SEGA AGES Sends Shinobi and Fantasy Zone Westward

Posted on January 9, 2020 by geelw

Get ready for the tough stuff…

SEGA AGES on the Nintendo Switch gets more classics with developer M2 offering up two more Sega hits of yore with the developer’s stellar ports, and yes, each will arrive with new enhancements in tow that offer more accessibility options and new ways to enjoy these titles. First up, it’s the Ninja-packed action classic, Shinobi:

Ninjutsu master Joe Musashi returns in this classic side-scrolling platformer. He has been sent on a mission to single-handedly find and rescue all the children of the Oboro clan who have been kidnapped by a criminal syndicate known as ZEED. Utilize your sharp sword, shurikens, throwing knives, and even magic to defeat the enemy and free the hostages.

The challenging side-scrolling action title Shinobi strikes back with an AGES mode that gives a white-robed Musashi extra health and damage, and an added Melee button that lets you dispatch enemies up close and personal. And if the hordes of ZEED are proving too much of a test, difficulty and stage select options have been implemented, along with a reverse time feature.

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An Animated Discussion (Part 3)

Posted on January 8, 2020 by geelw

So, here we are again. Let’s see how, this time, we’ll see what else was in the bag of cartoons I loaned a friend. I added some stuff that wasn’t animated or not quite cartoons, but they all fit a theme. So here’s the final countdown with a few surprises for good measure:

Roujin-Z: Here’s the thing. Both kids don’t like anime, but I decided to pop this into the lot because it’s a family film of sorts and I know both parents would be into it because they’d “get” it and enjoy it even if their two Teen Titans didn’t. Lo and behold, not only did the kids take to it, they were both deciding that the genre was much more that what friends at school were hammering them in the heads over endlessly.

I should have gone with Ghost In The Shell as well, but this Otomo flick was more of an acceptable choice and I didn’t want to overwhelm them, although, yes, I had to field a few questions regarding the crazy ending. That said, I wonder how Akira or something as nuts as a Fist of the North Star would have gone over. That said, I think a Miyazaki film might be a better thing (I’m looking at YOU, Lupin!)…

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Wizardry: Labyrinth of Lost Souls Makes My Day (Or is it Months?)

Posted on January 7, 2020 by geelw

So, a Steam review code arrived about 20 or so minutes ago and I’m dying to play it, but I need to post a few articles before I get to the game as I won’t get to posting if I start playing first. Yes, even though I went through this one on the PS3, I’m more than happy to fire it up again after a few years away because it’s like the security blanket of games for me and I want to see if I can get through it with no walkthroughs in sight. Granted, the turn-based nature of the game means I don’t need to worry about failing because I’m old and slow these days, and I recall a lot of the floors here by heart.

The traps, however? Hmmm… not so much, although the rather random nature of the encounters will make the game a perfect storm if I get overwhelmed. It feels good to revisit this again, so come back around for impressions at some point.

-GW

An Animated Discussion (Part 2)

Posted on January 6, 2020 by geelw

Now, where were we…

Cutting to the chase, maybe? Right, then. Here’s what was in that care package that was retrieved by a friend for his two kids as they were struggling with a no internet challenge. I’d say that package worked for its purposes pretty well, but we’ll see what the kids thought:

The Flintstones The Complete First Season: This one went over big because neither kid has seen the older version of the show in any sort of order before, but they definitely got it’s influence on The Simpsons and Dear Old Dad said he went out and got a Honeymooners collection DVD from a local pawn shop at some point so they could take a deeper dive down the road.

I’ve always thought the first three seasons were the best, as the animators were still working on a few things and the some of later seasons’ episodes felt a little stale. That said, every season has quite a few stellar episodes, and on the while, it’s a classic series worth seeing in full.

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Random Film of the Week Quickie: The Beast of Yucca Flats (1961)

Posted on January 6, 2020 by geelw

It’s too hot for meatballs, but it’s going to get hotter, Tor.

I first saw this really awful and brilliantly bad sci-fi flick very late at night some years ago and again recently after overhearing someone in a diner hilariously recast the Avengers movies as period pieces set in the early 60’s. Yes, Tor Johnson was The Hulk in that person’s version. While you roll that around in your noggin, be warned that The Beast of Yucca Flats is a pretty horrible movie with only three redeeming factors:

1. It’s only 54 minutes or so long. Okay, it’s a long 54 minutes, so there’s that.

2. If you’re in a foul mood, you very likely won’t be in 54 minutes or so*.

3. It almost makes Plan 9 from Outer Space or Robot Monster look like Star Wars movies (which ones are up to you).

(Thanks, Alistair Knight!)

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Arrow Video: Only Two In January, But What A Pair

Posted on January 6, 2020 by geelw

While there are only two releases from Arrow Video this month, both are films I’ve not seen, so this is a good thing. Actually, every month is a good thing for film releases from Arrow, as their restorations are pretty stellar and in most cases, you get a wealth of special features that give some films a bit of commentary and perspective.

First up is 1988’s Edge of the Axe ($39.95, 1/28/2020), a film that I didn’t see back then, but it’s popped up in a few recommendations over the decades, so it’s now on the list of stuff to see. I’ll no doubt be diving under a blanket, if that cover art is any indication.

From cult Spanish filmmaker José Ramón Larraz (Vampyres, Symptoms) comes this long-neglected late 80s slasher classic, finally unleashed on Blu-ray for the first time ever!

The rural community of Paddock County is being rocked by the crazed exploits of an axe-wielding psychopath, who stalks the night in a black trenchcoat and mask. As the victims pile up, the authorities attempt to keep a lid on the situation, whilst computer whizz-kid Gerald and girlfriend Lillian seek to unmask the killer before the town population reaches zero. Nominally set in Northern California but shot primarily in Madrid, giving the film an off-kilter, American/European atmosphere akin to the likes of Pieces, Edge of the Axe is a late entry hack-and-slash masterpiece from one of the titans of Spanish terror.

Brand new 2K restoration from the original camera negative

English and Spanish language versions of the feature

Original uncompressed mono audio

Optional English subtitles for the deaf and hard of hearing for the English soundtrack

Newly translated English subtitles for the Spanish soundtrack

Brand new audio commentary with actor Barton Faulks

Brand new audio commentary with The Hysteria Continues

Newly-filmed interview with actor Barton Faulks

The Pain in Spain – a newly-filmed interview with special effects and make-up artist Colin Arthur

Image Gallery

Reversible sleeve featuring original and newly-commissioned artwork by Justin Osbourn

FIRST PRESSING ONLY: Collector’s booklet featuring new writing by Amanda Reyes

Next up is Black Angel ($39.95, 1/28/2020) from 1946. This film noir is one I’ve wanted to see for a while, but haven’t gotten around to yet (what else is new, right?). I read a while back the person who wrote the book hated the film version, so that alone had me curious, as the cast made up of a few really solid actors and the director was pretty ace as well.

Elegantly directed by Hollywood veteran Roy William Neill (best known for his 11 Sherlock Holmes films starring Basil Rathbone), Black Angel is an underappreciated film noir treasure, adapted from a novel by the acclaimed crime writer Cornell Woolrich (Phantom Lady).

When the beautiful singer Mavis Marlowe (Constance Dowling) is slain in her chic apartment, the men in her life become suspects. There is Martin Blair (Dan Duryea, Scarlet Street), her alcoholic musician ex-husband, nursing a broken heart; there is the shady nightclub owner Marko (Peter Lorre, Casablanca, The Maltese Falcon) who has been sneaking around her place, and there is Kirk Bennett (John Phillips), the adulterer who found his mistress’s dead body and fled the scene. When Bennett is convicted and sentenced to death, his long-suffering wife Catherine (June Vincent) joins forces with the heartbroken pianist Martin Blair to uncover the truth… Black Angel is a consummate 1940s crime thriller which boats a suspenseful narrative, strong performances and atmospheric, meticulously lit cinematography.

Roy William Neill’s film is presented here in a sumptuous restoration, with several illuminating new extras.

Brand new restoration from original film elements by Arrow Films

High Definition Blu-ray (1080p) presentation

Uncompressed Mono 1.0 PCM audio soundtrack

Optional English subtitles for the deaf and hard of hearing

New audio commentary by the writer and film scholar Alan K. Rode

A Fitting End, a new video appreciation by the film historian Neil Sinyard

Original trailer

Gallery of original stills and promotional materials

Reversible sleeve featuring two artwork options

FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by author Philip Kemp

With both set for release on the same day, I smell a double feature here. At least that’s my plan for these two.

-GW

An Animated Discussion (Part 1)

Posted on January 5, 2020 by geelw

“Oh nooooo, another post! RUN!“

A while back, a friend of mine made a bet with his two teens that he could stay off the internet longer they they could and he noted that after a bit of “sure, Dad, whatever…” snickering and such, they took him up on the offer for a month. Well, I think it may have been the lure of less to no chores for the month as a reward and I think there was a small amount of financial bribery (which isn’t really “bribery” if it’s in kept the family and it’s agreed upon, right?). CHALLENGE ACCEPTED.

I got a kick out hearing this because I know for a while he’d been trying to get them to spend more time with each other and less time glued to tiny screens when they were in the same room. I knew he and The Wife were big fans of board games and silly outdoor fun, but the kids? Well, they were when they were younger, they were. But now they did school activities and were busy with them (a few clubs and team sports, from what I understand). But at home, phones, tablets and teen gossip ruled the roost so much that on some days, even the TV went un-watched by the kids. Neither of them is into video games as a hobby, although there is a PS4 in the house that gets regular use (Hi, Dad!). Anyway, it seems that things were going well for about a week, when I get a phone call asking if I had any cartoons in the movie library…

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Wizardry: Labyrinth of Lost Souls PC Is Right Around The Corner

Posted on January 3, 2020 by geelw

Yes, I’m thrilled even though I played this on the PS3. Here’s the trailer (and yes. this will be played again on PC):

Wizardry: Labyrinth of Lost Souls is coming to Windows PC on January 15, 2020 via Steam and the Humble Store by Humble Bundle for $14.99, €14.99, and £12.99 with a 10% launch week discount! Go get it, I say.

-GW

Random Film of the Week: The Split (1968)

Posted on December 30, 2019 by geelw

I’d very safely say that her ‘do outdoes his hair here, huh? (say that five times fast).

Is everybody happy? Well, not for long…

As crime capers go, Gordon Flemyng’s 1968 action/thriller The Split is flawed, but pretty good, even if the big money haul it showcases would be 100% impossible if attempted today. Granted, 2010’s The Town presented a similar heist that was more modern and also successful (until it wasn’t), but in this earlier film, anyone who tries what’s done here today will be in for a few problems from the get-go. You’ll see, but let’s talk about the plot for a bit.

Jim Brown plays Mac McClain, a recently released thief who takes on the task to rob the Los Angeles Colosseum of $500,000 during a football game after he’s led to the job a partner in crime, Gladys (Julie Harris, in a big bouffant hairdo!). After a bumpy but eventually successful encounter/reunion with his ex-wife Ellie (Diahann Carrol). Mac sets his plans into action. Naturally, color plays a big role here, so this first ever R-rated film plays it big on the use of language and insinuations about Mac from a few characters.

Lets just say, in the words of one Admiral Ackbar…. (that’s your cue, dear reader)

He recruits four other man to aid him in some rather ridiculous ways, but that gives you the chance to see them react to McClain’s crazy testing. He gets into a big knock down, drag out fight with Bert Clinger (Ernest Borgnine) in Bert’s office, but splits out a sliding door before the man knows what’s what. Then, he leads shady limo driver Harry Kifka (Jack Klugman) into a car chase where he wrecks Harry’s limo and a nice Corvette in the process. McClain also gives suave shooter Dave Negli (Donald Sutherland) a tryout (the crack shot misses his target, but keeps his cool). And then there’s wily safe-cracker Marty Gough (Warren Oates), who gets a hooker, and a vault that needs escaping as his weird tests. Yes, Mac chooses all four to join in on his plans and as expected, they’re initially not happy about this.

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Random Film of the Week Quickie: Falstaff (Chimes at Midnight)

Posted on December 28, 2019 by geelw

A few years ago, I was sitting in a diner waiting for a few friends to arrive and overheard two guys in the booth behind me debating whether or not Orson Welles was a good filmmaker. Wait, what? My ears perked up as one of the guys noted that he thought the only film he ever saw from the director was one he felt was overrated (and nope, it wasn’t Citizen Kane). He was talking about Chimes After Midnight.

It turned out both were film students who had a teacher who wasn’t a fan of the director, had shown the film in his class, and yep, both were new to Welles’ work while also in that uncomfortable place in one’s youth where one questions too much without searching for the proper answers. Eh, I think they were entitled to their opinions, but I’d loved to have sat down with them and made a few points on some of the man’s work they were clearly missing thanks to their biased instructor’s babbling and their lack of seeing more of his output.

The discovery a few years back of a fantastic quality print plus a few other things falling into place means we now have a superb high quality home video version of Orson Welles’ 1965 masterpiece Falstaff (Chimes at Midnight) which just so happens to be one of the better (and looser) adaptations of Shakespeare put on film. Even if you’re not into The Bard’s work, seeing a cinematic genius like Welles pull this off on a low budget while also creating one of the most effective and chaotic battle sequences set to film makes this a must-see movie. Welles, Jeanne Moreau, Margaret Rutherford, John Gielgud, Kieth Baxter and the rest of the cast all give perfect performances, the editing manages to make the year plus it took to put this together even more brilliant and overall, it’s a great film that’s influenced quite a few others that ended up becoming modern (and better remembered) classics.

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