Detour Takes a Turn To 4K

(Thanks, Film Forum!)

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Well… it’s a more of a one-way ticket for a few of the less fortunate folks in this flick.

 

If you’ve somehow never seen Edgar G. Ulmer’s absolutely mind-blowing 1945 noir Detour (or even if you have via a few public domain channels) and live in the NYC area, you’re in luck. The Film Forum will be showing a newly restored 4K version from November 30 to December 6, 2018. If I’m not mistaken, I saw this on the big screen way back in 1992 (I think it was at the Film Forum or one of the other downtown NYC indie theaters) when it got a re-release alongside the Wade Williams remake that was okay (albeit not as great as the original) and added scenes not found in the original film.

It’s probably a given that this one will indeed pop up on a disc at some point and even though it’s a film I’ve seen maybe 25 or so times since, I think it’s a good chance this will get added to the library here just to have the best version available. Sure, the ratty quality of the original print lends a certain vintage “charm” to the film. But hell, it’s the 21st century and being able to see this cleaned up and maybe with some minor gaps fixed will be a real treat.

-GW

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Wallet Apocalypse, Now: More Black Friday Deals (Short Version)

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Well, I was planning to do up some more game deals today, but I got a VERY nice surprise in the form of a couple of game codes for upcoming titles (yes, some people work on this wholly US holiday because they’re overseas and don’t celebrate) and I want to leap feet first into those games. I can’t talk about either game at the moment (and one can’t be mentioned at all until probably early next year), but I like this sort of thing, this staying mum for a bit on what’s looking like some very awesome titles you’ll all get to try at some point.

Anyway, the fine folks at the wonderfully comprehensive games discount site Cheap Ass Gamer have done up a great deals list here and they also have an excellent rabbit hole of a forum here you can (and should) peruse ASAP.

Now, if you;ll excuse me, I’ve got some pixels to go push around or get pushed around by. Happy Thanksgiving if you celebrate (and try not to roll around on the floor with cranky Grandpa or Uncle or whomever if they want to argue politics. That’s what pie is for. Stuff that face full of it and everyone’s happy!

-GW

(Not So) Random Film of the Week: The White Buffalo

It’s that time again, folks (Dangit, we need a THEME SONG):

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Go get that popcorn going, this one’s quite a doozy.

The Whire Buffalo (Kino)While it’s not that much of an “obscure” film these days thanks to a few DVD and Blu-Ray disc releases over the years, J. Lee Thompson’s wild fantasy/horror western The White Buffalo goes way the hell out of its way to be as surreal as possible (well, within the confines of a Hollywood studio film, circa 1977). If you’re allergic to allegory and go in expecting it to be a more typical manly-man weekend special Charles Bronson flick, it may likely baffle you with its mystical and more surreal elements even though it definitely delivers the goods on the action front.

If anything, this Dino De Laurentis produced follow up to 1976’s (not quite as classic as the true classic) remake of King Kong suffers from too little scope due in part to a lower budget that, combined with a script that’s not fully fleshed out in spots, doomed it to death by a thousand critics slicing away with pen-knives and audiences who likely were expecting a more commercial flick. Today, it’s a different story as the film has garnered a bit of a cult following, warts and all.

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One of these hairy dudes is Bronson, the other looks more like a hippie jackalope. Uh, wait. a sec…

Still, it’s an excellent showcase for Bronson, as he completely inhabits the role of an ailing James Butler “Wild Bill” Hickok (or, James Otis as his alias here), who, after having recurrent nightmares about the titular creature terrorizing his mind, sets out to kill the beast but good. His competition for the prize: Crazy Horse (Will Sampson), whose infant daughter has been killed along with many of his tribe after a bloody rampage by the seemingly unstoppable, mountain wrecking, avalanche-causing monster.

In a kooky way, it’s more or less Ahab (from Moby Dick) meets Quint (from JAWS), but I don’t want to get too far with the literary or cinematic references even though the film is based off the novel by Richard Sale (who also wrote the screenplay). Let’s just say not every idea gels here, and to quote the late Milton Arbogast,

“You see, if it doesn’t jell, it isn’t aspic, and this ain’t jelling.”

That said, when it does gel, it’s like that time you used three boxes of gelatin and too little water and got something sweet you could bounce a silver dollar off of and have it hit you in the eye (ouch). Painfully palatable is a good description.

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Lucio Fulci’s ZOMBIE: 4K, 3 Ways, On the Way in November

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If I’m not mistakes, we got a load of these posters in the NYC subways as well when the film was initially released in the US. I’d kill for a few to sell off now. Uh, figure of speech, that.

 

Yum. If you’re an old coot like me (or old enough to remember), this pair of TV ads for Lucio Fulci’s horror masterpiece, ZOMBIE. Hey, even though I was 15 at the time, they both kind of sunk into the memory like a… well, like a zombie munching on some fresh brains. I didn’t actually see the film until a few years later thanks to a friend who had it and a bunch of other horror flicks on a VHS tape he’d put together and, yeah, it was worth the wait.

Between the jump scares and general relentlessness when things got going, Tisa Farrow (Mia’s sister) getting it in the eye like Moe Greene, but slower and with a rather pointy piece of wood (ouch), a zombie versus shark scene (no pirates, sorry… but that’s a real shark!), and the classic line delivery early on: “Hey, watch out for the sail!” that kind of starts off this gore-fest in the most comic of manners before things get grim. Yes, there are slow stretches, but the film delivers all the goods when it counts from the icky to the just plain weird (conquistador zombies, ftw!).

 

 

Anyway, the fine folks at Blue Underground and MVD Entertainment Group are releasing not one, not two, but THREE 4K cover variants of the film, newly remastered in 4K and set to crawl your way on November 27, 2018. Actually, there are a whopping SIX variants total when you add in the older 2K BR and DVD versions on the BU site listed here, here, and… wait a sec… HERE. Collect ’em all!

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DEATH KISS: Then Came… Bronson?

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I know I’m very late to the party on this, but yipes, this guy’s got the looks of a… Stone Killer (ha and ha-ha).

 

(Thanks, JoBlo Movie Trailers!)

 

Okay, the film looks kind of cheesy (in the best possible manner) and that soundtrack is pure 80’s perfect (as in equally cheesy, plus tax). But I kind of want to see this, iffy acting, tralier-iffic clunky action scenes and all just for actor Robert Bronzi doing a dead on Charles Bronson impersonation. I almost thought for a hot second some digital effects team got the rights to Bronson’s likeness and stick it on some actor’s face, but nope. Bronzi’s the real unreal deal. I’d bet a buck that Uncork’d Entertainment figured out right away this one would be somewhat of a hit among nostalgic Bronson fans wanting a slice of the old days and old ways.

While I’m not sure he’ll be game for hopping into the Bronson role should there be some studio bold enough to try for a reboot of the Death Wish franchise or a new series with a different name that has Bronson, er Bronzi playing a similar character, actors DO need to work and this guy’s got the looks to get the asses in seats. Oh yeah, Bronzi has an official website, so feel free to pop in and say hello as well as tell him what you thought of his work r his spot-on Bronson impersonation. He seems affable enough not to want to hunt you down and exact justice if you’re a poor judge of his talents.

The film is available on a bunch of VOD services now (Amazon, Hulu, Xbox One, the usual suspects), but as I despise streaming services (mostly because streaming up here blows), I’ll be holding my breath for the December 4 DVD release which seems to be a Walmart exclusive if the film’s facebook page is accurate. Eh, it’ll likely pop up on ebay as well, so at least I can get it there because the nearest Walmart is a bit of a pain to get to. Well, it’s a long bus ride away and I hate the super steep hill that bus needs to go down because it’s somewhat vertigo inducing in a slow roller coaster about to roll over manner. I have no idea how people make that trip along the route, because I’ve seen passengers do stuff like shut their eyes and/or mumble out assorted prayers to all sorts of deities during the trip down. As I don’t have a particular Death Wish to make that treacherous trip, I’ll go the slow and lazy Pony Express route on this. Hell, my backlog is big enough that I can hold out for a few months.

-GW

Coffee Talk 2: Valhalla, Here I Come!

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Long story short: This stuff is quite good. Keep reading.

Coffee memory #162 (collect ’em all!):

“I like my coffee like I like my women… HOT!

I think it was about 1991 or ’92. Had I walked into that diner and sat down a minute earlier, I’d have very likely done a spit take with a mouthful of freshly poured ice cold water as soon as I heard that cheesy line. Fortunately, it happened just as I sat down next to the grinning woman at the end of the counter who said it, then turned to me and asked if I liked a good cup of coffee. I recall answering something along the lines of “Uh, sure?” as an exceptionally cheery waiter appeared on cue with a sunny “Hello, what can I get you, love?” I recall she had an accent that made her sound quite like Joan Greenwood, which made me almost forget what I wanted to order because I just wanted to sit there and listen to her recite the entire menu.

“The coffee’s good” the voice to my right noted, so I tipped my head in her direction and replied “I’ll have what she’s having…” which made both women laugh and a few customers to my left at the counter turn and look to see what the joke was. I didn’t turn around to check out the other tables behind me, but I’d have guess that some of them close enough also looked up for a hot second before going back to their breakfasts. I’m guessing the two ladies took that as a When Harry Met Sally reference, but it was mostly automatic on my part.

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Beefarino Get! Or: Coming Attractions

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I guess there was a mild white earthquake while some person was laying out text for this DVD cover artwork. Check out the original poster for a clue as to what’s what.

So, yeah. I needed to snag a film for a blogathon and as I’m on a budget these days (well, I’m always on a budget!), I ended up picking us a little addition to the library that, along with a bunch of other films I own just so happen to be from South Korea. Everyone needs an odd obsession or three that’s legal yet somewhat comical and one of mine is legal variants of films that come from other countries. I need to do a post on this at some point I guess.

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Yes, the subtitles are optional. I like the clean animated menu design here (which makes me wonder if the US release uses the same one).

As you can see, the film runs fine (on a Blu-Ray, a PS4, PS3 and standard DVD player from my quick tests). Quality-wise, it’s acceptable, but definitely not anything close to a Criterion Collection remaster.And before you ask “How’s the film?” I’ll tell yoy now that you’ll have to wait with bated buffalo breath for my verdict until next month’s installment of (shameless plug time:) Video Store Action Heroes to find out.

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So shameless… yet so pluggy.

-GW

The Unseen, Soon to Be Seen and Spoken Of

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Today’s bad joke, courtesy me: “Look, Buster – that’s NOT how you take the train!”

Or, Debbie over at Moon in Gemini is hosting another fine blogathon and as I have a rather massive backlog (hey, I’m building a movie fort!), I’ll be doing two Roger Donaldson films I’ve not seen but just so happen to have here thanks to the fine folks over at Arrow Video: Sleeping Dogs (1977) and Smash Palace (1981). I hear both are quite excellent.

Burt Reynolds: Last Train Out For The 1970’s Man’s Man

I’d (way too) old enough to still remember seeing Burt Reynolds appear on Dan August way back in 1970-71 and liking the show just for the rather dynamic opening of Burt doing all those stunts (and that catchy title theme):

 

(Thanks, The Rap Sheet!)

 

Amusingly enough, I was also watching Mannix over on CBS back then and yep, both shows were cut from the same (and literal) rough and tumble Quinn Martin cloth. meaning they were reliably action-packed and very guy focused (although both Mike Connors and Burt clearly had appeal to anyone hooked into those shows). I still recall in school one day some fearless (but none to bright) kid tried to copy that floor slide Burt did in the opening only to find out the laws of physics and a non-waxed floor made for a painful-looking science lesson. Hey, I got a laugh out of that foolishness, so it was all good.

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I read Burt said this was his favorite film. I heartily agree. It’s not for the faint of heart, but it’s worth the watch.

I didn’t see any of Burt’s movies until John Boorman’s brutal, brilliant Deliverance popped up in heavily edited form (I think on ABC) and yes, I was creeped out big time by it, but it also became a favorite flick whenever it aired. Now, I wasn’t one to follow all of his work, but much of everything I saw was well made and Burt always came off as a pretty cool cat. Even in his more dramatic work up to a point, he did quite okay portraying an interesting variety of characters. I liked his work on Sharky’s Machine a lot because the film works as both cop drama and intentionally amusing dark comedy. yeah, Burt was a pretty decent director, too. Foo. I hate writing these posts because it’s hard to put words into proper sentences when one’s mind is racing like a Pontiac Firebird Trans Am about to clear a huge jump. Go watch a Burt flick at some point, I say. Pick a good one.

-GW

Blu-Ray Review: Deep Red

Deep Red ArrowI clearly wasn’t ready for Dario Argento’s Deep Red way back when I saw it on a somewhat beat-up rented VHS tape back around 1990 or ’91. While the 1975 film had some primo scares (such as that freaky clockwork dummy scene and the genuinely gory brilliance in its stylized murders), the story seemed to be a bit chopped up to the point of distracting me a wee bit too much. Hey, I often tend to pay attention to the plot more than the violence in most horror films, so sue me. Flash forward to Arrow’s 2016 UK restoration (finally getting a North American release) which adds back in scenes that were cut and makes one of Argento’s best early films even better. Granted, it’s not going to be for everyone (yes, it’s quite violent), but as with many gialli, you more or less know what you’re getting and you’re going to get it but good (and in both eyes, at that).

David Hemmings plays Marcus Daly, a British jazz pianist who ends up being the target of a killer after he sees said killer killing the hell out of some hapless victim. During the initial police investigation, Daly’s photo is snapped by snippy, snoopy reporter Gianna Brezzi (Daria Nicolodi), who inadvertently puts Marcus in grave danger after posting his handsome mug in the newspaper. As in his earlier The Bird With The Crystal Plumage and The Cat O’ Nine Tails, you get leading men who get in well over their heads once they try to do a bit of extracurricular detective work and yes indeed, Daly gets put through the wringer but good. This is also another Argento film where a woman saves the lead from certain death, with Nicolodi’s Brezzi making a strong impression as a gal who’s no screaming wallflower at all.

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