FINAL FANTASY VII REMAKE Demo: ‘Scuse Me While I Kiss The Sky

This Looks Good, Right

“I can’t believe it’s THAT good, right?”

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It’s up… and it’s good!

Honestly, I’d deliberately not followed any development news, interviews, screens and trailers of the upcoming FINAL FANTASY VII REMAKE because as I’ve said in the past many times, I prefer going into a game as cold as possible for the surprise factor and how that actually helps my sense of wonder continually activate, even if it’s a game that’s been re-imagined or has had multiple versions created over the years. In this case, the approximately 45 minute long Unreal engine-powered demo that dropped on Monday is visually, pretty spectacular stuff and the gameplay is a mix of styles  old and new, with a bigger nod to the new. This bodes quite well for the final version we’ll see on April 10, 2020.

I’ll resister my EXTREMELY middling complaints about the demo here just to get them out of the way first. I didn’t like the variations in destructible objects. Those wooden Shinra boxes you should smash up when you find them go down with a weapon swing by Cloud or a few shots by Barrett, but cardboard boxes, some crate-like objects, and a few metal barriers bounce or just get knocked around with no visible damage? Eh, well. Although, some striped sawhorse barriers hide handy items you can find once knocked away (explore everywhere!). My other minuscule complaint is with the music, which is phenomenal, but I want a choice of the original tunes as well as the new remake versions. As I said, these “complaints” are tiny, but this was only a demo and it does note, the quality isn’t 100% representative of the final game at all.

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Sakura Wars Story Trailer: The More You Know, The Better It Gets (As Long As You Don’t Know So Much)

 

It’s quite the year for nostalgia in games, am I right? Final Fantasy VII, Langrisser I & II, the Yakuza Remastered games, a new King’s Bounty, and more are on the way, but there are a few firsts for the US and Sega’s Sakura Wars is at the top of the hit parade for many, I think, as it’ll be the first officially licensed game to make it westward on console. This trailer in only a hint of that’s to come, but I’m going to stay away from bigger reveals because I love going in as blind as possible on some games because it keeps them more interesting and yes, I’m happier with no or as few spoilers as possible.

-GW

Deliver Us The Moon: Because It’s There, Right?

Deliver Us the Moon

That’s going to be a hefty Amazon bill, but shipping might be free, at least if you use Prime.

I’ve yet to play KeokeN Interactive’s fantastic-looking Deliver Us The Moon, but it’s a title I’ve been following since about a year back when I stumbled upon it as a PC game. Now coming to consoles in April (PS4 and Xbox One) and Summer 2020 on Switch courtesy of publisher Wired Productions, this epic adventure game looks like the it’s right up my alley.

Well it’s also the closest I’ll get to leaving the planet anytime soon and going to the Moon, but one would guess at this point that any space travel is going to fall outside of the very, very wealthy or those interested in mostly scientific pursuits, as space isn’t for totally clueless people because of too many variables (such as “Hey! Let’s play in the airlock!”) preventing them from a successful trip there and back.

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Sakura Wars: It’s About Time, Sega

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Boom time for Sega continues!

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I think it was about 1998 when a friend visiting from Japan gave me his used copy of Sakura Wars as a gift after he found out I really liked strategy games and had made my way through a few Japanese games with a bit of effort and persistence. Well, I ended up picking up Sakura Wars 2 a few years later, but never played either game thanks to thinking Saturn games would all be successfully emulated and/or localized at some point and I wouldn’t need to learn any more Japanese other that what little I picked up from a few dictionaries and games over the years. Well, that and yes, I was a bit lazy to my great disadvantage (Or not that lazy, as I finished four Front Mission games, two FEDA games and a few other imports with not too much hassle). Anyway. with 2000+ games in the library here, I never got around to to playing either title.

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Not-So Random Film of the Week: Way of the Dragon/Return of the Dragon

Hey, look! it’s that time of the month again – you know, when us guys get together and do the usual, but in public and with way too many people watching (well, hopefully). Yes, it’s time for an all-new (but not very much improved) installment of…

(theme song plays):

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If you did NOT hear a theme song, let me know. I paid some guy on eBay a pretty penny for a theme song. Hmmm… I think I need to stay off eBay for a while…

This month’s other entries can be found at Mike’s Take on the Movies, The Cinema Monolith, and Wolfman’s Cult Film Club, so go get reading (you’ll need your own popcorn and beverage of choice, though).

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A bit of misleading marketing copy here thanks to this getting a US release after Lee’s unfortunate demise and Enter The Dragon popping up in theaters first in the States.

If my fading memory is correct, the first martial arts flick I’d ever seen was Way of the Dragon (or Return of the Dragon) sometime in the mid 70’s on a black and white TV, either on WOR or WPIX, I believe.  It was pretty horribly dubbed from what I recall, but then again, so were way too many foreign films of all genres from what I can remember.  That version was what I saw as “definitive” in my youth until I finally heard from a few friends in the late 80’s that I’d probably want  to see it in its original language. That took a while, as I finally got around to seeing a cut of the Cantonese/Mandarin version with English subtitles about 10 years back and it made for a much better experience.

As a kid, I didn’t pay close attention to dubbing other than cracking up at the way the mouths moved while wondering how those actors onscreen often said the dopiest things. As I grew older and gained more knowledge about films and the dub/sub process, I saw that more often than not, bad dubbing was the result of rewriting dialog and trying to fit those words into the mouths of whichever actor was speaking lines. Granted, Bruce Lee’s first complete work as a writer/director/producer isn’t exactly going for the gold on the scripting front, but it works far better when you see how Lee uses the language barrier as a major part of the film’s plot.

(Thanks, fortunestarmedia!)

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Review: Vaporum (Nintendo Switch)

Vaporum_switchAs a well-aged (I prefer the term “vintage”) fan of old school dungeon crawlers, I knew Vaporum ($24.99, worth every penny) was going to be right up my alley. With its dark thematic elements, Dungeon Master meets BioShock vibe and plenty of play and replay value, the very worst thing that I could think of as I sat down to type out this review was simply only being able to get through the game once for this post and having to move onto something else thanks to my stupidly large backlog.

The team at Cypronia has converted developer Fatbot Games’ stellar PC game into a mostly excellent home console version and yes, when I say home console, I kind of mean it. While you can indeed take this on the go as a Switch owner, you’ll have to deal with somewhat smallish onscreen text and controls that can be a bit complex as they’ve been translated from keyboard and mouse to a controller with a lot less buttons to operate. Everything works as it should, but there are a few fiddly moments that require a trip to the options screen to adjust things to your preferences.

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Shocker! Just about everything wants you dead in this game – expect traps and tricks galore as you get deeper into the thick of things.

Personally, though – this is exactly the sort of game you’ll want to play while socked away on a rainy vacation at home in front of the TV in docked mode. That way, you’re all into the visual and aural experience (the game both looks and sounds fantastic) and not having to be interrupted by outside distractions such as some kid walking up to you and asking “Hey, is that a Switch? Can I play, please because my mom won’t let me take mine outside and… blah de blah, blah, blah..” (true story, that). This is the sort of game where concentration, planning and execution are all urgent forces vying for your attentions.

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Review: Feather (Nintendo Switch)

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Because sometimes you really really need to relax, games such as Feather ($12.59, $9.99 on PC) exist and should thrive because they do what they do well enough to recommend to those with more open minds. Melbourne-based Samurai Punk‘s super-chill experience is as much of an art project as it is a highly playable stylized bird flight simulation and it works on a few levels some won’t immediately grasp. Its open world setting couple with the simple to pick up controls allow free exploration of the map which reveals a few nifty secrets for those willing to take the time to dive in and discover.

This is a game where the intentional low-poly look blends seamlessly with its lovely soundtrack that does a great job of transporting you and your brain into a comfortable place for as long as you need that respite. As there are no big goals other than enjoying the ride and locating all nine music tracks (accessible via circular gateways placed in select locations), it’s a case where if you want to end the game, it doesn’t mind when you quit because any “progression” you’ve made isn’t saved. Yes, that seems strange in this era of auto-saves or games recalling your last position before a huge event. Feather itself is the event, and it’s a low-stress one at that. Jump in at any time and fly until you’ve had your fill.

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Oh, the places you’ll go: Just explore everything, as you’ll fly into some odd spots worth seeking out.

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Review: Zanki Zero: Last Beginning (PS4)

“Just sit right back and you’ll hear a tale, a tale of a fateful trip…

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CHARGE COMBO… er, hey? Does that come with fries, or just a large punch? I got jokes, man. Not good ones, but I got jokes…

ZZPS4“Gleefully Apocalyptic” or “Cheerfully Downbeat” may seem like damnable praise for a game, but Spike Chunsoft has made that a winning strategy in a number of its more popular titles such as the “Deathly Amusing” Danganronpa series or those “Wonderfully Grim” Zero Escape games. Veteran developer Lancarse’s Zanki Zero: Last Beginning ($59.99) is in some ways similar, but not 100% quite like those other games, though. It’s a “Non-stop Survival RPG” with a demanding set of gameplay requirements some new to this sort of thing may find a bit tricky to grasp, but it ends up pretty satisfying once you settle in and grow accustomed to what it requires from you. In English, you’ll dig this for what works well more than those who might not “get” it at all. Go try that lengthy PS4 demo out and make your move, I say.

You play as a team of eight survivors of a world-ending event who initially seem to think they’re in a bizarre reality show, but soon find out they’re clones with a 13-day lifespan forced to repeat the cycle of birth to death as they puzzle out the hows and whys of their existence. Their guides? A pair of cartoon show hosts living in a separate reality who pop up on an unplugged vintage televisions to give them missions that will expand or end their lives (or both) as they’re completed. Yes, you get 10XP if you realize there’s some nefariousness going on behind the scenes (or, under the skin, if you prefer). And yes, I thought David Lynch would make a fine directorial choice if there’s ever a live-action version of this one, but as usual… I digress.

 

 

As you can see from that trailer above, you can expect death to come calling frequently (a lot less so if you play on the new to the English version Easy mode). That said, dying here isn’t all bad, as what can kill you will in most cases will make your party members stronger as new resistances and even a bit of lifespan extending can be acquired based on how and when you buy the farm. Buy early, buy often, but try not to buy it too much as your lives are limited. There’s also that parasitic Clione the clones have to deal with – use their powers wisely, or pay the price with a somewhat spectacular death.

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Zanki Zero, You’re My (New) Hero

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Keep an eyeball peeled for this one, folks.

While it’s not officially out until April 9th, I’ve been playing a review version of Spike Chunsoft’s new first-person “Non-stop Survival RPG” Zanki Zero: Last Beginning for a few days now and it’s pretty amazing on a few fronts. I’ll save most of that “How amazing is it?” stuff for my review, but I’ll gleefully urge you to go download the demo if you’re a PS4-owning JRPG fan who wants something a wee bit… different yet but quite familiar in its mature tone to Spike Chunsoft’s other quirky titles.

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One of the first people you’ll meet in the game. Expect total strangeness from this point onward.

That trailer below doesn’t even begin to convey the sheer wackiness and brilliance on display, but it sure makes for an interesting watch:

Oh, before you get all “Aw, man… I want to play this on my PC!”… the game will indeed, get a PC version on the same day as the PS4 game ships. Excellent.

Alrighty, then. My work here is done for now, but I’ll be back with a review next week. Expect strangeness.

-GW

Earth Defense Force: Iron Rain – 13 Days ‘Til The Worldwide Airdrop

This latest trailer for EDFIR is pretty goofball stuff, but definitely enjoy it for what it is. Of course, you can check out a more “serious” trailer and a nice set of screenshots on the PlayStation Store page (and pre-order the Standard or Ultimate digital edition of game if you like). Everything is shaping up to be the most epic entry in the long-running series to date and yes, that worldwide release insures EDF fans everywhere can play together or alone and not feel left out of the action.

Oh, for the record, I’m finally finishing up my Earth Defense Force 5 review (yeah, it took a while thanks to the ridiculous amount of content in the game, but that’s show biz, folks!) and should have it up over the weekend. Pop back in and see if it’s a total blast of a game more folks need to jump on (spoiler: it most certainly is).

-GW