Ghost Parade: If Ever There Was a Game Made for Halloween, It’s This One

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As soon as I saw Aksys Games‘ gorgeous looking game Ghost Parade (created by the fine folks at Indonesia’s Lentera Studio), I knew it was going to be something extremely cool and very Halloween themed with its mix of Tim Burton meets Vanillaware style artwork at the forefront. It’s also a peek into another culture, as Indonesian ghosts are the subject and yes, it’s a great thing to see some more of what’s scary overseas coming to US audiences. Granted, I’ve played a few games with some of that countries’ terrifying spirits or horror themes in them (DreadOut and My Lovely Daughter being the standouts), so this game is going to be right up my dark alley once I get to playing it.

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Love the art style here.

Here’s a look at the trailer. The game is out NOW for PC, PS4 and Switch and Aksys has run a nice digital comic on the game’s official site.

I hope this gets a wide enough audience, as I’d love to see Lentera become a household name among gamers here. As usual, we shall see.

-GW

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November’s PS Plus Duo is Scary Good Stuff

 

Nice. I actually haven’t played either of these other than a demo of one a while back, so this will be a good pair of bonuses to have added to thee library. Now, all I need to do is find the time and clear out my external HDD, as it’s about filled with a ton of old games and videos. Eh, I’ll probably get a larger drive at some point, but I’ve always thought the the PS4 could have used more USB ports.

-GW

FAITH: The Unholy Trinity – A Reflex Test For The Senses

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Creepy is coming a third time (and to consoles at some point, too).

I was jumping under the furniture a while back when I first played indie developer Airdorf Games’ Faith, a very frightening game that blended old-school visuals and the sheer shock of horror and jump scares plus some clever use of synthesized voices, all in the service of terrifying the player. Let’s just say it worked, as I’ve had the second game here for a while on my laptop, but haven’t touched it since I downloaded it. My excuse of having too many games to play in my backlog keeps me hiding from that sequel, but it’s now the case where there’s a third game in the series coming soon that’s probably goijg to get me to play all three in one shot.

Or, say hell-o to FAITH: The Unholy Trinity, coming to PC and eventually, consoles:

As you can see, it’s pretty unsettling stuff when you get hit with the blending of old and new here. There’s a nice layer of crazy here when the game comes at you and you don’t know what to expect next, but this is good in a game that’s a mix of horror, adventure and a few abstract elements that will have you hooked in and trying to run away simultaneously. Go wishlist this this one if you’re into the horror stuff – it should run on most Windows 7 and up (64-bit) PC’s with zero issues. I’m going to hold my breath until I turn blue that this is coming to consoles sooner than later (starts holding breath).

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Appropriately Halloween color scheme? CHECK.

-GW

Mega Cat Brings The Halloween Freaks Out, Retro Style

Want some classic-inspired Halloween fun? Mega Cat Studios has you covered like a freshly found corpse with these two games that look and play like NES classics of yore, but are available on Switch (and NES of you happen to own one or a compatible system). Fist to face combat, pixel pushing goodness and fun time await with this pair of titles:

 

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First up, is Creepy Brawlers ($4.99, eShop), an homage to the classic Punch-Out!! with a horror theme, monster and alien fighters and quite familiar (albeit very tough) fun. While it’s a single player only game, it’s cool enough that you’ll be passing around a controllers so everyone can get a turn. There’s a physical cart version for the NES if you have access to one and can run it without issues here.

 

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Next up, is HAUNTED: Halloween ’86 ($9.99), a side-scrolling platforming, beat-em-up adventure that’s kind of like the classic River City Ransom (Downtown – Nekketsu Monogatari) but with a horror vibe. Also single players, the game recalls the look and feel of classic NES games and is pretty much guaranteed to have you burning with nostalgia throughout. This one is only currently available digitally (it was initially released in 2016 as a cart version), so get it now if you like what you see.

Oh, and make sure to check out Mega Cat’s recent blog post on scary retro games and their free ebooks selection, as they’re more than just some folks who cook up a witch’s cauldron of retro games.

-GW

Games I Need to Play 3: The Beast Inside

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I’ll admit at first I thought it was a game about the wonderfully awful movie The Beast Within until I saw screenshots.

Well, what have we here? A photo-realistic horror themed mystery/adventure game that’s got a strange, sort of time travel thing going for it along with some amazing visuals and a lot of falling off stuff, for good measure. Oh, and it’s coming to PS4 and Xbox One at some point, which is good, as I hate upgrading my PC so frequently to play these games. Here’s a gallery and one of many trailers. You can see more on the Steam page where yes, you can buy the game and/or try the demo out.

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Developer Illusion Ray Studio and publisher Movie Games have quite the pair of fitting names, no? I’ve downloaded the demo, but haven’t gotten to try it yet thanks to a review backlog I’m sifting through, but this one will get some playtime soon, as it certainly had my attention as soon as I heard of it and looked it up. Here’s a look at a trailer (it’s all gameplay footage, too):

Alright, then. I guess I’ll get to that demo sooner or later (well, before the game hits consoles, at least).

-GW

Stuff I Need to Play 1: Mary Skelter 2

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It’s allllmost here…

Oh, it’s a long list, but let’s discuss what I’m thinking of at the moment. Yes, this will come in a few parts over the month, so bear with me as I go through my overstuffed inbox. I loved the first Mary Skelter enough to play both the PS4 and PC versions. so the inclusion of the first game for free in the Switch-only sequel has me wanting to play it all over again. Well, after the sequel, of course.

From the just released gameplay trailer, the game looks great and the oddball beautiful ugliness of the creatures your party will encounter as friend and foe look great (with the assorted Nightmares shown so far being especially Yeesh-worthy, Yes, the gals are cute here too, but that’s expected in a game like this. I’m moe (ha, I left a typo in because it fits!) thrilled by the dungeon crawling, what’s probably going to be a tougher game and any endgame content that this has. But I fully expect my poor Switch getting a workout from the main story alone.

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Puppet Combo Has A Few Scares To Share

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This PC games set from Puppet Combo will set you back a mere $6.66 total (you can pay more if you like), but the scares here are worth a million bones, especially it you have a yen for intentionally crafted PlayStation 1-era visuals, grainy VHS filters for that extra layer of authenticity, like crazy and relentless to slow-burning horror games and can get used to the controls being so old school. Take a look at the game page (some imagery is a bit jarring, but you’re expecting it to be, right?) here. Or, you can go all out and get the bundle that includes this collection and much more here.

I want to see Puppet Combo a console dev kit of some sort, as these intentionally low-poly fright-filled short games would be perfect on whichever system they choose to port them over to. Hey, PC and Mac users shouldn’t have ALL the fun, I say.

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Yeah, I’d watch this if it were a film, Horror Blanket and all.

-GW

 

The Executioner: Grim Tidings Await in This Dark Text-Driven RPG

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In the “Ooh, this looks wonderfully depressing” front, this weeks release of The Executioner on STEAM sprung me to life even though the current Russian to English translation is a bit iffy in it’s current form. Still, I do like the dark ideas found in this one, so I can at least pull the string for a patch that addresses the translation issues and also hope that a console port is in the works somewhere. Fingers crossed that the translation is fixed and, wait for it… well executed (ba-dum-bum, says the head, rolling to the floor).

Here’s a trailer to pore over that shows off a bit of the gameplay:

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Oh yes, its grim, to say the least, Yipes.

Another one on the list, I guess.

-GW

Review: Torso (Blu-Ray)

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“Hello, I’m your masked and gloved fashionable scarf-wearing killer. Today, I shall be your GUIDE. Then I’ll have to kill you, of course.”

Torso Arrow(Lectures): Sergio Martino tells an interesting story about the film’s originally planned title in an excellent interview on this lushly produced Arrow Video disc. The film’s  producers wanted something more salacious to sell tickets, so they chose to pump up the sexual violence aspect with what they saw as a fitting title, I corpi presentano tracce di violenza carnale (The Bodies Bear Traces of Carnal Violence). where as Martino wanted to use I corpi non mostrano tracce di violenza carnale (The Bodies Bear No Traces of Carnal Violence) here after his working titles like Rosso come l’amore, nero come il terrore (Red Like Love, Black Like Terror) were rejected early on. The Torso moniker (Carnal Violence was a title created for the export release) was a choice from the film’s US distributors, by the way,  In the States, Joseph Brenner Associates worked up a new title opening, chopped out 4 minutes of footage seemingly for some gory content and likely to make the film a run a compact 90 minutes (more butts in the seats at the end of the day), changed some music cues (the great Guido & Maurizio De Angelis score was fine, thank you), and there you have it.

*Ahem* I’m starting this review much like the film does (with an intentionally dull lecture after a sexy-ish opening) as a little joke because I’ve heard some kooky grumblings over the years at how the film gets off to a slow start for about 20 minutes or so. Nonsense, I say. Torso works as an effective and disturbing popcorn flick you’ll want to gather a few like-minded giallo-loving friends up to see. Yes, those friends will have to like some copious female nudity, icky flashes of gore in two of the early murders and nearly every male in the film portrayed as a leering goon of some sort (there are some regular guys here, but as background noise or padding out the lovely Perugian scenery). But this is a film where you’re getting almost exactly what you expect from with a title like this.

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Ooh, pardon me while I do some gift-giving. “Hey, nice lady, I got you a scarf!” Oops, I kind of got carried away in my excitement. That’s Patrizia Adiutori doing a great job playing dead, by the way.

After the murder of some friends by the above mentioned killer (Hello!), four college students decide to hoof it over to a secluded villa, only to have the killer and a few other suspects trail them. While that’s pretty much the plot here, Martino makes things quite tense as well as very 70’s sexy (well, as far as the ladies are concerned). The film tosses a few potential suspects your way as it goes on, so you’re always on the fence as to who the killer might be. The killer not only has a penchant for he ladies, he turns out to be an equal opportunist, as the bodies pile up and more are claimed by a few means.

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Review: Injection π23 ‘No name, no number’ (PS4)

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Kid: “Hey, mom What’s for lunch!” Mom: “Why, the corridors of the MIND, child…”

Injection PS4While it’s technically imperfect and a bit unpolished, Abramelin Games has a pretty frightening survival horror game for PS4 owners in Injection π23 ‘No name, no number’ ($9.99). That ten bucks gets you a pure passion project (made over the course of five years) in the form of a multimedia game experience featuring puzzles guaranteed to test your brain cells, unsettling monsters to avoid or fight (in that order) and plenty of horrific nightmare fuel imagery. It’s noted before you start to to wear headphones and play in the dark, but I opted out of the headphone use part after trying this for the first hour and needing to remove them because I was kind of freaking out a wee bit too much (the sound design is pretty damn intense).

You play as a rather troubled man living alone with his dog in Villanueva de Tapia (a village in Málaga, Spain). When his pet runs off, he’s seemingly struck by a truck while giving chase and regains consciousness only to find himself in a twisted variation of the village and yes, still needing to find that dog. In pure survival horror fashion, you get disturbing visuals, locked doors that require opening in one way or another, and as noted, the aforementioned monsters. You’ll also discover a mystery about missing townspeople, murders and torture rituals with a religious angle and more depravity. The mix of Unity engine assets, enhanced live action video clips and appropriately timed jump scares keep things tense throughout where when things do quiet down, there’s still the sense that something’s going to happen. Let’s just say Villanueva de Tapia’s tourism numbers will either rise or decline after this game gets more notice, although my take is it’ll increase if horror fans are curious enough to see how scary a spot it is in real life.

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A little walk in the woods to clear the head isn’t going to help much when you’re too scared to take another step.

Exploration will be the first key to your survival, as the game places all sorts of clues to what needs to be done but doesn’t highlight where you need to search. One of the great things the game does right off the bat is allow for four camera angles to choose from on the fly, similar to Riverhill Soft’s Doctor Hauzer and OverBlood games. This freedom lets you explore how you want from classic Resident Evil style, two different third-person mode and first-person, although you can expect that first-person mode to deliver those creep-tastically ugly monsters in your face as they try to eat your face off. Plan accordingly, but expect to do a bit of jumping in fear on occasion when you’re surprised.

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