OVERPASS: The Road Less Traveled May Drive You Wild(er)

Posted on December 12, 2019 by geelw

Things are going to get dirty in this one…

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Coming in February 2020 from Swedish developer Zordix Racing and publisher Bigben Interactive. OVERPASS looks to be the ultimate off-road simulation racer. This isn’t some arcade-like game where you’ll be blasting around in cartoon monster trucks, picking up power-ups and pulling off tricks. Nope, the game looks like a hardcore simulation featuring licensed buggies and quads and more speed, but plenty of obstacles to overcome on each course.

Here’s a trailer to take a look at long with another one below the jump that shows some licensed vehicles you’ll be driving:

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Frog Detective 2: “All The Animals Come Out At Night”, Indeed (3)

Posted on December 11, 2019 by geelw

Hop to it, you have a case to solve!

“Wait, there’s a Frog Detective 1?” He thought, as the press release hopped out of his inbox with a loud croak, knocking over a cup full of pencils of assorted size in the process. “Huh, so there is… interesting” he noted, looking at the Steam page, a grin spreading across his face. Those pencils were a bit annoyed, as they had been napping, but oddly enough, now that they were laid out, they dozed right off without a second thought.

“Well, that’s cool because I think I need to play it as well”, he said out loud (but quietly enough to not disturb the pencils). The frog was gone, but he was probably in the living room, as the TV was now on and there was the sound of channels being changed.

Here’s the trailer to the sequel, which just so happens to be called Frog Detective 2: The Case of the Invisible Wizard, is now on Steam and itch.io, for $4.99, so go get it. I guess I now need to play it too at some point, right?

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Blacksad: Under the Skin: “All the Animals Come Out At Night”, Indeed (2)

Posted on December 11, 2019 by geelw

Already out on Steam, Microids, Pendulo Studios and YS Interactive’s Blacksad: Under the Skin will release on December 10 on PlayStation 4, Xbox One and Nintendo Switch. Here’s a look at the launch trailer and some screens of this action/adventure game with an all-animal cast set in the 1950’s:

I’d posted about this one previously here, so this is a reminder to me to get to reviewing it soon as a console release. More on the plot and such below the jump.

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Chicken Police: “All The Animals Come Out At Night”, Indeed (1)

Posted on December 11, 2019 by geelw

It’s not Cluck Cargo, that’s for sure.

Okay, I want this because it’s perfect or I want it to be perfect and hey, a film noir-themed classic adventure game with an all animal cast seems to be a big thing again (as you’ll see in a few posts today). Here are the trailer and some nice screenshots for indie developer The Wild Gentlemen’s upcoming Chicken Police: Paint It Red, set to be published by Handy Games sometime is 2020 on PC, PS4. Xbox One and Switch. I want this in a physical edition at some point just to whip out and show people I wasn’t hallucinating if the game ever vanishes from digital stores.

Here’s the wonderfully amusing and quite eye-popping trailer, Game info and screenshots are below the jump. Tell me you’re not wanting to see more, even (or especially) if you’re not a gamer because you’re into noir and now suddenly wanting to see how this film noir-inspired adventure turns out (Yeah, I know male chickens are called roosters, but I’ll give it a pass this time):

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Review: Yaga (PS4)

Posted on December 10, 2019 by geelw

For all that balalaika ringing out, this beastie just wants to keep you warm inside its stomach…

So, I wrote a poem as a game review again, or a game review as a poem. Cover your ears or something:

It took a while, oh yes, it did.
But this review’s now just un-hid
It’s for a game named Yaga ($24.99), see,
in some ways, it’s a victory.

Delivered in verse, the story is.
A nice choice, but it’s not for kids
Some blood’s here (you can turn it off)
Plus dark content might make some cough.

The brilliant writing and voices match
the music here, your ears will catch.
Painterly graphics wrap up this show
where myths from Slavic lands will flow.

You play a blacksmith with such bad luck
he’s one-armed ’cause he didn’t duck
and now is cursed to walk the land.
Problems he’ll solve with one good hand.

He’s fated to spend his bad time here
with witches binding moves so clear.
You pick a fate to trouble him
and then you set off with that whim.

That random nature hurts, but helps
you beat the foes, rescue the whelps.
It surely keeps you on your toes
wherever that cursed blacksmith goes.

While fixing things, he’s also tasked
With his Grandma’s most constant ask:
“Go find a wife to share your life”
(As if the Tzar’s decrees aren’t strife).

A black-bird will tell you to craft
So listen well, now – don’t be daft
You’ll make some gear to turn the tide
or be in for a tougher ride

But, weapons break via bad luck curse
Sometimes it seems, the timing’s worse.
Until you see that fate is tied.
All magic makes that meter slide

Now, even with less magic use
That bar will fill, and cook you goose.
Your carried weapon will just break
(and swapping it won’t make it fake).

You learn to deal (well, you’d better fast)
Escape that curse? Nope, that won’t last.
Get Yaga her gifts, aid folks you meet
Or else, it’s doom, right on the street.

Four times, you’ll play this game at least
Four paths to choose, from man to beast.
All these are based on choices made
so pick the path you’ve not yet played.

While levels could be better here
And combat seems to have less flair
The things I liked made this stand out
So buy this game! Oh, yes, I’ll shout.

-GW

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Go For Broke! Everyone’s Having Year-End Sales (No Sleigh Needed)

Posted on December 9, 2019 by geelw

(Thanks, BadfishKoo!)

Short and to the point because I’m buried in stuff and you have mass quantities to consume, or something. Here are a few big sales you might be interested in because some neighbor kid made me laugh today when she asked her Tired Mom in the elevator today why people need to shop when “Santa is supposed to bring everything!”.

Uh, about that…

“Well, this is going to be good,” I thought with a mild chuckle bubbling up. Sales first., story and cookies later.

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Capsule Reviews Are GO! (Part 3)

Posted on December 6, 2019 by geelw

Ever have one of THOSE days?

While I won’t be totally going this way in terms of reviewing bigger and longer titles, I’m finding it a nice challenge to play some of these shorter games and write less about them while trying to convey in a few sentences (well, two paragraphs) how well most of then do at delivering sometimes unique, sometimes similar gaming experiences to those that pick them up. Some of the games in this series might seem like just easy ways to earn fast trophies in a few minutes, but often there’s quite a bit of replay value under the hood or you get games that may SEEM simple on the surface unless you take a closer look and see what’s what. Granted, in some cases, a few things work better than others as you’ll see below:

Back In 1995 (PS4/PS Vita Cross-Buy, $9.99): Very much an intentional visual, aural, and gameplay throwback to the 32-bit era, indie developer Throw the Warped Code Out (Takaaki Ichijo) has recreated a game with both the look and feel of those old days of “tank” controls, fixed camera angles, and oddball “what the hell is that weird blocky thing coming at me?” monsters. While the game has flaws in storytelling and seems more meta exercise than “serious” horror game, the best thing to do here is take away more of the former meta feel than the latter serious horror thing and enjoy it for the nostalgia factor if you remember those not-too far away days. Ratalaika Games handled the console ports and publishing, but this one’s not your average easy Platinum, that’s for sure.

If you don’t remember or even like that era, expect some confusion and likely, frustration here. The game doesn’t break any new ground and isn’t supposed to, and I’ve the feeling that Ichijo was going more for evoking an particular atmosphere and sense of time more than making a game that would be “perfect” at the end of day. It’s sort of like the scent of something familiar from the past one might recall when walking into a room, but it might end up not being a favorite scent when you stop and remember everything good and bad about it. I got it right away, so I’m scoring it accordingly with the big caveat that it’s not going to be everyone’s cup of tea.

Score: C+ (75%)

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Super Capsule Reviews: Are GO (Part 2)

Posted on December 3, 2019 by geelw

Well… try not to get hit (too much).

The ever long debate I see over indie games being “as good as” or “better than” AAA content is a bit silly because at the end of the day, both types of games are welcome and necessary for a few reasons some folks would figure out rather quickly if they kind of shut up and played stuff more than they do rolling around in the internet alley fighting about. Me, I just love seeing what a dev team (or single developer in some cases) can whip up because hell, playing a well-made game created with passion that can be seen on screen is a good way to get anyone who loves a wide range of visual and gameplay styles to go spend some of that hard-earned cash on some really fun titles like the ones below.

Xenon Valkyrie+ (PS4/PS Vita Cross-Buy, $9.99): Fabrice Breton (dba COWCAT) has worked on some pretty hardcore pixel art game ports that provide a hefty amount of challenge for the money. Xenon Valkyrie, originally created by Daniel Fernandez Chavez and published by Diabolical Minds for PC, was improved and ported to consoles by Breton, is dripping with retro charm and packs in a mix of rogue-like, light role-playing, platforming, and fast-paced combat action that’s somewhat addictive even after multiple deaths. Part of the thrill comes from surviving the levels and their randomness, part comes from earning new gear as you go and using it to beat maps that seem impossible and impassable until you get that gear.

The cool thing here is you learn as you go what works and what doesn’t and runs will be, thanks to the randomness, a mix of small and large victories against enemies and the destructible maps. You’ll be using every skill and tool in a growing arsenal here, and the way each character plays will make some areas tricky to complete, but you’ll get better with skill and practice. There’s a lot of game here if it hooks you in and you don’t mind the learning process. As with the COWCAT ported game below, there’s some serious replay value here if you’re brave and willing.

Score: B (80%)

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Neverwinter Nights Comes to Consoles (And Why You May Never Go Outside Again)

Posted on December 3, 2019 by geelw

If you only get one game this holiday… you’ll likely still be playing it a year later.

Oh, good gravy, I forgot this was coming out (and guess who’s really happy about that?)

Firmly camped in the “Now, this brings back memories” and “Well, there goes another 180 or so hours!” departments, I have the feeling the console version of Neverwinter Nights ($49.99, PS4, Switch, Xbox One) will be a Game of the Year contender simply for the sheer amount of content it delivers. The press release below the jump will get you grinning if you’re a fan who remembers spending too many hours in these worlds, but I bet a copper that a new generation of players will want to dive into this in single player and co-multiplayer modes.

New, if you’ll excuse me, I need to go move some time around and figure out when I’m going to play this and you need to go read a press release. For the record, I’ve been storing excess time in the closet, but it keeps disappearing, grrrrrr. Must be the monsters in there eating it, I think…

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Review: Remothered: Tortured Fathers (Switch)

Posted on December 2, 2019 by geelw

Rosemary needs a rear view mirror, good running shoes, and a portable air tank, too.

While it’s been out a few months, I held off on my review of Remothered: Tortured Fathers on Nintendo’s console because it had some major issues and I decided to hold out for a patch, of which there have been two released. I’d initially played though the most of the unpatched version, but the game had some awful visual, gameplay and interface issues that made it quite a test of endurance, particularly in docked mode where visually, it was sub-par to the point of looking like an early PS2 port in some areas where detail took some major performance hits. It was still a scary as hell game experience, mind you. But things were definitely in need of fixing and nope, playing undocked didn’t help much either.

Fortunately, Darril Arts and Stormind Games got this some much-needed love on the patch front, as a number of visual and lighting improvements, UI tweaks, and more now make it a lot more palatable. There are still a few smaller issues, but the game is certainly now well worth your time if you’re re a fan of its uncompromising psychological horror. You play as Rosemary Reed, who’s investigating the mysterious disappearance of a young girl some years earlier. Initially, she makes her way into the gloomy Felton mansion, but after a brief time poking around, she’s kicked out when things aren’t as they seem on her front (no spoilers here, but watch the trailer). When she sneaks back inside, she continues her investigation and finds… well, let’s just say, a lot more horror that she’s anticipating, a whole lot more madness on display and plenty of “holy $#!+” surprises. Well, as if having a near naked, apron clad madman coming after her isn’t frightening and surprising enough.