Alrighty, I haven’t done a giveaway in a LONG while, but I was going through a huge pile of movies here and found a stack of sealed duplicates that I picked up from a Severin Films sale last year when they were clearing out their DVD section, so I ended up with a dozen or so extras. Anyway, I like surprising people at random, so yep, I’m going to gift ONE lucky reader with these discs and that person has to do nothing but wait for the box to arrive. Of course, there’s a catch or two:
One, you have to be a subscriber to the blog. Two, you need to be a US resident. Sorry about that last part, but it’s far easier and a lot less expensive to just ship a box of movies almost anywhere in the US than to deal with customs forms and the package being delayed, opened and inspected by overzealous types out there.
No, YOU’RE throwing your back out dancing around the room to this!
SO, what IS inside the box, you ask? Well, let’s just say it’s a mix of genres and leave it at that. I think there’s one kid friendly film on the mix, a few horror films, a trailer collection and other strange stuff. Everything seems to be out of production from the distributor or rights have changed hands, so jump into the pool, if you’re able to. I’ll randomly pick someone off my subscriber list and shoot an email out to that person asking if they want the movies (say yes, please) and I’ll ship out your box around the end of the week. OR, you can reply in the comments without giving out personal info and if you’re chosen, we can work out the details via email. NO, I won’t sell your info to some shady company or send you those Sea Monkeys you ordered back when you were a kid. I guess it’s just me trying to be more human than “social” or something. An experiment, if you will. Humor me and be rewarded in the process. Good luck!
It’s both catty and batty, but a fun watch, as long as you don’t take it seriously.
As a horror anthologies go, The Uncanny starts out strong, but it ends with a few eye rolls and a twist when it doesn’t exactly stick the landing in terms of storytelling prowess. The basic setup has Peter Cushing as Wilbur Gray, a superstitious feline-fearing writer who arrives at book publisher Frank Richards’ (Ray Milland) home one night and tries to convince him to print his book about a trio of cat-related homicides that happened over decades. Naturally, abundant skepticism abounds, but Wilbur does his best to back up his tales of terror with plenty of evidence that he relays in three episodes, the first of which in the best in the film, in my opinion.
Ever have one of those nights?
In London, 1912, Susan Penhaligon plays Janet, maid for an elderly woman, Miss Malkin (Joan Greenwood!) who’s rewritten her will and left her entire fortune to her cats, shutting out her only surviving relative, Michael (Simon Williams). Of course, Janet and Michael are canoodling and in cahoots to conspire copping that kitty from those kitties because what use do cats have for cash money, right? Let’s just say things go all sorts of wrong for Janet after she offs her employer and tries to get her paws on that will. Instead, the cats get their paws on her and munch on Miss Malkin in the process. Nicely done, overall with just a bit of gore where expected.
The next segment takes place in Quebec 1975, where a young girl named Lucy (Katrina Holden Bronson) is adopted after her parents die in a plane crash by a family that’s not much into cats at all. Lucy just so happens to bring along her black cat, Wellington along with a bunch of books and notes about witchcraft, which belonged to her late mother. Hmmm… you can guess what happens next (mostly). While her new father is initially accepting to Lucy and her cat, both her new mom (Alexandra Stewart) and stepsister Angela (Chloe Franks) are hostile to Lucy and want to get rid of the cat almost immediately. Angela even flies a radio-controlled plane after Lucy and Wellington in one scene (clearly a North By Northwest in-joke).
“Look, I pain-ted a cat!”
Anyway, their plan to have Wellington disposed of works and Dad shuttles the cat off to be “taken care of”. Lucy finds out, but Wellington returns (I guess he’s been eating 9 Lives) and you guessed it, it’s revenge time in a sequence that combines bits of The Incredible Shrinking Man and some interesting use of a spell which probably wouldn’t work outside of this segment (or, don’t try this at home, folks). The main issue here is yes, the child acting, where every line sounds over-enunciated and frankly, the adults aren’t much better. The funny thing for me was remembering Chloe Franks’ performance in 1970’s The House That Dripped Blood, where she shows a bit more range. At least she’s got a memorable ending here straight out out of an EC Comics horror tale.
“Ham, ham, ham, ham”
The final episode takes place in Hollywood 1936, where hammy horror actor Valentine De’ath Donald Pleasence kills his wife with a guillotine (he’s replaced the rubber blade with a real one) and convinces the studio to hire his new girlfriend Edwina (Samantha Eggar!) as a suitable replacement. Things go from bat to verse when we find out not only that Edwina can’t act to save her life, she’s an awfully awful screamer as well, not a good thing for a horror film. The cat angle comes into play when De’ath tries to dispose of his ex-wife’s cat, then finds out the cat is female and has had a new litter, whereupon he has the babies cruelly dispatched, setting up the revenge part.
Almost everyone camps it up here, to varying degrees of success. Pleasence channels a bit of Vincent Price and even wears a toupee (or is it two?) over his real hair at one point. The main issue for me is the episode seems as if someone gathered whatever spare costumes were leftover from another “period” film and crafted a script around them. When Edwina paraphrases Tweety Bird at one point and is briefly seen reading a modern comic book (likely the same one from the last episode), that “1936” thing gets a tad sketchy. David Ogden Stiers even shows up a few times, but its almost as if he’s acting in another movie, as he mostly plays it seriously while he’s onscreen. The most mind boggling thing, however, occurs right as the chapter starts and we see a photo of Pleasense as Blofeld along with his white cat, which probably cost the studio more to use than the entire episode to shoot. Granted, I did get a laugh at this intro, but I can see some not getting the gag at all in they’re not aware of the link.
“Does he, or doesn’t he?…”
The ending wraps things up for Cushing in a somewhat predictable manner, with kind of a circular, vengeful kitty squad sort of thing happening. Milland has a sort of last laugh (is he on the cat side here?) and the film clocks out at a tidy 88 minutes, which isn’t too bad at all. Your mileage may vary, of course. But on a foul weather weekend, this isn’t a bad choice at all for a double feature starter flick. Amicus lite, if you like that sort of anthology thing happening here.
Oh, boy. Severin Films has a nifty set of three horror-filled films you’ll want and a hell of a lot of ways to order them.
Here you go, in the speediest manner as possible. You get to do all the clicking and buying, I get to be as lazy as hell because it’s been a busy day and my poor wrists are giving out thanks to too much typing. Get ready to pick up some nicely restored vintage sleaze:
So sleazy, but you know that’s how you like it, uh-huh.
Yes indeed, it’s a hot summertime thing from 1964 and it’s BACK. Well, it’s back on August 28, 2018, but you can pre-order this slice of not too scary sea life NOW. Now, don’t get me wrong, people. The Horror of Party Beach is kind of bad. How bad? Well, I did a review a few years back noting it wasn’t all that good, if that helps. That said, in retrospect, its heart is definitely in the right place, the film is actually terribly funny and campy as hell, and will indeed make you laugh if your funny bone is in good working order.
Upon finding yourself on the set of a horror film or hell, ANY film where someone starts reading from a musty old book written in an indecipherable language, Rule Number One is this: LEAVE. You want examples? Sure. Equinox, The Evil Dead, In The Mouth of Madness, The Beyond, Necronomicon: Book of the Dead, The Ninth Gate, and so forth and so on. ALL of these flicks were initially rom-coms until someone on set decided to crack open a nasty, smelly old book they found, bought, pilfered or borrowed and all hell lit-er-al-ly broke loose.
Okay, not really. But you know you’re in for a deadly day for night shoot when there’s an old tome read and not much common sense exhibited by the cast once stuff starts going south. Sadly, 1974’s The House of Seven Corpses isn’t as good or fun enough a flick to watch as the above mentioned ones, wasting its tome (ha!) with too much “exposition” from annoying characters, John Carradine phoning in a performance from a better, scarier but campier film, and some slightly to moderately creepy undead that whittle down the cast and crew of a romantic comedy cheapie horror flick one by one.
It’s probably not a big co-inkydink that the film was produced by a company called Television Corporation of America, as save for a few moments, this looks and feels like a TV movie of the era. No, that’s not a complement.
This one’s for Mr. Bruno, who asked how this 1973 British “horror” flick was. Here’s your answer in the form of an opinion, sir. While it’s got a cult following, is fun as hell to watch, has some striking imagery, Psychomania (aka The Death Wheelers) is very much a “meh” genre flick overall that hasn’t aged well and isn’t even remotely scary. It has some fine ideas and even a solid John Cameron score holding things together. But a lack of “edginess” or even a true sense of danger doom it as a “serious” scare flick.
That said, it’s got that cult following that adores it for a few key reasons such as a brilliant opening sequence, those GREAT skull painted motorcycle helmets worn by The Living Dead cycle gang, a killer shot of a formerly deceased biker bursting from the grave on the bike he was buried on, and a bunch of hilarious demises as most of the gang kills themselves in order to return as immortal bikers… from helllllll!
The plot goes like so: Death-obsessed cycle gang leader Tom Latham (Nicky Henson) discovers he can die via suicide and come back as an un-killable death-obsessed cycle gang leader with the aid of his frog-cult worshiping mum (Beryl Reid). Once risen, he lets his gang, The Living Dead in on his secret and they follow suit, save for his girlfriend Abby (Mary Larkin) who doesn’t want to join the ranks of the undead. There’s a bunch of bloodless murders and pre-Mad Max road crimes and chases, a lot of talking and a very weird finale that may baffle you if you weren’t paying attention to the kooky story and just wanted a more brainless flick to chill out to.
Gah. More stuff to review, but not review in a few cases where that homework was already done. I did a few of these already based off of TCM showing them during the wee hours, so I’ll only need to do five of eight. Five of these are from Severin Films’ big sale last month after their publishing rights expired for Horror Express, The Baby, Bloody Birthday, The House of Seven Corpses, and Psychomania. I actually thought I’d reviewed HotSC already, but can’t locate the review, so I guess it’s one I dreamed I wrote or something. No big deal, as I’ve seen this enough to tap out impressions in my sleep.
Vamp is yet another Arrow Video screener I need to get to, Just Desserts I’ve seen already and need to write up (it’s brilliant), and MVD Visual sent over this lovely Unearthed Francescaset that includes a Blu-Ray/DVD and soundtrack from this recent retro giallo that, based on the trailer I just watched, REALLY looks as it was made in the 70’s. Anyway back in a bit with a review of something NOT here I think you’ll like.
WOW. Five offbeat horror DVD or Blu-Ray DVD sets for $30? SOLD. From the official site blog:
Attention Severin fans! Our rights are expiring for Psychomania (DVD), The Baby (DVD & Blu-ray), Bloody Birthday (DVD & Blu-ray), Horror Express (Blu-ray/DVD combo) and House of Seven Corpses (Blu-ray/DVD combo) very soon so we need to do a little bit of house cleaning and clear as much product out as possible.
For this listing, you can get all FIVE (5) of these titles for $30. Please indicate if you prefer DVD or Blu-ray (where applicable) in the comments section upon checkout.
We also have another listing available where you can pick THREE (3) titles for $20, or you can buy them individually for $10.
That’s it! Easy as can be! Now go buy one of these titles and backfill your Severin catalog. Be sure to tell a friend. Tell a non-friend. Tell your grandmother. Tell your neighbor’s dog. Spread the word and help us clear out the old to make room for lots of new coming up.
Cheers.
Retail therapy works best when you get what you want and can spread the love all over the place. Now go buy something gift-y for yourself or a few friends.
Yes indeed, it’s a hot summertime thing from 1964 and it’s BACK. Well, it’s back on August 28, 2018, but you can pre-order this slice of not too scary sea life NOW. Now, don’t get me wrong, people. 
"DESTROY ALL FANBOYS!" 