Three Arrows You Don’t Want To Duck

Arrow Video and Arrow Academy have got your back this month, but you may want to check it for a few sharp objects (ow!) as all three releases in February might be somewhat hostile to your health. Let’s take a look:

Manon

One Missed Call Trilogy

Deadly Manor

So sinister, so good this month, but I hear from a friend that Manon is a really nice and bleak dramatic flick from a master of suspense, and I like Clouzot’s work quite a lot. The other two are new to me, but I do want to take a look at these at some point.

Manon_01

She’s really going to be pissed when she wakes up and finds out someone went overboard with the whole “I’m going to bury her in the sand” thing.

-GW

Arrow Video: Only Two In January, But What A Pair

While there are only two releases from Arrow Video this month, both are films I’ve not seen, so this is a good thing. Actually, every month is a good thing for film releases from Arrow, as their restorations are pretty stellar and in most cases, you get a wealth of special features that give some films a bit of commentary and perspective.

edge of the axe

First up is 1988’s Edge of the Axe ($39.95, 1/28/2020),  a film that I didn’t see back then, but it’s popped up in a few recommendations over the decades, so it’s now on the list of stuff to see. I’ll no doubt be diving under a blanket, if that cover art is any indication.

From cult Spanish filmmaker José Ramón Larraz (Vampyres, Symptoms) comes this long-neglected late 80s slasher classic, finally unleashed on Blu-ray for the first time ever!

The rural community of Paddock County is being rocked by the crazed exploits of an axe-wielding psychopath, who stalks the night in a black trenchcoat and mask. As the victims pile up, the authorities attempt to keep a lid on the situation, whilst computer whizz-kid Gerald and girlfriend Lillian seek to unmask the killer before the town population reaches zero. Nominally set in Northern California but shot primarily in Madrid, giving the film an off-kilter, American/European atmosphere akin to the likes of Pieces, Edge of the Axe is a late entry hack-and-slash masterpiece from one of the titans of Spanish terror.

  • Brand new 2K restoration from the original camera negative
  • English and Spanish language versions of the feature
  • Original uncompressed mono audio
  • Optional English subtitles for the deaf and hard of hearing for the English soundtrack
  • Newly translated English subtitles for the Spanish soundtrack
  • Brand new audio commentary with actor Barton Faulks
  • Brand new audio commentary with The Hysteria Continues
  • Newly-filmed interview with actor Barton Faulks
  • The Pain in Spain – a newly-filmed interview with special effects and make-up artist Colin Arthur
  • Image Gallery
  • Reversible sleeve featuring original and newly-commissioned artwork by Justin Osbourn
  • FIRST PRESSING ONLY: Collector’s booklet featuring new writing by Amanda Reyes

black angelNext up is Black Angel ($39.95, 1/28/2020) from 1946. This film noir is one I’ve wanted to see for a while, but haven’t gotten around to yet (what else is new, right?). I read a while back the person who wrote the book hated the film version, so that alone had me curious, as the cast made up of a few really solid actors and the director was pretty ace as well.

Elegantly directed by Hollywood veteran Roy William Neill (best known for his 11 Sherlock Holmes films starring Basil Rathbone), Black Angel is an underappreciated film noir treasure, adapted from a novel by the acclaimed crime writer Cornell Woolrich (Phantom Lady).

When the beautiful singer Mavis Marlowe (Constance Dowling) is slain in her chic apartment, the men in her life become suspects. There is Martin Blair (Dan Duryea, Scarlet Street), her alcoholic musician ex-husband, nursing a broken heart; there is the shady nightclub owner Marko (Peter Lorre, Casablanca, The Maltese Falcon) who has been sneaking around her place, and there is Kirk Bennett (John Phillips), the adulterer who found his mistress’s dead body and fled the scene. When Bennett is convicted and sentenced to death, his long-suffering wife Catherine (June Vincent) joins forces with the heartbroken pianist Martin Blair to uncover the truth… Black Angel is a consummate 1940s crime thriller which boats a suspenseful narrative, strong performances and atmospheric, meticulously lit cinematography.

Roy William Neill’s film is presented here in a sumptuous restoration, with several illuminating new extras.

  • Brand new restoration from original film elements by Arrow Films
  • High Definition Blu-ray (1080p) presentation
  • Uncompressed Mono 1.0 PCM audio soundtrack
  • Optional English subtitles for the deaf and hard of hearing
  • New audio commentary by the writer and film scholar Alan K. Rode
  • A Fitting End, a new video appreciation by the film historian Neil Sinyard
  • Original trailer
  • Gallery of original stills and promotional materials
  • Reversible sleeve featuring two artwork options
  • FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by author Philip Kemp

With both set for release on the same day, I smell a double feature here. At least that’s my plan for these two.

-GW

Random Film of the Week Quickie: Falstaff (Chimes at Midnight)

Falstaff (Chimes at Midnight) MPA few years ago, I was sitting in a diner waiting for a few friends to arrive and overheard two guys in the booth behind me debating whether or not Orson Welles was a good filmmaker. Wait, what?  My ears perked up as one of the guys noted that he thought the only film he ever saw from the director was one he felt was overrated (and nope, it wasn’t Citizen Kane). He was talking about Chimes After Midnight.

It turned out both were film students who had a teacher who wasn’t a fan of the director, had shown the film in his class, and yep, both were new to Welles’ work while also in that uncomfortable place in one’s youth where one questions too much without searching for the proper answers. Eh, I think they were entitled to their opinions, but I’d loved to have sat down with them and made a few points on some of the man’s work they were clearly missing thanks to their biased instructor’s babbling and their lack of seeing more of his output.

The discovery a few years back of a fantastic quality print plus a few other things falling into place means we now have a superb high quality home video version of Orson Welles’ 1965 masterpiece Falstaff (Chimes at Midnight) which just so happens to be one of the better (and looser) adaptations of Shakespeare put on film. Even if you’re not into The Bard’s work, seeing a cinematic genius like Welles pull this off on a low budget while also creating one of the most effective and chaotic battle sequences set to film makes this a must-see movie. Welles, Jeanne Moreau, Margaret Rutherford, John Gielgud, Kieth Baxter and the rest of the cast all give perfect performances, the editing manages to make the year plus it took to put this together even more brilliant and overall, it’s a great film that’s influenced quite a few others that ended up becoming modern (and better remembered) classics.

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Three Arrows Left In December? Aim For The Head For Best Results

December is here already? My brain in back in August, it seems. Anyway, Here’s what’s cooking on December’s menu from Arrow Video and Arrow Academy- three films I haven’t seen in some time, so all will be very welcome re-views, to say the least:

Slaughterhouse Five (12/3/2019)

Jake Speed (12/3/2019)

The Limits of Control (12/10/2019)

Go make a few leftover turkey sandwiches and camp out if you need to for these, I say.

-GW

Review: Texas, Adios (Blu-Ray)

Texas Adios_01

“It might be Mark’s store… but its MY town…”

texas arrowMarketed as a a Django film in some territories, Ferdinando Baldi’s Texas, Adios definitely isn’t one. It has more in common with earlier western formula and pretty much sticks to its guns (ha!) throughout as a solid film that’s not as stylized as other spaghetti westerns, yet it’s unmistakably one that tries to be as American as possible. It’s a bit more violent than the older oaters, but it’s perfectly acceptable by today’s standards. Franco Nero makes for a decent single-minded hero when all is said and done, there’s not a love interest in sight, and the film gets a bit ruthless when it needs to make some points. Just don’t count the times no one reloads (unless the plot calls for it, guns seem to run on rechargeable batteries here).

Nero plays Burt Sullivan, a sheriff in a small town who travels to Mexico to bring a man named Cisco Delgado (José Suárez) back to justice in one piece. He’s got a strict moral code in effect, but he’ll absolutely kill anyone else who tries shooting him, of course. Cisco happens to be somewhat of a big deal feared criminal there, what with being a well-dressed meanie with a big villa, a ton of henchmen, and quite the cruel streak. Sullivan wants him alive because he killed his father many years ago also he can see him hang or be jailed in America. Naturally, Cisco very steadfastly has no travel plans to leave Mexico. Must be the weather and assorted torture he’s fond of exposing those he disagrees with that keeps him happy.

Texas Adios_02

“Look, I know you’re a bit tied up at the moment, but, ma’am, you can’t sleep here!”

Sullivan’s brother, Jim (Alberto dell’Acqua [under the unwieldy moniker “Cole Kitosch”, which sounds like a designer of expensive clothing you’d never wear]) tags along and we find out that Jim’s got something not even he knows is a secret. I’m keeping that secret a secret because it’s a nifty twist that kicks the plot above its level (and adds some poignancy to the affair), but really isn’t much of a surprise if you’ve seen other films that have similar themes

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No Turkeys Or Stuffing In Arrow Video’s November Feast

While it’s a small selection this month, everything Arrow is shipping next month has my seal of approval. Your dinner is spread out across the month of November and includes an appetizer of murder and mayhem, while the main course gets you a somewhat Gothic mystery, a classic western and a spicy side of 70’s horror. As for dessert, how does TWO scoops of a great sci-fi/action film suit you? Well. I’m starving now, so let’s see what’s coming next month:

Here a bit about each film (in case you’re scratching your head on a few of these):

Apprentice To Murder (11/05/2019)

Flowers In The Attic (11/12/2019)

The Far Country (11/12/2019)

Hitchhike To Hell (11/19/2019)

RoboCop (Limited Edition) (11/26/2019)

RoboCop (Steelbook) (11/26/2019)

Hmmm… I wonder if that RoboCop Steelbook is ED-209 proof? All those special features will definitely have me watching this film again, that’s for sure. I’ve actually seen everything here back in the day except Hitchhike To Hell. The Far Country I think I recall from a TV edit many years back, so it’ll be interesting to see the remastered version. This selection from Arrow and Arrow Academy is definitely making me quiver in anticipation.

-GW

Shout Factory’s Shocktober Sale Will Have Your Wallet Screaming

Shocktober

Scared? Your wallet sure is, I’ll bet.

Mo’ horror, mo’ problems (for your wallet): Yes, the fine folks at Shout! Factory are having a little sale you may want to check out, as some great horror flicks are up for grabs at a discount. As usual, you have to act FAST, as the sale ends October 21. While I’m not a steelbook guy, some of them caught my interest and hell, I can use the steelbook to smack that monster in the closet with. Some also come as non-steelbook releases and the prices on a few are low enough to have my interest. Enough yakking from me, though. Go scare tour wallet into a tizzy here. Oh, there’s also a contest to enter if you like.

-GW

Save 10% Off iNetvideo.com’s Scary Flicks (Or Else)

Ooh, this is a nice deal on some frightening flicks for Halloween or for someone who likes the scary stuff any time of year:

inet scary

Hop on over here and take a peek at many horrors old and new to pick up. You have 114 pages of films to peruse and choose, so get to it!

-GW

Review: Torso (Blu-Ray)

torso_02

“Hello, I’m your masked and gloved fashionable scarf-wearing killer. Today, I shall be your GUIDE. Then I’ll have to kill you, of course.”

Torso Arrow(Lectures): Sergio Martino tells an interesting story about the film’s originally planned title in an excellent interview on this lushly produced Arrow Video disc. The film’s  producers wanted something more salacious to sell tickets, so they chose to pump up the sexual violence aspect with what they saw as a fitting title, I corpi presentano tracce di violenza carnale (The Bodies Bear Traces of Carnal Violence). where as Martino wanted to use I corpi non mostrano tracce di violenza carnale (The Bodies Bear No Traces of Carnal Violence) here after his working titles like Rosso come l’amore, nero come il terrore (Red Like Love, Black Like Terror) were rejected early on. The Torso moniker (Carnal Violence was a title created for the export release) was a choice from the film’s US distributors, by the way,  In the States, Joseph Brenner Associates worked up a new title opening, chopped out 4 minutes of footage seemingly for some gory content and likely to make the film a run a compact 90 minutes (more butts in the seats at the end of the day), changed some music cues (the great Guido & Maurizio De Angelis score was fine, thank you), and there you have it.

*Ahem* I’m starting this review much like the film does (with an intentionally dull lecture after a sexy-ish opening) as a little joke because I’ve heard some kooky grumblings over the years at how the film gets off to a slow start for about 20 minutes or so. Nonsense, I say. Torso works as an effective and disturbing popcorn flick you’ll want to gather a few like-minded giallo-loving friends up to see. Yes, those friends will have to like some copious female nudity, icky flashes of gore in two of the early murders and nearly every male in the film portrayed as a leering goon of some sort (there are some regular guys here, but as background noise or padding out the lovely Perugian scenery). But this is a film where you’re getting almost exactly what you expect from with a title like this.

Torso_06

Ooh, pardon me while I do some gift-giving. “Hey, nice lady, I got you a scarf!” Oops, I kind of got carried away in my excitement. That’s Patrizia Adiutori doing a great job playing dead, by the way.

After the murder of some friends by the above mentioned killer (Hello!), four college students decide to hoof it over to a secluded villa, only to have the killer and a few other suspects trail them. While that’s pretty much the plot here, Martino makes things quite tense as well as very 70’s sexy (well, as far as the ladies are concerned). The film tosses a few potential suspects your way as it goes on, so you’re always on the fence as to who the killer might be. The killer not only has a penchant for he ladies, he turns out to be an equal opportunist, as the bodies pile up and more are claimed by a few means.

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Review: The Pyjama Girl Case (Blu-Ray)

The Pyjama Girl_03

La calma prima della tempesta: Ray Milland as Inspector Thompson does a bit of gardening (sans FROGS to interrupt him).

The Pyjama Girl Case coverLoosely based on a true story (that’s still a tad unresolved), Flavio Mogherini’s 1977 film La Ragazza Dal Pigiama Giallo (aka 1978’s The Pyjama Girl Case) is a pretty depressing flick to sit through when all is said and done. It’s skillfully edited to spool out two tales: one of a retired police detective (Ray Milland) coming back to work on the trail of the person who murdered and mutilated a woman, and the second is the story of Glenda (Dalila Di Lazzaro), a Dutch immigrant who comes to Australia, gets a job as a waitress and later ends up a victim of a particularly horrifying crime.

Even more horrifying are the police coming up with the idea to preserve and display the unidentified remains to the public (yes, this actually happened in real life for a whopping ten years) and painfully getting information though beating up a few suspects (not sure if it’s 1977 addition, but man, is it so not an OK thing to do even if a guilty party is eventually found). Nevertheless, Milland is clearly having a blast in his role, and Di Lazzaro is a lovely, tragic victim you want to see not a bad thing happen to. The film even makes you feel sorry for a suspect in her murder, but you’ll have to watch this to see how the director plays that out.

(Thanks, Blazing Trailers!)

In fact, save for Milland’s Detective Thompson who’s eager to take on the case, most of the detectives and investigators here seem to be all too happy (and incompetent) with finding the quickest means to end the case, even if it means one seemingly obvious suspect is discovered early on who’s a pure creep and not a killer. This adds an air of hopelessness to the narrative as the film plays out and you witness the results of haphazard work (save for the one man who should be home with his flowers). Granted, poor Glenda would still be deceased even through the shoddy police work, as Detective Thompson is only called after she’s been disposed of.

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