The New Mutants Trailer: Freaks & Geeks, The Remix

As I’m ancient enough have been around during the Chris Claremont/Bill Sienkiewicz run on The New Mutants (issues 18-31, 35-38), the upcoming film having a horror vibe (well, as seen in this trailer and you know how trailers are [if you know what’s good for you]) doesn’t surprise me at all. Bill’s groundbreaking artwork was at its best when things got seriously twisty and psychological and I do recall there was a definite like/hate thing going on among some comics fans of the period who wanted a more traditional art style. Me, I was all in from the first collaboration and stayed until a few issues after he left just to wrap up a few story points.

As usual, no big fat over-speculation here about the trailer other than to say (despite the rubbery membrane wall effect) it’s eye-catching (ow!) and has me intrigued enough to run it and yes, the casting looks quite like the characters I recall from way back when. Also as usual, the wait begins to see if the actual film is actually decent enough to drop ticket money on when it’s finally released or snapping up the inevitable Blu-Ray when that drops a few months later. We shall see, but signs are somewhat hopeful I’d say.

-GW

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Blu-Ray Review: Alien Covenant

“There’s so much here that doesn’t make sense…”
– Katherine Waterston as Janet “Danny” Daniels, Alien Covenant

AC_BR.PNGIs the Weyland-Yutani Corporation made up of really stupid and incredibly single-minded people hell-bent on burning through piles of money and human bodies every chance they get or am I missing something here? Every time they try to get an certain cranky, homicidal alien life form for their research or whatever other purposes, bad things happen and just get worse. I could just blame the robots, but it hasn’t *always* been their fault.

The humans on the other hand? Ay-yi-yi, we’re talking idiotic in increasing percentages in what, over a century of trying to bag that xenomorph and its assorted relatives? That’s a pretty lousy batting average. folks. That said, the original Alien gets a big fat weekend pass for its crew’s carelessness because you got your average space truckers griping about low wages and such who had no idea about what was coming thrown into a situation they had no control of .  Although, what the hell was Ash’s plan had the Nostromo crew somehow killed off their unwanted passenger first?

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Granted, the current chronology of the Alien franchise means the events in Prometheus came first and brought us the unbalanced synthetic David (Michael Fassbender) who ends up even nuttier in Alien Covenant (more on that below). Then we get Ian Holm’s creepy, frustrated and malfunctioning Ash in 1979’s Alien followed by the Lance Henriksen’s helpful Bishop in Aliens and Alien 3, followed by Winona Ryder’s “Hey, huh? I’m an android?” part in Alien Resurrection. While Ridley Scott seems hell bent on making a few more Alien films that take place before the original, Alien Covenant manages to (wisely) swipe enough from the above films not shot by Scott to somewhat good effect.  Still, I’m somehow left  with more bad questions than good answers about a ton of important stuff.

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Review: Independence Day: Resurgence

independence_day_resurgence_xlgWe really didn’t need a sequel to Roland Emmerich’s Independence Day, but one got made anyway. The first film was a big, loud and (at the time) expensive chunk of mindless summer fun that grossed over $800 million at the box office and paved the way for even more mindless blockbusters that featured cardboard characters, paper-thin plots, and more (and questionably “better”) computer generated effects. I liked it enough to see it four times (hey, those visual effects were pretty stunning back then) and later bought it on VHS, lenticular insert card and all.

The 20 years too late sequel, Independence Day: Resurgence ups the ante considerably by making everything bigger, dumber, faster and louder to the point that it’s a mind-numbing, confusing mess from start to finish. Hey, if you like your popcorn movies quite popcorn-y and don’t mind two solid hours of a simplistic yet convoluted plot, by the numbers acting and countless millions (or billions, it’s hard to tell) killed before the end credits, I’m not here to poop on your parade at all.

On the other hand, I want some actual science back in my science fiction. And physics. And something resembling a comprehensible plot that doesn’t insult what little intelligence I have left. None of those are here and the film’s way too cheery ending promising an even bigger and more bombastic third entry ends up dooming this “franchise” to maybe network TV movie or limited series status at best (that is, if someone at Fox has the brains to even think of going that safer route).

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ALIEN: Covenant – The Crossing: Coda Blue


 

Well, well, well. This is very interesting indeed. For one, it’s excellently shot and edited, albeit about a minute too short for my tastes. “Too short?” you’re thinking? “It’s supposed to be a SHORT!” you say. Well, okay, it goes like this: although it’s the perfect bridge between Prometheus and the upcoming ALIEN: Covenant, it feels as if it’s absolutely popping up on the AC Blu-Ray as a bonus. But curious me wants to know if MORE was shot because I have questions.

What would be cool is if future disc, streamed and cable versions of Prometheus add this onto the ending as a post-credit sequence just to give that film a bit more oomph. It certainly needed a kicker that was better than the ending it got in the theatrical cut. That said, I wonder if this gets shown in the theater before the big-deal feature? That would work as well for those new viewers who haven’t seen the previous film and want a brief wrap-up appetizer befre the main course.

Anyway, I can predict the future! Well, sort of. As in I know that HBO very likely has dibs on the first-run cable rights to this one. Easy-peasy reasony squeezy is this not at all shocking video:


 

So, I guess that’s going to end up on a disc as well (mark my words, I guess). Hmmm, okay… back to work. I’m a bit behind in stuff thanks to more stuff and wanted to watch the original ALIEN at some point today. But that’s not going to happen, so I did the next best thing and dug out my ancient Kenner ALIEN Movie Viewer for a quick fix.


 

Yep, it still works fine, noisy cranking reel action and all. The film strip in the cassette is a bit scratchy, but this kid’s edit still packs a punch. I still can’t fathom that Kenner toy line, though. A film you’d never take a child to gets merch no one probably bought for the kids they were marketed to. Still wish I bough more than one of those hideously stiff but super-detailed ALIEN figures, though. Mine and its box got mangled by my younger brother when I wasn’t around for a few years, grrrr!

Back in a bit.

-GW

Alien: Covenant Does The #TBT Thing A Day Early


 

Well, well. Referencing that infamous dinner scene from the original ALIEN, this “Last Supper” prologue also manages to give an idea of how close to the vest Alien Covenant is going to be playing a few of its cards. Granted, I wasn’t expecting anything revolutionary with the upcoming film, so this clip does indeed hit the right notes. I liked what I saw, although that larger crew means a lot more victims which will hopefully not translate to the film feeling repetitive. Eh, I’m not really worried much, though.

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Oh, by the way, when you go to that site link above and register, make sure you mess with the MU/TH/UR 6000 computer interface for a bit of fun. Ask it some questions that are ALIEN-related, if you need a hint.

-GW

Worst Assassins Ever (The Non-Blogathon!) #1: The French Connection

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A good cop? Oh, the irony of that caption. Or, a picture is worth a thousand words (or less)…

IF yours truly was ever going to host a blogathon, it would either be something like the ‘That’s NOT My City!’ or ‘Worst Assassins EVER!’ blogathon because both are topics that make me chuckle in films more than they’re supposed to. As a native New Yorker who’s heard from a bunch of friends over the decades about how certain films shot here (or places pretending to be here) range from inspiring (great!) to “It’s so unsafe there! Do you actually go out at night?” (lousy!), I can think of far too many made in (or outside) in NYC films to scribble about. As for terrible assassins in films, with assistance I could probably write a book on how the best of the best go from first in their class to dirt-napping klutzes thanks to inconvenient plot monkey wrenches needing them to forget how good they are in favor of making a series of increasingly terrible decisions that put them into the hall of shamefully comedic demises.

However, between being a bit more scattered than usual (“I want the hangings public” is my mantra of late) and not motivated enough to create all those GIFs, promo posters and banner art to pass out to potential contributors, I’ve decided to flip a coin for the name and non-host a stealth blogathon anyone can contribute to. Or not. Actually, this particular film popped into my head first because it fits both categories perfectly AND happens to be a great essential flick that’s still well worth a look. For those about to complain… don’t. I love this film to death, but repeated viewings over a few decades show it’s got a hidden comic gold vein running through it in the form of one the the most inept professional killers you’ll ever see. Continue reading

Random Film Of The Week: Predator 2

predator_2_ver1As sequels go, Predator 2 shouldn’t even work as well as it does. But here it is in all its Hollywood circa 1990 R-rated violent glory, still making me laugh both with and at it. Granted, you need a particular sense of humor to appreciate the film as a whole, as trying to pick it apart into chunks of good and bad ends up wrecking the work put into making it completely bonkers yet a total blast to sit down with for a spell.

As Arnold Schwarzenegger wasn’t available for this sequel thanks to disagreements over his fee (something a little film called Terminator 2: Judgment Day would take care of forever), the film dropped his Dutch character and moves the setting ten years ahead to a sweaty 1997 Los Angeles where a heat wave and gang warfare lure in a new Predator for some urban hunting action. Inspired casting abounds here, with Danny Glover leading the way as Lieutenant Michael Harrigan, a not quite by the book cop who, like others in these sorts of action flicks, has unconventionally heroic means of getting the job done. Reuben Blades, Maria Conchita Alonso and Bill Paxton also play cops working with Harrigan as Jamaican and Colombian drug gangs blast each other as well as anyone that happens to get between them.

(Thanks, Forever Horror!) 

When the bulk of the Colombian gang is wiped out in what looks like a ritualistic sacrifice, Harrigan and his team immediately suspect the Jamaicans. But the loss of one of his team reveals there’s a third party at work here and Harrigan sets out to get to the bottom of things and possibly get some revenge in the process. Little does he realize that the bottom of things is very literally under the steaming streets in the form of a trophy packed alien ship. Continue reading

Happy Almost New Year (Burying The Hatchet With Haste Edition)


 

This year has been significantly… bumpy (to put it mildly). Here’s hoping 2017 gets off to a better start, although it’s going to be rough seas ahead in some important areas. I’m expecting mistakes to be made with either no or poor to unacceptable excuses made for each error that erases something that was just fine before the hammer fell on its foot hard. And that’s just here on the getting stuff done front, ha and ha-ha.

Or, to get real, let’s use Psycho II (a far better film than some give it little to no credit for) as a perfect analogy of just how crappy this year has been on some key fronts. That murderous old lady is 2016 and NormanBates is 2017. It’s your move, Norm:

(Thanks, IntgrScienceFilms3!)
 

Okay, let me shut up and go try to be a bit more productive. If I don’t post anything else today, Have a Happy New Year celebration, be safe and better yet, be prepared for the coming storm or at least, be ye not wholly surprised when wolfy promising yields rather sheepish results.

-GW

ALIEN: Covenant Trailer: Eggs Over Uneasy

Officially, it’s this:

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Ridley Scott returns to the universe he created, with ALIEN: COVENANT, a new chapter in his groundbreaking ALIEN franchise. The crew of the colony ship Covenant, bound for a remote planet on the far side of the galaxy, discovers what they think is an uncharted paradise, but is actually a dark, dangerous world. When they uncover a threat beyond their imagination, they must attempt a harrowing escape.

In Theaters – May 19, 2017

Cast: Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Demián Bichir, Carmen Ejogo, Amy Seimetz, Jussie Smollett, Callie Hernandez, Nathaniel Dean, Alexander England, Benjamin Rigby

Tonally, for me it’s this: I’m getting Prometheus repeat visual vibes from the gorgeous CG landscapes with that magnificently muted but sharp high-def color palette, a crew of clueless soon to be victims stuck on a planet poking around at stuff better left to robots to check out and some of the interesting casting choices made. Hopefully the film won’t suffer from the same stupidity of poorly written characters clogging up the story with 50’s era “B” flick shenanigans that took me completely out of Scott’s last attempt. Which means I’m not too sold on Danny McBride (although I love him in his comedic work dearly) the same way I wasn’t sold on Paul Reiser in Jim Cameron’s ALIENS until I saw the film in a theater when it first opened. We shall see.

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Other than this post, I’m not going to follow the film at all online other than to run any newer trailers Fox drops with as little commentary as possible. Weird, yes. But I like not having an entire film ruined for me by constant hunting for every bit of info which only leads to too much speculation and eventually disappointment when and if something major is or seems missing. Besides, aren’t new experiences SUPPOSED to be fun and/or surprising? This blasted modern culture of seeking out secrets and spilling them is nothing but a destroyer of otherwise interesting entertainment, I say.

Now go have yourself a Merry Little Christmas. I got one of my presents early. Thanks, Ridley!

-GW

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Planet of the Apes Back on the Big Screen: Not Hard to Fathom At All

Image from impawards.com

Image from impawards.com

 


I think I’ve mentioned this before, but in case you haven’t read that old post, 1968’s Planet of the Apes was the very first movie I saw in a theater. That said, I’m not sure I’ll go to this Fathom Events screening thanks to my backlog keeping my plate full. But to anyone seeing this for the first time or for the first time on a big screen, my glass is raised that your sense of wonder gets the same kick mine did those many years back. If YOU do end up going and are reading this, feel free to drop on by and leave impressions. It’s always fun to hear how modern moviegoers see the classics.