Red Dead Redemption II Gameplay Trailer 2: Told Ya So (Plus Tax)!

I’d seen a few folks online (and more offline) bemoan the lack of Rockstar pumping out more info or gameplay on Read Dead Redemption 2 and this past week and weekend telling a few folks not to fret and the push was coming. Well, lookie here, a new trailer dropping on a Monday without warning: Enjoy:

Also, the game’s cover art has been updated, so here you go (and yep, I’ll need to go back and pop this image into previous posts at some point:

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Liking the updated cover art, as it recalls some fine Western classics.

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Review: V-Rally 4 (PS4)

V-Rally 4Sliding sideways onto retail and digital stores for consoles and PC some 16 years (!) after the previous installment, V-Rally 4 ($59.99) attempts to capture the spirit of the series’ somewhat floaty control system while adding modern HD visuals and online play. While everything didn’t quite work out as well as it should at launch (the reason this review is later than usual), some recent patching has fixed a number of the game’s issues. That said, expect to do a good deal of car tweaking for the optimal experience.  Rally fans who want a game that demands constant fiddling with settings and plenty of pre-race practice just may find a decent to acceptable experience comes with that high level of patience the game asks for.

Developer KT Racing has made a tough off-road game that packs in a ton of content in its single player and online modes using real life cars on fictional tracks set in some very pretty locales across the globe. If you go in expecting a total pick up and play experience out f the gate, the mix of arcade and simulation elements may not quite jibe thanks to the default controls being a bit too loose (requiring the aforementioned fiddling) and the solo mode forcing you to pay to enter some races and then pay your in-game manager and crew for their efforts at keeping your small but growing garage of rides in racing shape.

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“Slide, Charlie Brown, SLIDE!” A super-light touch is key to playing this game (or else).

That said, as with the still mighty V-Rally 3, and the still surprising Dreamcast version of V-Rally 2, at some point the more dedicated players who stick with the game will indeed snap into that zen-like state, get into the game’s squirrely handling and very likely enjoy the ride. Amusingly enough, it seems the developer knew the game would frustrate some players and yep, there’s DLC out that allows a career mode boost as well as a digital guidebook to its cars and tracks. Granted, the former is completely optional and the latter should have been included as part of the price (and seems to  have been in a newer update), but these days optional buy-ins seem pretty much unavoidable in some games.

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Review: Broken Sword 5: The Serpent’s Curse (Nintendo Switch)

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No it’s not Last Embrace: The Game, but a worthy adventure finally hitting the Switch.

Switch owning adventure game fans, take note: George Stobbard and Nico Collard are back in action for the first time on that console in Revolution’s excellent Broken Sword 5: The Serpent’s Curse. In terms of performance, the games looks and plays like the PC and other console versions and the added behind the scenes features split up into extra content are nice additions to an overall solid package that makes for a fine purchase. What starts as a murder in an art gallery switches into George and Nico getting involved in a bit of globe-hopping world-saving thanks to… oh, you’ll see. The game’s got a corker of a plot that takes time to kick in, but it’s got enough twists and turns to keep you playing until the wee hours.

Sticking to the familiar point and click style with inventory-based puzzles and snappy, often humorous dialog, this is a game to savor as it teases the brain with its ever expanding mysteries.Both leads are really great at figuring out (well, with assistance from you) how to cope with everything from trapping a cockroach in a matchbook to having to deal with a few near-death experiences where it seems almost unlikely they’d make it out alive. While somewhat lighthearted in tone throughout, things do get much serious as the threat evolves from what seems like a simple art theft gone wrong to all figurative (or is it literal?) hell breaking loose.

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Review: Nitro Ball (Nintendo Switch)

Nitro BallFlying Tiger Entertainment has been dropping some awesome Data East arcade hits from the 80’s and 90’s across a few platforms, but thanks to my rather hilariously large backlog, I’m just getting around to playing my first title in the Johnny Turbo’s Arcade series: Nitro Ball ($7.99). This one’s a 1992 oldie that’s an instant classic in the form of a killer mash-up of Smash TV and a crazy pinball game without the flippers full of super busy rapid fire action that’s packing a heap of period pop culture references doctored up a bit but still very recognizable if you know your classic 80’s flicks pretty well.

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I’d make a “Gun Ball Rally” joke here, but almost no one would get it.

I very vaguely recall this machine from my arcade crawling days, so getting the chance to see and play it again got me grinning immediately despite a wee bit too many deaths that followed. Things are quite chaotic right from the start and like any great arcade game, you’ll likely spend the first few minutes learning the ropes and figuring out how to stay alive in order to make it to the next part of a map.  While it’s only got five stages (Strange Football, Combat Field, Ghost Town, Aliens World, Space Station), as you’d expect if you’re an educated fan of these types of games, it’s all about the replay value and the many laughs you’ll have while blasting through those maps multiple times. The difficulty ramps up in spots as enemy goons swarm in from all sides and yes, sub-bosses and bosses can be cheap (hey, they’re just doing their jobs!). But overall, I’d call the game pretty balanced.

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The Horror of Too Many Scary Games (is A Good Thing to Have), Part 1

Although horror-themed games are released all year long from developers and publishers of all sizes, the number definitely increases as the Halloween season approaches. I’m currently playing a few quite interesting to downright too damn creepy titles that should keep you up at night if you’re into that sort of thing. I’ll divide this into a few parts because my inbox is a bit loaded with what’s looking like some really fun games of varying degrees of scariness. Let’s start with five for now:

The Conjuring House (PC) – Holy #@*+. Well played, Morocco-based RYM Games, well played. Here’s a game that knows what it wants to do (make you too scared to keep playing) and it gets right to it with the scary stuff after an extended opening cinematic sequence that gets your heart pumping before handing you control in the middle of a chase sequence. Gee, thanks. So far, the game is absolutely dripping with atmosphere and the Unreal 4-powered visuals definitely get the job done. That said, the English translation needs a bit of tweaking as some awkward text mars the experience when it doesn’t match the spoken dialog. Still, this is going to be one of those games that sucks players in and should keep them jumping long after they’re done. It’s out September 25 on Steam, so keep an eye peeled (or else). I’ve got my fingers crossed for solid console port (PS4, please) if only to keep further away from the screen. Or: playing this on my laptop has been pretty damn frightening with those blasted creeps right up in my face, yahhhh!

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That PlayStation Classic? A Great Idea With Some Interesting Caveats

So, I waited a day plus for the internet to do its usual barfing and bellyaching over Sony’s upcoming PlayStation Classic (and yes, some people actually really love the concept and were neither barking nor bellyaching,  but breaking out the hugs and searching out pre-order news) and while I’m all for the thing doing well, there are a few potential bumps in the road that may keep it from being an instant purchase. Of course, I’m kidding myself a bit here, as it’s practically guaranteed the Classic will sell to many Sony diehards who want either a perfect gift for themselves or the kids.

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Well, this brings back memories. Er, memories that I still own three original PlayStations, so the Classic being 45% smaller means I can squeeze one into the vaults at some point.

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Sega Genesis Classics Switch Bound This Winter

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Oh, yeah. It’s SO on this Winter on the Switch.

Hot on the heels of the SEGA AGES™ titles announced last week and set to launch during the Tokyo Game Show, SEGA continues a winter of bringing great classics to the portable Switch. Retro fans can now finally play the Genesis Classics collection on their way to school or work, in their lunch break or basically anywhere on the go! SEGA Genesis Classics has over 50 retro favorites to experience across every genre: arcade action, shooters, beat’em ups, puzzlers and hidden gems, with a raft of modern features. Exclusively for the Nintendo Switch players can now compete in same-screen local coop mode and use each Joy-Con individually if desired. Familiar features like online multiplayer, achievements, mirror modes, rewind and save states are all part of the collection for everyone to revisit and enjoy.

The physical edition of SEGA Genesis Classics is now available for pre-order from U.S. retailers. Details of the digital pre-order will soon be announced.

On one hand this was wonderfully inevitable, but on the other, it’s a case where some stubborn Sega or Nintendo-only diehards will need to pipe down and accept what’s going to be a superb deal when all is said and done. Remember, Sega games new and old have popped up on Nintendo’s systems for quite some time after the company got out of the console business.

I’m guessing that “winter” release timeline means before the end of the year, but I’ll err on the side of “sometime between December and next March” just to be on the safe side. Between this and the upcoming Sega Ages collection, it’s certainly going to a great time for Sega and its legion of loyal fans. Yep, I have this set already on other consoles and PC but it’s still a triple or quadruple dip so that nostalgia thing spreads like fresh butter on hot toast.

-GW

Onimisha: Warlords to Return in 2019

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He’s baaaaaack (finally!)

When I was working in an indie game shop many moons ago, I can recall Onimusha: Warlords being a constant seller for the PS2 and later, Xbox. The game eventually game spawned three sequels on Sony’s console and a few interesting spinoffs (a fighting game and a strategy/RPG). It took 17 years, but the first game is finally getting a nicely priced ($19.99) HD upgrade for consoles and PC with a January release date. Even better, North American gamers get a physical as well as digital release on consoles. Excellent.

Some details and more screens below the jump. check out the trailer (ah, memories!)

(Thanks, Capcom USA!)

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I Think Tuco’s A Bit Upset…

(Thanks, Luciano Napoli!)

No, Tuco… you’ve not been forgotten, pal. We’ll get to you soon enough. Hey, folks – Video Store Action Heroes is a thing and it’s LIVE (woo and hoo). Check out the three cooler entries and mine, which is just OK:

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Just press PLAY (and don’t forget to rewind when you’re done, pal.

Mike’s Take on the Movies does up 1983’s Uncommon Valor (in which we also discover Mike either works out regularly, has some great Photoshop skills, or both).

Todd goes all Cinema Monolith on 1980’s ffolkes (aka North Sea Hijack or Assault Force) in a Moore or less fine as usual review.

Wolfman’s Cult Movie Club takes on one of my favorites, 1987’s The Hidden and I’ll say now that it’s a good thing he saw this great hidden gem first and not the screamingly awful sequel.

What’s up for future installments? Well… you’ll just need to tune in and find out now, won’t you?

-GW

Not So Random Film of The Weekend: The Zero Boys

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Ooh, it’s my first entry in this soon to be never-ending series. Be gentle!

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While it’s certainly an entertaining popcorn and beer-worthy flick with great camerawork, direction and an appropriately 80’s blend of synth-heavy and orchestral scoring courtesy of Stanley Myers and Hans Zimmer, there’s something a wee bit “off” about Nico Mastorakis’ 1986 film The Zero Boys  that keeps it from total greatness. Don’t get me wrong, folks: It’s certainly got just about everything it needs to be a perfectly fine cheesy action flick and even adds in some mildly disturbing  moments that lend it a solid horror vibe. However, there’s very little in the way of gore here and you certainly don’t want to go in expecting a ton of exploitative nudity even though you’d think a film such as this made at this point in time would include a moderate heaping of both as par for the crowd-pleasing course.

In fact, according to an interview on the Arrow Video Blu-Ray, Mastorakis deliberately made the film this way as a sort of counterbalance to his far more brutal 1976 film Island of Death. If you take away the expletives and make a few minor edits, you pretty much have a PG-rated flick that you could easily show on a regular network or basic cable channel these days. Amusingly enough, by comparison, an average episode of Gotham has a load more violence than what you’ll see here (I kind of liked the first two seasons, but the show’s gotten a bit too grim as a alternate world take on its source material, but I digress…).

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Let’s see now: Bandanna? Check. Attitude? Check. Gun? Check. I think that’s everything, but you know how these things go (until they don’t go the way you think).

That’s not to say the film is totally tame, mind you. It moves from high action and a slightly comedic tone at the start into those more moody and serious scare scenes with relative ease and works well enough on that level. In general, Mastorakis’ films tend to go in all sorts of directions as they blend drama, comedy, action, sexy stuff and lots of suspension of disbelief common to genre films. Of course, if you pay too close attention to the writing, some parts don’t click as well as they should because the story needs to move along, damn the continuity consequences or assorted logic fails. In other words, this is one of those films where any sort of overthinking makes it a lot less fun.

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