Lost in Vivo: The Walls, Close-in For Catastrophic Claustrophobia

Posted on October 21, 2018 by geelw

Back in 2016, I pledged a few bucks to Akuma Kira’s Kickstarter for a new game he was working on called Lost in Vivo all because of the free and superbly devious Spooky’s Jump Scare Mansion (Formerly Spooky’s House of Jump Scares), a game I recommend to anyone into horror because it will creep up on them in a surprising manner. In other words, don’t let the initially quite stupidly cute visuals and the rather simplistic but twisty corridors found in the first chunk of floors lull you into a false sense of security. Things get quite bizarre and eventually quite horrific as you descend into the darker, more hellish maps.

Anyway, fast forward to earlier Saturday morning when I got a download link to he completed build of Lost in Vivo from the developer via Game Jolt (an excellent indie site I VERY highly recommend along with itch.io (the game can be found here) if you love to pore over dozens and dozens of great indies of all genres, many free or quite affordable). You’ll also see this one pop up on Steam soon (well, November 5th, thanks to Steam’s verification process taking longer), but if you need this faster, feel free to grab it from one of the other sites noted above for a measly ten bucks.

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(Not So) Random Film of the Week: The White Buffalo

Posted on October 19, 2018 by geelw

It’s that time again, folks (Dangit, we need a THEME SONG):

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Go get that popcorn going, this one’s quite a doozy.

While it’s not that much of an “obscure” film these days thanks to a few DVD and Blu-Ray disc releases over the years, J. Lee Thompson’s wild fantasy/horror western The White Buffalo goes way the hell out of its way to be as surreal as possible (well, within the confines of a Hollywood studio film, circa 1977). If you’re allergic to allegory and go in expecting it to be a more typical manly-man weekend special Charles Bronson flick, it may likely baffle you with its mystical and more surreal elements even though it definitely delivers the goods on the action front.

If anything, this Dino De Laurentis produced follow up to 1976’s (not quite as classic as the true classic) remake of King Kong suffers from too little scope due in part to a lower budget that, combined with a script that’s not fully fleshed out in spots, doomed it to death by a thousand critics slicing away with pen-knives and audiences who likely were expecting a more commercial flick. Today, it’s a different story as the film has garnered a bit of a cult following, warts and all.

One of these hairy dudes is Bronson, the other looks more like a hippie jackalope. Uh, wait. a sec…

Still, it’s an excellent showcase for Bronson, as he completely inhabits the role of an ailing James Butler “Wild Bill” Hickok (or, James Otis as his alias here), who, after having recurrent nightmares about the titular creature terrorizing his mind, sets out to kill the beast but good. His competition for the prize: Crazy Horse (Will Sampson), whose infant daughter has been killed along with many of his tribe after a bloody rampage by the seemingly unstoppable, mountain wrecking, avalanche-causing monster.

In a kooky way, it’s more or less Ahab (from Moby Dick) meets Quint (from JAWS), but I don’t want to get too far with the literary or cinematic references even though the film is based off the novel by Richard Sale (who also wrote the screenplay). Let’s just say not every idea gels here, and to quote the late Milton Arbogast,

“You see, if it doesn’t jell, it isn’t aspic, and this ain’t jelling.”

That said, when it does gel, it’s like that time you used three boxes of gelatin and too little water and got something sweet you could bounce a silver dollar off of and have it hit you in the eye (ouch). Painfully palatable is a good description.

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Red Dead Redemption II Launch Trailer: Number One With a Bullet? We Shall See…

Posted on October 18, 2018 by geelw

Compared to the previous longer looks at gameplay, this new trailer is almost too low-key, but I guess Rockstar doesn’t need to impress those craving this game with its overall impressive scope at this point. Okay, I’m keeping this post short because I’m holding my breath for a few reasons until the game ships out. Controversies aside, whenever a new game from Rockstar ships, there’s that mixture of fingers crossed that everything comes together and the hope that not a lot of patching will be necessary once the game finally drops. While you’re waiting, you may as well check out the list of weapons the game has here.

Review: ZARVOT (Nintendo Switch)

Posted on October 18, 2018 by geelw

Trying to nail down ZARVOT (A Game About Cubes, by the way) into a specific niche is, in an amusing way, a waste of time because it’s a perfect example of using a less by the book scholarly critical analysis and more of a “shut up and play it!” approach. While you can (and should) snap this up for the solid multiplayer modes, it’s worth the $19.99 alone for the brilliant Story mode and its blend of adventure and puzzle game elements, droll to laugh out loud humor and straight up surreal nature. It’s also a master class in game design as well as showing off the versatility of the Unity engine thanks to Sam Eng (@snowhydra), who put 4 years into making this great looking instant classic. Oh, and the soundtrack? yep, worth paying for as well.

In a nutshell, cube pals Mustard and Charcoal set out to put together the ultimate birthday present for their cube pal, Red, stuff goes wrong and needs to made right. There’s a lot of laser fire involved in this and saying anything more would ruin a hell of a lot of surprises. When you find yourself putting down a controller to either laugh at the absurdity of it all or pause to reflect on an emotional issue a character is facing (for cubes, insects and other assorted creatures, they’re quite… human, warts and all), you kind of get a better sense of game appreciation. I actually wish this were on a physical game card because it’s one of those keepers that might get lost in the well over 1200 games (and counting) filling up the eShop.

But I’m getting all scholarly and critical here, so let me stop that and dip into the fun stuff…

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Iris.Fall Hands-On: Shadow Play Works Quite Well in Kinda Goth-Land

Posted on October 11, 2018 by geelw

Based on a short demo was only supposed to be about ten minutes long (I was told ten, but I lingered about half an hour or so just to check out every nook and cranny because the level of detail is remarkable), Iris.Fall is shaping up to be a lovely little indie sleeper worth a buy. Developer NEXT Studio has cooked up a charmingly creepy puzzle adventure with beautiful visuals and an intriguing light/dark gameplay element fans of the somewhat forgotten (but memorable) Wii game Lost in Shadow will appreciate. The demo features an early taste of the full game’s mix of environmental and other puzzles that revolve around Iris’ ability to manipulate light and shadow to progress through areas.

While simple to pick up, solving puzzles here makes for some fun brain work right from the beginning. Careful scouring of each room for areas where Iris’ powers to be used also reveals objects that can be manipulated or collected to be used with other elements. Foe example, in one room, a pair of marionettes is required to unlock a certain door, but you’ll need to dip into the shadows and light areas, moving things around to create a ramp on one side and then the other to nab each figure. Once they’re acquired, placing them in the correct spots, then rotating their parts will form a “key” of sorts that allows passage into a new location.

“I was the puppet, I was the puppet!” A puzzle, in progress (and five points if you get the song reference I made).

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The C64 Mini: Some More Retro For Your Early Gamer Gifting (Or Yourself)

Posted on October 10, 2018 by geelw

Remember kids, when you retro-trip, wear proper headgear. Falling too hard can be a hazard to your gaming skills. Or something like that.

Remember that C64 Mini post from a few months back? Well, the system is now available and it’s got a fair enough price point ($79.99 US) to recommend if your tastes roll towards the old school and you don’t mind a few quirks from the old days of gaming. There are a bunch of these mini-consoles out already or coming out this year and next thanks to Nintendo’s success with its shrunk-down NES and SNES systems, so we’ll see how well each does among gamers, collectors and anyone just looking for a simple to get into gift for that special someone.

Yeah, yeah, the emulation only crowd is chuckling away at these to some extent as they cut themselves a nice slice of Raspberry Pi. But if people who just want a fuss-free gift or just aren’t tech savvy enough to grab some sort of emulation device and swipe ROMs off the internet with relish, I say let them spend their money as they please especially if it makes them happy.

EDIT: Ah, I see one issue I’d read about elsewhere has been addressed. This is a good thimg:

-GW

Pinball FX3 Gets Some Williams In Its Catalog

Posted on October 9, 2018 by geelw

Lovely. Now, let’s take this pinball history back even further, I say. Lots of excellent tables deserve this treatment.

Nice. Here I was, wondering if I should buy up those import PS4 pinball collections that have gone out of print and *ding!* Zen Studios ends up with the Bally/Williams license. The developer has just published four tables available NOW on PC, (via Steam as well) Mac, PS4, Xbox One and Switch, with the classic 1992 table Fish Tales available for free across all platforms. I recall that one as being a high scorer with even beginners able to rack up tens of millions of points on three balls. The table also had flippers slightly smaller than standard ones, so it was actually easier to lose balls thanks to the super fast action.

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Review: Oh My Godheads: Party Edition (Nintendo Switch)

Posted on October 8, 2018 by geelw

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Prepare to get elbows in your ear from your couch-mates, folks,

You know the old saying “You can’t herd cats”, right? Well, one of the ten deities in indie developer Titutitech’s somewhat amusing Oh My Godheads: Party Edition ($14.99) just so happens to be a rather irascible Bastet who will go from a silent stone head to a snarling meanie who messes with your direction as you try to carry her around. While the effect only lasts a scant few seconds, it’s more than enough time for an opponent to KO your character off the map and gain that hissy prize for their own. At least the version of Zeus here is more of a friendly presence, blasting the opposition with occasional bolts of lightning as he’s toted around.

The game is a simple one to pick up and play, but if you’re going in solo, it’s best to run through all the tutorial stages because there’s a bit of complexity to all the mayhem. Timing is crucial to some moves such as the stun that requires precise pressing of buttons, or throwing assorted objects such as pies and bombs where a split second of aim spells the difference between hitting a target or whiffing completely. While you can simply jam on the attack button if you like, you’ll want to at least play those tutorials to keep the game from getting stale because you only know one move. That and you’ll soon see that the game has a few tricks up its sleeve that can keep you from some victories if you play with other skilled players or on some of the trickier maps.

The on;y way to get ahead is to… get a head! Or die trying.

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Review: Warhammer 40,000: Inquisitor – Martyr

Posted on October 5, 2018 by geelw

Neocore Games’ mighty, meaty Warhammer 40,000: Inquisitor – Martyr ($59.99) should have come with an advisory that if you like the game, you’re going to have to be completely committed to long-hauling it from the get-go. It’s a demanding and addictive time chomping experience that kicks off with an about 45-minute set of tutorial missions that ease you into the swing of things before it rips away most of its training wheels and lets you carve your own route through its astounding wealth of randomly generated missions. There’s a nicely spread out story here that has your Inquisitor of choice attempting to solve the mystery surrounding an ancient warship packed full of heretics, mutants, xenos and Daemons of the Chaos Gods. Detective work isn’t your sole task, thankfully. You’ll definitely get to do quite a load of daemon dispatching as you uncover assorted clues during your journey.

While you can indeed compare what’s here to Diablo III on a few fronts, the game feels like more of a throwback to Crusader: No Remorse, Origin Systems’ excellent PC (and later, console) classic from 1995. Partially destructible objects, alarms that summon packs of enemies and a few more familiar elements from that game appear here, but the game also has more than enough loot dropping, skills, upgrades and rewards to keep even the most jaded players quite busy. As with a few other games in my rather large backlog, I’ve held off doing a full review because the game really needed to be patched up so I could give a it a solid recommendation. The latest patch (1.0.5) now makes this one a greater (yet still flawed) game rather than a somewhat decent one that needed a lot more polish.

Get ready to do a whole lot of this, plus a nice bit of detective work. it’s like CSI with demons and a hell of a lot more weapons.

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Capsule Review: The Conjuring House (PC)

Posted on October 3, 2018 by geelw

Uh, mommy? Holy hell, The Conjuring House sure is scary when it needs to be (which is often). Developer RYM Games has a an almost killer game here that despite a few technical flaws (which are currently being addressed via patches that will hopefully improve the overall experience) is one near-total freakout of a game. Things get off to a scary start and the tension builds as the game follows the tried and true “Old Dark House filled with dreadful evil” formula with some pretty hefty psychological horror and jump scares. Unlike some more popular horror titles, you’re unarmed and have to try and avoid or run from enemies whenever possible, the game has intentionally distant save points and yes, this leads to a few too many deaths whether or not you’re careless. On the other hand, when when things click, you’re playing half under whatever you were sitting on when you started with one eye opened because the other has shut itself closed.

Nevertheless, in its current form, some elements of the game aren’t quite as solid as they should be. Changing the default video settings immediately makes the game too dark to see and that default setting uses a post-processing effect that seems to add too much blur to the movement. Some well-done but lengthy cutscenes do a great job of storytelling, but can’t be skipped at all, so if you die before one, you’ll need to watch the whole thing all over again. Add in those long treks and/or backtracking between those save points plus a single save slot and you get a recipe for frustration as well as fear of playing for some of the wrong reasons.