Blu-Ray Review: Killer Klowns From Outer Space

Killer Klowns BRIf ever there was a film where the title tells you everything you need to know while also telling you it’s a film you kind of need to see out of sheer curiosity, it’s Killer Klowns From Outer Space. yeah, yeah, I know a lot of you hate clowns in real life and nope, this film probably won’t be the one to endear you to the red nose and greasepaint cause. That said, if you love great practical effects, practical jokes, bits of stop motion creativity, 80’s gore FX and one damn catchy main theme song, this one has all those and more.

Arrow Video has once again pulled out all the stops with this restoration, adding a ton of special features that add to the big top thrills and chills. If you’ve never seen this one before, it’s worth checking out because it’s great for a few laughs and still works as one of those films that didn’t need a sequel (although there have been a few rumblings about one over the years).

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Blu-Ray Review: Scalpel

Scalpel BRJohn Grissmer’s 1977 film Scalpel is a pretty neat psychological thriller that also works as an entry level ‘light’ horror flick for those skittish types not quite ready for gore galore, but who won’t mind a tiny bit of depravity in the plot.  Arrow Video has not only put out a stellar restoration, they also got respected cinematographer Edward Lachman to supervise am equally gorgeous second transfer that’s been color corrected back to his original theatrical version.

While there are some flaws in the storytelling, it’s a solid enough film to recommend thanks to the no-nonsense performances and relatively brief 95-minute running time.  Having the choice to see both versions on a single disc along with some very nice bonus features makes this yet another Arrow you’ll want to add to your quiver.

When plastic surgeon Dr. Phillip Reynolds (Richard Lansing) encounters a badly beaten stripper with a completely ruined face, he comes up with a plan to reconstruct her to look exactly like his missing daughter (Judith Chapman) in order to claim the $5,000,000 inheritance denied him, but given to her by her grandfather.  He’s also got more disgusting designs on his mind, but you’ll have to see how that plays out.  After the young woman is out of surgery and healing up, Reynolds takes her out of the hospital and to his home, eventually telling her his plan and offering to split half the money with her.  After some weeks of coaching, the girl is ready for her close up with Reynolds’ extended family.  While their ploy succeeds to some extent, things get a wee bit complicated when Reynolds real daughter (also played by Chapman) shows up shortly thereafter. Oops, and yep, the plot thickens.

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Blu-Ray Review: BASKET CASE

Basket Case_LE_AV119“What’s in the basket? Easter eggs?”

Absolutely, lady, absolutely. Wow. Sometimes you get hit in the head by a fly ball you didn’t see coming and it’s actually a good thing. I didn’t know Frank Henenlotter’s still hilarious and unnerving 1982 feature BASKET CASE had gotten a superb MoMA restoration last year until I overheard two guys talking about it and I just had to walk up and ask if it was true. It indeed was and now thanks to Arrow Video, you can get yourself a copy of this cult horror hit and see what the fuss is all about. Or just see it again as a fully restored masterpiece of low-budget movie making madness.

If memory serves me correctly, I actually saw the film for the first time way back during its initial 1982 run at the Waverly theater, but I think it was the disappointing edited version that came off as a bit crueler and cruder. I say “think” because it was a midnight showing and I recall falling asleep at one point and missed about 10 or so minutes. Oops. A few years later, upon renting the unrated version on VHS (I think it was from one of the legendary Kim’s Video locations in NYC), I was shocked to see footage I hadn’t recalled and the film was actually much funnier than I’d remembered.

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Blu-Ray Review: Henri-Georges Clouzot’s Inferno

Inferno_AA023Sometimes, life can be a mystery… and sometimes, you kind of know what you’re getting into but still step into that trap door straight to hell.

In 1964, stoked after the huge box office success of Dr.Strangelove, Columbia Pictures was poking around the film world looking for something guaranteed to be the next big movie and had the wild idea to extend unlimited funding to a new project directed by the great Henri-Georges Clouzot (The Wages of Fear, Diabolique). Based on some striking test footage, Henri-Georges Clouzot’s Inferno was, for all intents and purposes, going to be an innovative and mature film that had the potential to make millions for the company while making an even bigger star out of Sissi trilogy star Romy Schneider. Three weeks into production and 185 cans (about 14 hours) of film later, one of the main cast members quit, three production separate teams of 150 people were out of work, and Clouzot had a heart attack that ended up shutting production down for good.

Those cans of film were sitting somewhere in France for decades thanks to the insurance company that ended up with them, but thanks to the obsessive persistence of Serge Bromberg and a meeting with Clouzot’s second wife in an elevator, we have this somewhat spectacular documentary (co-directed by Ruxandra Medrea) that sheds a bit of light on the destined to fail project. While the documentary is quite amazing, you’re in no way getting anything close to a completed version of Inferno despite all that footage that was shot. Most of it was camera tests of actors, loads of exterior tests, and visual effects shots galore in assorted states of completion. All of it was silent, although parts of a separate soundtrack were found and added into the documentary along with parts of the script read/reenacted by Bérénice Bejo and Jacques Gamblin. That said, there’s a lot to absorb here, but the overall takeaway seems to be “Here’s what happens when you throw money at a problem and it doesn’t solve itself, folks.”

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Blu-Ray Review: Animal Factory

Animal Factory_AV115Way back around in oh, 2000 or 2001, I was working in a small independent game shop in NYC when in walks Edward Furlong wearing dark sunglasses with some woman I didn’t recognize in tow. I think he popped in to get away from a few fans who recognized him on the street (this sort of celebrity sighting thing happened a lot on St. Mark’s Place) and if I’m not mistaken, I think one or two other people in the shop knew who he was within a few seconds of him popping in.

Long story short, he hung out for a few minutes and didn’t say much (and I don’t recall if he bought anything), but he eventually left, leaving his sunglasses behind. I do believe my boss ended up keeping them after a few days when they weren’t reclaimed. Anyway, that’s the shortest celebrity story I know, but I have a few more that may pop up if and when the time comes. Living in this city, one tends to stumble into the occasional interaction that’s more than the usual fan on the prowl experience. Oh yeah, we’re supposed to be doing a movie review now, right?  Let me get my review hat on. A minute, please… there we go.

Steve Buscemi’s Animal Factory is a pretty darn good prison flick based on the Eddie Bunker novel and yep, the Arrow restoration is pretty solid overall. It features Furlong, along with Willem Dafoe, Danny Trejo, an unrecognizable Mickey Rourke and a few other surprises (for example, Tom Arnold in a somewhat short cameo). Furlong plays young Ron Decker who ends up getting 10 years on a drug conviction. He ends up meeting with Earl Copen (Dafoe), a long time convict who decides to keep Decker close and under his protection for a few reasons (and not the ones you might be thinking, you dirty birds). While Ron is seemingly safe from harm, he ends up getting on the bad sides of a few other cons as well as some prison officials and you get a pretty impressive mix of drama and violence with plenty of tension as the glue holding things together.

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Blu-Ray/DVD Review: The Cat O’ Nine Tails

TheCatONineTailsIn a new interview included on this superb Arrow Video release, director Dario Argento notes he initially didn’t much like his second film, The Cat O’Nine Tails partially because it felt “Too American” Interesting, but in a way, I’d say he’s correct to a degree. That said, as a followup to The Bird With The Crystal Plumage, the film pushes some of the right buttons it needs to while providing a pretty impressive murder by onrushing train scene early on that’s still pretty awesome even when you find out how the trick was done.

That “Too American” comment is very likely about the two Americans playing key roles in this film, James Franciscus and Karl Malden. Both give solid performances in film that’s a bit slower in pacing than Bird was, but has a few tense moments that liven things up. Malden plays Franco Arnò, a blind former journalist who lives with his young niece, Lori (Cinzia De Carolis). The pair are out for a nighttime stroll when Franco overhears a bit of a conversation from a parked car they’ve passed. It later turns out a nearby genetics lab has been broken into and onto the scene the next day arrives Carlo Giordani (James Franciscus), a reporter who ends up bonding with Franco. The two men set out to solve the case, but yep, there’s a murderer on the loose connected to the theft and he’s got his sights set on not only the two men, but little Lori as well.

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Random Films of the Week: Some Fine Die-ning

Another somewhat random grab from the backlog? Sure, why not? I’m cheating a little thanks to just going with all Arrow Video/Arrow Academy releases, but I heartily recommend everything here for one reason or another.

The Assassin_AA006The Assassin (L’Assassino) – Elio Petri’s (The Tenth Victim, Investigation of a Citizen Above Suspicion) first film is a total knockout all the way as well a great classic that can now be rediscovered in its restored form. Marcello Mastroianni plays Alfredo Martelli, a man arrested as the prime suspect after his older lover (Micheline Presle) is found murdered. During the investigation, the film dips into his past as bits of Alfredo’s life play out and his mental state begins to crumble from the relentless pressure laid on him by the police. Did he do it? Well, that would be telling and you won’t get a peep out of me, pal.

The black and white cinematography is beautiful, there’s a jazzy score that features a main title theme that will stick in you head for days, and every actor here is spot on. The Arrow Academy BD/DVD only has a few bonus features, but the real treasure is Petri’s film itself. The odd thing here is most of it takes place over the course of a day or two, but Alfredo’s memories (and Petri’s camera) capture what seems like a week’s worth of external events before all is said and done. But this is most definitely intentional, as is that ending that seems to be open to interpretation if you take it too seriously.

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Random Films of the Week: A Little New Year’s Cleaning

Yeah, Happy New Year and all that stuff. I figure I’ll post more than I did last year even though I got sick and was out of action for a month or so which led to a bigger backlog that I’m still wading through. My plans to write up and pre-load posts went south thanks to that, but I think with my health getting better (albeit temporarily) I’ll try and tackle stuff slightly differently on occasion. Or: Eh, I’ve been watching a ton of movies in no particular order, so you get to pore over a few quickie capsule recommends.

Stormy Monday_AV093Stormy Monday – Mike Figgis’ first film was this stylized bit of 1988 brilliance that featured Sean Bean, Melanie Griffith, Tommy Lee Jones and Sting, plus a pretty darn neat jazz score by the director. The neon-soaked Newcastle setting features some of Roger Deakins’ lovely cinematography that makes this a total treat to watch. It’s more or less a noir gangster flick with some solid performances and an overall sense that something bad is going to happen what with all the tense glowering and some romantic notions that make for a bit of conflict as things progress.

I actually hadn’t heard of this film other than seeing a trailer way back before it was initially released in theaters. I didn’t think it was for me back then, but thanks to Arrow Video, I’ve been proven quite incorrect. Expect a fine director’s commentary from Figgis along with a few cool bonus features on this BD/DVD combo that make this a nice surprise to discover if you’ve never seen or heard of it until now. Amusingly enough, this pairs well with Walter Hill’s Streets of Fire thanks to both films mixing reality and fantasy elements (although Figgis gets the edge and the edgier performances overall).

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Random Films of the Week: Some Clock Cleaning Before Things Go Cuckoo

Hey, it’s not Friday, but it may be by the time I complete this post. Anyway, here’s a few more films I finally sat down and watched. It stinks not having a flick watching partner to bounce things off of, but so it goes. I suppose a resolution can be made to rectify that, but you all know that sort of pressure makes for an often crappy time when you go rubbing lamps hoping for the correct results (he noted, cackling madly). Anyway, some of these were screeners, a few were bought for the library and almost all come recommended for assorted reasons.

Suture_AV056

Suture – It’s a gimmick film with one huge gimmick, but it’s a good one and writer-directors David Siegel and Scott McGehee do a decent Hitchcock riff on a few fronts with this thriller/mystery mash-up. Shot in glorious black and white with a solid as a rock cast, this is one of those indie films that packs a wallop and isn’t afraid to use your brain as its target. The interesting thing is the film also works without the gimmick as a pure thriller, so you can indeed re-watch this and see it from a different perspective.

I saw this a few times in theaters back in 1993 and later on cable and it still works as a great little film worth tracking down. Arrow Video’s restoration job is great and you get way too many bonus features that make this an automatic buy right out of the gate.

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Random Films of the Week: Disk-y Business

Yeah, yeah. I’m still alive. I’ve been in a bit of a personal and creative funk for a few key reasons, some of which are health related with the rest fall squarely into the Nunya Bizness section of the classifieds. In any event, watching the news has been detrimental to my mental, but it’s a case of not knowing what’s going on is far worse than shoving one’s head into the sand. The problem here is the too smart for their own good “political junkies” posing as journalists tend to treat this all as a big, fun horse race crossed with story time and it’s a failure of  insane proportions because no one seems to want to interrupt that yakky daily narrative and let all the shoes that need to drop do so when the appropriate truths are revealed.

In the meantime, I’ve been dipping into my Blu-Ray and DVD backlog when I’m not gaming or too depressed after watching the latest soliloquy from some news show hosts who’d make perfect babysitters because after 20 minutes of them blathering away on some otherwise well-written preamble, I’m ready for a nap. Anyway, enough perambulating around myself – let’s go to the movies!

Ruby 1Ruby – Not to be confused with Abby (which NEEDS a full on restoration one of these days!), this interesting but flawed Piper Laurie vehicle is an odd bird that combines supernatural revenge horror elements. mild gore and a bit of demonic possession lifted from The Exorcist, albeit not all that well. Curtis Harrington’s 1977 flick does have its moments, but you’ll need to tap yourself on the skull with a small hammer when the film starts going off the rails with the plot contrivances.

VCI’s restoration job is decent but not flawless (kind of like the film) and the Blu-Ray/DVD combo means you can keep one disc in that old player you’ve kept around just in case you need it. What, you don’t own a second disc player? Eh, whatever. Just pretend you do for my sake. Or hell, you can give a friend one and keep the other unless you just buy the plain DVD release if you’re that stingy.  Either way, VCI will be happy.

 

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