With Persona 5 Royal just around the corner (well, March 31, 2020 is kind of creeping up fast), here’s a looks at the game with a little help from Morgana with an assist from Kasumi as they point out a few cool additions to the game. I’d say “Thanks Atlus!” for this video, but it seems they don’t know it’s missing yet. Well, I guess this post will double as a PSA, then. Hey Atlus? You need to hire more security, I think.
Still, I bet the game sells like hotcakes anyway, even with Morgana’s paw prints on a few copies. Wait. Now THERE’S an idea for an even more limited edition… Hmmm.
Say, Morgnnnnnaaaaa? – are you busy right now? I have an idea, cat.
At my ancient age, a new Persona game is something I look forward to with both a sense of awe and dread. Awe because the very expansive Megami Tensei and Shin Megami Tensei titles and their assorted spin-offs on a few platforms are one of the best and has been for decades, and dread because well, there’s so much to do in each game that it’s easy to lose track of time when playing them. The series is well known for some intensively lengthy games even back on the Famicom and Super Famicom systems up to today on the PS4, especially if you’re playing more than one game for just journalistic purposes. Heck, it took me almost three months to play Persona 4 way back on the PS2 and I’m here to report that I’ve been taking my time with the brilliant Persona 5 because of so many other games in my backlog to cover.
Well, that and the game is pretty and spectacularly dense in terms of depth and story and well, I bought it somewhat late (I think it was early last year when I made the plunge for a retail PS4 version). Even if I were to concentrate solely on the game, that’s about 60 or so hours without any shortcuts and that’s probably the basic story elements and a bit of leveling up for good measure.
I’ve been a big fan of Atlus’ Shin Megami Tensei games for a while now (okay, close to 25 years – yes, I’m old) but I’d say one of my favorite portable entries in the series was Shin Megami Tensei Strange Journey, released back on the Nintendo DS in 2010. Like the other SMT games, the first person dungeon crawling (like some of Atlus’ early Persona games, was inspired by Sir-Tech’s classic Wizardry series), the mix of sci-fi, horror, and mature dialog all made for a pretty compelling experience. Remade and expanded for the 3DS, Shin Megami Tensei Strange Journey Redux ($39.99) still manages to be an excellent game well worth a replay or even a first experience for those new to the long running series.
New to the game are a new character with her own side story, a new multi-floor dungeon and new side missions, a great new animated intro and optional DLC (which is one reason this review is a few days later than expected). Additionally, 20 save slots (the DS game had a mere two!) allow for a bit of experimentation with the game’s demon fusing mechanic as well as let you tackle certain tough sections and deal with the potential outcomes or just mess around trying to cause demon fusion accidents, some of which can be rewarding in the long run. Oh, and for those who’ve played the DS version, yes, some of those old demon passwords still work.
An instant classic on both artistic and pure gameplay levels, Dragon’s Crown Pro ($49.99) has finally arrived on PS4 with buffed up 4K visuals and cross-platform play/save compatibility with the PS3 and Vita versions. It’s a game that also hopefully going to be one of those true evergreens that new players will want to add to their libraries because it offers enough replay value to keep you dialed in each time you pick up that controller.
The game’s original notoriety to some for its mildly bawdy artwork for some of the female characters (but you get a half naked muscular dwarf as a counter to that) ends up being much ado about nothing. If you’ve a working brain in your skull, you’ll know the difference between gorgeous stylized artwork and solid animation and somehow deeming the game “controversial” because one doesn’t appreciate the very intentionally over-exaggerated art. That and hell, it’s a Vanillaware game, so assorted forms of pulchritude are a necessary non-evil.
“Waiter, there’s a fly in m… oh, never mind (ogle!)
There will be three types of people who’ll be interested in Atlus and Vanillaware’s Dragon’s Crown Pro ($49.99) on the PS4. Those completely new to the game looking for a very solid side-scrolling arcade action/RPG will find an excellent single player, 4-player co-op offline/online game that’s a gorgeous homage to a number of great arcade games from Golden Axe to Capcom’s two Dungeons and Dragons titles.
Those who’ve played the original Dragon’s Crown back in 2013 on the PS3 or Vita (or both platforms) and want to know what’s new will find much sharper visuals (if they own 4K TV’s) , a new orchestral soundtrack (the original is also selectable) and thanks to a recent patch, cross-platform multiplayer and save data with Dragon’s Crown Pro. Or you can just be like me and dive into a new game just to experience everything fresh.
The third category are those who went completely bonkers complaining about the stylized artwork and may want to poke at the game anew for its sexy Sorceress and Amazon characters, but I’m gathering that loud crowd will get drowned out by players who want a fun and solidly built couch co-op experience who won’t mind the art style one bit. Truth be told, I’m a big fan of George Kamitani’s art style since I picked up a copy of the lovely but flawed Princess Crown through a Japanese friend about 20 years ago. Kamitani also worked on those two D & D games (which just so happen to be available on the PS3)
There’s something warm and familiar about Cattle Call’s new RPG, The Alliance Alive that really pulled me in from the beginning. While not flawless, the game has the look and feel of one of those multi-disc original PlayStation JRPGs and while not quite an “epic” experience, it’s solid enough and certainly packs in enough characters in its massive maps while hitting pretty much all the bullet points it needs to that make it an overall decently nostalgic 3DS game. I’m a big fan of much of Cattle Call’s work since the quirky PS2 sleeper Tsugunai: Atonement, so seeing the familiar color palette and simple but intriguing battle system also had me smiling throughout.
Still, it’s also a case where you sort of wish the game was on a system that was a bit to a good deal more powerful. It’s not at all hard to imagine the developer making a Switch (or heck, PS4 or even a Vita) game with higher resolution art and even more detailed characters and environments. On the 2DS or 3DS, the game’s animations and numerous cut scenes are excellently handled. However, the large overworld maps tend to be a bit bland, there’s a bit of background pop-in and if you have a poor sense of direction, it’s a bit too easy to get lost unless you choose the option to be guided to and from certain story-related areas.
In a weird way, history is more or less repeating itself with the release of the brilliant remake/remix that is Radiant Historia: Perfect Chronology. The original game popped up near the end of the Nintendo DS life cycle and received pretty solid reviews overall, and this newer title slides into the eShop and at retail as Nintendo is slowly but surely planning to phase out the 3DS line (despite the handheld pretty much being the showcase for portable JRPGs in my humble opinion). Does Atlus have a hit the second time around with the same impact? In short, yep.
If you’ve never played the first game, this one’s a must. If you’ve played the first game and are on the fence, I’d still recommend this for a few good reasons. There are new story elements, a great ‘Friendly’ difficulty setting, a new character with her own storyline (which is actually a fun excuse for assorted dungeon running exploits), full voice acting for all the main characters, sharper visuals, and all-new character portraits. The latter seems to be something a few fans dislike, but as we’re in the age of DLC, you can feel free to spend a few extra bucks for those original images and exchange the new art for the old if you like.
Let’s see now. I’m trying to shoehorn a load of stuff into my schedule this year, so I’ve taken to compiling certain games and films into shorter, easier to digest capsule reviews that don’t drag on like my longer boring full meal posts. Don’t worry, those longer reviews aren’t gone at all. I’m just saving up my currently lower than usual energy stores for those more epic length posts. Anyway, let’s get cracking:
One More Dungeon (PC/PS4/PS3/Vita/Switch/Xbox One) – Not quite a RPG and more of a cross between a first-person shooter and a perma-death packed randomly generated roguelike, OMD’s in your face pixel art will seem garish to some players, but I liked it quite a lot. The game is a challenging bit of fun that will kill your character off constantly, but somehow keeps you coming back for more. Points earned via playing can be used to unlock assorted modifiers that make playing somewhat easier or a great deal harder, so how tough things get is eventually your call.
There’s a sanity level to consider and the game’s overall vibe reminded me a tiny bit of Eldritch, another retro-style FPS, although that game had a more Lovecraftian vibe going for it. OMD’s low price point and speedy gameplay keep it fun going even if you end up buying the farm a wee bit too much. This is one of those games that you’ll go back to a over and over, provided you like what you see and/or it grows on you. Developer Stately Snail and Ratalaika Games (who handled the port) deserve a tip of the cap for this one.
How “funny” is this? Yesterday I get my Etrian Odyssey V: Beyond The Myth review code (Thanks, Atlus!) and I’m giddy about that because it’s been a really good year for games and EO has been consistently awesome (although it needs to be on a more powerful system, in my opinion). Having put some quality time into the recent eShop demo meant I’d start off with a party pretty prepared for the challenge ahead (whee!). So, I fire up the game and play for a few hours until I need to recharge my 2DS, whip out the AC adapter, plug it in and about a minute into recharging… the adapter ups and dies on me. One word sprung to mind and yes, I have the WORST luck with technology of anyone I know.
(Sings) I’m Mister Tech Miser, I’m Mister Dumb… (now I need to write the rest of this at some point, but with my luck, the I’ll cut myself and bleed on the keyboard, which will summon a demon I can’t control or something) – back in a bit. It’s a good thing I have a few other games to review on systems that still work while I wait for my replacement charger to show up.
Warning: This review may be full of rock puns or something. Or not, as I’m writing this on the fly between campaign missions. Rock of Ages II: Bigger & Boulder is a must buy right out of the game if you love your games surreal, physics-based and packed with artistic genius that might roll over the heads of some gamers who won’t “get” the all-out insanity here at all. Granted, developer ACE Team has always gone out of its way to lace their games with stylistic influences that are far from the norm when it comes to pegging them with a particular style. But here, you get the kind of mind-bending overkill that’s constantly making you smile or burst out laughing because pulling off humor so well in a game like this makes it a total blast.
There’s a single player mode as well as co-op and online play for up to four. But at heart this is a spin on a few genres from racing to tower defense, to bowling with a dash of puzzle elements thrown in for good measure than can be fully enjoyed solo. Imagine if Rampart, Super Monkey Ball, and Marble Madness had a child raised on a steady diet of Monty Python animation while reading art history books for fun and you’re about a tenth of the way into what’s going on here. The game is also quite challenging and definitely not a cakewalk on the more difficult settings. That said, prepare to let the good times roll as you rock on with Atlas as he engages in rolling combat with assorted foes in not at all historically accurate settings.