Capsule Reviews: Mega Cats, MagiCats, and Other Critters of Note

Posted on November 24, 2018 by geelw

Yes, we’re playing a bit of mega-catch up here, but it’s a weird and wild season on a few fronts and staying in an entertaining mood is quite tricky when the walls and floors are moving constantly. Anyway, here’s a few quick takes and hearty Holiday Gift Guide recommendations, kinda retro games division. Buy them all if you’re into what they bring to the table:

Little Medusa (Sega Genesis/NES/SNES): Mega Cat Studios has been pumping out some truly excellent retro content for those who still own either original hardware or the means to play cart games on those newer retro consoles. Little Medusa is a tough little number that will have fans of the classic puzzler Kickle Cubicle grinning and grimacing in equal measure as they play through this colorful, challenging update to the Irem arcade and later, NES hit.

As Artemiza, a young goddess transformed into a Gorgon by the escaped Titans, you’ll need to turn enemies into stone using her steely (stony?) gaze and quickly push them into place in order to clear five tricky levels of increasing difficulty. This one works best if you’ve a trusty, well-used controller or a new one that’s super responsive. Like plenty of classics from the 8 and 16-bit era, expert players can whip through this in a lazy weekend, but the thrill of a good game is always having it handy no matter how many times you’ve beaten it, so all hail Mega Cat for getting this out in physical form at a few price points so that collector side is satisfied.

Score: B+ (85%)

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Review: Heavy Fire: Red Shadow (PS4)

Posted on November 5, 2018 by geelw

While previous games in the Heavy Fire series have been on-rails shooters a tiny bit (but not exactly) like a non-gun controller version of Time Crisis with a whiff of modern military shooters set in fictional locations based on real word military hot zones, Heavy Fire: Red Shadow ($19.99) is more than a little reminiscent of the arcade version of Beach Head 2000. For those with short memories (or those who’ve never played that older game), it was a fixed turret shooter where you mowed down enemy troops and vehicles, blasted planes out of the sky and pretty much laid waste to as much as you could in a 360 degree radius until you were overrun (or just ran out of credits). While a bit on the shallow side in terms of gameplay depth, this latest installment packs in enough stress relieving bang for the buck that keeps it replayable.

Well, provided you don’t mind dealing with a few troubling bugs that really need patching.

“Come out to the coast, we’ll get together, have a few laughs…” Ha. Ha. (BOOM!), Now you have quite a few too many guns.

That said, I’d gather that some fans of the series from its beginnings as digital titles on the Nintendo 3DS may be disappointed in this because of the lack of co-op play, which a game such as this kind of needs to spread the fun past one’s home. You do get PSVR support in the retail packaged version that adds some “in your face” moments (usually in those moments when you’re yelling exactly that to some enemies on the receiving end of whatever ordinance you’re blasting or calling down on them). But those plain-ish visuals tend to get a bit mushy in VR compared to other games using the format. Granted, it’s not supposed to be a “great” game in that way some games become “instant classics” these days. But, if you just love all sorts of digital pyrotechnics and can bear the bugs, step on up and have a seat – it’s your turn at the turret.

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Review: Johnny Turbo’s Arcade: Heavy Burger (Nintendo Switch)

Posted on October 26, 2018 by geelw

Holy… wow. this game is too freakin’ incredible. BUY IT. Or at least hope that Mr. Turbo has plans to get in onto a platform you can play it on.

Ahem. Every so often a good, well-made game of any genre makes me want to wax poetic, so here you go, a rhyming (not “rappin'” as I can’t do that at all unless it’s leftovers that need storage in the fridge) review of quite a fine Switch game you need to buy (ASAP, as its really, really good). Yes, the (very) old Bad the Bard alter ego has resurfaced from the grave, so expect the following verse to be cringe-worthy at best. Very cringe-worthy, apologies in advance…

(Takes out invisible lute and busted Casio VL-10). Er, go watch this rather conveniently placed trailer while I warm up… I’ll be back below the jump.

(Thanks, Flying Tiger Entertainment!)

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Review: Ninjin: Clash of Carrots (Nintendo Switch)

Posted on October 23, 2018 by geelw

Ha. less than thirty seconds into developer Pocket Trap’s excellent Ninjin: Clash of Carrots ($14.99) and I’m cackling like Renfield because while it’s being marketed as a “beat ’em up” style endless runner game, it’s more of an arcade shooter/brawler hybrid and a damn good one at that. Of course, you may need to adjust your brain past the clever marketing stuff and your play style from “runner-based slug-fest” to “arcade shmup/beat ’em up”, but trust me, it makes a pretty cool game all the more cooler once you do.

The story is pretty simple, but comic timing courtesy some well-placed jokes and visual gags at every opportunity keep things fresh and funny. Your character of choice (Ninjin the rabbit or Akai the fox) is tasked with zipping through the game’s super-colorful levels collecting a village’s stolen carrots while taking down waves of enemies and a series of increasingly challenging sub-bosses and bosses. Yes, you can see it as a sort of brawler based on the many weapons and upgrades you’ll recover from downed baddies or in the two shops you’ll discover. However, switch to playing this as a coin drop arcade shooter and you’ll see those items in a new light.

It’s either R(abbit)-Type in disguise, a more hallucinogenic Fantasy Zone, or some other old arcade shmup retooled for today’s gamers. At least that what I get from this auto-scrolling and shooting/slicing stuff.

Firstly, the constantly scrolling levels and enemy waves are pure shmup, as are things such as recognizing enemy patterns and the necessity of upgrading to better weapons as you go. Granted, the need to tap out moves constantly is more of an old school shmup and fighter/brawler thing , but you also get screen clearing moves, ranged weapons that feel lifted from shooters and an overall sense of fun that’s addictive enough to make one crave more when the experience is over. Yes, you have swords, spears, axes, meat (!) and other weapons to swing away at baddies with. But the non-stop pacing is made to keep you on your toes as enemy speed and ferocity varies from simple to nightmarish, fluctuating a few times as the game progresses.

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Review: ZARVOT (Nintendo Switch)

Posted on October 18, 2018 by geelw

Trying to nail down ZARVOT (A Game About Cubes, by the way) into a specific niche is, in an amusing way, a waste of time because it’s a perfect example of using a less by the book scholarly critical analysis and more of a “shut up and play it!” approach. While you can (and should) snap this up for the solid multiplayer modes, it’s worth the $19.99 alone for the brilliant Story mode and its blend of adventure and puzzle game elements, droll to laugh out loud humor and straight up surreal nature. It’s also a master class in game design as well as showing off the versatility of the Unity engine thanks to Sam Eng (@snowhydra), who put 4 years into making this great looking instant classic. Oh, and the soundtrack? yep, worth paying for as well.

In a nutshell, cube pals Mustard and Charcoal set out to put together the ultimate birthday present for their cube pal, Red, stuff goes wrong and needs to made right. There’s a lot of laser fire involved in this and saying anything more would ruin a hell of a lot of surprises. When you find yourself putting down a controller to either laugh at the absurdity of it all or pause to reflect on an emotional issue a character is facing (for cubes, insects and other assorted creatures, they’re quite… human, warts and all), you kind of get a better sense of game appreciation. I actually wish this were on a physical game card because it’s one of those keepers that might get lost in the well over 1200 games (and counting) filling up the eShop.

But I’m getting all scholarly and critical here, so let me stop that and dip into the fun stuff…

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Head to Head (Sort Of): Fast Striker vs. FullBlast (PS4/Vita)

Posted on October 17, 2018 by geelw

I can recall a few years back reading in more than one place that the arcade shooter was dead as last week’s formerly fresh fish, but this was really never true. Between numerous indie developers and fans keeping the genre alive through making and publishing and distributing games via digital and retail formats, the good ol’ shmup lives on pretty much anything that can play them. Two of the more recent ones go for the gold and succeed when by being well-made games with excellent price points destined to hang out in your game library for a spell. Let’s take a peek at both, shall we?

Pretty, isn’t it? well, it’s also PRETTY FREAKIN’ HARD to an old gleep like me, but I keep playing these shmups because I used to be better at them back in the day.

First up is Fast Striker ($6.99), a 2010 NEO·GEO MVS/AES vertical shooter getting a new life on current gen systems thanks to German developer NGDEV and publisher Eastasiasoft. Six levels of frantic, gorgeous bullet hell bliss await with four difficulty settings to challenge. Yes, six levels may seem short to some of you out there, but this game makes you earn those high scores and like a solid shmup, you’re going to keep coming back to beat your previous runs or die trying.

There are some basic screen resizing and wallpaper options, but I personally prefer sticking to the more arcade accurate default window than going full screen. Er, not that it helps much given my awful reflexes when the going gets too tough (or okay, a little tough. Hey, I’m getting old!). For example (yipes):

Yes, I’m THAT bad at this game, but I managed to get through the Novice difficulty and messed with the others (Omake mode is SUPER nuts). I’ll be a saint here and link you to the official trailer just so you can see how a far better player does:

In addition to the digital release, Online retailer Play-Asia has a very limited edition physical version ($34.99) for both the PS4 and Vita set for a November release. Each is limited to 2200 copies worldwide and will include the region free game, a manual, collector’s box, soundtrack CD and a numbered certificate you can show off if you please. The price difference is yes, because of all that stuff inside the box, but if you’re into packaged games and have the shelf space, it’s a fair enough price point.

You’ll want to be a Fast Striker if you need this nifty Limited Edition exclusive from Play-Asia. Better pre-order this now before the scalpers snap them up to resell at ebay prices (ugh).

Overall, a pretty solid shmup that’s a trip down memory lane to my former glory days and perhaps yours as well (but I hope you can play better than I can).

Score: B (80%)

-Review code provided by the publisher

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Review: Oh My Godheads: Party Edition (Nintendo Switch)

Posted on October 8, 2018 by geelw

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Prepare to get elbows in your ear from your couch-mates, folks,

You know the old saying “You can’t herd cats”, right? Well, one of the ten deities in indie developer Titutitech’s somewhat amusing Oh My Godheads: Party Edition ($14.99) just so happens to be a rather irascible Bastet who will go from a silent stone head to a snarling meanie who messes with your direction as you try to carry her around. While the effect only lasts a scant few seconds, it’s more than enough time for an opponent to KO your character off the map and gain that hissy prize for their own. At least the version of Zeus here is more of a friendly presence, blasting the opposition with occasional bolts of lightning as he’s toted around.

The game is a simple one to pick up and play, but if you’re going in solo, it’s best to run through all the tutorial stages because there’s a bit of complexity to all the mayhem. Timing is crucial to some moves such as the stun that requires precise pressing of buttons, or throwing assorted objects such as pies and bombs where a split second of aim spells the difference between hitting a target or whiffing completely. While you can simply jam on the attack button if you like, you’ll want to at least play those tutorials to keep the game from getting stale because you only know one move. That and you’ll soon see that the game has a few tricks up its sleeve that can keep you from some victories if you play with other skilled players or on some of the trickier maps.

The on;y way to get ahead is to… get a head! Or die trying.

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Review: Warhammer 40,000: Inquisitor – Martyr

Posted on October 5, 2018 by geelw

Neocore Games’ mighty, meaty Warhammer 40,000: Inquisitor – Martyr ($59.99) should have come with an advisory that if you like the game, you’re going to have to be completely committed to long-hauling it from the get-go. It’s a demanding and addictive time chomping experience that kicks off with an about 45-minute set of tutorial missions that ease you into the swing of things before it rips away most of its training wheels and lets you carve your own route through its astounding wealth of randomly generated missions. There’s a nicely spread out story here that has your Inquisitor of choice attempting to solve the mystery surrounding an ancient warship packed full of heretics, mutants, xenos and Daemons of the Chaos Gods. Detective work isn’t your sole task, thankfully. You’ll definitely get to do quite a load of daemon dispatching as you uncover assorted clues during your journey.

While you can indeed compare what’s here to Diablo III on a few fronts, the game feels like more of a throwback to Crusader: No Remorse, Origin Systems’ excellent PC (and later, console) classic from 1995. Partially destructible objects, alarms that summon packs of enemies and a few more familiar elements from that game appear here, but the game also has more than enough loot dropping, skills, upgrades and rewards to keep even the most jaded players quite busy. As with a few other games in my rather large backlog, I’ve held off doing a full review because the game really needed to be patched up so I could give a it a solid recommendation. The latest patch (1.0.5) now makes this one a greater (yet still flawed) game rather than a somewhat decent one that needed a lot more polish.

Get ready to do a whole lot of this, plus a nice bit of detective work. it’s like CSI with demons and a hell of a lot more weapons.

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Review: V-Rally 4 (PS4)

Posted on September 30, 2018 by geelw

Sliding sideways onto retail and digital stores for consoles and PC some 16 years (!) after the previous installment, V-Rally 4 ($59.99) attempts to capture the spirit of the series’ somewhat floaty control system while adding modern HD visuals and online play. While everything didn’t quite work out as well as it should at launch (the reason this review is later than usual), some recent patching has fixed a number of the game’s issues. That said, expect to do a good deal of car tweaking for the optimal experience. Rally fans who want a game that demands constant fiddling with settings and plenty of pre-race practice just may find a decent to acceptable experience comes with that high level of patience the game asks for.

Developer KT Racing has made a tough off-road game that packs in a ton of content in its single player and online modes using real life cars on fictional tracks set in some very pretty locales across the globe. If you go in expecting a total pick up and play experience out f the gate, the mix of arcade and simulation elements may not quite jibe thanks to the default controls being a bit too loose (requiring the aforementioned fiddling) and the solo mode forcing you to pay to enter some races and then pay your in-game manager and crew for their efforts at keeping your small but growing garage of rides in racing shape.

“Slide, Charlie Brown, SLIDE!” A super-light touch is key to playing this game (or else).

That said, as with the still mighty V-Rally 3, and the still surprising Dreamcast version of V-Rally 2, at some point the more dedicated players who stick with the game will indeed snap into that zen-like state, get into the game’s squirrely handling and very likely enjoy the ride. Amusingly enough, it seems the developer knew the game would frustrate some players and yep, there’s DLC out that allows a career mode boost as well as a digital guidebook to its cars and tracks. Granted, the former is completely optional and the latter should have been included as part of the price (and seems to have been in a newer update), but these days optional buy-ins seem pretty much unavoidable in some games.

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Review: Nitro Ball (Nintendo Switch)

Posted on September 22, 2018 by geelw

Flying Tiger Entertainment has been dropping some awesome Data East arcade hits from the 80’s and 90’s across a few platforms, but thanks to my rather hilariously large backlog, I’m just getting around to playing my first title in the Johnny Turbo’s Arcade series: Nitro Ball ($7.99). This one’s a 1992 oldie that’s an instant classic in the form of a killer mash-up of Smash TV and a crazy pinball game without the flippers full of super busy rapid fire action that’s packing a heap of period pop culture references doctored up a bit but still very recognizable if you know your classic 80’s flicks pretty well.

I’d make a “Gun Ball Rally” joke here, but almost no one would get it.

I very vaguely recall this machine from my arcade crawling days, so getting the chance to see and play it again got me grinning immediately despite a wee bit too many deaths that followed. Things are quite chaotic right from the start and like any great arcade game, you’ll likely spend the first few minutes learning the ropes and figuring out how to stay alive in order to make it to the next part of a map. While it’s only got five stages (Strange Football, Combat Field, Ghost Town, Aliens World, Space Station), as you’d expect if you’re an educated fan of these types of games, it’s all about the replay value and the many laughs you’ll have while blasting through those maps multiple times. The difficulty ramps up in spots as enemy goons swarm in from all sides and yes, sub-bosses and bosses can be cheap (hey, they’re just doing their jobs!). But overall, I’d call the game pretty balanced.

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