Well, well… I guess I really need to play this game, too. This, ladies and gentlemen, is Chernobylite, a 3D scanned “science-fiction survival horror experience” from developer The Farm 51, who deserves some sort of award for exposing themselves to the probably still very irradiated location of the Chernobyl Exclusion Zone, where some of the photo-realistic visuals and locations were derived from. I haven’t touched the Early Access build yet because I’m swamped with stuff to do and my backlog is somewhat long, but that sort of attention to detail makes me want to see what the heck this is all about from a few perspectives. If that trailer is doing its job on you, you can go pick up the Early Access version of the game either on Steam or gog.com.
Just out for a little walk in the (radioactive) park…
I’ll shut up here and let you ogle more some screenshots and other media on the game’s official site, as I’m I’m the middle of a few reviews and today is extra busy for a Monday. This is also console bound at some point but as far as I can tell, it’s headed for PS4 and Xbox One only.
Geez. Take my time and money, already department, deluxe edition: Teamkill Media’s upcoming game, Kings of Lorn: The Fall of Ebris makes Demon’s Soulsclassic and mighty downbeat intro seem as if it’s unicorns and rainbows, but with a bit more winning on the part of of the lead here. I like it for that. That said, it’s hard to get a gauge on enemy difficulty in the newer game, as some enemies seem to go down too fast. Then again, this is likely the developer wisely hiding the challenge level until the masses get their hands around a controller when the PC version is released on November 22 2019.
This almost looks too frightening to finish (and no, that fantastically dour music isn’t helping one bit). If that’s going to be the aural force that’s coming, the already mind-blowing visuals will have some stiff competition as far as what’s going to keep me freaked out the most. I can’t wait, but I also want to see how the console versions stack up (PS4 is my preferred way to play, thank you). Oh, here’s the earlier E3 trailer (in case you haven’t seen it yet). Go wishlist this now… or it’s coming to get you.
Publisher and co-producer ARTE and indie game studio La Belle Games have a really surprising treat for gamers and non-gamers who just might be intrigued by a wonderful take on a literary classic. The Wanderer: Frankenstein’s Creature ($15.99) is out now on PC and Mac on Steam and coming soon to mobile platforms in November. In addition, ARTE is bringing the Nintendo Switch version of the adventure in Q1 2020. There’s a playable prologue here (click, scroll, enjoy) that does a wonderful job of giving you a taste of the experience as well as introducing the writer and a few important acquaintances on one fateful night where a few terrifying tales were told.
Here’s a trailer to peruse – screens and game info are are below the jump.
I’ve been wisely avoiding any news and potential spoilers on Kojima Productions new game because I want to go in as cold as possible. So right now, I’m about frozen solid in terms of what I know about the plot and characters. I’ve seen a few trailers over the years while it was in development, but true to form, they were intentionally vague or showed off some impressive tech and packed in the weirdness that was hard to decipher if one decided to go down that rabbit hole. I chose not to, as speculation is the worst thing one could do with what was looking like a strange enough title that was innovating on a few fronts.
For me, Hideo Kojima’s games since the Metal Gear Solid era have been essential because even with trailers, you’re not getting the full story because there’s going to be a ton of context not seen until the full game is experienced. That and the sole time I broke with this tradition of mine was with P.T./Silent Hills, a game that was killed by its publisher and fantastically frightening demo unceremoniously removed from PSN after a nasty breakup that saw Kojima form a standalone studio. That was one game that very likely could have turned that series around, but we’ll never find out. I’d let myself be seduced by the idea of new Silent Hill game with a talented team at the reins (Guillermo del Toro amd Norman Reedus were part of the project), and it was a shock to find out later that the game was canned and its creation halted.
Anyway, Death Stranding arrives a week from now on the PS4, and next summer on PC. I’ll be getting the PS4 version because hell, it arrives first and I hate spending money on any potential PC upgrades that might be needed to run this on my aging laptop.
As soon as I saw Aksys Games‘ gorgeous looking game Ghost Parade (created by the fine folks at Indonesia’s Lentera Studio), I knew it was going to be something extremely cool and very Halloween themed with its mix of Tim Burton meets Vanillaware style artwork at the forefront. It’s also a peek into another culture, as Indonesian ghosts are the subject and yes, it’s a great thing to see some more of what’s scary overseas coming to US audiences. Granted, I’ve played a few games with some of that countries’ terrifying spirits or horror themes in them (DreadOut and My Lovely Daughter being the standouts), so this game is going to be right up my dark alley once I get to playing it.
Love the art style here.
Here’s a look at the trailer. The game is out NOW for PC, PS4 and Switch and Aksys has run a nice digital comic on the game’s official site.
I hope this gets a wide enough audience, as I’d love to see Lentera become a household name among gamers here. As usual, we shall see.
Well, eight episodes of the game have been FREE for a while now on STEAM, but having a subscription to developer Blue Wizard Games’ email newsletter was pretty rewarding today, as there’s some nice content they’ve added to the game as well as a couple of fun freebies for email subscribers.
In addition to getting Episode 9 and the Baghead Jason DLC skin for free, the email also included a package of neat HD Blue Wizard Digital desktop wallpapers, Slayaway Camp toy paper-craft templates, and the official theme songs (MP3) for both Slayaway Camp and Friday the 13th: Killer Puzzle (woo-hoo!). Very cool, Blue Wizard, very cool, indeed.
Here’s a little teaser for the game. It’s kind of cute, really hilarious and yes, you can choose to play without the blood (but why would you?):
Even better, if you have a STEAM account, there’s a sale on the developer’s other titles, so yes, you can try a few of their games for a lot mess money. Sounds like a deal to me.
“All the animals come out at night…” Well, to be fair, in this game they’re out anytime they want to be.
Hamburg-based Mooneye Studios absolutely gorgeous looking game, Lost Ember, now has an official release date (November 22, 2019 for PC, PS4, and Xbox One), a nice new trailer and more lovely art to look at. I’ll just shot up here and let those images and trailer do all the talking:
Some images for you? Okay, then:
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There’s a load of other images to run, but I stopped with these because I was taking too much time poring over the rest. I’ll get the rest up closer to the games release. Oh, a Switch version is in the works, so we’ll see how that turns out at some point.
Absolutely beautiful and back to its 2.5D roots (although I did like the last game, I seem to be in the minority, so I’ll shut up about it), Trine 4: The Nightmare Prince ($29.99) is a wonderful and wonder-filled visual treat. Solo play is excellent, but It’s also great to play with a few friends for the engaging co-op and unlimited modes, which become more of a blast when you get new players in on the fun who’ve never tried this series before yet manage to come up with some quirky and/or intelligent out of the box means to solve some of its puzzles. Amadeus the Wizard, Pontius the Knight, and Zoya the Thief are back and in an even more stunning to look at game packed with enough content outside the story to last a while. The main game has a pretty basic story, but there’s a good deal of replay value when you get a few friends and get to messing around.
Developer Frozenbyte’s choice to let players cook up their own solutions to puzzles is a genius move where the game never gets dull because there will be those moments when someone pulls of a nice move and discovers either through trial and error or just mucking around for fun how to proceed. In solo mode, the game is great stuff, as switching between its trio of characters and using their powers comes off easy. Well, battle sequences aside where some solo players may want to rely on switching to Pontius and his trusty sword and shield until because he’s usually best at dealing with those shadow beasts quickly. The other team members do fine here (and as you play through the game, all get some nifty skill upgrades), but for my tastes, I used Pontius whenever I could for combat.
Even though the game world is presented as a side-scrolling affair, developer Frozenbyte has lovingly packed so much rich detail here that some areas feel as it you can travel out of the boundaries and go off in the distance if you wanted to. The gorgeous fairy tale looks and excellent character animation help bring the game to life and it’s all family friendly stuff right down to a few exaggerated, oversize boss enemies which manage to be both somewhat comical and scary (well, not that scary). In the game, a young and somewhat reckless prince tries to learn some powerful magic outside his skill level and our heroic trio get reassembled as a team and have to go after him. Unfortunately for them, he’s actually got a few tricks up his fancy embroidered sleeves. Can you say dipping our three heroes’ minds to bring forth nightmares, folks?
I’ll admit at first I thought it was a game about the wonderfully awful movie The Beast Within until I saw screenshots.
Well, what have we here? A photo-realistic horror themed mystery/adventure game that’s got a strange, sort of time travel thing going for it along with some amazing visuals and a lot of falling off stuff, for good measure. Oh, and it’s coming to PS4 and Xbox One at some point, which is good, as I hate upgrading my PC so frequently to play these games. Here’s a gallery and one of many trailers. You can see more on the Steam page where yes, you can buy the game and/or try the demo out.
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Developer Illusion Ray Studio and publisher Movie Games have quite the pair of fitting names, no? I’ve downloaded the demo, but haven’t gotten to try it yet thanks to a review backlog I’m sifting through, but this one will get some playtime soon, as it certainly had my attention as soon as I heard of it and looked it up. Here’s a look at a trailer (it’s all gameplay footage, too):
Alright, then. I guess I’ll get to that demo sooner or later (well, before the game hits consoles, at least).
Well, this is a fine thing indeed. It’s soon to be raining werewolves, vampires and other creatures of the night thanks to Bigben Games and a few developers hard at work on a few titles. On the werewolf (there, wolf!) front, you’re getting this:
“You better stay away from him – he’ll rip your lungs out, Jim!”
Werewolf: The Apocalypse – Earthblood is in development with Cyanide Studio at the helm, and while only this art below and the animated image on the official website have been shown, both it and that teaser trailer give off a nice vibe of what to expect. The developer has been pretty good at delivering solid gameplay that’s gotten better with each game they make, so I’ll definitely be keeping an eye peeled for screenshots and actual gamepay as this moves closer to completion, This one’s coming in Summer 2020 for PC, PS4 and Xbox One.
Absolutely beautiful and back to its 2.5D roots (although I did like the last game, I seem to be in the minority, so I’ll shut up about it), 
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