Random Film of the Week Quickie: DEAD END

Posted on January 10, 2020 by geelw

“I hear the marinara sauce is good in this joint…”

I love Dead End for a few reasons. It’s a great film based off a stage play that yep, both looks and feels stagey, but that works highly in its favor. It’s a classic Old New York City film just for the location it presents and the feeling that, staging aside, that place actually existed. It also marked the debut of The Dead End Kids who’d later morph into The Little Tough Guys, then The East Side Kids and then into The Bowery Boys with a total of close to 50 audience-pleasing fluff comedies made between 1937 and 1958. To some non-fans of the Boys, this only proves the law of diminishing returns should have been more strictly obeyed and enforced (ha and ha). But, I digress.

It also has Humphrey Bogart in an early knockout role as a slickly dressed but menacing thug who returns to his old stomping grounds with a brand new facelift for mixed results. Finally, it’s a nicely directed “message” film by the great William Wyler that works on many levels, some of which soak in only after a second or third viewing. Go grab your popcorn, pal. I’ll wait. Oh, you’re making it on the stove the old-fashioned way? Good. I’ll go get a bowl and meet you back here in five.

Bogie lets McCrea know he can’t wear a hat AND a bucket at the same time.

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Random Film of the Week: Dracula/Horror of Dracula (1958)

Posted on January 9, 2020 by geelw

Now, that’s a title screen, Isn’t it?

Amusingly enough, I was wearing a Famous Monsters of Filmland T-shirt I got as a gift when I ran into an older neighbor in the supermarket last week who mentioned that as a kid, her parents took her to see Horror of Dracula back in 1958. She was only 8 years old, but was a big fan of sci-fi and horror movies, noting her parents were as well, and they’d make trips to the movies regularly. She noted she couldn’t sleep for about a month or so, but not because of Dracula, mind you, as (spoiler!) he’s as dead as a door nail at the end of the film (well, until his revival in the next films), but because of his brides.

She was convinced they were going to come after her for some reason and I noted that I’m sure many people who’ve seen this film sure as heck wanted a nibble on the neck from any of the lovely ladies in that film, vampires or not. Maybe even a few too many nibbles.

She laughed, and said “I know, but there was one in particular… what’s her name? The one that looked like a cat?” I thought for a few seconds and guessed correctly it was Andrée Melly, who indeed did look like a cat, and yes, briefly played that favorite bide of too many others as well. The neighbor let out a loud laugh. “Well that was fast! I guess she made an impression on you, too!”, which made me laugh as well, as there’s a pun in there she didn’t realize she was making. Anyway, we chatted a bit more and I helped her get a big aluminum baking pan off a high shelf for the ham she was making, as family was visiting that weekend. She paid for her groceries and left with a wave, thanking me for jogging her memory.

Meow! Careful. I hear she bites…

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Arrow Video: Only Two In January, But What A Pair

Posted on January 6, 2020 by geelw

While there are only two releases from Arrow Video this month, both are films I’ve not seen, so this is a good thing. Actually, every month is a good thing for film releases from Arrow, as their restorations are pretty stellar and in most cases, you get a wealth of special features that give some films a bit of commentary and perspective.

First up is 1988’s Edge of the Axe ($39.95, 1/28/2020), a film that I didn’t see back then, but it’s popped up in a few recommendations over the decades, so it’s now on the list of stuff to see. I’ll no doubt be diving under a blanket, if that cover art is any indication.

From cult Spanish filmmaker José Ramón Larraz (Vampyres, Symptoms) comes this long-neglected late 80s slasher classic, finally unleashed on Blu-ray for the first time ever!

The rural community of Paddock County is being rocked by the crazed exploits of an axe-wielding psychopath, who stalks the night in a black trenchcoat and mask. As the victims pile up, the authorities attempt to keep a lid on the situation, whilst computer whizz-kid Gerald and girlfriend Lillian seek to unmask the killer before the town population reaches zero. Nominally set in Northern California but shot primarily in Madrid, giving the film an off-kilter, American/European atmosphere akin to the likes of Pieces, Edge of the Axe is a late entry hack-and-slash masterpiece from one of the titans of Spanish terror.

Brand new 2K restoration from the original camera negative

English and Spanish language versions of the feature

Original uncompressed mono audio

Optional English subtitles for the deaf and hard of hearing for the English soundtrack

Newly translated English subtitles for the Spanish soundtrack

Brand new audio commentary with actor Barton Faulks

Brand new audio commentary with The Hysteria Continues

Newly-filmed interview with actor Barton Faulks

The Pain in Spain – a newly-filmed interview with special effects and make-up artist Colin Arthur

Image Gallery

Reversible sleeve featuring original and newly-commissioned artwork by Justin Osbourn

FIRST PRESSING ONLY: Collector’s booklet featuring new writing by Amanda Reyes

Next up is Black Angel ($39.95, 1/28/2020) from 1946. This film noir is one I’ve wanted to see for a while, but haven’t gotten around to yet (what else is new, right?). I read a while back the person who wrote the book hated the film version, so that alone had me curious, as the cast made up of a few really solid actors and the director was pretty ace as well.

Elegantly directed by Hollywood veteran Roy William Neill (best known for his 11 Sherlock Holmes films starring Basil Rathbone), Black Angel is an underappreciated film noir treasure, adapted from a novel by the acclaimed crime writer Cornell Woolrich (Phantom Lady).

When the beautiful singer Mavis Marlowe (Constance Dowling) is slain in her chic apartment, the men in her life become suspects. There is Martin Blair (Dan Duryea, Scarlet Street), her alcoholic musician ex-husband, nursing a broken heart; there is the shady nightclub owner Marko (Peter Lorre, Casablanca, The Maltese Falcon) who has been sneaking around her place, and there is Kirk Bennett (John Phillips), the adulterer who found his mistress’s dead body and fled the scene. When Bennett is convicted and sentenced to death, his long-suffering wife Catherine (June Vincent) joins forces with the heartbroken pianist Martin Blair to uncover the truth… Black Angel is a consummate 1940s crime thriller which boats a suspenseful narrative, strong performances and atmospheric, meticulously lit cinematography.

Roy William Neill’s film is presented here in a sumptuous restoration, with several illuminating new extras.

Brand new restoration from original film elements by Arrow Films

High Definition Blu-ray (1080p) presentation

Uncompressed Mono 1.0 PCM audio soundtrack

Optional English subtitles for the deaf and hard of hearing

New audio commentary by the writer and film scholar Alan K. Rode

A Fitting End, a new video appreciation by the film historian Neil Sinyard

Original trailer

Gallery of original stills and promotional materials

Reversible sleeve featuring two artwork options

FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by author Philip Kemp

With both set for release on the same day, I smell a double feature here. At least that’s my plan for these two.

-GW

An Animated Discussion (Part 1)

Posted on January 5, 2020 by geelw

“Oh nooooo, another post! RUN!“

A while back, a friend of mine made a bet with his two teens that he could stay off the internet longer they they could and he noted that after a bit of “sure, Dad, whatever…” snickering and such, they took him up on the offer for a month. Well, I think it may have been the lure of less to no chores for the month as a reward and I think there was a small amount of financial bribery (which isn’t really “bribery” if it’s in kept the family and it’s agreed upon, right?). CHALLENGE ACCEPTED.

I got a kick out hearing this because I know for a while he’d been trying to get them to spend more time with each other and less time glued to tiny screens when they were in the same room. I knew he and The Wife were big fans of board games and silly outdoor fun, but the kids? Well, they were when they were younger, they were. But now they did school activities and were busy with them (a few clubs and team sports, from what I understand). But at home, phones, tablets and teen gossip ruled the roost so much that on some days, even the TV went un-watched by the kids. Neither of them is into video games as a hobby, although there is a PS4 in the house that gets regular use (Hi, Dad!). Anyway, it seems that things were going well for about a week, when I get a phone call asking if I had any cartoons in the movie library…

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Random Film of the Week Quickie: Falstaff (Chimes at Midnight)

Posted on December 28, 2019 by geelw

A few years ago, I was sitting in a diner waiting for a few friends to arrive and overheard two guys in the booth behind me debating whether or not Orson Welles was a good filmmaker. Wait, what? My ears perked up as one of the guys noted that he thought the only film he ever saw from the director was one he felt was overrated (and nope, it wasn’t Citizen Kane). He was talking about Chimes After Midnight.

It turned out both were film students who had a teacher who wasn’t a fan of the director, had shown the film in his class, and yep, both were new to Welles’ work while also in that uncomfortable place in one’s youth where one questions too much without searching for the proper answers. Eh, I think they were entitled to their opinions, but I’d loved to have sat down with them and made a few points on some of the man’s work they were clearly missing thanks to their biased instructor’s babbling and their lack of seeing more of his output.

The discovery a few years back of a fantastic quality print plus a few other things falling into place means we now have a superb high quality home video version of Orson Welles’ 1965 masterpiece Falstaff (Chimes at Midnight) which just so happens to be one of the better (and looser) adaptations of Shakespeare put on film. Even if you’re not into The Bard’s work, seeing a cinematic genius like Welles pull this off on a low budget while also creating one of the most effective and chaotic battle sequences set to film makes this a must-see movie. Welles, Jeanne Moreau, Margaret Rutherford, John Gielgud, Kieth Baxter and the rest of the cast all give perfect performances, the editing manages to make the year plus it took to put this together even more brilliant and overall, it’s a great film that’s influenced quite a few others that ended up becoming modern (and better remembered) classics.

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Review: O. Henry’s Full House (1952)

Posted on December 27, 2019 by geelw

“You got any wheelchairs, pal? I wanna take a friend for a little trip.”

No, it has nothing to do with a misspelling of decades old candy bars still being made today or the old TV series which got a sequel show in 2016 that’s still a thing, but this one does make a fine holiday-themed movie even if it’s not really one save for the the final tale. Even though it was released in 1952, O. Henry’s Full House looks like it was made ten or so years earlier, but that’s a good thing. There’s a distinctly quaint feeling here in this anthology of five classic stories by five different directors and the film is a pretty one to cook up a bit of popcorn for, even if in some areas, its almost too wholesome. Well, save for the Howard Hawks-lensed chapter, which is just pure hilarity in that it seems no one got the humor it its tale and his chapter was excised until it was restored in TV prints years later (and remade as a few films of note).

So, five short films, five directors and about as wholesome as possible save for one chapter that goes for the jugular (in a very funny manner)? I’m in. Although I was in already, as this one’s been a favorite for decades. Toss in John Steinbeck (!) as a narrator (which is kind of like having Stephen King or even better, Neil Gaiman host an Edgar Allan Poe anthology film, I guess), and you get a pretty interesting film that’s an easy view unless you’re overly critical about a few performances.

Anyway, here’s what’s on the plate – eat hearty!

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The Criterions, Collected (But Not As You’d Think)

Posted on December 25, 2019 by geelw

I was walking down the street one day…

So, this happened a few months ago, but I took my time in writing it because well, among other things, I didn’t have any photos for the article and I want to NOT reveal the location of where the shop noted is because they do have some nice pre-owned movies from time to time. Just not these movies as you’ll soon see. ‘Other things’ would be needing to look up photos on the Criterion site and fitting in references and links, something I didn’t want to do initially because I do need to get some of these films and that reminder pokes at my poor wallet each time I look at the site.

Note: I initially chopped down the story significantly because it’s the holidays and you really don’t need to read a lot here because you’ll be putting a bike together, or setting a digital clock on something, and you won’t have time to do more than throw your hands up and throw a badly written instruction manual in the trash, only to retrieve it when you realize the layout was backwards or a page was printed out of order and upside down. I restored the text because when I thought about it, you may as well have a hearty laugh today at my expense because someone will likely roll over your foot with that new bike or attempt to shoot your eye out like Moe Green in The Godfather (or was it in A Christmas Tale?*) if you got them that BB gun they wanted so badly.

Anyway, take a leap below the jump, and prepare for a fall in which we stick the landing, just not the landing we expected.

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Random Film of the Week: Gold Diggers of 1933

Posted on December 14, 2019 by geelw

(Thanks, Classic Fun!)

For too many reasonable to reasonably odd reasons, after all these years, I’d never seen ALL of the Mervyn LeRoy/Busby Berkeley film extravaganza that is Gold Diggers of 1933. I’d seen the fantastic beginning many years back as a kid, but it was late at night and I fell asleep at some point, waking up to some other film playing. Another time, the film was on but I missed about half of it and I hate sitting down to watch half a film, and the back half, as that.

Years later, it was on rotation on TCM by this time, so I figured I’d always catch it at some point. By then, I’d seen 42nd Street, Footlight Parade, and a few other similar musicals, so I thought it would be along the same thematic lines. It is to some extent, very much like the others: a simple plot but elaborately made escapist film for the masses. With its fantasy of three pretty young ladies in a Depression-era New York City finding love and wealth despite their showgirl roots and assorted shenanigans via a case of mistaken identity that stretches credulity as it should in a film like this, it was gong to be as light and breezy a time as could be, I thought.

He’d buy that for a dollar: Aileen MacMahon, a lucky Guy Kibbee and Ginger Rogers, who. despite her charms, doesn’t get the guy here.

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Go For Broke! Everyone’s Having Year-End Sales (No Sleigh Needed)

Posted on December 9, 2019 by geelw

(Thanks, BadfishKoo!)

Short and to the point because I’m buried in stuff and you have mass quantities to consume, or something. Here are a few big sales you might be interested in because some neighbor kid made me laugh today when she asked her Tired Mom in the elevator today why people need to shop when “Santa is supposed to bring everything!”.

Uh, about that…

“Well, this is going to be good,” I thought with a mild chuckle bubbling up. Sales first., story and cookies later.

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Random Film of the Week: Doctor X (DVD)

Posted on December 8, 2019 by geelw

For all that trouble setting their private and expensive game show up, no one could guess what was behind Curtain #1.

Let’s just say that as a kid of, oh, seven or eight years old back in the 70’s, I had no idea (not a clue!) what I was watching when the local public TV station ran Doctor X so very many years ago. I do recall not knowing what was going on for a bit and some parts were wacky, but yes indeed, I did perk up when the “Synthetic Flesh” scene kicked in. Hell, I was a Frankenstein fan by then, even if my exposure was courtesy Universal Pictures and James Whale and not Mary Shelley until I read the book years later.

When I revisited the good Dr. Jerry Xavier (Lionel Atwill), and the film as I got older into my teens, elements started to click and it was all “Oh, that’s what that means!” on more elements I didn’t understand previously. Which of course means that as a grumpier and older old man these days, I’m all over this freak-fest like I’ve run into an old friend I haven’t seen in a while. This one’s pretty funny, pretty grim and completely bonkers. Oh, by the way, Doctor X sounds better and scarier than Doctor Jerry. That and if it were called Dr. J, there’s that slim chance a slimmer handful of folks might get fooled into thinking it’s a sports biopic (heh).

Jacket jealousy here, as Fay’s got the stripes. but Tracy’s got the tweed and they both win the fashion lottery.

It’s also a great pre-code film, what with its discussion of a few hot topics those who think “well, those old movies were DULL!” might find they’re a bit incorrect about if they ever get off that dead horse they always jump on and see a few of these films. Now a little murder? Hey, that’s fine and dandy in a film about a mysterious killer. Toss in elements like that mysterious killer who happens to cannibalize corpses, a bit of prostitution and rape as story elements, plus a few old guys sitting around talking about their fetishes (hey, that may be the most creepy thing about this to some!), and more atmosphere that you can shake a few sticks at, and you get a true classic.

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