Nice. I actually haven’t played either of these other than a demo of one a while back, so this will be a good pair of bonuses to have added to thee library. Now, all I need to do is find the time and clear out my external HDD, as it’s about filled with a ton of old games and videos. Eh, I’ll probably get a larger drive at some point, but I’ve always thought the the PS4 could have used more USB ports.
-GW
“All the animals come out at night…” Well, to be fair, in this game they’re out anytime they want to be.
Hamburg-based Mooneye Studios absolutely gorgeous looking game, Lost Ember, now has an official release date (November 22, 2019 for PC, PS4, and Xbox One), a nice new trailer and more lovely art to look at. I’ll just shot up here and let those images and trailer do all the talking:
Some images for you? Okay, then:
There’s a load of other images to run, but I stopped with these because I was taking too much time poring over the rest. I’ll get the rest up closer to the games release. Oh, a Switch version is in the works, so we’ll see how that turns out at some point.
-GW
There are a few ways to handle this…
Absolutely beautiful and back to its 2.5D roots (although I did like the last game, I seem to be in the minority, so I’ll shut up about it), Trine 4: The Nightmare Prince ($29.99) is a wonderful and wonder-filled visual treat. Solo play is excellent, but It’s also great to play with a few friends for the engaging co-op and unlimited modes, which become more of a blast when you get new players in on the fun who’ve never tried this series before yet manage to come up with some quirky and/or intelligent out of the box means to solve some of its puzzles. Amadeus the Wizard, Pontius the Knight, and Zoya the Thief are back and in an even more stunning to look at game packed with enough content outside the story to last a while. The main game has a pretty basic story, but there’s a good deal of replay value when you get a few friends and get to messing around.
Developer Frozenbyte’s choice to let players cook up their own solutions to puzzles is a genius move where the game never gets dull because there will be those moments when someone pulls of a nice move and discovers either through trial and error or just mucking around for fun how to proceed. In solo mode, the game is great stuff, as switching between its trio of characters and using their powers comes off easy. Well, battle sequences aside where some solo players may want to rely on switching to Pontius and his trusty sword and shield until because he’s usually best at dealing with those shadow beasts quickly. The other team members do fine here (and as you play through the game, all get some nifty skill upgrades), but for my tastes, I used Pontius whenever I could for combat.
Even though the game world is presented as a side-scrolling affair, developer Frozenbyte has lovingly packed so much rich detail here that some areas feel as it you can travel out of the boundaries and go off in the distance if you wanted to. The gorgeous fairy tale looks and excellent character animation help bring the game to life and it’s all family friendly stuff right down to a few exaggerated, oversize boss enemies which manage to be both somewhat comical and scary (well, not that scary). In the game, a young and somewhat reckless prince tries to learn some powerful magic outside his skill level and our heroic trio get reassembled as a team and have to go after him. Unfortunately for them, he’s actually got a few tricks up his fancy embroidered sleeves. Can you say dipping our three heroes’ minds to bring forth nightmares, folks?
I’ll admit at first I thought it was a game about the wonderfully awful movie The Beast Within until I saw screenshots.
Well, what have we here? A photo-realistic horror themed mystery/adventure game that’s got a strange, sort of time travel thing going for it along with some amazing visuals and a lot of falling off stuff, for good measure. Oh, and it’s coming to PS4 and Xbox One at some point, which is good, as I hate upgrading my PC so frequently to play these games. Here’s a gallery and one of many trailers. You can see more on the Steam page where yes, you can buy the game and/or try the demo out.
Developer Illusion Ray Studio and publisher Movie Games have quite the pair of fitting names, no? I’ve downloaded the demo, but haven’t gotten to try it yet thanks to a review backlog I’m sifting through, but this one will get some playtime soon, as it certainly had my attention as soon as I heard of it and looked it up. Here’s a look at a trailer (it’s all gameplay footage, too):
Alright, then. I guess I’ll get to that demo sooner or later (well, before the game hits consoles, at least).
-GW
Well, this is a fine thing indeed. It’s soon to be raining werewolves, vampires and other creatures of the night thanks to Bigben Games and a few developers hard at work on a few titles. On the werewolf (there, wolf!) front, you’re getting this:
“You better stay away from him – he’ll rip your lungs out, Jim!”
Werewolf: The Apocalypse – Earthblood is in development with Cyanide Studio at the helm, and while only this art below and the animated image on the official website have been shown, both it and that teaser trailer give off a nice vibe of what to expect. The developer has been pretty good at delivering solid gameplay that’s gotten better with each game they make, so I’ll definitely be keeping an eye peeled for screenshots and actual gamepay as this moves closer to completion, This one’s coming in Summer 2020 for PC, PS4 and Xbox One.
As for those other creatures of the night…
Good gravy, Skybound and Beamdog, you’re going to kill me thanks to my withering away indoors with your ports of the two Baldur’s Gate games, Neverwinter Nights, Icewind Dale and Planescape: Torment games. One definitely can’t gripe about the cost, as each game and their expansions (plus new content that was missing in the PC versions) cram in more that enough play and replay value to justify the price ($49.99 each). Pretty much, each one may will take a few weeks or months to play and hell, you can’t say that about many games outside the genre that don’t require an online connection or double-dip you (or more) with fees and micro-transactions.
As I noted in my preview a few months ago, there goes my free time forever. Amusingly, I’ve not requested a review code yet because from experience, games like these games are professional time eaters (I’ve played them all before on PC years back), and well, as I sand, my free time (and hell, all of my work time) would necessitate a format change to an all-Beamdog, all the time blog. That, and yeah, I’ll likely support both companies with a purchase because I have the feeling some wags out there will feel these enhanced ports won’t be worth full price because of the dated looks and other biases against things like the length and maybe the mobile ports (which cost less, but the console versions have a number of changes that make then worth playing and then some).
(Thanks, Warner Bros.!)
Now if you’ll excuse me, I need to figure out when I’ll play these and work on my time machine so I can play them. At least Neverwinter Nights isn’t out until December on consoles, so that gives me time to play the other games.
-GW
Funcom’s scary looking treat, Moons of Madness is out on PC for Halloween time (well, October 22nd, a week or so early), and there even a neat contest you can enter here with some frights to be had and awesome prizes to be won. But as good as it looks (and man, it looks really good), my poor backlog is telling me to wait for the console release in February 2020. It’s not that I don’t want to review it, mind you. In an effort to reduce my workload (and yep, stress level), I’ve decided to shift a few games to next year and while it’s a tough choice here, it’s also a good one at the end of the day, I think. I feel that a fresh review down the road gives a game like this a a nice boost if it’s one some console owners may have avoided because they haven’t a computer that can run it and might be keen on how it runs on their system of choice.
There’s also the chance that further optimization and any patches that a game needs will come to consoles that game a good-looking game such as this one even better (in terms of gameplay) as an overall experience. For the record, yes, I know the game might look less “perfect” as a console release. That said, the modern emphasis of graphics over gameplay with some makes no sense when a game manages to run fine and play well as a port (despite what one thinks about things like “perfect” resolution and the need to frequently tweak a PC to run things at optimum settings). “Blame the player AND the game”, as I heard an acquaintance say a few years back when a new PC game he’s bought was giving him grief when his driver-updated 3D card wasn’t capable to run a it without some figuring and fiddling.
“Outstanding” is the first word that springs to mind in Dead Mage and 11Bit Studios spectacular Children of Morta ($29.99), a game I didn’t want to stop playing. I dragged out the gameplay intentionally, clocking in about 25 hours in because between the lovely visuals, great action-packed gameplay, and often heart-tugging story here, I didn’t want to leave this gorgeous action/RPG’s world. Yes, it’s a slower paced story and some may think it’s heavy use of deliberately paced narrative and the narrator’s Bastion-like delivery slows the game down. But as someone who’s a reader of stories (and sometimes a teller of them when properly prompted) this didn’t bother me one bit. Besides, every game one plays need not be the same as another and the focus on family here is welcome for a change.
This is a game where sentiment is an important plot device, but the action is also well implemented and sometimes very challenging in a product that took five years to craft. Both the art and artistry on display are to be properly commended, so hats off to all involved in this. I got a digital code to review, but I’m surely and sorely tempted to buy this as a physical release just to have if it ever disappears from PSN for any reason. Yeah, I’d play this again even though it’s more or less a “one and done” game to some extent, but a great one worth checking out a few times for its randomly generated levels and some neat side missions (“Who’s a good puppy? You are!” is a hint I’ll give). I was thrilled by most of what’s here to definitely say I’d revisit it like a good novel because it works well as enough of a memorable visual and aural treat with a good story, to boot.
Pixel perfection, plus the animation is always fantastic.
The Bergsons are a family that discovers a corrupting force has come to their land and fortunately, the spirit of adventure runs in the family. That we’re dealing with a tight-knit family where you can choose to play as a few classes is a fine touch and surprise, much better that the sometimes generic hero types (that too often have some form of amnesia) in RPGs. One fun thing here is the Bergsons have nicely normal names that seem dull, but I say that’s more the player than the game wanting to choose a “McHero” or original sounding name because they think it makes for a better experience. This game, for me works because no one person is the star – they’re all great and necessary characters here. Even the ones that seem a little strange in some areas (Lucy, I’m taking about you and that laughing of yours).
“Back up for a sec. I did WHAT last night?”
Short and simple on the surface, Kinmoku and ever busy port-house and publisher Ratalaika Games present a nifty little surprise in the form of One Night Stand, ($4.99) a game practically guaranteed to tee some prudish or easily triggered folks off (such as those expecting the usual trophy hunt from the publisher. Oh, they’re here, but it they come with a bit of baggage some can’t or won’t handle). This one’s a “slice of life” game, a visual novel where the person you’re playing wakes up in bed with a girl he met the night before and has (well, it’s an option here, but who doesn’t like a mystery?) to put the pieces together as he attempts to find out a few things about her.
Yeah, yeah. “Ooh, cooties” and all that dopey nonsense some will chime like broken bells as they whine about this game being the end of the world or bottom of the barrel or whatever. But it’s actually a pretty decent experience overall if you free yourself from any prejudices you may have Like it or not, some people in the real world sleep with each other and they’re not married and pumping out children. You can say this game is a sort of representational reality in a way of some (DEFINITELY not all) of the effects.
Yeah, Let me choose (carefully, now!)…
Granted, waking up next to a total stranger is quite a change of pace (and how!) from this publisher of budget games, but it’s a risk that pays off big in little ways. As noted, the game is short (about 10 to 15 minutes per outcome), but replaying the scenario you get will extend the story across a few branches and yes, get you those trophies you’re after. As I like to note in my reviews of these games, Trophies are the last thing I think about and games like this are excellent ways to shake thing up.
“I’m a little Rusty at this!”
While it treads familiar ground, it does so with enough winking and nodding to classic action platform and open world games to be quite smile-worthy. Developer Sky9 and Curve Digital present A Knight’s Quest ($24.99) a fun and mostly very pretty looking homage to some greats, Fun as it is, it could use a patch to fix a few issues. That said, it’s quite exciting to see a game reach for the stars like this, but it’s also painful to see a few stumbles that keep it from 100% potential greatness. As noted above, a few fixes will make it the stellar experience it needs to be. Still, Curve Digital has a little sleeper on its hands that old-school platformer fans will find a lot to love.
As Rusty, a hero who’s a bit on the clumsy side, you start out the game finding a wooden sword and shield in a cave you’re exploring before all hell breaks loose a few minutes into things. This sequence shows off some thrilling platforming and a bit of combat as the cave is escaped, and high marks here for a nifty start to things. Plot-wise, it’s a “find the legendary heroes, gain elemental magic from each one than will help you in each area” thing you’d expect, but with a dose of lighthearted humor and Rusty riffing on what he can. The weird mix of styles to the game world (which mixes a sort of medieval fantasy setting with stuff like radios and chain link fences in areas that can’t be accessed right away) seems a bit odd, but it’s worth saying it works after seen enough times while exploring.
Fire good! Uh, stop, drop, and roll dude.
Additionally, if you like collecting stuff, the game goes out of it’s way to get you to search for secrets in hidden places or heck, almost anywhere you happen to be. From hidden treasure caches to singing slugs to breakables of a few types, it offers quite a few secrets to discover. It all feels like a throwback to another time or a game that means to keep you as busy as possible for as long as you’re playing. An amusing thing here is the game references Sky9’s Flash adventure/RPG from a while back, so some jokes will go right over a few heads unless that game was played. I didn’t see a hidden version of that game here, but I wasn’t looking everywhere thanks to blazing through some later maps to get this post up. It’s too bad Sony considers the Vita a lost cause, as the game looks like it would be a fine diversion on the portable or even better, a bonus for console owners.
"DESTROY ALL FANBOYS!" 