Based on the novel Smith’s Dream by C.K. Stead, director Roger Donaldson’s 1977 film Sleeping Dogs is not only a remarkable first feature film, it’s shockingly prescient on a number of fronts. Before I get to the film proper, I’ll note that I chose neither this nor Donaldson’s outstanding second feature, 1981’s Smash Palace because of their implied or direct relevance to some of today’s often depressing news. My movie backlog is just so huge that I decided to grab two films off the top of the stack and these Arrow Academy releases were right on top of that stack. Boo-yah, I guess? Additionally, I’d heard good things about both a while back from a few people who didn’t spoil the stories for me other than to note that both were important films from New Zealand that would be well worth watching. Those people were correct, as these two films are simply superb despite their less than Hollywood budgets.
The government in New Zealand is under chaos after oil talks break down, gas is severely rationed and it seems civil unrest is brewing partly as a result of a rather stubborn prime minister determined to keep the peace (or what he sees as peace) at any cost. Meanwhile, rudderless after breaking up with his wife, a man named Smith (Sam Neill) is driving down a highway when he spies a small island in the distance. At a tiny village’s tinier restaurant, he inquires about the ownership of the island and is given directions to a house owned by two Maori men and is told to bring a bottle of whiskey with him. Smith trades the bottle for the island and run-down house on it, but the motor boat he needs to get there? That costs him his car. Well, at least he gets a free cute dog out of that part of the deal, as it’s forced on him during the trade.