Wow. Well, I generally hate over-hyped movies to no end, but the marketing team for Luc Besson’s gorgeous-looking upcoming adaptation of Valerian and the City of a Thousand Planets is made up of some raise-deserving geniuses. Clearly realizing the director’s work tends to be polarizing to those who take it too seriously or go in with biases, they’ve decided to let anyone who comments on the trailer get their own personalized blurb version just for commenting on the teaser. This made me chuckle to no end and yes, I needed that laugh. If you need a similar laugh of your own, well here you go. Have at it and feel free to share that link when you get it.
Ugh. So, thanks to running back and forth to serve on a jury in a modern but not cleaned too regularly court packed with common folk and their assorted germs, I’m sick as a dog. Well, a sick dog with a raw throat and assorted aches. While I have no issues with serving at all other than the long waiting times, uncomfortable seating and yeah, people coughing, sneezing and sniffling like mad, feeling as if I’ve been trapped in the most boring convention meets Groundhog Day is both annoying and amusing.
Okay, I’m going back to bed now, tonic in hand. My inbox is BURSTING with nice, busy news and such,but I’m in no shape to get to it. Ooof. We’ll see how I feel in a few hours/tomorrow, as I hate being this sick for no reason other than I was pressed into service in a public place that should be a great deal better maintained.
Duccio Tessari’s 1971 thriller The Bloodstained Butterfly is a great entry point to the genre for those squeamish viewers curious about gialli but not willing to commit to the more violent entries known to more ardent fans. The film is part murder mystery, part courtroom drama and part revenge flick, all stylishly shot and scored to excellent effect.
It’s also a bit of a slow fuse to its conclusion, but that’s not a bad thing at all. The film’s structure where a murder is committed and witnessed, a suspect is caught, tried and jailed, but more murders take place is yes, pure TV drama stuff you’ll see on way too many episodes of whatever Law & Order series you’ve been hooked on for who knows how long. But, Tessari’s confident style comes through in every shot, making for a highly watchable viewing experience.
And so is watching some movies, pal.
Upon finding yourself on the set of a horror film or hell, ANY film where someone starts reading from a musty old book written in an indecipherable language, Rule Number One is this: LEAVE. You want examples? Sure. Equinox, The Evil Dead, In The Mouth of Madness, The Beyond, Necronomicon: Book of the Dead, The Ninth Gate, and so forth and so on. ALL of these flicks were initially rom-coms until someone on set decided to crack open a nasty, smelly old book they found, bought, pilfered or borrowed and all hell lit-er-al-ly broke loose.
Okay, not really. But you know you’re in for a deadly day for night shoot when there’s an old tome read and not much common sense exhibited by the cast once stuff starts going south. Sadly, 1974’s The House of Seven Corpses isn’t as good or fun enough a flick to watch as the above mentioned ones, wasting its tome (ha!) with too much “exposition” from annoying characters, John Carradine phoning in a performance from a better, scarier but campier film, and some slightly to moderately creepy undead that whittle down the cast and crew of a
romantic comedy cheapie horror flick one by one.
It’s probably not a big co-inkydink that the film was produced by a company called Television Corporation of America, as save for a few moments, this looks and feels like a TV movie of the era. No, that’s not a complement.
This one’s for Mr. Bruno, who asked how this 1973 British “horror” flick was. Here’s your answer in the form of an opinion, sir. While it’s got a cult following, is fun as hell to watch, has some striking imagery, Psychomania (aka The Death Wheelers) is very much a “meh” genre flick overall that hasn’t aged well and isn’t even remotely scary. It has some fine ideas and even a solid John Cameron score holding things together. But a lack of “edginess” or even a true sense of danger doom it as a “serious” scare flick.
That said, it’s got that cult following that adores it for a few key reasons such as a brilliant opening sequence, those GREAT skull painted motorcycle helmets worn by The Living Dead cycle gang, a killer shot of a formerly deceased biker bursting from the grave on the bike he was buried on, and a bunch of hilarious demises as most of the gang kills themselves in order to return as immortal bikers… from helllllll!
The plot goes like so: Death-obsessed cycle gang leader Tom Latham (Nicky Henson) discovers he can die via suicide and come back as an un-killable death-obsessed cycle gang leader with the aid of his frog-cult worshiping mum (Beryl Reid). Once risen, he lets his gang, The Living Dead in on his secret and they follow suit, save for his girlfriend Abby (Mary Larkin) who doesn’t want to join the ranks of the undead. There’s a bunch of bloodless murders and pre-Mad Max road crimes and chases, a lot of talking and a very weird finale that may baffle you if you weren’t paying attention to the kooky story and just wanted a more brainless flick to chill out to.
The words “Perfect” and “Essential” don’t often get tossed around here, but both describe Arrow Video’s stunning Blu-Ray of Mario Bava’s influential horror masterpiece, 1964’s Blood and Black Lace. If you consider yourself at all a horror fan, this one’s a no brainer BUY for your library or a great gift for that horror fan in your life who’s never seen Bava’s beautiful ballet of brutality.
From the eye-popping 2K restoration to every single bonus feature on the Blu-Ray, this set’s great for anyone who wants to see a truly great pre-giallo work that inspired many directors to play with elements found here and in Bava’s earlier The Girl Who Knew Too Much, a lesser, but still important work from a year earlier.
When models start getting killed in and around the Cristiana Haute Couture fashion house, the hunt is on for the masked killer and pretty much everyone is a suspect… that is, until the suspects start getting killed off. The film throws around its gorgeous use of color, stylized violence, rich soundtrack and a bottle full of vintage bubbly paranoia quite well, cooking up implausibilities as a good giallo should.
Somehow, the killer is in more than one place! Explained! How did that one person know so much about the SECRET diary? Explained! What’s up with the fuss over one girl having a shady boyfriend into drugs? EX-PLAINED! Well, sort of. Anyway, the film hits you with a lot of information at a mostly rapid-fire pace and Bava’s assured direction gets his vision onscreen at full tilt guaranteed to keep you glued to your seat until the bitter end.
As an effective horror film, Christopher (Douglas-Olen) Ray‘s chiller A House Is Not A Home is quite well made, but isn’t the scariest film you’ll ever see by a long shot. Don’t get me wrong – other than a lack of gore, it covers the expected fright bases alright and has very solid performances all around. The problem is, it sticks a wee bit too close to the films it’s influenced by to be memorable outside of a few scenes.
Referencing The Exorcist, The Amityville Horror, The Entity, and a few other more modern horror flicks, AHINAH’s best trick is playing with the old Eddie Murphy joke that black people would get the hell out of a haunted house as soon as the first sign of something scary took place. In this case, the big twist is… the house here just won’t let them, and that’s AFTER it’s supposedly been dis-possessed by a voodoo priest in a lengthy process that involves a room-to-room “cleansing”. Oops.
The jury is officially out, most likely because they just got a dose of nerve gas while sequestered. All I’ll say here is lovely kimono/mask combo and presence of “Beat” Takeshi aside, this is not what I’m wanting to see because it gives me a serious flashback to that pesky live-action Æon Flux movie. I’ll say no more on this other than to predict it may do better in Japan than in the west, as for the most part, audiences there somehow think the film will do well with a popular Hollywood star than some native no one will recognize outside of the country.
Amusingly enough, the first actress that came to mind when I heard Scarlett was in the running was Charlize Theron, who at least has the height I think Motoko Kusanagi needs to be that imposing figure she is in the anime. Eh, I guess she’s not so Furiosa she didn’t get the part (ba-dum-bum!)…
While the three films in Ivan Tors Productions’ “Office of Scientific Investigation” (OSI) trilogy haven’t gotten the name recognition or massive fan bases of certain other more well-known franchises, each stands out as a fine example of Tors’ commitment to bringing a more scientific and human touch to the genre. While not going for camp or cheap thrills, the films make for a look into Tors’ heavy interest in pure science fiction with independent films he got made on his own terms.
Beginning with 1953’s The Magnetic Monster, 1954’s Riders to the Stars, and GOG, also released in 1954, the three films trade in the era’s familiar “B” movie antics for drier, more “realistic” hard science mixed with speculative elements. While some action scenes take place in all three films, outside these sequences things are done with a more sedate, almost documentary-like presentation of their assorted plots.
Additionally, all three films can be watched and enjoyed fully in any order, as they tell stories that are connected by a few threads, but don’t contain the same characters. Chief among these threads is men (and women) of science trying to make advances in the field for the future with dramatic (and sometimes unfortunate) results. Or: you can’t make a science-flavored omelette without breaking a few scientist-shaped eggs…
Remember when Tower Records was THE place to hit regularly for everything from the latest music, to movies, books, and even clothes? I sure do. If you’re nodding and wistfully smiling, well… good. This documentary set for a 9/13 release should be on your must-watch list, then. Take a peek at that clip below and sure, hit up the MVD Shop if you want to pre-purchase it.