The Textorcist: Somewhat Devilish Bullet Hell Coming in 2019

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“Forget about the check – we’ll get hell to pay!” seems like a fitting caption for this image…

File this under “Now I think I’ve seen everything, I gotta play this one!”  division. Headup Games and developer Morbidware are currently hard at work on a crazy indie called The Textorcist: The Story of Ray Bibbia and yep, it’s looking like a hell of a game experience (pun absolutely intended). Check out the rather astoundingly cool trailer below:

(Thanks, Headup Games!)

I’ll admit to laughing so hard with the concept and execution above that it took me a few minutes to realize I’m going to be VERY bad at this game. Thank goodness for that casual mode noted at the end because it’ll at least let me see more of this one than if I tried to play it normally. Oh, I’ll post the hilarious press release below the jump so you can see what you’re in for when you pick this up nest year.

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Gear.Club Unlimited 2 Hands-On: Eden’s Zippy Switch Racer’s a Winner

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GCU2_boxFor whatever reasons, games with licensed cars have been a bit (okay, REALLY) underrepresented on Nintendo’s home consoles for far too many years. The sole good game with licensed cars during the last generation was 2013’s Need For Speed Most Wanted U, a stellar conversion/update that got overall excellent reviews but didn’t sell as well as it should have. I won’t even mention that Fast & Furious game from the same year because it was memorable for all the wrong reasons.

With the Switch doing so exceptionally well since its launch as a home/away hybrid system, you’d think that at over 1230 or so games in we’d see more and better licensed racers filling up retail and the eShop, but nope. Other than the still delayed rally-focused V-Rally 4, and the upcoming truck sim Spintires: MudRunner – American Wilds, pickings are slim for those who want a more authentic racing experience with branded foreign and domestic cars.

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Only a tiny portion of the map is revealed here. All those other courses unlock as you go.

 

Thankfully, last year, veteran developer Eden Games stepped to the plate with Gear.Club Unlimited, an enhanced upgrade of their popular mobile game that removed the mobile-friendly microtransactions and added more cars and game modes. While well received by racing fans and some critics, there was some negativity about shorter than expected race sessions and some elements that seemed too close to the mobile game’s roots. Still, the game did well enough (and is still moving units at full price) that Eden set out to make a sequel that addressed the issues in the first game while adding improvements guaranteed to make the sequel even more impressive.

Let’s just say they have (and how):

 

 

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Shortest Trip to Earth: Early Access Sim’s a Tough, Tasty Nut to Crack Into

(Thanks, Iceberg Interactive!)

I tend to sway between not playing too many Early Access games and playing too many at once, but while a bit of a daft thing to do in practice, in theory, the best games rise above that “Oh, it’s ANOTHER incomplete beta” to “Hey, hey… this one’s pretty darn solid!” Into the latter category goes Shortest Trip to Earth, developer Interactive Fate and publisher Iceberg Interactive’s new game now available on Steam Early Access for $19.99. Described as “a roguelike spaceship simulator focused on exploration, ship management and tactical battles”, it’s indeed all that as well as providing a decent level of challenge, some unusual ship designs and what’s looking to be plenty of replay value.

Shortest Trip to Earth

Pick one… and try not to break it this time, pal!

The opening tutorial is fairly simple as you learn the ins and outs of your starter ship. This isn’t an easy game if you attempt to play outside the tight rule set you’re given, so paying attention and following directions as closely as possible. From putting together the propulsion system, firing up the engines and right down to picking the proper crew members to man the weapons, pilot the ship and other tasks, the game packs in a ton of pre-exploration setup that’s going to appeal primarily to simulation fans. I guess you can call it a somewhat more fussy version of a Star Trek episode if you like. But I don’t think you’ll be Kirk-ing green skinned alien babes much here unless that situation pops up in one of the procedural maps.

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“Um… B-7…” HIT! Well, it’s a lot more complex than Battleship, so expect the enemies here to always fight the good fight.

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Review: Ninjin: Clash of Carrots (Nintendo Switch)

ninjin switch cubeHa. less than thirty seconds into developer Pocket Trap’s excellent Ninjin: Clash of Carrots ($14.99) and I’m cackling like Renfield because while it’s being marketed as a “beat ’em up” style endless runner game, it’s more of an arcade shooter/brawler hybrid and a damn good one at that. Of course, you may need to adjust your brain past the clever marketing stuff and your play style from “runner-based slug-fest” to “arcade shmup/beat ’em up”, but trust me, it makes a pretty cool game all the more cooler once you do.

The story is pretty simple, but comic timing courtesy some well-placed jokes and visual gags at every opportunity keep things fresh and funny.  Your character of choice (Ninjin the rabbit or Akai the fox) is tasked with zipping through the game’s super-colorful levels collecting a village’s stolen carrots while taking down waves of enemies and a series of increasingly challenging sub-bosses and bosses. Yes, you can see it as a sort of brawler based on the many weapons and upgrades you’ll recover from downed baddies or in the two shops you’ll discover.  However, switch to playing this as a coin drop arcade shooter and you’ll see those items in a new light.

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It’s either R(abbit)-Type in disguise, a more hallucinogenic Fantasy Zone, or some other old arcade shmup retooled for today’s gamers. At least that what I get from this auto-scrolling and shooting/slicing stuff.

 

Firstly, the constantly scrolling levels and enemy waves are pure shmup, as are things such as recognizing enemy patterns and the necessity of upgrading to better weapons as you go. Granted, the need to tap out moves constantly is more of an old school shmup and fighter/brawler thing , but you also get screen clearing moves, ranged weapons that feel lifted from shooters and an overall sense of fun that’s addictive enough to make one crave more when the experience is over. Yes, you have swords, spears, axes, meat (!) and other weapons to swing away at baddies with. But the non-stop pacing is made to keep you on your toes as enemy speed and ferocity varies from simple to nightmarish, fluctuating a few times as the game progresses.

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Iris.Fall Hands-On: Shadow Play Works Quite Well in Kinda Goth-Land

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Based on a short demo was only supposed to be about ten minutes long (I was told ten, but I lingered about half an hour or so just to check out every nook and cranny because the level of detail is remarkable), Iris.Fall is shaping up to be a lovely little indie sleeper worth a buy. Developer NEXT Studio has cooked up a charmingly creepy puzzle adventure with beautiful visuals and an intriguing light/dark gameplay element fans of the somewhat forgotten (but memorable) Wii game Lost in Shadow will appreciate.  The demo features an early taste of the full game’s mix of environmental and other puzzles that revolve around Iris’ ability to manipulate light and shadow to progress through areas.

 

 

While simple to pick up, solving puzzles here makes for some fun brain work right from the beginning. Careful scouring of each room for areas where Iris’ powers to be used also reveals objects that can be manipulated or collected to be used with other elements. Foe example, in one room, a pair of marionettes is required to unlock a certain door, but you’ll need to dip into the shadows and light areas, moving things around to create a ramp on one side and then the other to nab each figure. Once they’re acquired, placing  them in the correct spots, then rotating their parts will form a “key” of sorts that allows passage into a new location.

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“I was the puppet, I was the puppet!” A puzzle, in progress (and five points if you get the song reference I made).

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Pinball FX3 Gets Some Williams In Its Catalog

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Lovely. Now, let’s take this pinball history back even further, I say. Lots of excellent tables deserve this treatment.

 

Nice. Here I was, wondering if I should buy up those import PS4 pinball collections that have gone out of print and *ding!* Zen Studios ends up with the Bally/Williams license. The developer has just published four tables available NOW on PC, (via Steam as well) Mac, PS4, Xbox One and Switch, with the classic 1992 table Fish Tales available for free across all platforms. I recall that one as being a high scorer with even beginners able to rack up tens of millions of points on three balls. The table also had flippers slightly smaller than standard ones, so it was actually easier to lose balls thanks to the super fast action.

 

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The Horror of Too Many Scary Games (is A Good Thing to Have), Part 1

Although horror-themed games are released all year long from developers and publishers of all sizes, the number definitely increases as the Halloween season approaches. I’m currently playing a few quite interesting to downright too damn creepy titles that should keep you up at night if you’re into that sort of thing. I’ll divide this into a few parts because my inbox is a bit loaded with what’s looking like some really fun games of varying degrees of scariness. Let’s start with five for now:

The Conjuring House (PC) – Holy #@*+. Well played, Morocco-based RYM Games, well played. Here’s a game that knows what it wants to do (make you too scared to keep playing) and it gets right to it with the scary stuff after an extended opening cinematic sequence that gets your heart pumping before handing you control in the middle of a chase sequence. Gee, thanks. So far, the game is absolutely dripping with atmosphere and the Unreal 4-powered visuals definitely get the job done. That said, the English translation needs a bit of tweaking as some awkward text mars the experience when it doesn’t match the spoken dialog. Still, this is going to be one of those games that sucks players in and should keep them jumping long after they’re done. It’s out September 25 on Steam, so keep an eye peeled (or else). I’ve got my fingers crossed for solid console port (PS4, please) if only to keep further away from the screen. Or: playing this on my laptop has been pretty damn frightening with those blasted creeps right up in my face, yahhhh!

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Review: 428: Shibuya Scramble (PS4)

429_SS coverThis is probably one of the easiest reviews I’ve ever written and that’s thanks to Spike Chunsoft’s 428: Shibuya Scramble ($49.99, buy it!) being one of the best, most consistently enjoyable adventure game experiences I’ve had this year. Initially released in 2008 to acclaim in Japan, this visual/sound novel/mystery game hybrid manages to still be 100% relevant because the developer nailed everything right the first time and the snappy new English localization (courtesy of the fine folks at Absolution Games) does an excellent job at making everything click exactly where it needs to.

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Trust no one… well except for guys who aren’t anything but pesky sorts just trying to eke out a living. He’s okay (this is very early in the game, so nope, not a spoiler!)

On the other hand, it’s also one of the hardest reviews I’ve written because I don’t want to ruin a single thing about the game other than to say it’s gong to be best if you go in as cold as possible (avoid spoiler-laced video walkthroughs, please!) and enjoy the perfect blend of plot and puzzle elements this one brings to the table. trust me, your curiosity will be very well rewarded, especially if you love a good mystery laced with off-kilter humor, tense drama and some deep, dark secrets.

 

 

It’s pretty spectacular when a game zips from drama to comedy to fear-inducing without missing a beat while keeping your interest in its varied cast of characters and sub-characters. It’s even more special when it’s a game that uses live actors and mostly still images with limited animation and doesn’t come off as cheesy or half-baked. This is clearly due to Spike Chunsoft’s decades of expertise with visual and sound novels and even though it’s a ten-year old game, it feels like a blast of fresh cold air on a hot summer day. Five main characters’ (and a number of minor ones) lives cross paths during a fateful day in and around the busy Shibuya section of Tokyo and it’s up to you to choose how everything plays out. Pressure much? Good. That’s how this is supposed to work and wow, does it work.

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428: Shibuya Scramble Hands-On: Flawless Detection, On the Case

428 SS_smallA little game history goes a long way, folks. Chunsoft pioneered the visual novel game way back in 1983 with Yuji Hori’s The Portopia Serial Murder Incident and over the decades since, the company, now known as Spike Chunsoft has released a number of quality visual and sound novel titles primarily for Japanese audiences. Visual novel fans here in the west probably know them best for some solid titles that have managed to make the trip overseas such as the Danganronpa, and Zero Escape games on consoles and handhelds, along with the upcoming Steins;Gate, AI, YU-NO, and Zanki Zero games set to arrive soon on a few platforms. Yes, they’ve also done a bunch of other (and better known) non-adventure game classics. But as you’ve gone and clicked that link above, you can do that extra bit of homework yourself. Me, I’m here to chat up this spectacular new but old number you’ll absolutely want to check out.

 

(Thanks, Spike Chunsoft!)

 

Another game on the way is the stellar formerly Japan-only visual novel from 2008, 428: Shibuya Scramble, finally headed stateside for PS4 and PC on September 4. There’s a great demo out now on PSN that pulled me in right from its 70’s-sounding opening theme and had me playing through to both endings with a huge smile on my face. While it’s only a taste of what’s to come, the blend of text adventure, still photos and brief full-motion video clips makes this a quite impressive achievement even ten years after its release. It’s more or less a “choose your own adventure” game, but one where a failure state doesn’t necessarily end the game at all, but unlocks new story elements.

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The Good Life: Holy Cats (and Dogs), We Need this Game!

The Good Life Demo

Click that banner and the demo is all yours!


If I had a few hundred thousand dollars lying around (I just checked under the mattress and sadly, I don’t), I’d be the first one to up my pledge to The Good Life, the new PC and PS4 game co-developed by SWERY (Deadly Premonition) and Yukio Futatsugi (Panzer Dragoon, Phantom Dust), along with their development teams at White Owls and G-rounding. The Kickstarter has less than three days to go and it’s about $122,000 short of its goal. There’s an excellent short Protptype Demo you can and should try if you’re curious, and while it’s merely an unfinished slice of a game still in the development, you’ll really get the sense that something unique and intriguing is shaping up over in Osaka.

 

 

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