Random Film of the Week: Alien Resurrection

(Thanks, Forever Horror!)

 

alien_resurrection_V2So, I think it was around spring 1997 and I’m sitting in a movie theater when “surprise!”,  that teaser trailer above for Alien Resurrection pops up like a chestburster squeezed into a jack-in-the box. I recall some people in the theater being either not too thrilled or just plain shocked that there was another film on the way. I also recall my eyeballs didn’t pop out like they did when I saw the ALIEN³ teaser trailer six years previously, but I think my new-ish eyeglasses kept them from ending up on the floor. Actually, I was more amused than shocked by what I saw (so there!).

I saw the first ALIEN back in 1979 at age 15 (in dangerous Times Square, baby!), ALIENS was a day one view when it premiered in 1986 (there’s a funny story about screening that I’ll tell one day). The third film was, I thought, going to be the last one when it landed in 1992 and yes, I bade the franchise a fond farewell thinking it had run its course. Welly-well-well, imagine my surprise when 20th Century Fox trundled out the ALIEN name for one more installment that turned out to be less scary than the others and actually somewhat more amusing while unsettling on a few fronts in terms of the visual vibe it delivered. How the heck does that work and how the heck did I find myself bopping into a theater in November 1997 with a wry grin not expecting anything other than to be somewhat giddy partly because I knew some in the audience wouldn’t appreciate this Resurrection at all?

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Random Film of the Week: ALIEN³

(Thanks, THX1968!)

 

Alien 3_bI think it was sometime in mid-to late 1991 when I first saw the teaser trailer to ALIEN³ and had my eyeballs pop right out of my head followed by my jaw hitting the floor way too hard in the theater I saw it in. Ladies and gentlemen, do you know how hard it is to clean sticky goo off your eyeballs after they’ve rolled underneath a movie theater seat? Trust me, it ain’t easy. That and yuck-o, stale popcorn and half an old hot dog have the tendency to rather easily get into a fallen jaw if you let it sit down there for more than a minute flapping away in shock mode. Hey, I was busy trying to find my darn eyeballs, thank you much.

Needless to say, I was kind of shocked by this news that we’d get a third film in the franchise and it was coming in under a year. I wasn’t sure I liked the “On Earth, Everyone Can Hear You Scream” tagline at all and yes indeed, I thought bringing that cranky xenomorph to Earth was a bad (not a bad-ass) idea for a few key reasons. Although at that point, I was kind of screaming myself.

It seems 20th Century Fox may have agreed (or at least was pulling a fast one on us because they didn’t really have an idea about the film they were planning to make), as a few months later, this was the follow up trailer:

 

(Thanks, Media Graveyard!)

 

After gathering up my eyeballs and jaw again and handing a few people in the theater their eyeballs that rolled under and around my seat (which was quite interesting as I had to wait until the guy who picked up one of my eyeballs by mistake returned it or today I’d be the Jane Seymour version of myself or something like that), I took time to take in the trailer. Bald Ripley. Bald bad men, some bald men screaming and running, NO weapons at all and a reused music cue from the previous film had me both puzzled and really curious as to how the helllllll Sigourney Weaver’s Ellen Ripley character was going to get out of this new mess. That said, the art direction and sets looked solid and that finale bit with the Alien getting too close to Ripley had me intrigued as hell, as did my wondering who the heck was this David Fincher guy directing the film.

There were other trailers and eventually TV spots that arrived before and after the film was released, but I was sold before that point to the point that even if I didn’t like the final product, I had the feeling it would be really interesting and maybe even impressive.  Let’s just say I kind of got my money’s worth more on the visual side of things and a temporary gumball substitute for an eye after I picked up the first round object that I could touch after they popped out again.

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Random Films of the Week: A Little New Year’s Cleaning

Yeah, Happy New Year and all that stuff. I figure I’ll post more than I did last year even though I got sick and was out of action for a month or so which led to a bigger backlog that I’m still wading through. My plans to write up and pre-load posts went south thanks to that, but I think with my health getting better (albeit temporarily) I’ll try and tackle stuff slightly differently on occasion. Or: Eh, I’ve been watching a ton of movies in no particular order, so you get to pore over a few quickie capsule recommends.

Stormy Monday_AV093Stormy Monday – Mike Figgis’ first film was this stylized bit of 1988 brilliance that featured Sean Bean, Melanie Griffith, Tommy Lee Jones and Sting, plus a pretty darn neat jazz score by the director. The neon-soaked Newcastle setting features some of Roger Deakins’ lovely cinematography that makes this a total treat to watch. It’s more or less a noir gangster flick with some solid performances and an overall sense that something bad is going to happen what with all the tense glowering and some romantic notions that make for a bit of conflict as things progress.

I actually hadn’t heard of this film other than seeing a trailer way back before it was initially released in theaters. I didn’t think it was for me back then, but thanks to Arrow Video, I’ve been proven quite incorrect. Expect a fine director’s commentary from Figgis along with a few cool bonus features on this BD/DVD combo that make this a nice surprise to discover if you’ve never seen or heard of it until now. Amusingly enough, this pairs well with Walter Hill’s Streets of Fire thanks to both films mixing reality and fantasy elements (although Figgis gets the edge and the edgier performances overall).

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The New Mutants Trailer: Freaks & Geeks, The Remix

As I’m ancient enough have been around during the Chris Claremont/Bill Sienkiewicz run on The New Mutants (issues 18-31, 35-38), the upcoming film having a horror vibe (well, as seen in this trailer and you know how trailers are [if you know what’s good for you]) doesn’t surprise me at all. Bill’s groundbreaking artwork was at its best when things got seriously twisty and psychological and I do recall there was a definite like/hate thing going on among some comics fans of the period who wanted a more traditional art style. Me, I was all in from the first collaboration and stayed until a few issues after he left just to wrap up a few story points.

As usual, no big fat over-speculation here about the trailer other than to say (despite the rubbery membrane wall effect) it’s eye-catching (ow!) and has me intrigued enough to run it and yes, the casting looks quite like the characters I recall from way back when. Also as usual, the wait begins to see if the actual film is actually decent enough to drop ticket money on when it’s finally released or snapping up the inevitable Blu-Ray when that drops a few months later. We shall see, but signs are somewhat hopeful I’d say.

-GW

Blu-Ray Review: Alien Covenant

“There’s so much here that doesn’t make sense…”
– Katherine Waterston as Janet “Danny” Daniels, Alien Covenant

AC_BR.PNGIs the Weyland-Yutani Corporation made up of really stupid and incredibly single-minded people hell-bent on burning through piles of money and human bodies every chance they get or am I missing something here? Every time they try to get an certain cranky, homicidal alien life form for their research or whatever other purposes, bad things happen and just get worse. I could just blame the robots, but it hasn’t *always* been their fault.

The humans on the other hand? Ay-yi-yi, we’re talking idiotic in increasing percentages in what, over a century of trying to bag that xenomorph and its assorted relatives? That’s a pretty lousy batting average. folks. That said, the original Alien gets a big fat weekend pass for its crew’s carelessness because you got your average space truckers griping about low wages and such who had no idea about what was coming thrown into a situation they had no control of .  Although, what the hell was Ash’s plan had the Nostromo crew somehow killed off their unwanted passenger first?

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Granted, the current chronology of the Alien franchise means the events in Prometheus came first and brought us the unbalanced synthetic David (Michael Fassbender) who ends up even nuttier in Alien Covenant (more on that below). Then we get Ian Holm’s creepy, frustrated and malfunctioning Ash in 1979’s Alien followed by the Lance Henriksen’s helpful Bishop in Aliens and Alien 3, followed by Winona Ryder’s “Hey, huh? I’m an android?” part in Alien Resurrection. While Ridley Scott seems hell bent on making a few more Alien films that take place before the original, Alien Covenant manages to (wisely) swipe enough from the above films not shot by Scott to somewhat good effect.  Still, I’m somehow left  with more bad questions than good answers about a ton of important stuff.

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Review: Independence Day: Resurgence

independence_day_resurgence_xlgWe really didn’t need a sequel to Roland Emmerich’s Independence Day, but one got made anyway. The first film was a big, loud and (at the time) expensive chunk of mindless summer fun that grossed over $800 million at the box office and paved the way for even more mindless blockbusters that featured cardboard characters, paper-thin plots, and more (and questionably “better”) computer generated effects. I liked it enough to see it four times (hey, those visual effects were pretty stunning back then) and later bought it on VHS, lenticular insert card and all.

The 20 years too late sequel, Independence Day: Resurgence ups the ante considerably by making everything bigger, dumber, faster and louder to the point that it’s a mind-numbing, confusing mess from start to finish. Hey, if you like your popcorn movies quite popcorn-y and don’t mind two solid hours of a simplistic yet convoluted plot, by the numbers acting and countless millions (or billions, it’s hard to tell) killed before the end credits, I’m not here to poop on your parade at all.

On the other hand, I want some actual science back in my science fiction. And physics. And something resembling a comprehensible plot that doesn’t insult what little intelligence I have left. None of those are here and the film’s way too cheery ending promising an even bigger and more bombastic third entry ends up dooming this “franchise” to maybe network TV movie or limited series status at best (that is, if someone at Fox has the brains to even think of going that safer route).

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ALIEN: Covenant – The Crossing: Coda Blue


 

Well, well, well. This is very interesting indeed. For one, it’s excellently shot and edited, albeit about a minute too short for my tastes. “Too short?” you’re thinking? “It’s supposed to be a SHORT!” you say. Well, okay, it goes like this: although it’s the perfect bridge between Prometheus and the upcoming ALIEN: Covenant, it feels as if it’s absolutely popping up on the AC Blu-Ray as a bonus. But curious me wants to know if MORE was shot because I have questions.

What would be cool is if future disc, streamed and cable versions of Prometheus add this onto the ending as a post-credit sequence just to give that film a bit more oomph. It certainly needed a kicker that was better than the ending it got in the theatrical cut. That said, I wonder if this gets shown in the theater before the big-deal feature? That would work as well for those new viewers who haven’t seen the previous film and want a brief wrap-up appetizer befre the main course.

Anyway, I can predict the future! Well, sort of. As in I know that HBO very likely has dibs on the first-run cable rights to this one. Easy-peasy reasony squeezy is this not at all shocking video:


 

So, I guess that’s going to end up on a disc as well (mark my words, I guess). Hmmm, okay… back to work. I’m a bit behind in stuff thanks to more stuff and wanted to watch the original ALIEN at some point today. But that’s not going to happen, so I did the next best thing and dug out my ancient Kenner ALIEN Movie Viewer for a quick fix.


 

Yep, it still works fine, noisy cranking reel action and all. The film strip in the cassette is a bit scratchy, but this kid’s edit still packs a punch. I still can’t fathom that Kenner toy line, though. A film you’d never take a child to gets merch no one probably bought for the kids they were marketed to. Still wish I bough more than one of those hideously stiff but super-detailed ALIEN figures, though. Mine and its box got mangled by my younger brother when I wasn’t around for a few years, grrrr!

Back in a bit.

-GW

Alien: Covenant Does The #TBT Thing A Day Early


 

Well, well. Referencing that infamous dinner scene from the original ALIEN, this “Last Supper” prologue also manages to give an idea of how close to the vest Alien Covenant is going to be playing a few of its cards. Granted, I wasn’t expecting anything revolutionary with the upcoming film, so this clip does indeed hit the right notes. I liked what I saw, although that larger crew means a lot more victims which will hopefully not translate to the film feeling repetitive. Eh, I’m not really worried much, though.

aliencovenant-header 

Oh, by the way, when you go to that site link above and register, make sure you mess with the MU/TH/UR 6000 computer interface for a bit of fun. Ask it some questions that are ALIEN-related, if you need a hint.

-GW

Worst Assassins Ever (The Non-Blogathon!) #1: The French Connection

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A good cop? Oh, the irony of that caption. Or, a picture is worth a thousand words (or less)…

IF yours truly was ever going to host a blogathon, it would either be something like the ‘That’s NOT My City!’ or ‘Worst Assassins EVER!’ blogathon because both are topics that make me chuckle in films more than they’re supposed to. As a native New Yorker who’s heard from a bunch of friends over the decades about how certain films shot here (or places pretending to be here) range from inspiring (great!) to “It’s so unsafe there! Do you actually go out at night?” (lousy!), I can think of far too many made in (or outside) in NYC films to scribble about. As for terrible assassins in films, with assistance I could probably write a book on how the best of the best go from first in their class to dirt-napping klutzes thanks to inconvenient plot monkey wrenches needing them to forget how good they are in favor of making a series of increasingly terrible decisions that put them into the hall of shamefully comedic demises.

However, between being a bit more scattered than usual (“I want the hangings public” is my mantra of late) and not motivated enough to create all those GIFs, promo posters and banner art to pass out to potential contributors, I’ve decided to flip a coin for the name and non-host a stealth blogathon anyone can contribute to. Or not. Actually, this particular film popped into my head first because it fits both categories perfectly AND happens to be a great essential flick that’s still well worth a look. For those about to complain… don’t. I love this film to death, but repeated viewings over a few decades show it’s got a hidden comic gold vein running through it in the form of one the the most inept professional killers you’ll ever see. Continue reading

Random Film Of The Week: Predator 2

predator_2_ver1As sequels go, Predator 2 shouldn’t even work as well as it does. But here it is in all its Hollywood circa 1990 R-rated violent glory, still making me laugh both with and at it. Granted, you need a particular sense of humor to appreciate the film as a whole, as trying to pick it apart into chunks of good and bad ends up wrecking the work put into making it completely bonkers yet a total blast to sit down with for a spell.

As Arnold Schwarzenegger wasn’t available for this sequel thanks to disagreements over his fee (something a little film called Terminator 2: Judgment Day would take care of forever), the film dropped his Dutch character and moves the setting ten years ahead to a sweaty 1997 Los Angeles where a heat wave and gang warfare lure in a new Predator for some urban hunting action. Inspired casting abounds here, with Danny Glover leading the way as Lieutenant Michael Harrigan, a not quite by the book cop who, like others in these sorts of action flicks, has unconventionally heroic means of getting the job done. Reuben Blades, Maria Conchita Alonso and Bill Paxton also play cops working with Harrigan as Jamaican and Colombian drug gangs blast each other as well as anyone that happens to get between them.

(Thanks, Forever Horror!) 

When the bulk of the Colombian gang is wiped out in what looks like a ritualistic sacrifice, Harrigan and his team immediately suspect the Jamaicans. But the loss of one of his team reveals there’s a third party at work here and Harrigan sets out to get to the bottom of things and possibly get some revenge in the process. Little does he realize that the bottom of things is very literally under the steaming streets in the form of a trophy packed alien ship. Continue reading