Gear.Club Unlimited 2 Hands-On: Eden’s Zippy Switch Racer’s a Winner

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GCU2_boxFor whatever reasons, games with licensed cars have been a bit (okay, REALLY) underrepresented on Nintendo’s home consoles for far too many years. The sole good game with licensed cars during the last generation was 2013’s Need For Speed Most Wanted U, a stellar conversion/update that got overall excellent reviews but didn’t sell as well as it should have. I won’t even mention that Fast & Furious game from the same year because it was memorable for all the wrong reasons.

With the Switch doing so exceptionally well since its launch as a home/away hybrid system, you’d think that at over 1230 or so games in we’d see more and better licensed racers filling up retail and the eShop, but nope. Other than the still delayed rally-focused V-Rally 4, and the upcoming truck sim Spintires: MudRunner – American Wilds, pickings are slim for those who want a more authentic racing experience with branded foreign and domestic cars.

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Only a tiny portion of the map is revealed here. All those other courses unlock as you go.

 

Thankfully, last year, veteran developer Eden Games stepped to the plate with Gear.Club Unlimited, an enhanced upgrade of their popular mobile game that removed the mobile-friendly microtransactions and added more cars and game modes. While well received by racing fans and some critics, there was some negativity about shorter than expected race sessions and some elements that seemed too close to the mobile game’s roots. Still, the game did well enough (and is still moving units at full price) that Eden set out to make a sequel that addressed the issues in the first game while adding improvements guaranteed to make the sequel even more impressive.

Let’s just say they have (and how):

 

 

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Iris.Fall Takes A Slight Release Date Spill

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December 7, 2018 is the new release date for indie developer NEXT Studio and publisher Zodiac Interactive’s Iris.Fall. While you’re waiting for this gorgeous and atmospheric puzzler, here’s a new trailer that’s still more of a tease but still manages to be too tantalizing:

While the delay is slightly disappointing, any time spent adding more polish to a game that already looks spectacular is more than welcome. Keep an eye peeled for this one next month.

-GW

Shortest Trip to Earth: Early Access Sim’s a Tough, Tasty Nut to Crack Into

(Thanks, Iceberg Interactive!)

I tend to sway between not playing too many Early Access games and playing too many at once, but while a bit of a daft thing to do in practice, in theory, the best games rise above that “Oh, it’s ANOTHER incomplete beta” to “Hey, hey… this one’s pretty darn solid!” Into the latter category goes Shortest Trip to Earth, developer Interactive Fate and publisher Iceberg Interactive’s new game now available on Steam Early Access for $19.99. Described as “a roguelike spaceship simulator focused on exploration, ship management and tactical battles”, it’s indeed all that as well as providing a decent level of challenge, some unusual ship designs and what’s looking to be plenty of replay value.

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Pick one… and try not to break it this time, pal!

The opening tutorial is fairly simple as you learn the ins and outs of your starter ship. This isn’t an easy game if you attempt to play outside the tight rule set you’re given, so paying attention and following directions as closely as possible. From putting together the propulsion system, firing up the engines and right down to picking the proper crew members to man the weapons, pilot the ship and other tasks, the game packs in a ton of pre-exploration setup that’s going to appeal primarily to simulation fans. I guess you can call it a somewhat more fussy version of a Star Trek episode if you like. But I don’t think you’ll be Kirk-ing green skinned alien babes much here unless that situation pops up in one of the procedural maps.

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“Um… B-7…” HIT! Well, it’s a lot more complex than Battleship, so expect the enemies here to always fight the good fight.

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Lost in Vivo: The Walls, Close-in For Catastrophic Claustrophobia

(Thanks, Akuma Kira!)

 

Back in 2016, I pledged a few bucks to Akuma Kira’s Kickstarter for a new game he was working on called Lost in Vivo all because of the free and superbly devious Spooky’s Jump Scare Mansion (Formerly Spooky’s House of Jump Scares), a game I recommend to anyone into horror because it will creep up on them in a surprising manner. In other words, don’t let the initially quite stupidly cute visuals and the rather simplistic but twisty corridors found in the first chunk of floors lull you into a false sense of security. Things get quite bizarre and eventually quite horrific as you descend into the darker, more hellish maps.

Anyway, fast forward to earlier Saturday morning when I got a download link to he completed build of Lost in Vivo from the developer via Game Jolt (an excellent indie site I VERY highly recommend along with itch.io  (the game can be found here) if you love to pore over dozens and dozens of great indies of all genres, many free or quite affordable). You’ll also see this one pop up on Steam soon (well, November 5th, thanks to Steam’s verification process taking longer), but if you need this faster, feel free to grab it from one of the other sites noted above for a measly ten bucks.

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Iris.Fall Hands-On: Shadow Play Works Quite Well in Kinda Goth-Land

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Based on a short demo was only supposed to be about ten minutes long (I was told ten, but I lingered about half an hour or so just to check out every nook and cranny because the level of detail is remarkable), Iris.Fall is shaping up to be a lovely little indie sleeper worth a buy. Developer NEXT Studio has cooked up a charmingly creepy puzzle adventure with beautiful visuals and an intriguing light/dark gameplay element fans of the somewhat forgotten (but memorable) Wii game Lost in Shadow will appreciate.  The demo features an early taste of the full game’s mix of environmental and other puzzles that revolve around Iris’ ability to manipulate light and shadow to progress through areas.

 

 

While simple to pick up, solving puzzles here makes for some fun brain work right from the beginning. Careful scouring of each room for areas where Iris’ powers to be used also reveals objects that can be manipulated or collected to be used with other elements. Foe example, in one room, a pair of marionettes is required to unlock a certain door, but you’ll need to dip into the shadows and light areas, moving things around to create a ramp on one side and then the other to nab each figure. Once they’re acquired, placing  them in the correct spots, then rotating their parts will form a “key” of sorts that allows passage into a new location.

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“I was the puppet, I was the puppet!” A puzzle, in progress (and five points if you get the song reference I made).

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The Horror of Too Many Scary Games (is a Good Thing to Have), Part 2

You’re either back for more… or you fell asleep reading that first part and just woke up in time for part two. Well, here you go, then. Some of today’s entries are coming out after October, but that doesn’t mean they’re any less frightening. Anyway, here are six more games to look forward to (unless you’re too freaked out to want to try some of the scarier ones, mua-ha-ha-haaaa!):

 

 
Home Sweet Home (PS4/PSVR/Xbox One) – If the trailer is any indication, this could be one of the downright scariest stealth/horror games of the year. I missed out on the PC version of this truly scary-looking Thai horror game from Bangkok-based indie dev Yggdrazil Group Co.,Ltd, but my pals at Mastiff Games seem voraciously intent on putting me under the couch with this upcoming PS4 and Xbox One port. The PS4 version will support VR as an option (I’ll take my scares flat, thank you much) and if you prefer your games on a disc, this one’s going to be a GameStop exclusive in addition to a standard digital download on PSN and Xbox Live. I may have to shell out for the disc version, as this one certainly looks scary enough to be a keeper. That and I want to have the option of maybe loaning that disc to a friend or two who hate horror games but are slowly coming around. Then again, I have the feeling that this might be one of those games that sends them back down the ladder to being too skittish to fire it up.

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Review: Dragon’s Crown Pro (PS4)

DCP_PS4An instant classic on both artistic and pure gameplay levels, Dragon’s Crown Pro ($49.99) has finally arrived on PS4 with buffed up 4K visuals and cross-platform play/save compatibility with the PS3 and Vita versions. It’s a game that also hopefully going to be one of those true evergreens that new players will want to add to their libraries because it offers enough replay value to keep you dialed in each time you pick up that controller.

The game’s original notoriety to some for its mildly bawdy artwork for some of the female characters (but you get a half naked muscular dwarf as a counter to that) ends up being much ado about nothing. If you’ve a working brain in your skull, you’ll know the difference between gorgeous stylized artwork and solid animation and somehow deeming the game “controversial” because one doesn’t appreciate the very intentionally over-exaggerated art. That and hell, it’s a Vanillaware game, so assorted forms of pulchritude are a necessary non-evil.

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“Waiter, there’s a fly in m… oh, never mind (ogle!)

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Preview: Dragon’s Crown Pro – That Golden Ask Is Going To Be So Worth It

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DCP_PS4There will be three types of people who’ll be interested in Atlus and Vanillaware’s Dragon’s Crown Pro ($49.99) on the PS4. Those completely new to the game looking for a very solid side-scrolling arcade action/RPG will find an excellent single player, 4-player co-op offline/online game that’s a gorgeous homage to a number of great arcade games from Golden Axe to Capcom’s two Dungeons and Dragons titles.

Those who’ve played the original Dragon’s Crown back in 2013 on the PS3 or Vita (or both platforms) and want to know what’s new will find  much sharper visuals (if they own 4K TV’s) , a new orchestral soundtrack (the original is also selectable) and thanks to a recent patch, cross-platform multiplayer and save data with Dragon’s Crown Pro. Or you can just be like me and dive into a new game just to experience everything fresh.

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The third category are those who went completely bonkers complaining about the stylized artwork and may want to poke at the game anew for its sexy Sorceress and Amazon characters, but I’m gathering that loud crowd will get drowned out by players who want a fun and solidly built couch co-op experience who won’t mind the art style one bit. Truth be told, I’m a big fan of George Kamitani’s art style since I picked up a copy of the lovely but flawed Princess Crown through a Japanese friend about 20 years ago. Kamitani also worked on those two D & D games (which just so happen to be available on the PS3)

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The Good Life: Holy Cats (and Dogs), We Need this Game!

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Click that banner and the demo is all yours!


If I had a few hundred thousand dollars lying around (I just checked under the mattress and sadly, I don’t), I’d be the first one to up my pledge to The Good Life, the new PC and PS4 game co-developed by SWERY (Deadly Premonition) and Yukio Futatsugi (Panzer Dragoon, Phantom Dust), along with their development teams at White Owls and G-rounding. The Kickstarter has less than three days to go and it’s about $122,000 short of its goal. There’s an excellent short Protptype Demo you can and should try if you’re curious, and while it’s merely an unfinished slice of a game still in the development, you’ll really get the sense that something unique and intriguing is shaping up over in Osaka.

 

 

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Raiders of the Broken Planet Beta Hands-On

season1_big-2I’ll admit straight off that I’ve been a big geek for MercurySteam‘s games ever since I got a review copy of American McGee Presents: Scrapland way back in 2005. Their attention for detail grabbed my eye and I’ve followed each game they’re released always looking forwards to what the team can cook up. Currently, they’ve two big games out or on the way, Metroid: Samus Returns (Nintendo 3DS) and Raiders of the Broken Planet, currently in beta on PC, PS4 and Xbox One with a release date set for its first of  four campaigns September 22.

As I’d been slowly killing off my MMO/online gaming phase (not enough time, too many me-too game, no way to enjoy them offline), I initially planned to ignore this one until I found out it had a solo campaign mode as well as a unique “4 vs 1 counter-operative campaign” that lets you play both sides of the conflict if you so choose or team up with friends to tackle some challenging missions against really pesky AI opponents. While the beta had a few matchmaking issues online (hey, it happens!), the gameplay is quite fun and very challenging in terms of solo play.

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