Detour Takes a Turn To 4K

(Thanks, Film Forum!)

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Well… it’s a more of a one-way ticket for a few of the less fortunate folks in this flick.

 

If you’ve somehow never seen Edgar G. Ulmer’s absolutely mind-blowing 1945 noir Detour (or even if you have via a few public domain channels) and live in the NYC area, you’re in luck. The Film Forum will be showing a newly restored 4K version from November 30 to December 6, 2018. If I’m not mistaken, I saw this on the big screen way back in 1992 (I think it was at the Film Forum or one of the other downtown NYC indie theaters) when it got a re-release alongside the Wade Williams remake that was okay (albeit not as great as the original) and added scenes not found in the original film.

It’s probably a given that this one will indeed pop up on a disc at some point and even though it’s a film I’ve seen maybe 25 or so times since, I think it’s a good chance this will get added to the library here just to have the best version available. Sure, the ratty quality of the original print lends a certain vintage “charm” to the film. But hell, it’s the 21st century and being able to see this cleaned up and maybe with some minor gaps fixed will be a real treat.

-GW

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Coffee Talk 2: Valhalla, Here I Come!

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Long story short: This stuff is quite good. Keep reading.

Coffee memory #162 (collect ’em all!):

“I like my coffee like I like my women… HOT!

I think it was about 1991 or ’92. Had I walked into that diner and sat down a minute earlier, I’d have very likely done a spit take with a mouthful of freshly poured ice cold water as soon as I heard that cheesy line. Fortunately, it happened just as I sat down next to the grinning woman at the end of the counter who said it, then turned to me and asked if I liked a good cup of coffee. I recall answering something along the lines of “Uh, sure?” as an exceptionally cheery waiter appeared on cue with a sunny “Hello, what can I get you, love?” I recall she had an accent that made her sound quite like Joan Greenwood, which made me almost forget what I wanted to order because I just wanted to sit there and listen to her recite the entire menu.

“The coffee’s good” the voice to my right noted, so I tipped my head in her direction and replied “I’ll have what she’s having…” which made both women laugh and a few customers to my left at the counter turn and look to see what the joke was. I didn’t turn around to check out the other tables behind me, but I’d have guess that some of them close enough also looked up for a hot second before going back to their breakfasts. I’m guessing the two ladies took that as a When Harry Met Sally reference, but it was mostly automatic on my part.

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A Little Respect For Aretha

(Thanks, cizia69!)

 

I’d overslept and woke up late (again), oddly enough, dreaming about The Blues Brothers probably for a few too timely reasons not at all related to the news of Aretha Franklin’s passing (which I just found out about). The woman could sing the roof off any building and as far as I can recall, always gave her best whenever she stepped up to a microphone. I’ll leave the more thoughtful essays to those who do a lot better at them. In the meantime, I’m going to go and get a bit more work done but in a more maudlin mood.

 

(Thanks, UrbanMusic2000!)

-GW

There’s A Vertigo Game Coming. With A Hitch.

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Yep, that was me upon reading this email from earlier today. I’ll say no more other than I like some of what Microïds has done over the years and if they can do this right and pay homage to Hitchcock and one of his greatest films, I’ll be one of those championing the work. That said, I know a load of people will indeed be upset at this news and all I ask is for them is to be patient, go poke around at the company’s site and see that there’s probably no cause for alarm at this point.

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Press release below the jump:

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Random Film(s) of the Week: Alec Guinness 5-Film Collection

AG5FCOkay, I made the huge mistake of watching the news. A few times within the last week, at that. Something-something about watching a train wreck in slow motion or a time-lapse nuclear explosion at one frame per second somehow caught me up and got me even more annoyed than usual. Needing something a lot more amusing and a lot more entertaining (as trust me, the news is surely not at all entertaining these days), I grabbed the first thing from a stack of movies in the half-backlog stash, and here you go.

Yes, I have a half-backlog. Those are films I’ve seen part of and want to complete or sets I’ve seen a few films from but mean to get to them once completed. Well, those plans usually fail royally what with the up and down health status, but I still use the half-backlog system because it sort of works. Hey, you’re reading this review, right? IT WORKS.

Anyway, I actually bought this DVD set a while back and have already reviewed two of these classics here and here (click and enjoy, please). It got lent out to a few people and made the rounds for a bit (hey, I’ll loan films to anyone I know within mailing distance who’ll return them at some point) before I got back to retrieving this from that aforementioned stack. So, how do the rest of these films hold up? Very well, indeed.

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A Few THINGs To Remember…

Hmmm. Apparently, Donnie Boo-Boo (aka The Original Orange Julius Caesar, among other not so nice things) didn’t get the memo, but yeah, he’s quite the royal dope when it comes to being “presidential.” Or “professional”, for that matter. Anyway, here’s one thing that can happen when you interact with some Norwegians under the perfectly wrong conditions:

 

(Thanks, Wennie Wowney!)

 

All joking aside, I’d take him seriously except even as the self-proclaimed “least racist person” (PROTIP: when one has to point out one is not a racist after saying, doing and promoting racist stuff on a regular basis for decades, it’s a clear sign that one is indeed, a racist), he’s even dumber than you think. I’m betting a nickel he’d choke on his chicken dinner if he found out the fact that Norway’s tax returns for everyone are made public knowledge and are searchable. So there’s that. Perhaps someone from Norway can let him know this as I know he’s sure as hell not going to listen so some brown guy from NY who didn’t vote for him.

Finally, I’m all for anyone at all wanting to come here to America to seek their dreams, but at this point, a transgender Norwegian former Christian turned atheist (who’s not infected by an alien parasite) just popped up to the top of my “Now THAT would be interesting!” list of potential citizens I’d love to meet.

-GW

Blu-Ray Review: Blood Feast/Scum of the Earth

Blood Feast_AV107So, officially (to me, at least) Blood Feast isn’t a “Halloween” movie at all – it’s more of a big, plump Thanksgiving Day turkey surprise. Under-cooked enough to give you a terrible gut-ache, but stuffed with tasty treats for those willing to push on and make it to that pumpkin pie and ice scream. And yeah, you’ll scream maybe a few times too many if the late H.G. Lewis’ classic 1963 gore-fest isn’t up your alley, but it’s the film’s campy pull wrapped in that grue brew that makes this one entertaining.

Fuad Ramses (Mal Arnold) just so happens to be the caterer chosen by wealthy suburban mom Dorothy Fremont (Lyn Bolton) to cater a party for her pretty young daughter, Suzette (Connie Mason). Little does Mrs. Fremont know she’s hired a somewhat criminally insane man with a bit of a strong desire to chop up a bunch of nubile young ladies and use their body parts as sacrifices in order to resurrect the Egyptian goddess, Ishtar. Mua-ha-ha-haaa! I’m telling you, though – those damned eyebrows Ranses has would make me NOT want to hire him because they look like chalk-outlined squished caterpillars on his face. Now, go drink some recently cooled molten iron to coat your stomach while I spill out some more gory details on this gem.

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Random Film of the Week: Topkapi

Topkapi_DVDHaving had items stolen from me in the past, I’m not at all a fan of thievery as a *proper* lifestyle choice (grrr!). That said, it’s hard to pass up a good (fake) crime caper and Jules Dassin’s  wonderful, amusing 1964 film Topkapi has been a favorite of mine for decades ever since I saw it as a kid. There’s just something magical about Dassin’s work here. It was his first color film and boy, does he blow the doors out right from the near seizure-inducing start (you’ll probably wince/squint a few times with all those color filters and such coming at you full tilt), and it’s also a film that gets you grinning from start to finish.

It’s more or less the flip the switch to comic tone version of Dassin’s bleak but brilliant 1955 film Rififi with a more varied cast and an even better lengthy heist scene. It’s also a film that’s since inspired a few directors to steal liberally from it (to varied effects), but that’s another discussion for another day. Here, you get Melina Mercouri, smoky voice and all as the lovely Elizabeth Lipp, who has the grand idea to steal a jeweled dagger from Topkapi Palace in Istanbul. She seeks out an ex-lover (Maximilian Schell) who just so happens to be a thief of some renown and the pair plan out their caper with the intent to use nothing but amateurs unknown to any authorities who come sniffing around after the crime has been committed.

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Random Film of the Week: Tōkaidō Yotsuya kaidan (Ghost Story of Yotsuya)

Tokaido Yatsyua kaidanI don’t believe in ghosts at all (an unapologetic non-flaw of mine), but I do believe in a good ghost story when it works flawlessly in delivering the spine-chilling stuff that leads to a restless night. That said, Nobuo Nakagawa’s 1959 masterpiece Tōkaidō Yotsuya kaidan (Ghost Story of Yotsuya) is one of the more frightening horror films I’ve ever seen. Given that it’s based on Japan’s most popular ghost story (written as a kabuki play and originally performed in 1825), Nakagawa’s film is memorable on a few fronts, melding its stage origins with the director’s perfectly placed camera as he brings us a tried and true tale of murder and vengeance, Japanese style.

You may initially feel sorry for rōnin Iemon Tamiya (Shigeru Amachi) as he begs for the hand of Iwa (Katsuko Wakasugi), but that feeling will vanish about a minute later after Iemon kills Iwa’s father and retainers and his scheming lackey Naosuke (Shuntarô Emi) disposes of the bodies and comes up with a perfect alibi. He later goes to visit a grieving Iwa, but she and her sister Sode (Noriko Kitazawa) want revenge on the man Iemon claims murdered her father. Of course, this doesn’t happen and instead, a respectable samurai named Yomoshichi (Nakamura Ryozaburo) who had a chance with Iwa is tossed off a waterfall thanks to Iemon and Naosuke wanting the two women for themselves. Clearly, Iemon and Naosuke are right bastards, ladies and gentlemen.

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Blu-Ray Review: The Big Knife

The Big KnifeAA014One of those interesting “message” pictures of the 50’s, Robert Aldrich’s 1955 filmed version of Clifford Odets’ 1949 play The Big Knife works pretty well as a sort of riff on Sunset Boulevard, packing in mostly solid performances from a fine cast. Yes, there’s a certain “stagey” feeling to the film as well as a few scenery-chomping bits colliding like lumbering wrestlers in a busted ring. But it works well enough to leave an impression with a few memorable “noirish” scenes that make for a powerful viewing experience.

Jack Palance (trust me, just roll with it and it works) is Charles Castle, hot Hollywood hunk with a particularly pernicious problem. He’s set to sign a seven-year contract extension with studio head Stanley Shriner Hoff (Rod Steiger in full tilt gloriously nasty mode), but his wife Marion (Ida Lupino) has had it with Charlie’s womanizing ways which obviously threaten their somewhat busted marriage and properly raising their young son. As the film begins, the harried couple is estranged and already living apart, but Charlie is constantly working “hard” on keeping the rubble of their happier days somewhat upright. Charlie also finds out Marion has an open marriage proposal from Horatio “Hank” Teagle (Wesley Addy), something that annoys him to no end because he’s something of a hypocrite.

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