This is priceless. No, seriously, it’s going to be FREE.
Sometimes, you wake up and see something that makes your day, as as it’s a Monday, that goes double because it kicks off the week on a high note. I woke up earlier this morning to go to a medical appointment, checked my email and saw this game info, then the trailer and yep, my day was made instantly.
Solo developer and creator Daniel Manzano (aka Dr. Kucho!) has cooked up such a thing with Ghosts ‘N DJ’s, which… well, just take a look at the game trailer while I go put on a pot of coffee:
Screenshots and a good and lengthy game description are below the jump. I know you’re curious, so you get the long version this time.
Well, this looks like fun times are guaranteed. After appearing on PC last year to solid reviews, developer Rocket Punch’s HARDCORE MECHA finally blasts onto PS4 for $19.99 with a few optional add-on paid DLC for those who can’t get enough. The game also packs in a multiplayer mode for 1-4 and from what I’ve read, the game uses a unique “weight balance” system fot the mechs that makes piloting each one a bit different and requires skill to master. Granted, my own weight balance shifts enough that I’ll probably get used to the controls sooner that later (ha and ha). but I’m up for anything if it looks this good and reminds me of a few mech-filled classics such as Assault Suit Leynos, Assault Suits Valken, and Front Mission: Gun Hazard, among others.
Did someone ask for screenshots? Yes you did:
Color me thrilled to see something like this pop up on consoles and I cant wait for some hands-on time. Of course, I’ll report back with impressions here, so get ready for those, too.
This is actually pretty funny, as Terminator: Resistance has been out on PC for a few months and on PS4 in other territories as a physical release, so it’s like a time gate effect here in the US to see this trailer. Even funnier, I ended up playing about an hour of the PC version at a friend’s place not too long ago and can safely say publisher Reef Entertainment and veteran developer Teyon have really knocked it out of the park in terms of the overall atmosphere.
Translation, it really feels like it’s set in the Terminator universe ‘Future War’ setting and all, and the music is absolutely brilliant. It’s got a few pesky areas, but from my time spent with the PC version, I really liked what I played. Enough to order the game from a UK retailer where the PS4 physical version was cheaper that the digital one by almost half. Anyway, this will be a fun review when it arrives in a few days, that’s for sure. Before you ask, PS4 games will run in any territory, but I may need to set up a UK account if there’s any downloadable content, but that’s not a big deal to do at all.
Here’s when you say “Ladies first!” when asked to tackle a tough mission. You might get a kick to the head, though…
Cutting to the chase, maybe? Right, then. Here’s what was in that care package that was retrieved by a friend for his two kids as they were struggling with a no internet challenge. I’d say that package worked for its purposes pretty well, but we’ll see what the kids thought:
The Flintstones The Complete First Season: This one went over big because neither kid has seen the older version of the show in any sort of order before, but they definitely got it’s influence on The Simpsons and Dear Old Dad said he went out and got a Honeymooners collection DVD from a local pawn shop at some point so they could take a deeper dive down the road.
I’ve always thought the first three seasons were the best, as the animators were still working on a few things and the some of later seasons’ episodes felt a little stale. That said, every season has quite a few stellar episodes, and on the while, it’s a classic series worth seeing in full.
A while back, a friend of mine made a bet with his two teens that he could stay off the internet longer they they could and he noted that after a bit of “sure, Dad, whatever…” snickering and such, they took him up on the offer for a month. Well, I think it may have been the lure of less to no chores for the month as a reward and I think there was a small amount of financial bribery (which isn’t really “bribery” if it’s in kept the family and it’s agreed upon, right?). CHALLENGE ACCEPTED.
I got a kick out hearing this because I know for a while he’d been trying to get them to spend more time with each other and less time glued to tiny screens when they were in the same room. I knew he and The Wife were big fans of board games and silly outdoor fun, but the kids? Well, they were when they were younger, they were. But now they did school activities and were busy with them (a few clubs and team sports, from what I understand). But at home, phones, tablets and teen gossip ruled the roost so much that on some days, even the TV went un-watched by the kids. Neither of them is into video games as a hobby, although there is a PS4 in the house that gets regular use (Hi, Dad!). Anyway, it seems that things were going well for about a week, when I get a phone call asking if I had any cartoons in the movie library…
I did a double take at first because I hadn’t seen the trailer when I found this out and thought for a second this was a new game with both characters in it. Nope, but it’s still thrilling news here for PS4 fans who didn’t pick these games up when they came to PC or when they debuted earlier on certain consoles. To be frank (Hi, frank!), I know I’m going to prefer the new console versions over playing on PC if the frame rate is stable and I don’t need to sit there and tweak settings to get something acceptable. That said, I may need a PS4Pro at this point just for the performance upgrade alone, *sigh*.
Ah well, we’ll see what happens with that particular wallet fight. In the meantime, PlatinumGames, you keep on what you’re doing – I’ll see you in February.
One of these folks has not has his coffee yet. One has had too much.
While I’ll confess I’m more of a Monster Rancher person (ah, memories of popping in random or specific CD’s to generate monsters!), I did dabble in a tiny bit of Pokémon starting back in the ’90’s, playing bit of the Red version and a few other titles, eventually tapping out because it wasn’t for me. In he 2000’s. I did eventually play a few of the free games from the franchise though. Both Pokémon Rumble and Pokémon Shuffle were decent, simple time killers on the 3DS for a while. But I wouldn’t say I was devoted to catching them all and nope, I couldn’t tell some evolved types apart even if you handed me a cheat sheet.
That said, I do know Pikachu is a species of Pokémon, so only seeing ONE of them in PokémonDetective Pikachu was having my well-aged eyebrow creak up a little. Granted, it’s very likely that some younger kids would be a bit confused seeing more than one, so there’s that to consider. That said, I’ve had random conversations with super diehard fans over the years where from kid to adult, they can go on about Pokémon for a while as if they’re real creatures and you can learn everything about them, even if you’re afraid to ask. Try getting stuck in an elevator with a few restless Pokémon fans for about an hour, and someone’s practically guaranteed to whip out their Pokédex notes (NOTE: this has happened three times over a few years, so I must be either lucky… or I need to take the stairs more).
Anyway, where was I? Oh, right. Detective Pikachu is quite a decent enough film, hitting all the right technical notes (the assorted Pokémon are all perfectly brought to life courtesy of some spectacular CG) and falling back on the usual formulaic three-act structure you’d expect from a movie like this. It’s also likely the best live action videogame to film translation to date, I’d say, Especially after sitting through a few cash-in films over the years that were lacking in a few areas. For anyone new to this sort of thing, it might be a bit overwhelming what with all the visual information presented onscreen (or: this is one very busy film). But for the most part, director Rob Letterman keeps things interesting and for a film partially based on a game of the same name, it’s pretty solid.
I’d very safely say that her ‘do outdoes his hair here, huh? (say that five times fast).
Is everybody happy? Well, not for long…
As crime capers go, Gordon Flemyng’s 1968 action/thriller The Split is flawed, but pretty good, even if the big money haul it showcases would be 100% impossible if attempted today. Granted, 2010’s The Town presented a similar heist that was more modern and also successful (until it wasn’t), but in this earlier film, anyone who tries what’s done here today will be in for a few problems from the get-go. You’ll see, but let’s talk about the plot for a bit.
Jim Brown plays Mac McClain, a recently released thief who takes on the task to rob the Los Angeles Colosseum of $500,000 during a football game after he’s led to the job a partner in crime, Gladys (Julie Harris, in a big bouffant hairdo!). After a bumpy but eventually successful encounter/reunion with his ex-wife Ellie (Diahann Carrol). Mac sets his plans into action. Naturally, color plays a big role here, so this first ever R-rated film plays it big on the use of language and insinuations about Mac from a few characters.
Lets just say, in the words of one Admiral Ackbar…. (that’s your cue, dear reader)
He recruits four other man to aid him in some rather ridiculous ways, but that gives you the chance to see them react to McClain’s crazy testing. He gets into a big knock down, drag out fight with Bert Clinger (Ernest Borgnine) in Bert’s office, but splits out a sliding door before the man knows what’s what. Then, he leads shady limo driver Harry Kifka (Jack Klugman) into a car chase where he wrecks Harry’s limo and a nice Corvette in the process. McClain also gives suave shooter Dave Negli (Donald Sutherland) a tryout (the crack shot misses his target, but keeps his cool). And then there’s wily safe-cracker Marty Gough (Warren Oates), who gets a hooker, and a vault that needs escaping as his weird tests. Yes, Mac chooses all four to join in on his plans and as expected, they’re initially not happy about this.
A few years ago, I was sitting in a diner waiting for a few friends to arrive and overheard two guys in the booth behind me debating whether or not Orson Welles was a good filmmaker. Wait, what? My ears perked up as one of the guys noted that he thought the only film he ever saw from the director was one he felt was overrated (and nope, it wasn’t Citizen Kane). He was talking about Chimes After Midnight.
It turned out both were film students who had a teacher who wasn’t a fan of the director, had shown the film in his class, and yep, both were new to Welles’ work while also in that uncomfortable place in one’s youth where one questions too much without searching for the proper answers. Eh, I think they were entitled to their opinions, but I’d loved to have sat down with them and made a few points on some of the man’s work they were clearly missing thanks to their biased instructor’s babbling and their lack of seeing more of his output.
The discovery a few years back of a fantastic quality print plus a few other things falling into place means we now have a superb high quality home video version of Orson Welles’ 1965 masterpiece Falstaff (Chimes at Midnight) which just so happens to be one of the better (and looser) adaptations of Shakespeare put on film. Even if you’re not into The Bard’s work, seeing a cinematic genius like Welles pull this off on a low budget while also creating one of the most effective and chaotic battle sequences set to film makes this a must-see movie. Welles, Jeanne Moreau, Margaret Rutherford, John Gielgud, Kieth Baxter and the rest of the cast all give perfect performances, the editing manages to make the year plus it took to put this together even more brilliant and overall, it’s a great film that’s influenced quite a few others that ended up becoming modern (and better remembered) classics.
“You got any wheelchairs, pal? I wanna take a friend for a little trip.”
No, it has nothing to do with a misspelling of decades old candy bars still being made today or the old TV series which got a sequel show in 2016 that’s still a thing, but this one does make a fine holiday-themed movie even if it’s not really one save for the the final tale. Even though it was released in 1952, O. Henry’s Full Houselooks like it was made ten or so years earlier, but that’s a good thing. There’s a distinctly quaint feeling here in this anthology of five classic stories by five different directors and the film is a pretty one to cook up a bit of popcorn for, even if in some areas, its almost too wholesome. Well, save for the Howard Hawks-lensed chapter, which is just pure hilarity in that it seems no one got the humor it its tale and his chapter was excised until it was restored in TV prints years later (and remade as a few films of note).
So, five short films, five directors and about as wholesome as possible save for one chapter that goes for the jugular (in a very funny manner)? I’m in. Although I was in already, as this one’s been a favorite for decades. Toss in John Steinbeck (!) as a narrator (which is kind of like having Stephen King or even better, Neil Gaiman host an Edgar Allan Poe anthology film, I guess), and you get a pretty interesting film that’s an easy view unless you’re overly critical about a few performances.