ALIEN: Covenant Trailer: Eggs Over Uneasy

Officially, it’s this:

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Ridley Scott returns to the universe he created, with ALIEN: COVENANT, a new chapter in his groundbreaking ALIEN franchise. The crew of the colony ship Covenant, bound for a remote planet on the far side of the galaxy, discovers what they think is an uncharted paradise, but is actually a dark, dangerous world. When they uncover a threat beyond their imagination, they must attempt a harrowing escape.

In Theaters – May 19, 2017

Cast: Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Demián Bichir, Carmen Ejogo, Amy Seimetz, Jussie Smollett, Callie Hernandez, Nathaniel Dean, Alexander England, Benjamin Rigby

Tonally, for me it’s this: I’m getting Prometheus repeat visual vibes from the gorgeous CG landscapes with that magnificently muted but sharp high-def color palette, a crew of clueless soon to be victims stuck on a planet poking around at stuff better left to robots to check out and some of the interesting casting choices made. Hopefully the film won’t suffer from the same stupidity of poorly written characters clogging up the story with 50’s era “B” flick shenanigans that took me completely out of Scott’s last attempt. Which means I’m not too sold on Danny McBride (although I love him in his comedic work dearly) the same way I wasn’t sold on Paul Reiser in Jim Cameron’s ALIENS until I saw the film in a theater when it first opened. We shall see.

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Other than this post, I’m not going to follow the film at all online other than to run any newer trailers Fox drops with as little commentary as possible. Weird, yes. But I like not having an entire film ruined for me by constant hunting for every bit of info which only leads to too much speculation and eventually disappointment when and if something major is or seems missing. Besides, aren’t new experiences SUPPOSED to be fun and/or surprising? This blasted modern culture of seeking out secrets and spilling them is nothing but a destroyer of otherwise interesting entertainment, I say.

Now go have yourself a Merry Little Christmas. I got one of my presents early. Thanks, Ridley!

-GW

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Blade Runner 2049: Wake Up… Time To Cry

(Read in Deckard’s voice):

I woke up late and with a headache. This teaser was waiting for me like a cat sitting on my chest with a freshly killed canary in its mouth as a present. Of course, that cat and the canary were from the dream I had last night, but that’s not important. Did you know you can’t accidentally step on a cat in a dream because it’ll always get out of the way? Of course, you can definitely step on an origami unicorn, which is kind of painful if you’re getting out of bed at 3am to go to the bathroom. Ow. Someone keeps leaving those damn things around the house in the strangest places. I found one in a sealed bottle of whisky last week. If it’s Gaff, he’s got some talent… and a weird sense of humor…

Yeah, that makes no sense because I never thought Blade Runner needed a proper sequel. We shall see, though. This teaser copies the languid pacing and gritty future noir tone of the original and yes, seeing an old Ford pop out of the shadows in a grin-worthy sight. That said, if he’s the sole link to the first film cast-wise, it may feel a bit awkward to younger viewers who never saw it or somehow don’t get what the connection is to Gosling and his funky coat. Oh, you can stop doing that Deckard voice now. It was only for that fake quote. I actually did wake up late, though. Off to find some coffee – back in a bit.

-GW

PSN Double Sale: Your Wallet Needed The Post-Turkey Day Exercise, Right?

psnbfGot a PS4, PS3, or Vita handy? Good. Click on that banner above or below (or both in separate tabs), do some self-gifting and thank me later for saving you a trip to the mall (or maul, given the usual antics on this crazy shopping day).

psnfsI think you can use only this one-time use code: D9NGJ7NF3L for an extra 10% off on Flash Sale buys, but see if it works if you combine purchases. You’re welcome, of course.

-GW

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Valerian and the City of a Thousand Planets Teaser Makes EVERYONE a Critic


Wow. Well, I generally hate over-hyped movies to no end, but the marketing team for Luc Besson’s gorgeous-looking upcoming adaptation of Valerian and the City of a Thousand Planets is made up of some raise-deserving geniuses. Clearly realizing the director’s work tends to be polarizing to those who take it too seriously or go in with biases, they’ve decided to let anyone who comments on the trailer get their own personalized blurb version just for commenting on the teaser. This made me chuckle to no end and yes, I needed that laugh. If you need a similar laugh of your own, well here you go. Have at it and feel free to share that link when you get it.

Blu-Ray Review: RAIDERS!

Adobe Photoshop PDFAs “making of” documentaries go, RAIDERS! The Story of the Greatest Fan Film Ever Made is pretty darn great. However, as a friend I watched this Blu-Ray with noted, “It’s kind of missing something important…” to which I had to ask (as I was thinking the same thing) exactly what he thought that was. The answer was of course, the actual fan film itself.

Yes, you get snips, clips and blips of the film with deleted scenes here and there, plus more as bonus features (which are all excellent). But as fine as all that is, not seeing the end result of 7+ years of work ends up making for a tremendous tease more than anything else. Granted, I knew there were some good (legal) reasons why it’s not on the disc. Then some smart poking around led me to this official website where yes, you can actually buy a DVD or digital download of the film as well as some other cool merchandise that includes actual props from the seven years in the making fan flick.

Damn. There went my joke about the real reason being Steven Spielberg becoming sick and tired of hipsters saying “Oh, that’s the film Raiders! was based on!” (which, yes…*sigh*… I actually overheard coming from someone’s mouth not too long ago. Damn hipsters!).

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PSN Flash Sale: Some October Surprises Abound

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Nice. Here I am, trying NOT to spend any more money this month and here comes Sony, kicking my door in and nicely trying to rob me blind with another Flash Sale. “Oh, hey, sorry! We’ll replace the door we kicked in… if you BUY SOMETHING! Heh.” FINE. Well, maybe. I kinda like that cross ventilation thing happening now. Then again, nosy neighbor factor increases by 100% plus there goes my game and movie collection while I try to sleep, sooooo… blast you Sony! *Sigh* I may as well pick up one thing just so my door goes back up today.

-GW

(A Bit Late, But) FILM THREAT Lives!

(Thanks, Chris Gore!) 

Whee! FILM THREAT lives on. Here’s a very happy and tired Chris Gore reading off a list of contributors to the Kickstarter campaign, which I’m pleased to say I was part of. Now, to hang back and wait for more news on that documentary!

Blu-Ray Review: The House of Seven Corpses

the_house_of_seven_corpses_mp“Trust me… dying’s easy! Living is hard”

And so is watching some movies, pal.

Upon finding yourself on the set of a horror film or hell, ANY film where someone starts reading from a musty old book written in an indecipherable language, Rule Number One is this: LEAVE. You want examples? Sure. Equinox, The Evil Dead, In The Mouth of Madness, The Beyond, Necronomicon: Book of the Dead, The Ninth Gate, and so forth and so on.  ALL of these flicks were initially rom-coms until someone on set decided to crack open a nasty, smelly old book they found, bought, pilfered or borrowed and all hell lit-er-al-ly broke loose.

Okay, not really. But you know you’re in for a deadly day for night shoot when there’s an old tome read and not much common sense exhibited by the cast once stuff starts going south. Sadly, 1974’s The House of Seven Corpses isn’t as good or fun enough a flick to watch as the above mentioned ones, wasting its tome (ha!) with too much “exposition” from annoying characters, John Carradine phoning in a performance from a better, scarier but campier film, and some slightly to moderately creepy undead that whittle down the cast and crew of a romantic comedy cheapie horror flick one by one.

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It’s probably not a big co-inkydink that the film was produced by a company called Television Corporation of America, as save for a few moments, this looks and feels like a TV movie of the era. No, that’s not a complement.

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DVD Review: A House Is Not A Home

a-house-is-not-a-home_mvd8444dAs an effective horror film, Christopher (Douglas-Olen) Ray‘s chiller A House Is Not A Home is quite well made, but isn’t the scariest film you’ll ever see by a long shot. Don’t get me wrong – other than a lack of gore, it covers the expected fright bases alright and has very solid performances all around. The problem is, it sticks a wee bit too close to the films it’s influenced by to be memorable outside of a few scenes.

Referencing The Exorcist, The Amityville Horror, The Entity, and a few other more modern horror flicks, AHINAH’s best trick is playing with the old Eddie Murphy joke that black people would get the hell out of a haunted house as soon as the first sign of something scary took place. In this case, the big twist is… the house here just won’t let them, and that’s AFTER it’s supposedly been dis-possessed by a voodoo priest in a lengthy process that involves a room-to-room “cleansing”. Oops.

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(Not So) Random Film of the Week: GOG

gogWhile the three films in Ivan Tors Productions’ “Office of Scientific Investigation” (OSI) trilogy haven’t gotten the name recognition or massive fan bases of certain other more well-known franchises, each stands out as a fine example of Tors’ commitment to bringing a more scientific and human touch to the genre. While not going for camp or cheap thrills, the films make for a look into Tors’ heavy interest in pure science fiction with independent films he got made on his own terms.

Beginning with 1953’s The Magnetic Monster, 1954’s Riders to the Stars, and GOG, also released in 1954, the three films trade in the era’s familiar “B” movie antics for drier, more “realistic” hard science mixed with speculative elements. While some action scenes take place in all three films, outside these sequences things are done with a more sedate, almost documentary-like presentation of their assorted plots.

Additionally, all three films can be watched and enjoyed fully in any order, as they tell stories that are connected by a few threads, but don’t contain the same characters. Chief among these threads is men (and women) of science trying to make advances in the field for the future with dramatic (and sometimes unfortunate) results. Or: you can’t make a science-flavored omelette without breaking a few scientist-shaped eggs…
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