I do recall not knowing what was going on for a bit and some parts were wacky, but yes indeed, I did perk up when the “Synthetic Flesh” scene kicked in. Hell, I was a Frankenstein fan by then, even if my exposure was courtesy Universal Pictures and James Whale and not Mary Shelley until I read the book years later.

When I revisited the good Dr. Jerry Xavier (Lionel Atwill), and the film as I got older into my teens, elements started to click and it was all “Oh, that’s what that means!” on more elements I didn’t understand previously. Which of course means that as a grumpier and older old man these days, I’m all over this freak-fest like I’ve run into an old friend I haven’t seen in a while. This one’s pretty funny, pretty grim and completely bonkers. Oh, by the way, Doctor X sounds better and scarier than Doctor Jerry. That and if it were called Dr. J, there’s that slim chance a slimmer handful of folks might get fooled into thinking it’s a sports biopic (heh).

Jacket jealousy here, as Fay’s got the stripes. but Tracy’s got the tweed and they both win the fashion lottery.

It’s also a great pre-code film, what with its discussion of a few hot topics those who think “well, those old movies were DULL!” might find they’re a bit incorrect about if they ever get off that dead horse they always jump on and see a few of these films. Now a little murder? Hey, that’s fine and dandy in a film about a mysterious killer. Toss in elements like that mysterious killer who happens to cannibalize corpses, a bit of prostitution and rape as story elements, plus a few old guys sitting around talking about their fetishes (hey, that may be the most creepy thing about this to some!), and more atmosphere that you can shake a few sticks at, and you get a true classic.

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Capsule Reviews Are GO! (Part 3)

Posted on December 6, 2019 by geelw

Ever have one of THOSE days?

While I won’t be totally going this way in terms of reviewing bigger and longer titles, I’m finding it a nice challenge to play some of these shorter games and write less about them while trying to convey in a few sentences (well, two paragraphs) how well most of then do at delivering sometimes unique, sometimes similar gaming experiences to those that pick them up. Some of the games in this series might seem like just easy ways to earn fast trophies in a few minutes, but often there’s quite a bit of replay value under the hood or you get games that may SEEM simple on the surface unless you take a closer look and see what’s what. Granted, in some cases, a few things work better than others as you’ll see below:

Back In 1995 (PS4/PS Vita Cross-Buy, $9.99): Very much an intentional visual, aural, and gameplay throwback to the 32-bit era, indie developer Throw the Warped Code Out (Takaaki Ichijo) has recreated a game with both the look and feel of those old days of “tank” controls, fixed camera angles, and oddball “what the hell is that weird blocky thing coming at me?” monsters. While the game has flaws in storytelling and seems more meta exercise than “serious” horror game, the best thing to do here is take away more of the former meta feel than the latter serious horror thing and enjoy it for the nostalgia factor if you remember those not-too far away days. Ratalaika Games handled the console ports and publishing, but this one’s not your average easy Platinum, that’s for sure.

If you don’t remember or even like that era, expect some confusion and likely, frustration here. The game doesn’t break any new ground and isn’t supposed to, and I’ve the feeling that Ichijo was going more for evoking an particular atmosphere and sense of time more than making a game that would be “perfect” at the end of day. It’s sort of like the scent of something familiar from the past one might recall when walking into a room, but it might end up not being a favorite scent when you stop and remember everything good and bad about it. I got it right away, so I’m scoring it accordingly with the big caveat that it’s not going to be everyone’s cup of tea.

Score: C+ (75%)

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Review: The Monster of Piedras Blancas

Posted on December 4, 2019 by geelw

“Oh, crap. I forgot to put on my silky underthings BEFORE I got into the costume. Er, they prevent chafing, you know, right…”

On one hand, Irvin Berwick’s 1959 flick The Monster of Piedras Blancas is a pedestrian and very slow-burning “B” horror film with some neat noir-like shots, light early gore, and a great creature costume cobbled from a few sources that looks quite spectacular when it’s finally revealed. On the other hand, it’s still a pedestrian and very slow-burning film that drags out its plot a wee bit too long.

Its big monster reveal comes so late in the film and manages to come off as somewhat disappointing because you still see less of that really cool-looking monster than you’d like, but at least you get some action on-screen when it happens. It’s far from a “bad” film, it’s just a bit dull in its presentation of an otherwise great-looking man in a suit. The again, with a budget under $30,000, you can see where the money went thanks to the suit that man is in being so well-conceived.

“I will roar from the highest rooftop that I DID NOT DO IT!”

Granted, the film teases the titular creature right at the very beginning as a claw reaches for a beat-up metal bowl and afterward, some kids are sent packing off the beach by a lighthouse keeper named Sturges (John Harmon) with a secret. He’s the one keeping the creature well-fed and of course, he’s got a tasty and somewhat gorgeous daughter, Lucille (Jeanne Carmen) he’s kept out of the loop for years (ten years of boarding school, eep!). Naturally, she’s all grown up now and she and her curves caught the eye of Fred (Don Sullivan) a visiting biology student who’s not at all after her for her shapely figure and hey, this is 1959 we’re taking about and that stuff didn’t happen in movies like this (he said, sarcastically). Sturges is not a fan of Biology students who want to date his shapely daughter, it would seem.

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Super Capsule Reviews: Are GO (Part 2)

Posted on December 3, 2019 by geelw

Well… try not to get hit (too much).

The ever long debate I see over indie games being “as good as” or “better than” AAA content is a bit silly because at the end of the day, both types of games are welcome and necessary for a few reasons some folks would figure out rather quickly if they kind of shut up and played stuff more than they do rolling around in the internet alley fighting about. Me, I just love seeing what a dev team (or single developer in some cases) can whip up because hell, playing a well-made game created with passion that can be seen on screen is a good way to get anyone who loves a wide range of visual and gameplay styles to go spend some of that hard-earned cash on some really fun titles like the ones below.

Xenon Valkyrie+ (PS4/PS Vita Cross-Buy, $9.99): Fabrice Breton (dba COWCAT) has worked on some pretty hardcore pixel art game ports that provide a hefty amount of challenge for the money. Xenon Valkyrie, originally created by Daniel Fernandez Chavez and published by Diabolical Minds for PC, was improved and ported to consoles by Breton, is dripping with retro charm and packs in a mix of rogue-like, light role-playing, platforming, and fast-paced combat action that’s somewhat addictive even after multiple deaths. Part of the thrill comes from surviving the levels and their randomness, part comes from earning new gear as you go and using it to beat maps that seem impossible and impassable until you get that gear.

The cool thing here is you learn as you go what works and what doesn’t and runs will be, thanks to the randomness, a mix of small and large victories against enemies and the destructible maps. You’ll be using every skill and tool in a growing arsenal here, and the way each character plays will make some areas tricky to complete, but you’ll get better with skill and practice. There’s a lot of game here if it hooks you in and you don’t mind the learning process. As with the COWCAT ported game below, there’s some serious replay value here if you’re brave and willing.

Score: B (80%)

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Review: Remothered: Tortured Fathers (Switch)

Posted on December 2, 2019 by geelw

Rosemary needs a rear view mirror, good running shoes, and a portable air tank, too.

While it’s been out a few months, I held off on my review of Remothered: Tortured Fathers on Nintendo’s console because it had some major issues and I decided to hold out for a patch, of which there have been two released. I’d initially played though the most of the unpatched version, but the game had some awful visual, gameplay and interface issues that made it quite a test of endurance, particularly in docked mode where visually, it was sub-par to the point of looking like an early PS2 port in some areas where detail took some major performance hits. It was still a scary as hell game experience, mind you. But things were definitely in need of fixing and nope, playing undocked didn’t help much either.

Fortunately, Darril Arts and Stormind Games got this some much-needed love on the patch front, as a number of visual and lighting improvements, UI tweaks, and more now make it a lot more palatable. There are still a few smaller issues, but the game is certainly now well worth your time if you’re re a fan of its uncompromising psychological horror. You play as Rosemary Reed, who’s investigating the mysterious disappearance of a young girl some years earlier. Initially, she makes her way into the gloomy Felton mansion, but after a brief time poking around, she’s kicked out when things aren’t as they seem on her front (no spoilers here, but watch the trailer). When she sneaks back inside, she continues her investigation and finds… well, let’s just say, a lot more horror that she’s anticipating, a whole lot more madness on display and plenty of “holy $#!+” surprises. Well, as if having a near naked, apron clad madman coming after her isn’t frightening and surprising enough.