Finally seeing PULP was a bit of a revelation for me. This tonally almost polar opposite of 1971’s Get Carter brings together writer/director Mike Hodges, Michael Klinger and star Michael Caine in a pretty unusual black comedy/crime story, newly restored by Arrow Video with a few nice special features. You’ll also get to see Mickey Rooney in his underwear (eek!), some fine supporting roles from Lionel Stander, Al Lettieri, and Nadia Cassini, with a too brief appearance by Lizabeth Scott in her final film role.
Caine plays Mickey King, a writer of pretty tawdry crime novels who gets the call to ghost write the life story of Rooney’s pint-sized Preston Gilbert, a former movie star with organized crime connections that come back to bite him hard. With his cheap, bland corduroy suit and middle-aged dad body, King still gets by with the ladies and his writing is so terribly risqué even the male owner of the typing pool churning out his latest novel slips him his home number. Mickey is thrust into the film’s events after he gets that Gilbert gig and things start falling apart as a few bodies fall before the credits roll.