I Think Tuco’s A Bit Upset…

(Thanks, Luciano Napoli!)

No, Tuco… you’ve not been forgotten, pal. We’ll get to you soon enough. Hey, folks – Video Store Action Heroes is a thing and it’s LIVE (woo and hoo). Check out the three cooler entries and mine, which is just OK:

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Just press PLAY (and don’t forget to rewind when you’re done, pal.

Mike’s Take on the Movies does up 1983’s Uncommon Valor (in which we also discover Mike either works out regularly, has some great Photoshop skills, or both).

Todd goes all Cinema Monolith on 1980’s ffolkes (aka North Sea Hijack or Assault Force) in a Moore or less fine as usual review.

Wolfman’s Cult Movie Club takes on one of my favorites, 1987’s The Hidden and I’ll say now that it’s a good thing he saw this great hidden gem first and not the screamingly awful sequel.

What’s up for future installments? Well… you’ll just need to tune in and find out now, won’t you?

-GW

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Not So Random Film of The Weekend: The Zero Boys

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Ooh, it’s my first entry in this soon to be never-ending series. Be gentle!

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While it’s certainly an entertaining popcorn and beer-worthy flick with great camerawork, direction and an appropriately 80’s blend of synth-heavy and orchestral scoring courtesy of Stanley Myers and Hans Zimmer, there’s something a wee bit “off” about Nico Mastorakis’ 1986 film The Zero Boys  that keeps it from total greatness. Don’t get me wrong, folks: It’s certainly got just about everything it needs to be a perfectly fine cheesy action flick and even adds in some mildly disturbing  moments that lend it a solid horror vibe. However, there’s very little in the way of gore here and you certainly don’t want to go in expecting a ton of exploitative nudity even though you’d think a film such as this made at this point in time would include a moderate heaping of both as par for the crowd-pleasing course.

In fact, according to an interview on the Arrow Video Blu-Ray, Mastorakis deliberately made the film this way as a sort of counterbalance to his far more brutal 1976 film Island of Death. If you take away the expletives and make a few minor edits, you pretty much have a PG-rated flick that you could easily show on a regular network or basic cable channel these days. Amusingly enough, by comparison, an average episode of Gotham has a load more violence than what you’ll see here (I kind of liked the first two seasons, but the show’s gotten a bit too grim as a alternate world take on its source material, but I digress…).

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Let’s see now: Bandanna? Check. Attitude? Check. Gun? Check. I think that’s everything, but you know how these things go (until they don’t go the way you think).

That’s not to say the film is totally tame, mind you. It moves from high action and a slightly comedic tone at the start into those more moody and serious scare scenes with relative ease and works well enough on that level. In general, Mastorakis’ films tend to go in all sorts of directions as they blend drama, comedy, action, sexy stuff and lots of suspension of disbelief common to genre films. Of course, if you pay too close attention to the writing, some parts don’t click as well as they should because the story needs to move along, damn the continuity consequences or assorted logic fails. In other words, this is one of those films where any sort of overthinking makes it a lot less fun.

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COMING SOON: Getting Some More Action In

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Psst. Hey. Yeah, you. Keep this a secret, would ya? Um, August 18th is when you may want to pop in and see what’s what. Shhhhhh. Just you, though.

Okay,  you may tell a friend or three.  I’ll go make some popcorn.

-GW