More Monday bundle madness for you, this time from the fine folks at IndieGala. This Eerie Monday Bundle provides 100% of a day’s frights for less than a bowl of sugar-bomb laden cereal. Well, okay. Too many bowls of that sugary crap will kill you dead, while the best a decent horror game will ever do is make you pee yourself a little. Hey, I’m NOT speaking from experience at all. I have heard of it happening, though. Anyway, here’s a test for you in the form of a video of one of the games in the bundle.
Are you the tiniest bit freaked out now? Maybe? Not at all? Hey, I tried. Space is pretty scary in general if you think about it, and being stuck on the moon with something unsettling and no easy way off isn’t exactly a situation made for happy times. Okay, get going with the clicking and buying stuff. This eight Steam codes for $1.89 is only good for the next 24 hours.
The first time I saw it in the mid-1980’s on a borrowed VHS tape that had a few other films crammed onto it, I never made it through Last House on the Left. And neither did the tape it was recorded on. During the agonizing scene where poor Phyllis is rendered gutless, the tape broke, ending my torture but making me insanely curious as to how the rest of the film would lay out. Amusingly enough, while I didn’t plan on finding out in a hurry, time has a way of speeding some things up. Not too long afterwards (okay, about four or five years later) I saw Ingmar Bergman’s The Virgin Spring and realized Wes Craven was more than a bit influenced by that classic film.
That made me go locate a beat up VHS tape another friend owned and watch it from start to finish, appreciating it far more by the finale than I did when I first saw it. Amusingly enough, I didn’t seek out Craven’s other films at all. I always seemed to be in the middle of something else when one would turn up on cable or in the case of a few others, I just decided to go to the movies and one of his films happened to be playing nearby. Some of his flicks worked better than others and a few didn’t strike me at all as all that frightening until seen again where I could dissect scenes without a chatty fraidy-cat audience screaming and talking over the better parts of the work. Continue reading →
How’s this for a “don’t miss it!” deal? Seven of Rising Star Games‘ best indies for a mere eight dollars (or more if you choose)? yeah, I heard your jaw drop from here, pal. Every single RSG indie up for less than a song. Anyway, what’s in the digital box? Look in the box below and go get your bundle before time expires on this fantastic deal:
Deadly Premonition: The Director’s Cut is worth it for it’s supremely bizarre take on the horror and open world game genres, but everything here is worth your time if you’re one of those open-minded gamers who loves variety and plenty of replay value. Ha – I see that you’re all busy buying and downloading now, so I’ll just silently sneak away and let you get to it.
Not to put too fine a point on it, but for my money, Deadly Premonition: the Director’s Cut was and is one of the most beautifully bizarre and unique horror game experiences to date. Its bat-crap crazy elements and deadly serious story bits combined with the intentionally dated visual style and many hours of open-world gameplay to provide a highly replayable game experience once you got over and used to its many quirks. Given that I’ve probably written more kooky articles about the game than anyone else (well, that’s what I’ve heard), I’m telling you PlayStation 3 owners who happen to also be horror game fans who’ve yet to give this game a try that now you NEED a copy even more than before.
Yes, you absolutely NEED this, Zach!
Thankfully for you, the NISA Online Store is taking pre-orders for this ultimate edition of the PS3 version of the game. In case you still haven’t clicked and whipped out your wallet, here’s what’s in the box:
Deadly Premonition: The Director’s Cut physical copy for the PlayStation® 3
Classified Edition DLC Voucher containing all DLC for the game (It’s all in the details)
Hardcover Art Book 6.75 in x 5.25 in (A book with some unique images inside)
Official Soundtrack 25 tracks with jewel case (Not available before on compact disc)
Deck of 54 Custom Playing Cards (York’s favorite)
Collector’s Box (A good way to keep everything safely tucked away, out of the light)
Given that I’ve played through the game at least five times already (not counting the Xbox 360 version), finding time to do so again won’t be tough. But I can’t let myself become too obsessed, Zach. Actually, I’m much more interested in all that bonus content, particularly the art book and soundtrack. It’s too bad the box doesn’t have a somewhat hard to locate these days Deadly Premonition coffee mug as an extra special bonus. But I’d gather that would add to the cost and there’s the issue of careless delivery persons tripping on that ONE spot on your walkway when walking up to your front door. Well, you can always make your own coffee and find out what the FK is going on when you pour a bit of milk into it.
Up until a few years back, I’d never considered Luigi Cozzi’s sci-fi and fantasy films anything more than hilariously terrible pastiches of far better films. But getting older and mellower has made me take a fresh look and appreciate them a lot more, warts and all. I’m finding that while somewhat hampered by budgetary constraints and packed with some truly laugh-worthy visual effects, there’s an earnestness and respectable amount of passion in them that makes up for most of the inadequacies.
Yes, Star Crash still makes me cringe and the two Hercules films are more overly colorful comic book reworkings gone haywire of classic mythology. But you can clearly feel the director’s intent on making movies from the heart even as they bust your gut from unintentional and intentional laughter.
Contamination, Cozzi’s 1980 gorier “homage” to Ridley Scott’s classic Alien has gotten an excellent Blu-Ray restoration thanks to Arrow Video. Not only do you get a lovely AVC encoded 1080p high definition transfer in 1.85.1 widescreen, there’s a great set of old and new interviews with the director and Maurizio Guarini of Goblin (who did the film’s score) as well as a fun look at other Italian genre flicks that swiped ideas from blockbusters. As for the film itself, as I hadn’t seen it for over 30 years, it was certainly a fun and bloody trip down memory lane as well as something of a love letter to New York City where some of the establishing shots were films. Continue reading →
Call me only mildly surprised that this is happening, although I’m shocked (shocked! But not really) that it didn’t happen sooner. ZombiU was one of the Wii U’s standout launch games in that it made the GamePad and touchscreen mandatory for the gameplay to work best at what it was trying to accomplish. Looking down at it to check one’s inventory or prepare a weapon or something else only to look up at your TV and see something (or a few somethings!) shambling and scrambling out of the dark was a terrifying thing to experience. Yes, Vita or Windows tablet support for that second screen would be beautiful to see. But even Sony has mucked that up quite a bit by taking so long to implement it into games and only as a means of playing portable games on a larger TV. I don’t own a Surface tablet, so I can’t comment positively or otherwise) on anything Microsoft has done for dual screen gaming. Oh well.
Anyway, without that second screen this might look like another zombie game to skip over if you’re tired of the genre. You’d be sorely mistaken for thinking that based on looks alone. My frightening and sometimes fearfully frustrating (Do I want to go on through that door? Hell nope! Oh… okay. CHOMP!) experience with the Wii U version says that if approached with an open mind by smarter PS4 and Xbox One owners who don’t resort to insults whenever they see a Wii U game, the experience should be quite a worthy one. The rogue-like random elements add infinite replay value and there are some really effective scares to be had. Anyway, August 15, 2015 is the big day for this and I hope to hell it not only does well, but gets some of the all-out naysayers about the Wii U to ‘fess up and admit that there are actually some great games on that system they haven’t played (er, until now that is).
Arrow Video’s North American assault on the senses continues courtesy of US distributor MVD Entertainment Group with September and October’s picks guaranteed to get film collectors and genre fans snapping up each of these new releases. Carlo Lizzani’s 1967 spaghetti western Requiescant is first up. Coming to Blu-Ray/DVD September 22, the film is a somewhat obscure revenge tale also known as Kill and Pray. Next up is the 1985 slasher flick, The Mutilator, one of those films you’ll be watching from halfway under the couch if you’re squeamish. I haven’t seen this one since it came out back then, so it’ll be interesting to find out if it still get me like it did in that dingy theater I caught it in.
Go blindfold the kids and family pet(s) now. Below the jump are some flicks not for the kiddies at all! Continue reading →
I’ve never seen Jean Rollin’s 1978 horror flick Les Raisins de la Mort (The Grapes of Death), but I do vaguely recall discussing the film with a friend a few years back in a conversation about foreign horror movies. I’d forgotten all about it until YouTube user Sleaze-O-Rama posted the trailer below:
And now, the hunt begins for a DVD as I prefer to borrow or outright own my movies and not stream or steal them. It’s not an urgent “get” at all. But if I see this one in my travels and it’s affordable, I’ll be adding it to the library when I can.
Jack Hill’s amusing and mildly disturbing 1964 horror classic Spider Baby finally gets the feature-packed Blu-Ray treatment is deserves courtesy of Arrow Video and MVD and it’s a must for fans of the formerly forgotten flick that became a cult classic. “The maddest story ever told” still holds up today as quite the viewing experience as well as on original little low budget flick that still packs quite a kick in a few places.
The story of the Merrye family’s twisted offspring and their strange caretaker Bruno is, for all the creepy, unsettling antics taking place, quite an emotional tale at heart. Three siblings Virginia (Jill Banner), Elizabeth (Beverly Washburn) and Ralph (Sig Haig) live with Bruno (Lon Chaney Jr.) in a decrepit mansion well off the beaten path with a few other relatives. Thanks to inbreeding among the family, all suffer from a genetic condition that makes them regress mentally into primitive states that make them more than a little dangerous to be around. Bruno does his best to keep his unbalanced charges in line, but after a mailman (Mantan Moreland) is killed and distant relatives arrive to claim the mansion and surrounding property for themselves, things take a turn for the darkly comedic worse. Continue reading →
If you’ve never had children and are thinking of bearing your own brood, watching a film like 1981’s Bloody Birthday just might put you off the idea for a while. Like forever. This sort of obscure horror flick isn’t anywhere near as gory as many of the more familiar 80’s “B” movies at all. But the overall tone is more than a tiny bit disturbing as the film is more or less an unfiltered version of The Bad Seed without the tacked-on Hollywood ending.
The funny thing is from the opening moments you’d think the film was going to be somewhat supernatural in nature. But it’s not at all (which turns out to be a really good thing). In 1970, three babies are born to three different mothers at the same hospital during a solar eclipse and ten years later, all three end up as evil pre-teen murder machines. Who just so happen to live on the same block or at least within walking distance of each others homes. Yikes. The kids, Debbie (Elizabeth Hoy), Curtis (Billy Jayne), and Steven (Andy Freeman) manage to whittle down the population of Meadowvale, California while remaining undetected because who’d see such innocent little darrrrrrlings as a trio of mini-Manson family members? Well, perhaps Debbie’s dad, who happens to be the town sheriff? Nope. He’s more clueless than a headless Sherlock Holmes. Faster than you can say “There goes the neighborhood!”, well… you know the rest of that one, right?
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