MARS: PDP Brings Lightgun Arcade Fun Back For PS4 And Xbox One Players

Posted on November 3, 2019 by geelw

Talk about a vacation from hell…

I’m smiling too much while playing a detective on holiday (and on a few replays, a cheery British gal pyromaniac) aboard a huge cruise liner that’s suddenly become filled with zombies. A few comically big-headed biters go down with ease, M-rated blood splashing and splattering when they’re hit, but I’m soon jumping out of my skin when I spend too long on a large pack of undead that suddenly appear to my left (oops), and I get waylaid by some swarming in from the right (double oops, and GAME OVER). Ah well. A few shots to the menu later, I’m trying again and yes, having a blast. Yeah, some pleasure cruise vacation this is turning out to be, huh?

The game is called:

It’s an Unreal engine-based rail shooter downloadable PS4 or Xbox One title from developer Gaming Corps Studios, one of three games currently available for PDP’s new MARS LIGHTCON (lightgun) peripheral and IR STATION camera setup ($99.99, game included). The wireless LIGHTCON is sturdily built and came with 2 AA batteries installed that gave it a nice heft, but it’s light enough to be comfortable for long play sessions. It’s not cheap feeling at all, mind you, but something that’s very well-made and made to work precisely for the games that come out for it. I did replace the alkaline batteries with rechargeable ones because that’s how I roll these days.

Oddly, you need to have a wired or wireless controller handy to initialize or pause the games and definitely a wireless one if you happen to have an external hard drive plugged into a USB like I do. The IR STATION requires one port, your main controller another if it’s not wireless. PDP also sent over a nice controller charger set (I’ll review that in a separate article), but the PS4 has always suffered from a lack of USB ports. Personally, I think the console should have shipped with an extra side port and/or one on the rear because of peripherals like this and the fact that heavy users like myself need a larger storage.

The Orangesicle color scheme is familiar, but the tech is modern.

Back to the game, it’s quite fun overall and offers up enough zombie types to keep things interesting (aliens, voodoo, and magic using undead pop in as the missions go on). The PS4 version generally runs smoothly, but there are a few areas with hiccups in the frame rate, and some scene transitions aren’t as smooth as they could be. That said, it’s got a certain charm and makes a good first impression.

The game also packs in eight characters to play as (some unlocked via mini-games), a single-player mode, a versus mode, six mini-games for up to four players (I’m especially fond of the quirky pinball , UFO, and “golf” games here). Overall, it’s worth a look if you like all things zombie-related. While it’s not rated for kids, given that there are a great deal of wee ones that find zombies awesome and kind of hilarious, if you’ve got them (kids, not zombies!) and you’re OK with the gory stuff, they might find this pretty cool.

While the campy voice acting gets repetitive, the audio design and soundtrack are quite excellent overall. You can expect about 2 hours or so in Story mode (well, experts will probably blow through in less time and nope, I’m no expert). unlocking everything in every mode depends on a player’s dedication to seeing it all as soon as possible or on their own time. While you need to restart the game each time (like most arcade games, there’s no save system in place), the game does track all your stats so you can see that progression if you’re curious.

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Review: Super Monkey Ball: Banana Blitz HD (Switch)

Posted on October 29, 2019 by geelw

You better have those banana grabbing skills down, folks.

Sega, on a roll (Part I): Super Monkey Ball: Banana Blitz HD ($39.99) is a pretty fun time on the Switch, but you better have steady hands and steadier nerves if you want any chance of completing this game. Yes, the multiplayer is a ton of crazy fun here (that could have used a few more games) and that’s a reason some will jump all over this with a few friends. But this is a game where the solo play can be as hair-raising as it gets because it’s too easy to fail (and multiple times at that) some courses if you’re susceptible to anything from an itchy body part or any sort of issues with your controller.

If you’re new to this, it’s a game that will have you cracking up and pulling out hairs in equal measures. There’s a goofy plot here, but all you need to know is you’re a monkey in a big plastic ball and you need to roll, jump and quickly grab bananas as a clock is ticking down, fighting bosses a few times along the way. You probably won’t be good at this initially, but practice makes perfect, as they say. Paradoxically, both Zen-like calm and lightning reflexes are absolutely necessary in this game where courses are tightly timed, bosses require super-quick pattern recognition and you need to play and replay stages to nab those bananas without falling off some deviously designed courses.

“This is bananas, and bananas is good!”

Well, you do have to fall off some courses, but onto a lower part of a level, or to shave seconds off a course time, missing a few bunches of bananas in the process (until you figure out how to get them later in a different run). Developer Ryu Ga Gotoku Studio (yes, the folks behind the excellent Yakuza games as well as a few others) took the 2006 Wii-only game and have tweaked it into a multi-console game that’s quite good and yes, maddening when it needs to be. In addition to reworking the interface and adding online functionality, 40 of the Wii-specific mini-games are gone (well, 50 was overkill way back then and the Wii remote was a pain to use for some of them), cut down to a mere 10 that keep multiplayer games a faster-paced chunk of mayhem for up to four players.

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Review: Trine 4: The Nightmare Prince (PS4)

Posted on October 26, 2019 by geelw

There are a few ways to handle this…

Absolutely beautiful and back to its 2.5D roots (although I did like the last game, I seem to be in the minority, so I’ll shut up about it), Trine 4: The Nightmare Prince ($29.99) is a wonderful and wonder-filled visual treat. Solo play is excellent, but It’s also great to play with a few friends for the engaging co-op and unlimited modes, which become more of a blast when you get new players in on the fun who’ve never tried this series before yet manage to come up with some quirky and/or intelligent out of the box means to solve some of its puzzles. Amadeus the Wizard, Pontius the Knight, and Zoya the Thief are back and in an even more stunning to look at game packed with enough content outside the story to last a while. The main game has a pretty basic story, but there’s a good deal of replay value when you get a few friends and get to messing around.

Developer Frozenbyte’s choice to let players cook up their own solutions to puzzles is a genius move where the game never gets dull because there will be those moments when someone pulls of a nice move and discovers either through trial and error or just mucking around for fun how to proceed. In solo mode, the game is great stuff, as switching between its trio of characters and using their powers comes off easy. Well, battle sequences aside where some solo players may want to rely on switching to Pontius and his trusty sword and shield until because he’s usually best at dealing with those shadow beasts quickly. The other team members do fine here (and as you play through the game, all get some nifty skill upgrades), but for my tastes, I used Pontius whenever I could for combat.

Even though the game world is presented as a side-scrolling affair, developer Frozenbyte has lovingly packed so much rich detail here that some areas feel as it you can travel out of the boundaries and go off in the distance if you wanted to. The gorgeous fairy tale looks and excellent character animation help bring the game to life and it’s all family friendly stuff right down to a few exaggerated, oversize boss enemies which manage to be both somewhat comical and scary (well, not that scary). In the game, a young and somewhat reckless prince tries to learn some powerful magic outside his skill level and our heroic trio get reassembled as a team and have to go after him. Unfortunately for them, he’s actually got a few tricks up his fancy embroidered sleeves. Can you say dipping our three heroes’ minds to bring forth nightmares, folks?

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Review: Into the Dead 2 (Switch)

Posted on October 20, 2019 by geelw

Well, it’s a good thing that forklift isn’t a zombie. Uh, that’s a Killdozer reference, sort of.

Confession time (again!): I’d never heard of the mobile game or its sequel here until I fired up the review code I got for Into the Dead 2 ($34.99 digitally, base game), but that really made a difference when it came to my overall enjoyment of what’s here. Developer PikPok and publisher Versus Evil’s game is a pretty good one overall, with simple to grasp mechanics, great looks, plenty of levels and a few modes to kick back with for endless zombie-killing fun. The removal of the F2P elements is also a big key here because despite the cost, it’s actually a case where one is getting a better value on the Switch once you whip out a calculator and tally things up.

Yes, on mobile, it’s a free to play experience… at least if you want to play wthin the limits imposed on you and buy in for more weapons and content with cash. From a few spins with the mobile version this week thanks to a friend who’s got it on his phone, that mobile game jumps on your face with ads and offers for new content (as mobile games do to get you to spend more than that “free” you didn’t spend). Argh, but so goes some mobile gaming on devices.

“Hold up a sec, pal! I’m NOT a zombie – I just spilled my coffee before I could even take a sip!”

The Switch port drops this in favor of unlocking content as you go with no payment needed (outside the 2 DLC packs) and you can play all 60 story missions and 36 side missions as as the previous areas are cleared, In Arcade mode, 21 levels await getting a set number of kills per mission to proceed. The two spends for digital users are the optional Night of the Living Dead and Ghostbusters-themed missions ($4.99 each), but those come in the physical version as part of the package for $39.99. You can actually save $5 by not buying the extra content separately and buy the $39.99 Bundle that has both the game and extra DLC as a digital or physical version, if you like.

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Review: SEGA AGES Columns II: A Voyage Through Time (Switch)

Posted on October 18, 2019 by geelw

Hoo boy, I’d forgotten how very hard the Columns series of games can be. But yes indeed, this port of Columns II: A Voyage Through Time ($7.99) from the SEGA AGES lineup comes highly recommended if you want a match-3 game that’s constantly entertaining while you get used to the ropes. Also included in this solid M2 port is a a Mega Drive/Genesis port of the original Columns, so you can get schooled by the AI in two games. The coolest thing about the sequel is M2 has wisely added a tabletop mode feature where the co-op play switches Player 2’s screen 180 degrees for face-to-face battles, quite a nice thing to see as an addition.

The game lures you in with some gorgeous art (a bit of lovely Mucha-like imagery for the senses is the first thing that greets you), but even at the easiest setting the game will beat you like an angry drummer or a polite Gene Krupa doing a rapid fire solo. Nevertheless, when the pace gets speedier you’ll be beaten like an egg here as you learn to play. This turns out to be a good thing, as the only means of seeing more here is by getting better. It’s funny that I’m using “git gud” for the second time this week, but like the last time, it fits the case. It’s a game that masters will appreciate, but those who haven’t the skills down will find themselves going to until (and past) the ending. Like it should be, coming back to the game that was giving you grief to one where you’re seeing how the AI responds to a better player doesn’t ever get old.

Uh-oh, unless you can clear some gems out…

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Review: SEGA AGES Ichidant-R (Switch)

Posted on October 17, 2019 by geelw

“It’s a puzzlement…” (but a good one!)

Ah, so that’s what it is – an arcade game that’s neat to play whether online on off, but playing with a friend is better overall when you share the fun. I actually have the Mega Drive import version of SEGA AGES: Ichidant-R ($7.99) here in the collection, but the Japanese was daunting and I’ve not touched it in a few years (Well, I know a little of the language since, but I need to practice more). Thankfully, finally getting the chance to play this (thanks, SEGA!) has made for quite the appreciation for its inclusion in the ongoing SEGA AGES lineup. In a great touch, there’s a Japanese Mega Drive port included in the price, so now I’ve been playing it and having a blast thanks to getting a handle on how to proceed flipping back to the new English arcade version when I run into a mini-game I have trouble with if the language barrier stops progress.

Some will think of the US Sega Genesis and Bonanza Bros., but that was a more a straightforward side-scrolling shooter with the same quirky art style here (and some major story changes from the Japanese version that changed the main characters from criminals to detectives).

It’s the 90’s again (time travel works!).

Anyway, Ichidant-R is an arcade game where the same two characters get a medieval makeover and the setting is now changes to a castle where there’s a princess to be rescued. The gameplay also changes into a mini-game filled fun-fest that, thanks to it’s timed nature, keeps the pressure up throughout. While it’s a great game, having a friend to face off with makes this all the more enjoyable. M2 keeps it as the original arcade version, but adds the usual choices of scan lines and screen fit scaling if you want them as well as a few backgrounds to choose from. I played with then off because the game looks better without them, I think – but it’s your call if you like them.

Every mini-game requires quickness and most are fun to play, but the tense time limit sometimes makes figuring out what to do in a few seconds pretty tricky until you calm down and zen out a bit. Here’s a little sample of that to expect. The game rolls out and mixes up quite a few games randomly, but I want to save the fun for you to discover. For newbies, think of it as a Warioware or similar game, bit released long before. Yes, one caveat is the puzzles will get old for those who get too jaded to this stuff, but to me, the fun here never gets old with a game you can go to for some quick fun in short bits. I’d write more, but this one’s a no-brainer because the games adds some cool cleverness to the genre and is a more than recommended buy if you like these these types of games.

Ray Milland would probably have hated this mini-game (ha-ha)

Score: B+ (85%)

-Review code provided by the publisher

Review: Monkey King: Hero Is Back (PS4)

Posted on October 16, 2019 by geelw

“Kick, punch, it’s all in the mind…”

To the point: I really liked the old-school simplicity in Monkey King: Hero is Back ($39.99) because it feels like a bit of late 90’s or early 2000’s era nostalgia and it’s not a game where modernity rears its head with overly complicated “soul-crushing” gameplay and normal (i.e. now crazy tough these days) enemies that take an annoying amount of time and patience to kill. Yes, I found the lack of “git gud” here a and nice oddly refreshing change of pace because you don’t need to break a controller or stress yourself trying to figure things out. You can indeed kick back with this and have at it without cheats or clicking around online for a guide. The game does get a bit funky monkey with a busy boss-packed section, and a bit of repetition and intentional slowness in spots can be pesky if one has a short attention span or dislikes long exposition. But overall, there’s a feeling of laid-back pure fun here missing from more seriously themed fare.

What’s big, pink and easy to hit when it gets dizzy from it’s attacks?

More to the point: As a kid’s game (and it IS a kid’s game when all is said and done. Remember those? Or being a kid, for that matter?) or something fun and light to zip through between other, heavier titles, it does a pretty solid job and impresses on that front with it’s pick up and play style and lots of stuff to collect. The sometimes cinematic loading (in areas where camera takes over like when ladders are climbed) throughout will be an issue for some, but it’s not a game killer at all. The fact that it’s a licensed movie game that hearkens back to those days where so many games like it were made that didn’t offer more that a retelling of the film’s plot makes it a game that might not be appreciated even when it’s doing what it does right. For those that haven’t seen the film, the game can be seen a sort of a playable way to do so, if you think about it.

You can get through this in about 5 hours or so (some kids might take a bit longer), but I chuckle at this when I think of an old licensed game like Virgin’s The Terminator, a game that took less time to play that it did to buy for me (I think the bus ride took one hour each way and the game was done in within 45 minutes with a few restarts when it was gotten home!). Anyway, If you want a long, educational read and don’t know the history of the character, feel free to bookmark the pages here and/or here before settling in for the evening with your beverage of choice (well, after reading the rest of this review!).

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Review: Children of Morta (PS4)

Posted on October 15, 2019 by geelw

Children of Morta - cover artwork

COM_cover “Outstanding” is the first word that springs to mind in Dead Mage and 11Bit Studios spectacular Children of Morta ($29.99), a game I didn’t want to stop playing. I dragged out the gameplay intentionally, clocking in about 25 hours in because between the lovely visuals, great action-packed gameplay, and often heart-tugging story here, I didn’t want to leave this gorgeous action/RPG’s world. Yes, it’s a slower paced story and some may think it’s heavy use of deliberately paced narrative and the narrator’s Bastion-like delivery slows the game down. But as someone who’s a reader of stories (and sometimes a teller of them when properly prompted) this didn’t bother me one bit. Besides, every game one plays need not be the same as another and the focus on family here is welcome for a change.

This is a game where sentiment is an important plot device, but the action is also well implemented and sometimes very challenging in a product that took five years to craft. Both the art and artistry on display are to be properly commended, so hats off to all involved in this. I got a digital code to review, but I’m surely and sorely tempted to buy this as a physical release just to have if it ever disappears from PSN for any reason. Yeah, I’d play this again even though it’s more or less a “one and done” game to some extent, but a great one worth checking out a few times for its randomly generated levels and some neat side missions (“Who’s a good puppy? You are!” is a hint I’ll give). I was thrilled by most of what’s here to definitely say I’d revisit it like a good novel because it works well as enough of a memorable visual and aural treat with a good story, to boot.

Pixel perfection, plus the animation is always fantastic.

The Bergsons are a family that discovers a corrupting force has come to their land and fortunately, the spirit of adventure runs in the family. That we’re dealing with a tight-knit family where you can choose to play as a few classes is a fine touch and surprise, much better that the sometimes generic hero types (that too often have some form of amnesia) in RPGs. One fun thing here is the Bergsons have nicely normal names that seem dull, but I say that’s more the player than the game wanting to choose a “McHero” or original sounding name because they think it makes for a better experience. This game, for me works because no one person is the star – they’re all great and necessary characters here. Even the ones that seem a little strange in some areas (Lucy, I’m taking about you and that laughing of yours).

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Review: One Night Stand (PS4)

Posted on October 13, 2019 by geelw

“Back up for a sec. I did WHAT last night?”

Short and simple on the surface, Kinmoku and ever busy port-house and publisher Ratalaika Games present a nifty little surprise in the form of One Night Stand, ($4.99) a game practically guaranteed to tee some prudish or easily triggered folks off (such as those expecting the usual trophy hunt from the publisher. Oh, they’re here, but it they come with a bit of baggage some can’t or won’t handle). This one’s a “slice of life” game, a visual novel where the person you’re playing wakes up in bed with a girl he met the night before and has (well, it’s an option here, but who doesn’t like a mystery?) to put the pieces together as he attempts to find out a few things about her.

Yeah, yeah. “Ooh, cooties” and all that dopey nonsense some will chime like broken bells as they whine about this game being the end of the world or bottom of the barrel or whatever. But it’s actually a pretty decent experience overall if you free yourself from any prejudices you may have Like it or not, some people in the real world sleep with each other and they’re not married and pumping out children. You can say this game is a sort of representational reality in a way of some (DEFINITELY not all) of the effects.

Yeah, Let me choose (carefully, now!)…

Granted, waking up next to a total stranger is quite a change of pace (and how!) from this publisher of budget games, but it’s a risk that pays off big in little ways. As noted, the game is short (about 10 to 15 minutes per outcome), but replaying the scenario you get will extend the story across a few branches and yes, get you those trophies you’re after. As I like to note in my reviews of these games, Trophies are the last thing I think about and games like this are excellent ways to shake thing up.

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Review: Reventure (Switch)

Posted on October 13, 2019 by geelw

One switch is an ending trap, one releases a trap (and another ending) and one might have something useful inside. Maybe…

And… here we go! Once again, it’s off to rescue a Princess from a demon’s well-guarded castle, but this time, I’m dying laughing thanks to the game I’m playing tossing many unexpected curve balls my way. Welcome to Reventure ($9.99), Pixellato’s fun and intense side-scrolling homage to among other games, The Legend of Zelda series, but with 100 endings to discover.

Most are abrupt surprises that send your character back to square one within a few minutes of play, but time is weirdly and intentionally presented here, so an outcome may send your hero into the distant future or later the same day. It all depends on the ending you get, and it’s very possible to drop a few hours here just exploring and figuring out the seemingly simple map that holds a lot of secrets (and quite a few traps). While that may sound boring to some, it makes for some downright hilarious moments based on your choices. That said, the game can also be (also intentionally) confusing to those who expect a straightforward speedrun or other type of one-note platformer.

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