Review: Project Nimbus: Complete Edition (Nintendo Switch)

project nimbus switchGameCrafter and GameTomo‘s formerly PC and PS4-only indie Project Nimbus blasts onto Nintendo Switch with a few tweaks as Project Nimbus: Complete Edition ($19.99) and it’s a near total blast for mecha fans who crave dynamic action and some pretty cool-looking well-armed and armored machines to zip around in. The game looks and sounds great, runs quite smoothly and has three distinct play modes that add to the experience and make it infinitely replayable. While it’s not a flawless game, it’s definitely well made and entertaining enough that it’s going to keep those hooked into it busy bees whenever they need that mecha fix they crave.

Campaign mode is a four-chapter story arc that’s pretty much a Mecha 101 course packed with a ‘we’re making war to have peace’ political narrative (there’s an AI named after a certain former US President!) told though audio logs and in-game engine CG sequences. It does what it does well enough and keeps interest high throughout the campaign’s twists and turns. Gameplay here has you piloting a few different Battle Frames as the story progresses and sometimes your loadouts will be limited for the plot’s sake, while other times you’ll have access to a number of pretty tricked out BF’s to deal with the more impossible odds. There’s also a first-person option (in campaign mode only) if you’re wanting to get a cockpit view at the expense of some tactical advantage. I don’t own a Labo VR kit, so I can’t comment on whether the game supports Nintendo’s cheaper DIY Switch VR solution, but if there’s an update for this, I’m sure it’ll get love where it’s needed.

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Some very bad children need to be taught a lesson. Let’s start by taking them to school…

In terms of controls, they’ll be initially daunting to some players, but once you do a few missions and adjust to the on-the-fly weapons switching and learn when to manually reload your equips, the game clicks into high gear. Expect a few types of automatic rifles, shotguns, missiles and even swords, the latter which are great to see, but may be underutilized by those who prefer exploiting purely ranged combat options. The three difficulty levels do make a huge difference, as your reaction speed and aim need to be on point in the harder modes. The more casual mode is great for learning the ropes and blazing through most missions with little to somewhat fierce opposition and yes, you can change that difficulty before any mission in any game mode.

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Wizardry: Labyrinth of Lost Souls Headed to PC

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It’s baaaaaaack (yes!)

Say, can we get a “Finally!” up in here? Anyway, according to the Wizardry Wikipedia page:

As of 2017, thirty-nine different spin-offs were released in Japan, with four of them also making their way to North America: Wizardry: Tale of the Forsaken Land, Wizardry: Labyrinth of Lost Souls, Wizardry Online and Wizrogue: Labyrinth of Wizardry

That’s a lot of Wizardry games and if you’re one of those Sir-Tech missing purists who hasn’t touched a game in the series since the still fantastic Wizardry 8, I can safely say you’re missing out on a few games that, while they may look different than what you’re used to, do an excellent job of capturing the spirit and gameplay.

of the series. Personally, I’m psyched for this news because when my first PS3 was stolen, I lost ten years of game saves including about 120 hours of Wizardry: Labyrinth of Lost Souls along with the accompanying DLC. Although I ended up replacing the console and repurchasing the game and DLC for it, I’d been hoping this entry would have eventually made it to other consoles at this point. But hey, a PC version will do just fine for me, especially with the updated features and a solid price point that also includes the DLC.

It’s trailer time, already? Well, okay, here you go:

Wizardry: Labyrinth of Lost Souls is scheduled to release on May 29, 2019 for Windows PC via Steam and the Humble Store by Humble Bundle for $14.99, €14.99, and £12.99, with a launch week discount of 10%. I’m gathering system requirements will be low enough that pretty much anyone who wants to play this can do so.

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-GW

Now Playing: Project Nimbus: Complete Edition

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Wow. So, Project Nimbus: Complete Edition is out NOW for the Switch and so far, it’s pretty spectacular for that $19.99 price point. While not as visually sharp its PS4 older sibling, it’s still a great-looking game, there’s extra content in this version and the fact that it’s an Unreal-4 powered game running so well on the hardware makes it a must-buy for fans of mecha games in the Gundam/Macross vein. There’s also a solid Ace Combat element in the speedy air-based gameplay and even a dash of Armored Core in some of the customization elements.

Is there a thrilling trailer? Oh, you bet there is, folks:

So far, the game’s quite a blast to play in each mode I’ve sampled. in Campaign, a quick tutorial gives you the basics as a playable mini-mission before the festivities truly begin. The game is meant to get you playing as quickly as possible, so there’s little downtime during missions unless you deliberately hold back or are wanting to do a bit of exploring as enemies are targeting your mecha with all sorts of ordinance. In English: don’t dally too much here or you’re getting turned into scrap metal in rapid time.

Survival mode is as you’d expect, fly ’til you die fun for kicks and yes, it’s also solid as well as a good way to test your growing arsenal. Finally, Warfront mode is an excellent sort of rogue-like experience that randomizes missions and awards resources to spend on mecha upgrades. There’s an addictive RPG loop at work here as even a loss counts as a gain as any gear and rewards earned are kept. I fully expect to spend more time here than in the 26 campaign missions. Amusingly enough, I currently have the game paused as I type this out, so I’m going to sign off here, get this posted, get back to the game and get to knocking out a review over the weekend. So far, I’m finding very little to gripe about.

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Uh… those aren’t fireworks, pal. A celebration IS in order, but you’re gonna have pigeons littering the landscape when those homing missiles find a target.

Back in a bit.

-GW

Lornsword Winter Chronicle: That Certain Something Piques My Interest (Again)

 
(Thanks, zbencz2!)

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You know, it figures.

Here I was, about to slip away from some of the busier genre games that involve some hybrid elements in favor of more streamlined gameplay and here comes indie dev Tower Five’s Lornsword Winter Chronicle popping up on my radar. Great. Not only is it a brand new game make by former Creative Assembly folks, it’s got that lovely mix of ARPG and strategic elements going for it and as a final kicker, it looks really great. Actually, the kicker for me is even though it’s headed to Steam soon, it’s also coming to PS4 and Xbox One at some point and that’s going to be something I’m dying to see because yes, consoles are my platform of choice these days. Let’s take a look at that trailer, shall we?

(thanks, Lornsword!)

Hmm, maybe the real kicker is the game supporting drop in-drop out co-op play?  That’s also certainly more than enticing to me.  Maybe it’s my ears and eyes perking up and being thrilled to see something like this doing things in a somewhat different manner? Or perhaps it’s just that oddly poetic text that accompanies that trailer that sounds like a song if you think about it long enough? Okay, that’s a smaller but welcome detail more than a selling point. Still, it’s a good sign for what’s ahead, I think.

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Well, not that I’m back IN, I’m looking forward to seeing how this plays, so yes indeed, I’ll be checking out the Steam version and hoping the PS4 port can keep up because this sure looks like a game that I’ll be playing for a while. Yeah, go wish list it, I say.

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-GW
 

Project Nimbus: Complete Edition on Switch Looks Like a Stellar Conversion

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I’d actually heard of GameTomo and GameCrafter Team’s Project Nimbus: Code Mirai a while back when poking around on the PlayStation Store looking for stuff I hadn’t yet tried. That mix of Mobile Suit Gundam, Macross, and Ace Combat the description promised caught my eye (ow) and as my backlog was a bit overstuffed, I wishlisted the game for later.

Interestingly enough, a friend had picked it up last week for his PS4 and just so happened to invite me over to check the game out which proceeded to knock me for a few loops at how polished and thrilling it was. So, here we are, looking at news that there’s a Switch version on the way that has all four chapters plus additional content set for a May 16, 2019 launch.

Here’s a teaser to whet that mecha-craving appetite of yours:

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Loving The Alien: E.T. The Extra-Terrestrial

 

The best film directors are master manipulators who can magically transform an entire theater audience into a group of happy to sappy sapient lemmings or wide-eyed marionettes easily controlled from start to end credits. Their best films have the masses cheering the heroes, hissing at the bad ones, empathizing with the downtrodden and generally feeling whatever emotion a scene calls for. Yes, there are exceptions to this non-rule (too-likeable villains, swapping out all attempts at sympathy for more explosions and eyeball rolling plot twists you can see coming 20 minutes before they occur). But when you get right down to it, you know your cinematic needs are being taken care of when certain directors are at the helm.

Or, as an old friend once said:

(thanks, svofski!) 

In other words, this is a Spielberg film, folks.
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ALIEN: Covenant – The Crossing: Coda Blue


 

Well, well, well. This is very interesting indeed. For one, it’s excellently shot and edited, albeit about a minute too short for my tastes. “Too short?” you’re thinking? “It’s supposed to be a SHORT!” you say. Well, okay, it goes like this: although it’s the perfect bridge between Prometheus and the upcoming ALIEN: Covenant, it feels as if it’s absolutely popping up on the AC Blu-Ray as a bonus. But curious me wants to know if MORE was shot because I have questions.

What would be cool is if future disc, streamed and cable versions of Prometheus add this onto the ending as a post-credit sequence just to give that film a bit more oomph. It certainly needed a kicker that was better than the ending it got in the theatrical cut. That said, I wonder if this gets shown in the theater before the big-deal feature? That would work as well for those new viewers who haven’t seen the previous film and want a brief wrap-up appetizer befre the main course.

Anyway, I can predict the future! Well, sort of. As in I know that HBO very likely has dibs on the first-run cable rights to this one. Easy-peasy reasony squeezy is this not at all shocking video:


 

So, I guess that’s going to end up on a disc as well (mark my words, I guess). Hmmm, okay… back to work. I’m a bit behind in stuff thanks to more stuff and wanted to watch the original ALIEN at some point today. But that’s not going to happen, so I did the next best thing and dug out my ancient Kenner ALIEN Movie Viewer for a quick fix.


 

Yep, it still works fine, noisy cranking reel action and all. The film strip in the cassette is a bit scratchy, but this kid’s edit still packs a punch. I still can’t fathom that Kenner toy line, though. A film you’d never take a child to gets merch no one probably bought for the kids they were marketed to. Still wish I bough more than one of those hideously stiff but super-detailed ALIEN figures, though. Mine and its box got mangled by my younger brother when I wasn’t around for a few years, grrrr!

Back in a bit.

-GW

Alien: Covenant Does The #TBT Thing A Day Early


 

Well, well. Referencing that infamous dinner scene from the original ALIEN, this “Last Supper” prologue also manages to give an idea of how close to the vest Alien Covenant is going to be playing a few of its cards. Granted, I wasn’t expecting anything revolutionary with the upcoming film, so this clip does indeed hit the right notes. I liked what I saw, although that larger crew means a lot more victims which will hopefully not translate to the film feeling repetitive. Eh, I’m not really worried much, though.

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Oh, by the way, when you go to that site link above and register, make sure you mess with the MU/TH/UR 6000 computer interface for a bit of fun. Ask it some questions that are ALIEN-related, if you need a hint.

-GW

ALIEN: Covenant Trailer: Eggs Over Uneasy

Officially, it’s this:

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Ridley Scott returns to the universe he created, with ALIEN: COVENANT, a new chapter in his groundbreaking ALIEN franchise. The crew of the colony ship Covenant, bound for a remote planet on the far side of the galaxy, discovers what they think is an uncharted paradise, but is actually a dark, dangerous world. When they uncover a threat beyond their imagination, they must attempt a harrowing escape.

In Theaters – May 19, 2017

Cast: Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Demián Bichir, Carmen Ejogo, Amy Seimetz, Jussie Smollett, Callie Hernandez, Nathaniel Dean, Alexander England, Benjamin Rigby

Tonally, for me it’s this: I’m getting Prometheus repeat visual vibes from the gorgeous CG landscapes with that magnificently muted but sharp high-def color palette, a crew of clueless soon to be victims stuck on a planet poking around at stuff better left to robots to check out and some of the interesting casting choices made. Hopefully the film won’t suffer from the same stupidity of poorly written characters clogging up the story with 50’s era “B” flick shenanigans that took me completely out of Scott’s last attempt. Which means I’m not too sold on Danny McBride (although I love him in his comedic work dearly) the same way I wasn’t sold on Paul Reiser in Jim Cameron’s ALIENS until I saw the film in a theater when it first opened. We shall see.

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Other than this post, I’m not going to follow the film at all online other than to run any newer trailers Fox drops with as little commentary as possible. Weird, yes. But I like not having an entire film ruined for me by constant hunting for every bit of info which only leads to too much speculation and eventually disappointment when and if something major is or seems missing. Besides, aren’t new experiences SUPPOSED to be fun and/or surprising? This blasted modern culture of seeking out secrets and spilling them is nothing but a destroyer of otherwise interesting entertainment, I say.

Now go have yourself a Merry Little Christmas. I got one of my presents early. Thanks, Ridley!

-GW

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May’s Arrow Video Releases Are Pretty Sharp Stuff

While there will be only three Arrow Video releases for May 2016 from MVD Entertainment Group, all should please fans of their respective genres. I’m all over this trio like a cheap suit on sale to a broke guy looking for work:

Hired to Kill AV051 Nico Mastorakis’ and Peter Rader’s 1990 film Hired to Kill (MSRP: $39.95, May 17) was and is a total hoot. Between the wild action scenes and the awesome cast that includes Oliver Reed, George Kennedy, and Brian Thompson, this mid-budget “B” features Thompson as a merc posing as a fashion designer sent in to bump off an evil dictator type with the help of seven female assassins (posing as models of course!). Yep, it’s as silly as it sounds and double yep, Mastorakis makes it work well in his inimitable style. Bullets, bombs and bikinis all blazing in a 1990’s manner? Sign me up!

Bonus Materials

  • Brand new 2K restoration of the film, approved by writer-director Nico Mastorakis
  • High Definition Blu-ray (1080p) and Standard Definition DVD presentations
  • Original Stereo audio (uncompressed PCM on the Blu-ray)
  • Optional English subtitles for the deaf and hard of hearing
  • Audio Commentary with editor Barry Zetlin
  • Hired to Direct – a brand new interview with director Nico Mastorakis on the making of Hired to Kill
  • Undercover Mercenary – a brand new interview with star Brian Thompson
  • Original Theatrical Trailer
  • Stills Gallery
  • Original Screenplay, entitled Freedom or Death (BD/DVD-ROM Content)
  • Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys
  • Fully-illustrated collector’s booklet featuring new writing by critic James Oliver
  •  

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