Loving The Alien: E.T. The Extra-Terrestrial

 

The best film directors are master manipulators who can magically transform an entire theater audience into a group of happy to sappy sapient lemmings or wide-eyed marionettes easily controlled from start to end credits. Their best films have the masses cheering the heroes, hissing at the bad ones, empathizing with the downtrodden and generally feeling whatever emotion a scene calls for. Yes, there are exceptions to this non-rule (too-likeable villains, swapping out all attempts at sympathy for more explosions and eyeball rolling plot twists you can see coming 20 minutes before they occur). But when you get right down to it, you know your cinematic needs are being taken care of when certain directors are at the helm.

Or, as an old friend once said:

(thanks, svofski!) 

In other words, this is a Spielberg film, folks.
Continue reading

Advertisements

Random Films: Stuff To Watch Happen When You’re Not Watching Stuff Happen (Part 1)

(Thanks, Lord Juri’s Channel!)
 

So, yeah. We’re in uncharted yet somehow all too predictable waters at the moment. I’m seeing those history and philosopy books I read or scanned and documentaries I watched as a kid up coming to life in rapid succession and nope, that’s not a good seaworthy feeling in the guts that’s happening. Diversions, diversions are required in this case, but I prefer focused ones that fit the climate over ones that beg me to continually forget it. Anyway, a few recommends to see for you if you’re so inclined, have an open mind and don’t want to be left behind.

No commentary needed on these, but trailers are added to get your eyes and brain to get your fingers clicking on getting these added to that ‘must-see’ queue. Four for today should be enough – there are a load more I’ll get to over time. Distractions about disruption over participation in destruction, I say.

theboywithgreenhair 

(Thanks, Screenbound Pictures!)
 

a face in the crowd poster 

(Thanks, Warner Bros!)
 

z 

(thanks, Poetic Realism!)
 

things_to_come_xlg 

(Thanks, Movie Trailer Graveyard!)
 

Back in a bit…

– GW

Debbie Reynolds: Dancing On That Smile Stage One Final Time

(thanks ozabbazo77!)
 

Ugh. No mas, 2016. This one’s both barrels, folks. If you’ve never seen Singin’ In The Rain, please do so ASAP as it’s not only a great introduction the classic movie musical, it’s probably going to lighten even the grimmest mood when all is said and done.

Back in a bit.

-GW

Blade Runner 2049: Wake Up… Time To Cry

(Read in Deckard’s voice):

I woke up late and with a headache. This teaser was waiting for me like a cat sitting on my chest with a freshly killed canary in its mouth as a present. Of course, that cat and the canary were from the dream I had last night, but that’s not important. Did you know you can’t accidentally step on a cat in a dream because it’ll always get out of the way? Of course, you can definitely step on an origami unicorn, which is kind of painful if you’re getting out of bed at 3am to go to the bathroom. Ow. Someone keeps leaving those damn things around the house in the strangest places. I found one in a sealed bottle of whisky last week. If it’s Gaff, he’s got some talent… and a weird sense of humor…

Yeah, that makes no sense because I never thought Blade Runner needed a proper sequel. We shall see, though. This teaser copies the languid pacing and gritty future noir tone of the original and yes, seeing an old Ford pop out of the shadows in a grin-worthy sight. That said, if he’s the sole link to the first film cast-wise, it may feel a bit awkward to younger viewers who never saw it or somehow don’t get what the connection is to Gosling and his funky coat. Oh, you can stop doing that Deckard voice now. It was only for that fake quote. I actually did wake up late, though. Off to find some coffee – back in a bit.

-GW

(Not So) Random Film of the Week: GOG

gogWhile the three films in Ivan Tors Productions’ “Office of Scientific Investigation” (OSI) trilogy haven’t gotten the name recognition or massive fan bases of certain other more well-known franchises, each stands out as a fine example of Tors’ commitment to bringing a more scientific and human touch to the genre. While not going for camp or cheap thrills, the films make for a look into Tors’ heavy interest in pure science fiction with independent films he got made on his own terms.

Beginning with 1953’s The Magnetic Monster, 1954’s Riders to the Stars, and GOG, also released in 1954, the three films trade in the era’s familiar “B” movie antics for drier, more “realistic” hard science mixed with speculative elements. While some action scenes take place in all three films, outside these sequences things are done with a more sedate, almost documentary-like presentation of their assorted plots.

Additionally, all three films can be watched and enjoyed fully in any order, as they tell stories that are connected by a few threads, but don’t contain the same characters. Chief among these threads is men (and women) of science trying to make advances in the field for the future with dramatic (and sometimes unfortunate) results. Or: you can’t make a science-flavored omelette without breaking a few scientist-shaped eggs…
Continue reading

Taxi Driver Turns 40: “A Real Rain” Returns to Theaters Internationally in August

(thanks, Park Circus!)
 

This is beautiful news. That said, I hope that “international” re-release means we’ll see this here in North America. This is one of those films I’ve wanted to see on the big screen in a nicer print than I’ve previously seen and this trailer sure looks spectacular. We shall see. In my opinion, this is a film that needs to be bucket listed if one considers him or herself a movie lover.

Planet of the Apes Back on the Big Screen: Not Hard to Fathom At All

Image from impawards.com

Image from impawards.com

 


I think I’ve mentioned this before, but in case you haven’t read that old post, 1968’s Planet of the Apes was the very first movie I saw in a theater. That said, I’m not sure I’ll go to this Fathom Events screening thanks to my backlog keeping my plate full. But to anyone seeing this for the first time or for the first time on a big screen, my glass is raised that your sense of wonder gets the same kick mine did those many years back. If YOU do end up going and are reading this, feel free to drop on by and leave impressions. It’s always fun to hear how modern moviegoers see the classics.

Call of the Westeros Meets Classic Response Time

So, this season of Game of Thrones ended with a bang. Well, a few bangs if you count the graceful exit one key character made via a nearby window. The internet being what it is, one still frame ended up as a hilarious image gamers who know Ubisoft’s hugely popular Assassin’s Creed series got a laugh over:

ACWesteros

It took me all of thirty seconds for my brain to cook up goofball responses to that scene using classic film posters, but a little longer to swipe images I’ll link to to be fair to the folks who posted them first. Traffic is cool on one’s blog when it’s least expected, I always say. Okay, here we go (click on the posters to go to their respective sites):

Hit the Hay

I’ve never seen this flick before, but I’m now Judy Canova curious. I know I’ve seen HER before in something, but I’ve not a clue as to what.

It Ain't Hay

Ooh, a new site to check out! Nice place you’ve got there, Steve! Haven’t seen this one in decades, but it’s probably as funny as I recall.

crash-dive

A not too shabby WWII war drama/romance flick with a fine cast doing their thing for the cause. Oscar-winning special effects here, but don’t go into this looking for CG perfection.


 


 

Finally, yeah… I may as well get Fox some love as well for the upcoming Assassin’s Creed movie. As with any game-based film, my eyebrow is up a lot on whether it can capture the game’s more interactive elements clearly. But I absolutely LOVE being proven wrong by movies based on videogame source material. Which means I’m still skeptical even with the casting choices made. We’ll get into that later. Just go enjoy the rest of this weekend for now.

READS: Star Wars Works Spectacularly As A Scrolling Infographic

SWANH_start

Many movie fans all know what follows this memorable opening image, but thanks to Zurich-based artist Martin Panchaud, we now have quite possibly the best illustrated retelling of Star Wars Episode IV: A New Hope to date. While not flawless (there are a few incorrectly translated lines), the scrolling infographic absolutely nails the storytelling beats, but from a top down perspective and using colored dots for human and alien characters. If you’re a big enough fan of the film, I’d bet you’ll be hearing that phenomenal John Williams score in your head at all the right moments. Go check it out (if this hasn’t been forwarded to your own inbox already today).

Also, someone call Guinness (no, not the ghost of Alec, silly!)- I think at 123 meters (or 403.543307 feet), it just may be the longest infographic you’ll see for a while. Anyway, go revisit a classic film from 1977 in a whole new way.

The Exorcist, A TV Series? The Power of “Cripes” Compels You

So join me for a drink boys
We’re gonna make a big noise

So don’t worry about tomorrow
Take it today
Forget about the check
We’ll get hell to pay

 

According to a few sources including the director himself, William Friedkin fired blanks off-camera into the air in order to get an actor to react with fright during a key moment in The Exorcist. I’m betting the 1936 penny sitting mysteriously atop my too-small entertainment center (seriously, it just appeared one day and I have NO clue as to how it got there!) that Friedkin maybe shot a computing device of some sort when he found out Fox as making a series based (kind of?) on the classic horror film that freaked out millions back in 1973 and is still influential to this very day.

(Thanks, Movieclips!)

Me? I had NO idea this was a thing until the always on point Written in Blood pointed out that trailer above. The power of crap compelled my jaw to drop because WHY? There’s really no use or need for a modern take on The Exorcist because the film did what it did so well and is still an effective horror film to this day. Like the upcoming Lethal Weapon TV series (yeah, WHY?), this trend to dig up otherwise fine and dandy entertainment and drag it kicking and screaming into this decade’s short attention span theater audience that will drop a new show they don’t like like a hot rock after one or two episodes. My reaction to that trailer above was somewhat NSFW, and went something like this:

(Thanks again, Movieclips!)

Don’t believe me? Well, how’s that Rush Hour TV series doing, ladies and gents? Uh-huh. Sure, there are a bunch of devil shows on the air already and Fox does have a “hit” with Lucifer, which I’ve yet to see because I’m not at all interested in it. But I just can’t see The Exorcist being a series with legs once the story the film tells (now rewritten for TV) plays itself out. Well, unless it turns into some sort of possession anthology series with a demon of the week (ugh), which would kill off the scare factor faster than a vampire eating a loaf of garlic bread as the sun rose.

Meh, maybe I’m too cranky and wrong on this… but I don’t think so. If this show ends up being a surprise hit like Bates Motel and goes on for a few seasons, I’ll look into making my own deal with the devil. Oh, don’t worry about me, folks… I know how to trick Old Scratch into letting me keep my soul:

(Thanks, lilacwine85!)

It’s a good thing I can bake a little is all I’m saying…