Review: Yakuza 6: The Song of Life

Posted on March 25, 2018 by geelw

If Yakuza 6 (available April 17 on PS4) is your first trip to Kiryu Kazuma’s world, fear not. As an option on the title screen, the game can fill you in with rundowns of the previous five entries with a series of cut scenes taken from previous installments. These cinemas not only get you well up to speed, they’ll very likely make you want to track down the older games at some point (well, you’ll also need a PS3 for three or four of the older titles). As for this latest installment, it’s brilliant, bittersweet and worth the time investment for plenty of reasons.

Kiryu’s journey takes him from Okinawa back to his old stomping (and kicking and punching) ground of Kamurocho with an eventual journey to Onomichi Jingaicho in Hiroshima. Par for the course, the many plot twists and turns he’ll face range from melodramatic to absurd, but the main plot is quite serious stuff. After his former pop idol daughter Haruka goes missing, Kiryu tracks her to Kamurocho only to discover she’s been struck and badly injured by a car. He also finds out he’s a grandfather as Haruka was hit while protecting her son who Kiryu knew nothing about until he has to take care of him. With all this happening, the poor guy has to deal with a Yakuza and Triad gang war where both sides also want him taken out and a few other matters you’ll want to check out.

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Review: Midnight Deluxe (PS4/PS Vita)

Posted on March 9, 2018 by geelw

A gentle “Fore.” with a sly smile is what you may find yourself whispering with a grin on occasion while playing Midnight Deluxe, Petite Games (ported and published by Ratalaika Games) sweet little indie, now available on PS4 and Vita. This is an initially simple on the surface but eventually fiercely challenging game where all you do is attempt to hit a cube-shaped fairy into a hole in each level.

It’s an easy enough to write description, but the fun and friskiness here comes from the “How the *hey* can I get that thing from here to there?” in increasingly complex maps where taking less than five shots seems impossible. Well, until you knock that fairy into the occasional well-placed hole in one or otherwise clear what you thought was a super tough stage under par.

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Review: One Eyed Kutkh (PS4)

Posted on March 5, 2018 by geelw

Charmingly abstract and somewhat brief, One Eyed Kutkh comes highly recommended as a game that’s just as entertaining for kids as it is for adults looking for a nicely non violent bedtime story experience. Developer Baba Yaga Games and Sometimes You bring their inexpensive Unity engine indie to the PS4 and it’s a winner despite that short play length. Hey, sometimes you just need a tiny bite late at night, as a big full meal can often leave you with a rumbly tummy afterwards.

The story’s a simple one (and yes, so simple I’m swiping this from the official site because the PlayStation Network page isn’t up just yet):

A single traveler on his way home crashes on a mysterious planet. To continue his journey, he’ll have to get to the ninth heaven, deceive the Sun and the Moon and steal their space-boats.

That’s pretty much it, except the game uses no words at all save for intentionally alien noises coming from a few characters.

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Blu-Ray Review: BASKET CASE

Posted on February 28, 2018 by geelw

“What’s in the basket? Easter eggs?”

Absolutely, lady, absolutely. Wow. Sometimes you get hit in the head by a fly ball you didn’t see coming and it’s actually a good thing. I didn’t know Frank Henenlotter’s still hilarious and unnerving 1982 feature BASKET CASE had gotten a superb MoMA restoration last year until I overheard two guys talking about it and I just had to walk up and ask if it was true. It indeed was and now thanks to Arrow Video, you can get yourself a copy of this cult horror hit and see what the fuss is all about. Or just see it again as a fully restored masterpiece of low-budget movie making madness.

If memory serves me correctly, I actually saw the film for the first time way back during its initial 1982 run at the Waverly theater, but I think it was the disappointing edited version that came off as a bit crueler and cruder. I say “think” because it was a midnight showing and I recall falling asleep at one point and missed about 10 or so minutes. Oops. A few years later, upon renting the unrated version on VHS (I think it was from one of the legendary Kim’s Video locations in NYC), I was shocked to see footage I hadn’t recalled and the film was actually much funnier than I’d remembered.

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Blu-Ray/DVD Review: The Aftermath

Posted on February 26, 2018 by geelw

The Aftermath VCI There’s a great bonus on the BR/DVD version of The Aftermath that’s well worth watching before you see the main event. That would be the 1973 student film, The Night Caller, directed by Dan Gilbert and inspired by Ray Bradbury’s short story, Night Call, Collect. The same guy who co-wrote and stars in that main event, Steve Burkett, also plays the lead in this short and it seems the plot is something of an expansion of a few ideas from the short as well as some of Burkett and co-writer Stanley Livingston’s own work.

That said, this shot in 1978/released in 1982 film was also something of a passion project for Burkett, as it was made for not a whole lot of money (and it shows), features a few of Burkett’s friends and family members along with the always fun to watch Sid Haig as the film’s main, mean villain. On one hand, it’s not the greatest action film you’ll ever see. However, it’s a case of a killer “B” flick with an oddly effective sting that happens to wear its battered heart on its bloody sleeve.

Burkett plays Newman, an astronaut returning to Earth after a lengthy journey with two others, Mathews (Larry Latham) and Williams (Jim Danforth!). They can’t contact anyone on the planet and after an explosion, the ship crash lands in the water somewhere near Los Angeles. Williams is killed and initially, Newman thinks he’s the sole survivor until Mathews washes up shortly thereafter. The men spend a harsh night outdoors where they’re attacked by crazed and somewhat violent (zombie-like?) mutated savages and it’s only when the dawn breaks they find out there’s been a big ol’ nuclear war while the men were away that’s wiped out a good chunk of humanity. So much for that homecoming parade, right?

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Review: Dragon Sinker – Descendants of Legend (PS4/Vita)

Posted on February 19, 2018 by geelw

KEMCO and ever-busy developer EXE-CREATE along with a few other studios have been whipping out dozens of mobile JRPGs for years and fortunately, a bunch of them have been slowly but surely arriving on home consoles, a great thing if you happen to be a fan of “old-school” dungeon dives. Dragon Sinker – Descendants of Legend is one of their latest and it’s a wonderfully, intentionally rustic style of gameplay that recalls the early Final Fantasy series as well as bits of Dragon Quest and a few other well-aged classics.

Granted, the game is going for more of a very solid homage to 8-bit JRPGs than it goes for the gold standard in terms of its familiar plot points. But between the clever use of the Unity engine to deliver appropriately chunky sprites and the developer implementing elements of its other role-playing games to great effect, this one’s a time-sink worthy of your time.

While deceptively short if you follow the main quest and stick to it like glue, as with other EXE-CREATE games, the true depth lies in players seeking out side quests and late to post-game content. Sure, you can blow through the game in about a dozen or so hours, but you very likely won’t see everything or find some fun secrets that require more time leveling up for some fairly tough battles. This is one of those rainy or snowy weekend games where you plop down on something comfortable and only come up for air and food when required. Continue reading →

Review: Radiant Historia: Perfect Chronology (3DS)

Posted on February 13, 2018 by geelw

Radiant Historia PC

In a weird way, history is more or less repeating itself with the release of the brilliant remake/remix that is Radiant Historia: Perfect Chronology. The original game popped up near the end of the Nintendo DS life cycle and received pretty solid reviews overall, and this newer title slides into the eShop and at retail as Nintendo is slowly but surely planning to phase out the 3DS line (despite the handheld pretty much being the showcase for portable JRPGs in my humble opinion). Does Atlus have a hit the second time around with the same impact? In short, yep.

If you’ve never played the first game, this one’s a must. If you’ve played the first game and are on the fence, I’d still recommend this for a few good reasons. There are new story elements, a great ‘Friendly’ difficulty setting, a new character with her own storyline (which is actually a fun excuse for assorted dungeon running exploits), full voice acting for all the main characters, sharper visuals, and all-new character portraits. The latter seems to be something a few fans dislike, but as we’re in the age of DLC, you can feel free to spend a few extra bucks for those original images and exchange the new art for the old if you like.

RH_Glamshot_final

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Blu-Ray Review: Henri-Georges Clouzot’s Inferno

Posted on February 9, 2018 by geelw

Sometimes, life can be a mystery… and sometimes, you kind of know what you’re getting into but still step into that trap door straight to hell.

In 1964, stoked after the huge box office success of Dr.Strangelove, Columbia Pictures was poking around the film world looking for something guaranteed to be the next big movie and had the wild idea to extend unlimited funding to a new project directed by the great Henri-Georges Clouzot (The Wages of Fear, Diabolique). Based on some striking test footage, Henri-Georges Clouzot’s Inferno was, for all intents and purposes, going to be an innovative and mature film that had the potential to make millions for the company while making an even bigger star out of Sissi trilogy star Romy Schneider. Three weeks into production and 185 cans (about 14 hours) of film later, one of the main cast members quit, three production separate teams of 150 people were out of work, and Clouzot had a heart attack that ended up shutting production down for good.

Those cans of film were sitting somewhere in France for decades thanks to the insurance company that ended up with them, but thanks to the obsessive persistence of Serge Bromberg and a meeting with Clouzot’s second wife in an elevator, we have this somewhat spectacular documentary (co-directed by Ruxandra Medrea) that sheds a bit of light on the destined to fail project. While the documentary is quite amazing, you’re in no way getting anything close to a completed version of Inferno despite all that footage that was shot. Most of it was camera tests of actors, loads of exterior tests, and visual effects shots galore in assorted states of completion. All of it was silent, although parts of a separate soundtrack were found and added into the documentary along with parts of the script read/reenacted by Bérénice Bejo and Jacques Gamblin. That said, there’s a lot to absorb here, but the overall takeaway seems to be “Here’s what happens when you throw money at a problem and it doesn’t solve itself, folks.”

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Blu-Ray Review: Animal Factory

Posted on February 6, 2018 by geelw

Way back around in oh, 2000 or 2001, I was working in a small independent game shop in NYC when in walks Edward Furlong wearing dark sunglasses with some woman I didn’t recognize in tow. I think he popped in to get away from a few fans who recognized him on the street (this sort of celebrity sighting thing happened a lot on St. Mark’s Place) and if I’m not mistaken, I think one or two other people in the shop knew who he was within a few seconds of him popping in.

Long story short, he hung out for a few minutes and didn’t say much (and I don’t recall if he bought anything), but he eventually left, leaving his sunglasses behind. I do believe my boss ended up keeping them after a few days when they weren’t reclaimed. Anyway, that’s the shortest celebrity story I know, but I have a few more that may pop up if and when the time comes. Living in this city, one tends to stumble into the occasional interaction that’s more than the usual fan on the prowl experience. Oh yeah, we’re supposed to be doing a movie review now, right? Let me get my review hat on. A minute, please… there we go.

Steve Buscemi’s Animal Factory is a pretty darn good prison flick based on the Eddie Bunker novel and yep, the Arrow restoration is pretty solid overall. It features Furlong, along with Willem Dafoe, Danny Trejo, an unrecognizable Mickey Rourke and a few other surprises (for example, Tom Arnold in a somewhat short cameo). Furlong plays young Ron Decker who ends up getting 10 years on a drug conviction. He ends up meeting with Earl Copen (Dafoe), a long time convict who decides to keep Decker close and under his protection for a few reasons (and not the ones you might be thinking, you dirty birds). While Ron is seemingly safe from harm, he ends up getting on the bad sides of a few other cons as well as some prison officials and you get a pretty impressive mix of drama and violence with plenty of tension as the glue holding things together.

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Blu-Ray Review: Zoology

Posted on February 2, 2018 by geelw

Sometimes, being way, way out of the loop on a film is the best thing that can happen because when you miss all that buzzing and screeching, you get to go in totally cold and be nicely surprised by the results. This is exactly what happened when I finally sat down to watch Ivan I. Tverdovsky’s wonderful, bleak deadpan fantasy Zoology, another solid Arrow Academy release (also available on DVD). This is one of those films with a standout role for a “woman of a certain age” that’s somewhat remarkable until you realize your going into the film with that sort of prejudice might also make you not enjoy it if you think too hard about stuff like that.

Anyway, right off the bat, you’re made to feel sorry for poor Natasha (Natalya Pavlenkova), a sad-looking middle-aged put-upon employee at a dreary Russian zoo. Her somewhat nasty co-workers openly make fun of her frumpy looks and lack of a social life, she lives with her elderly mother and a dying old cat and just as you’re about to throw yourself out the window from the gloom of her daily routine, she faints at work one day and later finds out she’s grown a tail. The doctor she sees sends her off to get an X-ray and Natasha meets radiologist Peter (Dmitriy Groshev), who initially seems nonplussed about her extra appendage. The pair strike up a fast friendship which leads to more, but that’s (almost) all you’re going to get out of me because you kind of need to see how this one plays out.

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