(Not So) Random Film of the Week: The White Buffalo

It’s that time again, folks (Dangit, we need a THEME SONG):

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Go get that popcorn going, this one’s quite a doozy.

The Whire Buffalo (Kino)While it’s not that much of an “obscure” film these days thanks to a few DVD and Blu-Ray disc releases over the years, J. Lee Thompson’s wild fantasy/horror western The White Buffalo goes way the hell out of its way to be as surreal as possible (well, within the confines of a Hollywood studio film, circa 1977). If you’re allergic to allegory and go in expecting it to be a more typical manly-man weekend special Charles Bronson flick, it may likely baffle you with its mystical and more surreal elements even though it definitely delivers the goods on the action front.

If anything, this Dino De Laurentis produced follow up to 1976’s (not quite as classic as the true classic) remake of King Kong suffers from too little scope due in part to a lower budget that, combined with a script that’s not fully fleshed out in spots, doomed it to death by a thousand critics slicing away with pen-knives and audiences who likely were expecting a more commercial flick. Today, it’s a different story as the film has garnered a bit of a cult following, warts and all.

Bronson and Buffalo

One of these hairy dudes is Bronson, the other looks more like a hippie jackalope. Uh, wait. a sec…

Still, it’s an excellent showcase for Bronson, as he completely inhabits the role of an ailing James Butler “Wild Bill” Hickok (or, James Otis as his alias here), who, after having recurrent nightmares about the titular creature terrorizing his mind, sets out to kill the beast but good. His competition for the prize: Crazy Horse (Will Sampson), whose infant daughter has been killed along with many of his tribe after a bloody rampage by the seemingly unstoppable, mountain wrecking, avalanche-causing┬ámonster.

In a kooky way, it’s more or less Ahab (from Moby Dick) meets Quint (from JAWS), but I don’t want to get too far with the literary or cinematic references even though the film is based off the novel by Richard Sale (who also wrote the screenplay). Let’s just say not every idea gels here, and to quote the late Milton Arbogast,

“You see, if it doesn’t jell, it isn’t aspic, and this ain’t jelling.”

That said, when it does gel, it’s like that time you used three boxes of gelatin and too little water and got something sweet you could bounce a silver dollar off of and have it hit you in the eye (ouch). Painfully palatable is a good description.

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