Review: Dawn of Fear (PS4)

Posted on February 27, 2020 by geelw

How come no one has a sledgehammer handy so they can bust the heck through those locked front doors in these games?

You’ll either like or not like Dawn of Fear ($19.99) for a few reasons. You’ll like it if you’re a big of the classics for the strict, stick to the script “survival” horror gameplay borrowed liberally from the first Resident Evil, with a touch of the more unsettling Silent Hill for good measure, very limited save function, static to a fault camera angles, blind spots, rigid aiming, low ammo counts and all. You’ll not like it for all that if you’re a newer survival horror fan or an old fan of the genre that’s moved on to games with more freedom of movement and a plot that makes more logical sense. Plus there’s a somewhat spotty localization that needed a bit of work, as it’s a bit cringe-worthy on the grammar side. Oh, and there were some pretty awful bugs and glitches at launch, some of which stopped the game cold and either forced a restart, or had you go back to an old save to hopefully restore things.

A recent patch helps a great deal, though. It turned the sluggish movement speed to an always run animation that helps a tremendously (even though the instructions still state holding the Square button runs, when it now doesn’t). Although you’ll now zip into camera angles that switch so fast it’s tricky to not run back into an area you just left. Glitches that were major visual and technical ones seem to be stomped out, but sometimes areas you explore still load in pieces. For example, you’ll be ~~walking~~ running into a dark room in that mansion and the lights suddenly switch on, but it’s not the lights, just an area on the map that’s loading in its pre-rendered details (oops).

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Samurai Shodown: We’ll Take A Slice On Switch, Please

Posted on February 27, 2020 by geelw

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A farewell to arms and a few other body parts…

Well, it’s here and Samurai Shodown has landed on Nintendo’s Switch in fine form. Those who pre-ordered the physical version via online sources or walk in to Best Buy or GameStop to buy the game before March 25, 2020 are getting two nice goodies, a free controller skin (seen below) and a digital copy of Samurai Shodown 2, a port from the Neo Geo Mini.

Digital pre-orders just get the Neo-Geo game because the process of teleportation won’t be figured out until about… (checks year 2100 textbook) the year 2093, but even then it’ll be a highly flawed process and only available through some sort of Amazon Prime Plus Plus Premium service, with a 20% success rate. In English, you might want to go out and get some brief exercise to pick up a copy of the game much sooner. Good cardio if you sort of double-time it there and back, I hear. Well, read this post first, of course – I need the traffic before you go out in it.

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Persona 5 Royal: Want To Be A Phantom Thief? Let Morgana Show You The Ropes

Posted on February 25, 2020 by geelw

With Persona 5 Royal just around the corner (well, March 31, 2020 is kind of creeping up fast), here’s a looks at the game with a little help from Morgana with an assist from Kasumi as they point out a few cool additions to the game. I’d say “Thanks Atlus!” for this video, but it seems they don’t know it’s missing yet. Well, I guess this post will double as a PSA, then. Hey Atlus? You need to hire more security, I think.

Get One!

Get Both!!

Still, I bet the game sells like hotcakes anyway, even with Morgana’s paw prints on a few copies. Wait. Now THERE’S an idea for an even more limited edition… Hmmm.

Say, Morgnnnnnaaaaa? – are you busy right now? I have an idea, cat.

-GW

Review: 3000th Duel (Switch)

Posted on February 24, 2020 by geelw

Well, that’s true in real life, as well…

What’s in a name? Well, If you take things way too literally, Neopopcorn sounds like a really bad time at the movies if you choose to munch on what’s in that box as a substitute for the real thing (well, minus the nasty, salty fake “butter” glopped on top these days) and 3000th Duel sounds like a straight to cable flick you’d accidentally find on a random channel at about 3 am or so. Fortunately, neither of these are true and you have some shopping to do on Steam or the eShop now.

Got a PC or Nintendo Switch? Go get this game, pronto. Indie developer Neopopcorn’s mostly excellent 3000th Duel ($14.99) is a nice surprise overall and well worth a few plays because you can tailor your hero’s skills to your liking through a deep series of upgrades and multiple weapon choices. The game is more or less, a side-scrolling Dark Souls-like or similar challenge where the smallest foes initially take off large chunks of your character’s health, and bosses? Well, you’re going to be enrolling your hero into a health plan and double dipping on a life insurance policy here until you upgrade weapons and skills.

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Random Film of the Week: The Brain That Wouldn’t Die

Posted on February 23, 2020 by geelw

Not inspired by actual events!

By 1981, I’d seen The Brain That Wouldn’t Die on TV maybe a half dozen times and had started going to sci-fi conventions the previous year, my first being the old Creation Conventions here in NYC. I bring this up because it was at one in 1981 where I met a rather quirky gentleman named Jack Tiger (J.G. to his friends) and ended up working with him on a project that could have been popular at the time, but wasn’t able to get fully off the ground.

Now, I should be reviewing either one of his two low-budget films here or at the very least the film that gained me some temporary employment with the man, Frankenstein’s Bloody Terror, a film that had neither a Frankenstein and thanks to the censors here, nor much Bloody Terror in it. Now, I’ll admit that I haven’t seen it in decades and really need to do so again, but in its original uncut Spanish version. Also, I’ve only ever seen one of Jack’s films by very happy accident a few years back on TCM when I came home very early in the morning from a lousy party I stayed too long at, and it was on TV unexpectedly. So, Brain it is because it’s a fun flick and there’s also a small personal connection there you’ll read on and find out about. So, read on, please.

Jan thought the Doc was kidding when he said she could lose about 100 pounds in a crash diet…

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TT Isle of Man 2 Hands-On: Lightning, Unbottled

Posted on February 22, 2020 by geelw

Let the good times roll, indeed.

KT Racing has done quite a lot of work on TT Isle of Man: Ride on the Edge 2 and it’s simultaneously quite a thrill and terrifyingly good so far. Major fixes to bike handling. road surfaces, lighting, weather effects and more all add an even more realistic feel than the first game, and the greatly improved Career Mode and an all-new open world area to practice (or just take relaxing rides) in make this a pretty superior sequel. Taking a build of the PC version out for a spin, many of the changes were amazing right from the start. Bikes all felt much better and the the ground effects were excellent overall (as in you don’t automatically go flying off your ride of choice at a jump or bump in the road). You can still wreck at high speeds, but it feels is if it’s your own fault for misjudging your speed, deliberately slamming into things, or not paying attention to the road surface.

Overall control is much more responsive as turning the bike is a lot more intuitive. In fact, the new handling model in third person views requires you to pay attention to both the driver’s positioning and the beautifully rendered road ahead of you. In first person, the game has a view where braking lifts the rider up in a realistic manner, as well as a nice optional helmet camera that adds to the immersion factor. The game is easier to get into, but NOT easy, as zen-like concentration and learning each course in the only way to master the tracks here. If your bike is wobbling and weaving from your own handling mistakes, expect to wreck, as the game demands perfection, practice, and patience.

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Review: Bayonetta and Vanquish 10th Anniversary (PS4)

Posted on February 20, 2020 by geelw

Just make sure you stick the landing, Miss B.

You’re not buying that excellent Bayonetta/Vanquish 10th Anniversary Bundle ($39.99) from Sega strictly for the plots of both games, that’s for sure. Both titles hold up mostly excellently in terms of visuals and controls, but the writing is more of an excuse for some lengthy and visually lovely in-game cinemas that pad out both run times. Granted, both games are made to be highly replayed, especially Vanquish, which seems short at about six hours, but there’s a lot more to it once you mess with the difficulty and as with Bayonetta, play through like the bad-asses both characters are. If you’re into both games, they’re far from “one and done” experiences.

The two stories here actually enhance how wonderfully crazy and brilliant the gameplay is for both titles, especially when you go from hanging onto every word in cut scenes and free yourself from simple button-mashing to pulling of perfectly timed strikes of all sorts in the flagrantly sexy Bayonetta to taking down enemies and bosses with the fast slide and shoot moves from Vanquish. That said, the latter’s plot about Russian-led forces commandeering a huge US-built microwave-powered space cannon to decimate California and threaten to do the same to New York might be something a few players might find blows their minds a bit. Bayonetta’s still phenomenal opening just throws you into battle as it plays out, then teaches you the ropes before the real challenge begins. Trying to explain the plot here? Good luck – just enjoy the cut scenes instead and kill a lot of enemies and bosses when they’re done.

“I thought you just used microwaves for Hot Pockets and cold coffee!”

Both games allow for unskilled players to get in their kills although the latter game is more punishing if you try and flail through it and refuse to pick up on all it’s trying to teach you. Then again, it may take a bit of getting used to the controls in both titles for some who’ve not yet played both games – your mileage will vary based on how adept you are at picking things up and dealing with the forced camera angles in Bayonetta. Vanquish has a bit more freedom in its camera, but on the harder modes (there are four difficulty settings), speedy, precise play becomes a must. Continue reading →

Deliver Us The Moon: Because It’s There, Right?

Posted on February 19, 2020 by geelw

That’s going to be a hefty Amazon bill, but shipping might be free, at least if you use Prime.

I’ve yet to play KeokeN Interactive’s fantastic-looking Deliver Us The Moon, but it’s a title I’ve been following since about a year back when I stumbled upon it as a PC game. Now coming to consoles in April (PS4 and Xbox One) and Summer 2020 on Switch courtesy of publisher Wired Productions, this epic adventure game looks like the it’s right up my alley.

Well it’s also the closest I’ll get to leaving the planet anytime soon and going to the Moon, but one would guess at this point that any space travel is going to fall outside of the very, very wealthy or those interested in mostly scientific pursuits, as space isn’t for totally clueless people because of too many variables (such as “Hey! Let’s play in the airlock!”) preventing them from a successful trip there and back.

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Let’s Go Gothic For A Bit, Shall We?

Posted on February 11, 2020 by geelw

Hmmmm. But I give it a thumbs up, with reservations…

I still have my boxed copies of Gothic and Gothic II here and got the non-Piranha Bytes developed Gothic 3 on a disc with two other games, so this news of a playable teaser got me thrilled the series is in a comeback mode of sorts. THQ released a demo of what their team in Barcelona is working on a few months ago and is very wisely asking for user feedback and whether they should continue with the project. In a nutshell, it’s a big YES from me despite some huge problems from the start, and yes, I have some notes to offer as a fan. Constructive criticism time:

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Random Film of the Week: The Navy vs. The Night Monsters (1966)

Posted on February 9, 2020 by geelw

“You’re gonna stay in this picture and LIKE it, Mister!”

From looking at this list in comparison with these much longer ones, it seems to me that in the 1960’s, science fiction flicks exclusively made in the US were in a bit of a rut. You can also see from those longer lists that horror films have fared far better and you can probably name quite a few memorable fright films from the era off the top of your head from Carnival of Souls, Night of the Living Dead, A few Herschel Gordon Lewis flicks, Rosemary’s Baby and many (many) more. Let’s just say that truncated list in the last sentence was about 20 or so films before common sense made me edit it down.

The reason I’m focusing on US-made films is simple. As other countries were just more prolific and innovative in their sci-fi films and during this time, the US seemed not to know what to do well despite kicking off and ending the decade with some pretty solid films (1960’s The Time Machine and 1968’s 2001: A Space Odyssey). Which brings us to one of the less stellar efforts of the decade, 1966’s The Navy vs The Night Monsters. The film looks and feels as if it was made a decade earlier and interestingly enough, the best thing about it is the actress playing the requisite eye candy, Mamie Van Doren. “Best” meaning she plays her role as straight as can be does it without chewing the scenery or mugging it up for zero laughs like some of the guys here do. Stripped of its silly jokes, it might have been a decent “B” flick, but hey – some things just won’t die a natural death.