Oh, The Horror! Severin Films Remasters The Horror of Party Beach

(Thanks, SeverinFilmsOfficial!)

 

HoPB_MPYes indeed, it’s a hot summertime thing from 1964 and it’s BACK. Well, it’s back on August 28, 2018, but you can pre-order this slice of not too scary sea life NOW.  Now, don’t get me wrong, people. The Horror of Party Beach is kind of bad. How bad? Well, I did a review a few years back noting it wasn’t all that good, if that helps. That said, in retrospect, its heart is definitely in the right place, the film is actually terribly funny and campy as hell, and will indeed make you laugh if your funny bone is in good working order.

I’d prattle on some more, but YOU, dear reader? You have some pre-ordering to do if this spiffy new 2K restoration floats your particular boat. Get the bundle! Or get the Blu-Ray by itself! Or get the DVD if you don’t have a BR player yet! You can also get the enamel pin and/or Beach ball from the bundle separately and make believe you bought the bundle (er, if that’s your thing).

Uh, if you only have a VHS or (eek!) Betamax player, you’re kind of out of luck, sorry!

-GW

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Blu-Ray/DVD Review: The Aftermath

The Aftermath VCIThere’s a great bonus on the BR/DVD version of The Aftermath that’s well worth watching before you see the main event. That would be the 1973 student film, The Night Caller, directed by Dan Gilbert and inspired by Ray Bradbury’s short story, Night Call, Collect. The same guy who co-wrote and stars in that main event, Steve Burkett, also plays the lead in this short and it seems the plot is something of an expansion of a few ideas from the short as well as some of Burkett and co-writer Stanley Livingston’s own work.

That said, this shot in 1978/released in 1982 film was also something of a passion project for Burkett, as it was made for not a whole lot of money (and it shows), features a few of Burkett’s friends and family members along with the always fun to watch Sid Haig as the film’s main, mean villain. On one hand, it’s not the greatest action film you’ll ever see. However, it’s a case of a killer “B” flick with an oddly effective sting that happens to wear its battered heart on its bloody sleeve.

Burkett plays Newman, an astronaut returning to Earth after a lengthy journey with two others, Mathews (Larry Latham) and Williams (Jim Danforth!). They can’t contact anyone on the planet and after an explosion, the ship crash lands in the water somewhere near Los Angeles. Williams is killed and initially, Newman thinks he’s the sole survivor until Mathews washes up shortly thereafter. The men spend a harsh night outdoors where they’re attacked by crazed and somewhat violent (zombie-like?) mutated savages and it’s only when the dawn breaks they find out there’s been a big ol’ nuclear war while the men were away that’s wiped out a good chunk of humanity.  So much for that homecoming parade, right?

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Mail Call, Yesterday Edition

Mail Call Sunday

So, I’m in the process of writing up a certain review when I take a minute to check one of my inboxes which kindly notes that a DVD I finally got around to ordering has arrived (and rather quickly, at that). On Sunday.  As it was about 2:24am Monday (“Sleep?” What’s this “sleep” you speak of, mortals?), my eyebrow went up and yes, I got my keys, put some pants on (TMI: I tend to dress like a video game mascot character from the 90’s when at home) and hoofed it downstairs to check my mail with the first thought being the mailbox would be empty and somehow USPS and/or Amazon mucked up the delivery date. Wrong, and well, wow for the post office for delivering regular mail on a day when it usually doesn’t.

Um, go write a letter or postcard or something today and mail it, I guess. USPS kinda needs people to be less reliant on tech and more reliant on good old fashioned handwritten surprises via the post. Either than or they go under and we end up going broke because it’ll cost a mint to ship via other services angling to take their place and doing a worse job in the process. Anyway, back to the backlog, ladies and germs!

-GW

Blu-Ray Review: Brain Damage

BD_AV090 (Custom)I somehow missed out on Frank Henenlotter’s Brain Damage when it was first released back in 1987, but it’s been on my very long list of films to see for quite some time.  Arrow Video’s recent restoration is pretty awesome and is filled to the brim with some great bonus features. Depending on your tastes this is one of those outrageously creative films that you’ll love or hate, but like Henenlotter’s other exploitation flicks (the three Basket Case movies, Frankenhooker, Bad Biology), your best bet is to jump in feet first and enjoy the wild ride.

When a somewhat phallic-shaped brain-eating parasite named Aylmer (or Elmer) escapes from the apartment of the elderly couple keeping it as a twisted addiction source and ends up a few doors away with a new host, Brian (Rick Herbst), things get gory quite quickly. The old couple had been feeding Aylmer fresh from the meat market calf brains thinking they could sate his hunger, but you know how these things go in movies like this, right? Yes, there’s an explanation for how the parasite ended up in the apartment of that couple, but that comes later on in the film and I’m not telling.

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Blu-Ray Review: Madhouse (1981)

Madhouse_AV094Ovidio G. Assonitis’ 1981 horror flick Madhouse (aka And When She Was Bad and There Was a Little Girl and not to be confused with 1974’s Madhouse) is a good-looking but ultimately disappointing genre flick that throws a few interesting ideas around but doesn’t quite know how to fit them all together. But man, does it make a killer opening impression as well as pack in a few unsettling kills. That said, it’s easy to see why the film has its following despite some oddball flaws that keep it from being truly great.

That haunting opening still packs a wallop, though. As a creepy lullaby plays, one young twin gently rocks another in a darkened room before suddenly stopping to smash her in the face with a rock or brick of some sort. It’s definitely jarring, but actually has nothing to do with the film unless it’s meant to set the overall mood.

Yes, we find out that one sister had indeed been incessantly mean to the other throughout their childhood. But it’s Julia (Trish Everly), now a teacher for deaf children who was the victim of her sister Mary’s (Allison Biggers) cruelty. Julia’s got flawless skin and not a scratch on her face or body, but she’s bearing plenty of fears thanks to her sister making her early years a living hell. Given that there’s no mention of her receiving any sort of plastic surgery (she also mentions Mary’s dog used to bite her frequently), that opening seems open to interpretation.

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Blu-Ray Review: The Zodiac Killer

Zodiac Killer BR Ha. Way back in 1970 or so, someone should have told newbie director and pizza shop maven Tom Hanson that the Zodiac Killer has a far better chance to be caught alive during a screening of Dirty Harry than dead asleep at Hanson’s eyeball-rolling (yet pretty potent on occasion) The Zodiac Killer. While the film has some genuinely scary moments in replicating some of the more infamous murders, it’s also loaded with chuckle-worthy performances and a couple of hilarious made-up deaths that might have you choking on your popcorn.

Make no mistake, ladies and gents. This isn’t a “great” film by any means. But thanks to AGFA and Something Weird Video, we have a nice 4K restoration that still retains a certain grainy, grimy charm. Well, about as “charming” as you can get in a film explicitly meant to taunt and catch a notorious serial killer.

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Blu-Ray Review: Werewolf Woman

WerewolfWoman_BRWith most exploitation films, it’s best to jump in cold and hang on for dear life because over-scrutinizing every frame can mean missing out on what a film really has to offer. Flaws and logic gaps are commonplace as many genre films tend to be rushed (or pay homage to earlier rushed flicks) and rely on copious nudity, sexual content, and/or graphic violence to make their points. Of course, that’s probably one reason why they’re so appreciated by those of us with time to spend watching as many as we can fit into out libraries. You know who you are, so wave that flag proudly, pal.

On the other hand, a film like Rino Di Silvestro’s 1976 Werewolf Woman (aka The Legend of the Wolf Woman, among other titles) demands to be scrutinized (warts and all) because under that copious nudity, et cetera is a film whose director fully believed in the subject matter (Clinical Lycanthropy) and yep, decided to tackle it head on as a full on exploitation flick. While it’s a film that’s got quite a nasty, depressing bite to it when all it said and done, you can kind of see through all the sleaze that the director was trying to slap some sort of psychological depth into the proceedings.

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Blu-Ray Review: Doberman Cop

Doberman CopYou may (or may not) confuse Doberman Cop with Wolf Guy for some reason and nope, I’d not fault you one bit if you haven’t seen either film and draw that incorrect conclusion. The former film has nothing to do with the latter other than both films were adapted from popular manga and greatly transformed as a result by their respective writers and directors.

In the case of Kinji Fujusaku’s 1977 flick, it’s a far better made movie once again featuring Shinichi “Sonny” Chiba doing his own stunts, loads of violence (but less nudity) and a weird dip into supernatural detecting as a means of solving a series of serial killings. While crackling with a crazy energy, there are a few logic gaps if you pay close enough attention between Fujisaku’s trademark hard-boiled violence that don’t harm the film, but the narrative suffers as a result.

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Blu-Ray Review: Wolf Guy

Wolf Guy_AV088 (Large) While comic book movies are a dime a dozen these days, it’s a pretty damn expensive enterprise launching one of those overblown popcorn flicks to an increasingly jaded audience. The funny thing is, sometimes the el cheapo route works best in delivering pure bang for a lot less bucks. But of course, we’re stuck in the era of major studios refusing to do anything on a small scale without wrecking it with interference of some sort by throwing either too much or not enough money into marketing depending on the project’s potential.

Which is kind of why Wolf Guy makes for such a stupidly thrilling alternative to the current Hollywood template. Japanese film studios had been adapting all sorts of manga for years, so Kazuhiko Yamaguchi’s 1975 film isn’t all that special. In fact, it never rises above pure exploitation fodder where you flip your brain off and hang on for dear life. But the over the top (in-camera) gore effects, copious nudity, and totally bizarre plot make it a crazed breath of fresh air that’s worth a look. Granted, you’ll want to watch the special features just to get your money’s worth as this film isn’t going to win any awards for making much sense.

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Review: Independence Day: Resurgence

independence_day_resurgence_xlgWe really didn’t need a sequel to Roland Emmerich’s Independence Day, but one got made anyway. The first film was a big, loud and (at the time) expensive chunk of mindless summer fun that grossed over $800 million at the box office and paved the way for even more mindless blockbusters that featured cardboard characters, paper-thin plots, and more (and questionably “better”) computer generated effects. I liked it enough to see it four times (hey, those visual effects were pretty stunning back then) and later bought it on VHS, lenticular insert card and all.

The 20 years too late sequel, Independence Day: Resurgence ups the ante considerably by making everything bigger, dumber, faster and louder to the point that it’s a mind-numbing, confusing mess from start to finish. Hey, if you like your popcorn movies quite popcorn-y and don’t mind two solid hours of a simplistic yet convoluted plot, by the numbers acting and countless millions (or billions, it’s hard to tell) killed before the end credits, I’m not here to poop on your parade at all.

On the other hand, I want some actual science back in my science fiction. And physics. And something resembling a comprehensible plot that doesn’t insult what little intelligence I have left. None of those are here and the film’s way too cheery ending promising an even bigger and more bombastic third entry ends up dooming this “franchise” to maybe network TV movie or limited series status at best (that is, if someone at Fox has the brains to even think of going that safer route).

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