Review: Rise of Insanity (PS4)

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Oh, there’s a whole lot of wrong here and nope, Better Homes and Gardens isn’t making that phone call foe a feature, that’s for sure.

ROI_boxDespite an ending you can see coming a mile away and an English translation riddled with typos, Red Limb Studio has cooked up a pretty decent scare game with Rise of Insanity ($12.99). While it borrows heavily from a few sources (notably, Kubrick’s version of The Shining, bits of The Exorcist and Silent Hill), it’s got a few good unsettling moments and an overall creepy vibe that works well. That said, the game’s short play time works both for and against it in that you want to see and do more when things work, where on the other hand, horror game veterans who’ve seen it all may find the experience underwhelming if they go in with overly lofty expectations or expect some sort of “survival horror” experience with zombies, weapons and a huge body count.

Nope, this one’s another first-person “gather items and clues, read diary entries and such” deal (I despise the denigrating term “walking simulator”, by the way) where puzzles are fairly easy, the scary bits do exactly what they need to (provided you’re not too jaded) and unless you apply too much real-world logic to the experience, ends up being enjoyable at the end of the day. Well, “enjoyable” is a sort of suspect word for a game where your character can die from a few of the more frightening encounters, but I think you know what I mean.

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Someone forgot to bring a dime to have their fortune told, it seems…

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Remothered: Tormented Fathers Makes the Switch (A More Frightening Place)

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No weapons here, just lots of staying alive by your wits… or else. Oh, and the story’s killer, too.

The story unwinds around Rosemary Reed, a determined 35 year-old woman who arrives at the dilapidated Felton house to investigate on the disappearance of a little girl some years before. When the hosts realize the woman’s true intentions, a terrifying ordeal begins.

Thanks to a ridiculously large backlog, I finally got around to buying and playing a chunk of Darril Arts and Stormind Games’ quite intense Remothered: Tormented Fathers on the PS4 and yes indeed, it’s quite the scary slice of horror game genre fans need to play. Fortunately, Nintendo Switch owners will be finally getting the chance to dive into this modern classic thanks to collaboration with the Japanese publisher DICO Co. Ltd. Comparisons to the now defunct Human Entertainment’s brilliantly executed (heh) albeit dated-looking Clock Tower are interesting and inevitable, although, I’d say creator Chris Darril’s influences also include Italian horror flicks of the 70’s, a weapon-less Alone in the Dark and a few other things.

As with other Unreal Engine Switch ports, it’ll be really interesting to see how it turns out in terms of performance and visual fidelity when stacked up to the other console and PC versions. It’ll definitely be scary as hell as a game experience, so it’s got that going for it right out of the gate.

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That’s the release date, folks. Have your time carved out and play this in the dark with some decent headphones for maximum results.

Additionally, fans of the first game will want to keep an eye on the prequel/sequel, Remothered: Going Porcelain, which is currently set for a 2020 release on PC and consoles. So much fear… so little time, right?

-GW

The Sinking City “Death May Die” Trailer Makes For a Perfect Rainy Day Diversion

Interestingly enough, for some weeks now, almost every evening and into the night and sometimes the early mornings, it rains here in NYC. I hadn’t been paying attention to the weather much until three different people in my building commented on it one day and a few more since have noted that it’s quite unusual to have rain rolling in for so long during the evenings. That made this trailer from thar press kit for Frogwares upcoming PC/PS4/Xbox One game The Sinking City almost amusing.

Well, to a point. If the other trailers and gameplay bits I’ve seen are any indication, Frogwares and publisher Bigben just may have one of the best Lovecraft-inspired games to date headed your way this on June 27. We shall see, naturally, but all sings point to a quality product that should have horror and adventure fans playing this half under a bed with a blanket to hide behind when things cet all creepy. Yes, it’s raining as I type this and of course, there’s a bit of lightning for dramatic emphasis. Off to close a few windows, as it’s a bit windy out now.

-GW

The Sinking City: Crazy Cat and Little Cthulhu Make for Quite a Team-up

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Nice place for a visit, provided you like watery everything and a bit of psychosis as a chaser.

Since 2002, Ukrainian developer Frogwares has made some pretty solid adventure games over the years, but the upcoming hybrid adventure/exploration game The Sinking City, set for a June 27 launch on PC, PS4, and Xbox One is certainly looking to be the studio’s deepest work to date. Take a look at this trailer and you’ll likely want a towel to dry off with and a warm blanket to crawl under. Oh, and some sort of eldritch monster repellent, as things get decidedly creepy pretty fast:

Naturally, if you’re all aboard this particularly unsettling train for the long haul in this richly detailed and somewhat deadly open world, you can take advantage of the pre-order bonuses available here. And, yes indeed – there’s a trailer for that, too. I’m going to run a screenshot gallery later today or tomorrow, as my internet is AMAZINGLY slow today for some reason. The weird thing is, it was FINE until I went to download the game’s press kit (cue spooky music of unknown origin)…

Must be those Elder Gods mucking with my progress or something. As usual.

Back in a bit.

EDIT: Oh, wait – that VERY long download actually completed as I typed out the last sentence, so you get yourselves a nice gallery to peruse. Enjoy!

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-GW

Review: Home Sweet Home (PS4)

home sweet home(Soothing TV announcer voice, circa 1978):Constipated? 9 out of 10 doctors* recommend Home Sweet Home ($29.99) for fast relief. Easy to apply vie handy and discrete PSN download or in a GameStop exclusive retail version, this not at all soothing horror adventure game works within minutes so you can get back to doing the things you love. Remember – for fast relief, Just say Home Sweet Home…

Yes, that’s right. Provided you’re not a too-jaded horror game player who’s seen it all, this one will scare the living crap out of you. Well, given that poop isn’t supposed to be alive when it’s making a hasty retreat, that may be a good thing.  Here’s a funny for you: back about two years ago, I played the demo for this on PC and wrote about it, but kind of forgot all that because, hey, life happens. However, as soon as the game installed and I hit that start button, a sense of déjà vu followed by creeping dread washed over me. Eep. Yeah, this was not going to go well for my heart, folks.

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Oooh, choices!  Do I go left, do I go right, or do I go hide under a blanket after I turn the game off because I’m too freaked out to continue? *Sigh* ONWARD, as I have a review to write!

 

Anyway, to me, this game is SCARY, plus tax. How scary? Well, If Kriss Kross will make you Jump, you’re guaranteed to jump at least five times as much here if you’re easily frightened. You’re unarmed, many rooms are tight, detritus filled death traps where doors open to brick walls or other surprises of the surreal nature and worst of all, you’re often searching for clues to puzzles as the game’s box cutter wielding scary lady and a few other creeps do their level best to make you wet yourself. There’s nothing like being all stealthy and avoiding instant death for a few tense minutes, slipping between rooms and gathering clues to progress, only to finally unlock a door and jump out of your seat when something… nasty pops into view. And there’s a hell of a lot of nasty in this game.

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Lost in Vivo: The Walls, Close-in For Catastrophic Claustrophobia

(Thanks, Akuma Kira!)

 

Back in 2016, I pledged a few bucks to Akuma Kira’s Kickstarter for a new game he was working on called Lost in Vivo all because of the free and superbly devious Spooky’s Jump Scare Mansion (Formerly Spooky’s House of Jump Scares), a game I recommend to anyone into horror because it will creep up on them in a surprising manner. In other words, don’t let the initially quite stupidly cute visuals and the rather simplistic but twisty corridors found in the first chunk of floors lull you into a false sense of security. Things get quite bizarre and eventually quite horrific as you descend into the darker, more hellish maps.

Anyway, fast forward to earlier Saturday morning when I got a download link to he completed build of Lost in Vivo from the developer via Game Jolt (an excellent indie site I VERY highly recommend along with itch.io  (the game can be found here) if you love to pore over dozens and dozens of great indies of all genres, many free or quite affordable). You’ll also see this one pop up on Steam soon (well, November 5th, thanks to Steam’s verification process taking longer), but if you need this faster, feel free to grab it from one of the other sites noted above for a measly ten bucks.

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Capsule Review: The Conjuring House (PC)

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Uh, mommy? Holy hell, The Conjuring House sure is scary when it needs to be (which is often). Developer RYM Games has a an almost killer game here that despite a few technical flaws (which are currently being addressed via patches that will hopefully improve the overall experience) is one near-total freakout of a game. Things get off to a scary start and the tension builds as the game follows the tried and true “Old Dark House filled with dreadful evil”  formula with some pretty hefty psychological horror and jump scares. Unlike some more popular horror titles, you’re unarmed and have to try and avoid or run from enemies whenever possible, the game has intentionally distant save points and yes, this leads to a few too many deaths whether or not you’re careless. On the other hand, when when things click, you’re playing half under whatever you were sitting on when you started with one eye opened because the other has shut itself closed.

Nevertheless, in its current form, some elements of the game aren’t quite as solid as they should be. Changing the default video settings immediately makes the game too dark to see and that default setting uses a post-processing effect that seems to add too much blur to the movement. Some well-done but lengthy cutscenes do a great job of storytelling, but can’t be skipped at all, so if you die  before one, you’ll need to watch the whole thing all over again. Add in those long treks and/or backtracking between those save points plus a single save slot and you get a recipe for frustration as well as fear of playing for some of the wrong reasons.

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Your brain will look and feel like this decrepit room right from the moment you gain control of your hapless non-hero.

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The Horror of Too Many Scary Games (is a Good Thing to Have), Part 2

You’re either back for more… or you fell asleep reading that first part and just woke up in time for part two. Well, here you go, then. Some of today’s entries are coming out after October, but that doesn’t mean they’re any less frightening. Anyway, here are six more games to look forward to (unless you’re too freaked out to want to try some of the scarier ones, mua-ha-ha-haaaa!):

 

 
Home Sweet Home (PS4/PSVR/Xbox One) – If the trailer is any indication, this could be one of the downright scariest stealth/horror games of the year. I missed out on the PC version of this truly scary-looking Thai horror game from Bangkok-based indie dev Yggdrazil Group Co.,Ltd, but my pals at Mastiff Games seem voraciously intent on putting me under the couch with this upcoming PS4 and Xbox One port. The PS4 version will support VR as an option (I’ll take my scares flat, thank you much) and if you prefer your games on a disc, this one’s going to be a GameStop exclusive in addition to a standard digital download on PSN and Xbox Live. I may have to shell out for the disc version, as this one certainly looks scary enough to be a keeper. That and I want to have the option of maybe loaning that disc to a friend or two who hate horror games but are slowly coming around. Then again, I have the feeling that this might be one of those games that sends them back down the ladder to being too skittish to fire it up.

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Review: Don’t Knock Twice (PS4)

DKT_PS4.jpegWales Interactive’s Don’t Knock Twice is an “all-in” game if ever there was one. While it can indeed be played without the PSVR headset and during the sunnier daytime hours, the game works best when you wall yourself (Amontillado or not) up all alone in the dark (heh) completely wrapped up in those goofy goggles and a decent set of headphones. Being afraid of the dark and having the additional fear of things that go bump in the night also go a long way in making this mild experience in terror a bit scarier.

On the other hand, if you’re one of those really jaded people who think all horror games need to be gory undead shooting galleries or have stuff jumping out at you every ten seconds, you may not totally grasp what the fuss is all about when the game finally ends somewhere about an hour to hour and a half later. Is the game perfect? Nope. Does it do what it intends to do? Yep. If you let yourself become immersed in the mood it aims for, it’ll get under your skin and make you a bit jumpy for a tiny slice of time. You’re not going to use the (overused) word “innovative” here at all to describe this one. You’re getting a short and creepy horror experience that’s not going to wear out its welcome when all is said and done.

 

 

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Review: Detention (PS4)

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Detention BlockWhile thematically similar to The Coma: Recut from Devespresso Games, Red Candle Games‘ excellent Detention ($12.99 on PSN) manages to add a more psychological as well as historical tone to its scary elements. Set in a 1960’s era Taiwan during the horrfic period of martial law known as The White Terror, the game works extremely well as a short but solid game experience that gets as much mileage from its frightening imagery as it does with its somewhat timely political allegory

This isn’t a “survival horror” game in the zombie-packed Resident Evil vein and while it has a more similar vibe to the early, more thoughtful (but weirder) Silent Hill games, there are no weapons to wield here or a need to stock up on healing items for your trip through this virtual hell-space. This one’s a pure side-scrolling horror adventure game where you’ll need to avoid or appease the freakish ghosts you’ll encounter as you try and escape from the nightmare that Greenwood High has become.

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