Review: Ninjin: Clash of Carrots (Nintendo Switch)

ninjin switch cubeHa. less than thirty seconds into developer Pocket Trap’s excellent Ninjin: Clash of Carrots ($14.99) and I’m cackling like Renfield because while it’s being marketed as a “beat ’em up” style endless runner game, it’s more of an arcade shooter/brawler hybrid and a damn good one at that. Of course, you may need to adjust your brain past the clever marketing stuff and your play style from “runner-based slug-fest” to “arcade shmup/beat ’em up”, but trust me, it makes a pretty cool game all the more cooler once you do.

The story is pretty simple, but comic timing courtesy some well-placed jokes and visual gags at every opportunity keep things fresh and funny.  Your character of choice (Ninjin the rabbit or Akai the fox) is tasked with zipping through the game’s super-colorful levels collecting a village’s stolen carrots while taking down waves of enemies and a series of increasingly challenging sub-bosses and bosses. Yes, you can see it as a sort of brawler based on the many weapons and upgrades you’ll recover from downed baddies or in the two shops you’ll discover.  However, switch to playing this as a coin drop arcade shooter and you’ll see those items in a new light.

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It’s either R(abbit)-Type in disguise, a more hallucinogenic Fantasy Zone, or some other old arcade shmup retooled for today’s gamers. At least that what I get from this auto-scrolling and shooting/slicing stuff.

 

Firstly, the constantly scrolling levels and enemy waves are pure shmup, as are things such as recognizing enemy patterns and the necessity of upgrading to better weapons as you go. Granted, the need to tap out moves constantly is more of an old school shmup and fighter/brawler thing , but you also get screen clearing moves, ranged weapons that feel lifted from shooters and an overall sense of fun that’s addictive enough to make one crave more when the experience is over. Yes, you have swords, spears, axes, meat (!) and other weapons to swing away at baddies with. But the non-stop pacing is made to keep you on your toes as enemy speed and ferocity varies from simple to nightmarish, fluctuating a few times as the game progresses.

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Return of the Obra Dinn: See-Worthy Ship-bound Mystery’s A Must-Play

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“Just sit right back and you’ll hear a tale, a tale of a fateful trip…”

Confession: I’ve never played the multiple award-winning Papers, Please (a game that’s been on my backlog of games to FINALLY get to once I whittle down my other backlog). but a few years ago (and two computers back) I downloaded an in-progress demo build of Lucas Pope’s next game, Return of The Obra Dinn and while it was a bit wonky in spots and not all the ideas were in place (as demos tend to be, well, DEMOS and not representative of the final product, it still made quite an impression. After a few years of hard work, Pope has finally completed and released the game, which is available for $19.99 on Steam, gog.com and the Humble Store.

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“Now please pay attention and listen to me:
Give me some time to blow the man down!”

Check out the trailer and game description below:

 

 

An Insurance Adventure with Minimal Color

 

In 1802, the merchant ship Obra Dinn set out from London for the Orient with over 200 tons of trade goods. Six months later it hadn’t met its rendezvous point at the Cape of Good Hope and was declared lost at sea.

Early this morning of October 14th, 1807, the Obra Dinn drifted into port at Falmouth with damaged sails and no visible crew. As insurance investigator for the East India Company’s London Office, dispatch immediately to Falmouth, find means to board the ship, and prepare an assessment of damages.

Return of the Obra Dinn is a first-person mystery adventure based on exploration and logical deduction.

You had me at that “An insurance adventure…”, Pope. This one’s going to the head if of the line in the backlog, by the way.  Now, if you’ll pardon me, I need to get back to my regularly scheduled (ha!) Monday.

-GW

Lost in Vivo: The Walls, Close-in For Catastrophic Claustrophobia

(Thanks, Akuma Kira!)

 

Back in 2016, I pledged a few bucks to Akuma Kira’s Kickstarter for a new game he was working on called Lost in Vivo all because of the free and superbly devious Spooky’s Jump Scare Mansion (Formerly Spooky’s House of Jump Scares), a game I recommend to anyone into horror because it will creep up on them in a surprising manner. In other words, don’t let the initially quite stupidly cute visuals and the rather simplistic but twisty corridors found in the first chunk of floors lull you into a false sense of security. Things get quite bizarre and eventually quite horrific as you descend into the darker, more hellish maps.

Anyway, fast forward to earlier Saturday morning when I got a download link to he completed build of Lost in Vivo from the developer via Game Jolt (an excellent indie site I VERY highly recommend along with itch.io  (the game can be found here) if you love to pore over dozens and dozens of great indies of all genres, many free or quite affordable). You’ll also see this one pop up on Steam soon (well, November 5th, thanks to Steam’s verification process taking longer), but if you need this faster, feel free to grab it from one of the other sites noted above for a measly ten bucks.

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Review: ZARVOT (Nintendo Switch)

Zarvot Switch CubeTrying to nail down ZARVOT (A Game About Cubes, by the way) into a specific niche is, in an amusing way, a waste of time because it’s a perfect example of using a less by the book scholarly critical analysis and more of a “shut up and play it!” approach. While you can (and should) snap this up for the solid multiplayer modes, it’s worth the $19.99 alone for the brilliant Story mode and its blend of adventure and puzzle game elements, droll to laugh out loud humor and straight up surreal nature. It’s also a master class in game design as well as showing off the versatility of the Unity engine thanks to Sam Eng (@snowhydra), who put 4 years into making this great looking instant classic. Oh, and the soundtrack? yep, worth paying for as well.

In a nutshell, cube pals Mustard and Charcoal set out to put together the ultimate birthday present for their cube pal, Red, stuff goes wrong and needs to made right. There’s a lot of laser fire involved in this and saying anything more would ruin a hell of a lot of surprises. When you find yourself putting down a controller to either laugh at the absurdity of it all or pause to reflect on an emotional issue a character is facing (for cubes, insects and other assorted creatures, they’re quite… human, warts and all), you kind of get a better sense of game appreciation. I actually wish this were on a physical game card because it’s one of those keepers that might get lost in the well over 1200 games (and counting) filling up the eShop.

But I’m getting all scholarly and critical here, so let me stop that and dip into the fun stuff…

 

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Head to Head (Sort Of): Fast Striker vs. FullBlast (PS4/Vita)

I can recall a few years back reading in more than one place that the arcade shooter was dead as last week’s formerly fresh fish, but this was really never true. Between numerous indie developers and fans keeping the genre alive through making and publishing and distributing games via digital and retail formats, the good ol’ shmup lives on pretty much anything that can play them. Two of the more recent ones go for the gold and succeed when by being well-made games with excellent price points destined to hang out in your game library for a spell. Let’s take a peek at both, shall we?

Fast Striker 01

Pretty, isn’t it? well, it’s also PRETTY FREAKIN’ HARD to an old gleep like me, but I keep playing these shmups because I used to be better at them back in the day.

fast striker PS4First up is Fast Striker ($6.99), a 2010 NEO·GEO MVS/AES vertical shooter getting a new life on current gen systems thanks to German developer NGDEV and publisher Eastasiasoft. Six levels of frantic, gorgeous bullet hell bliss await with four difficulty settings to challenge. Yes, six levels may seem short to some of you out there, but this game makes you earn those high scores and like a solid shmup, you’re going to keep coming back to beat your previous runs or die trying.

There are some basic screen resizing and wallpaper options, but I personally prefer sticking to the more arcade accurate default window than going full screen. Er, not that it helps much given my awful reflexes when the going gets too tough (or okay, a little tough. Hey, I’m getting old!). For example (yipes):

 

 

Yes, I’m THAT bad at this game, but I managed to get through the Novice difficulty and messed with the others (Omake mode is SUPER nuts). I’ll be a saint here and link you to the official trailer just so you can see how a far better player does:

 

 

In addition to the digital release, Online retailer Play-Asia has a very limited edition physical version ($34.99) for both the PS4 and Vita set for a November release. Each is limited to 2200 copies worldwide and will include the region free game, a manual, collector’s box, soundtrack CD and a numbered certificate you can show off if you please. The price difference is yes, because of all that stuff inside the box, but if you’re into packaged games and have the shelf space, it’s a fair enough price point.

fast striiker LE

You’ll want to be a Fast Striker if you need this nifty Limited Edition exclusive from Play-Asia. Better pre-order this now before the scalpers snap them up to resell at ebay prices (ugh).

 

Overall, a pretty solid shmup that’s a trip down memory lane to my former glory days and perhaps yours as well (but I hope you can play better than I can).

Score: B (80%)

-Review code provided by the publisher

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Iris.Fall Hands-On: Shadow Play Works Quite Well in Kinda Goth-Land

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Based on a short demo was only supposed to be about ten minutes long (I was told ten, but I lingered about half an hour or so just to check out every nook and cranny because the level of detail is remarkable), Iris.Fall is shaping up to be a lovely little indie sleeper worth a buy. Developer NEXT Studio has cooked up a charmingly creepy puzzle adventure with beautiful visuals and an intriguing light/dark gameplay element fans of the somewhat forgotten (but memorable) Wii game Lost in Shadow will appreciate.  The demo features an early taste of the full game’s mix of environmental and other puzzles that revolve around Iris’ ability to manipulate light and shadow to progress through areas.

 

 

While simple to pick up, solving puzzles here makes for some fun brain work right from the beginning. Careful scouring of each room for areas where Iris’ powers to be used also reveals objects that can be manipulated or collected to be used with other elements. Foe example, in one room, a pair of marionettes is required to unlock a certain door, but you’ll need to dip into the shadows and light areas, moving things around to create a ramp on one side and then the other to nab each figure. Once they’re acquired, placing  them in the correct spots, then rotating their parts will form a “key” of sorts that allows passage into a new location.

Iris.Fall 03

“I was the puppet, I was the puppet!” A puzzle, in progress (and five points if you get the song reference I made).

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Gear.Club Unlimited 2: More Real Race Time on Switch

GCU2_2D_ESRBOh, I’m kind of mad at myself as a new-ish Switch owner (well, it’s been a few months already) who had NO idea there was a decent (and huge selling) racer using licensed cars on the system. Of course, I blame ALL those people going on and on about Mario Kart this and Mario Kart that, which is fine and dandy, as yes, it’s a ton of fun for all. But I didn’t realize that one of my favorite racing game developers (Eden Games) had made a mobile to Switch port last year of Gear.Club Unlimited and I still haven’t picked it up. Oops.

I did poke at some reviews that noted it’s not perfect, but I’m on the hunt for a inexpensive copy just to see for myself because Eden’s other racers have been quite good (I’m looking at you, Test Drive Unlimited 1 & 2, V-Rally 3 and a couple of others I still own and occasionally play when I find the time.

 

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Anyway, Switch owners are getting Gear.Club Unlimited 2 this December 4 worldwide from Eden and publisher Microïds and if the trailer is any indication, it looks to be an even better followup. Take a peek:

 

 

Press release with that tasty car info below the jump if you’re up for more reading today.

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Review: Oh My Godheads: Party Edition (Nintendo Switch)

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Prepare to get elbows in your ear from your couch-mates, folks,

 

You know the old saying “You can’t herd cats”, right? Well, one of the ten deities in indie developer Titutitech’s somewhat amusing Oh My Godheads: Party Edition ($14.99) just so happens to be a rather irascible Bastet who will go from a silent stone head to a snarling meanie who messes with your direction as you try to carry her around. While the effect only lasts a scant few seconds, it’s more than enough time for an opponent to KO your character off the map and gain that hissy prize for their own. At least the version of Zeus here is more of a friendly presence, blasting the opposition with occasional bolts of lightning as he’s toted around.

The game is a simple one to pick up and play, but if you’re going in solo, it’s best to run through all the tutorial stages because there’s a bit of complexity to all the mayhem. Timing is crucial to some moves such as the stun that requires precise pressing of buttons, or throwing assorted objects such as pies and bombs where a split second of aim spells the difference between hitting a target or whiffing completely. While you can simply jam on the attack button if you like, you’ll want to at least play those tutorials to keep the game from getting stale because you only know one move. That and you’ll soon see that the game has a few tricks up its sleeve that can keep you from some victories if you play with other skilled players or on some of the trickier maps.

 

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The on;y way to get ahead is to… get a head! Or die trying.

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Review: Warhammer 40,000: Inquisitor – Martyr

Warhammer 40K IMNeocore Games’ mighty, meaty Warhammer 40,000: Inquisitor – Martyr ($59.99) should have come with an advisory that if you like the game, you’re going to have to be completely committed to long-hauling it from the get-go. It’s a demanding and addictive time chomping experience that kicks off with an about 45-minute set of tutorial missions that ease you into the swing of things before it rips away most of its training wheels and lets you carve your own route through its astounding wealth of randomly generated missions. There’s a nicely spread out story here that has your Inquisitor of choice attempting to solve the mystery surrounding an ancient warship packed full of heretics, mutants, xenos and Daemons of the Chaos Gods. Detective work isn’t your sole task, thankfully.  You’ll definitely get to do quite a load of daemon dispatching as you uncover assorted clues during your journey.

While you can indeed compare what’s here to Diablo III on a few fronts, the game feels like more of a throwback to Crusader: No Remorse, Origin Systems’ excellent PC (and later, console) classic from 1995. Partially destructible objects, alarms that summon packs of enemies and a few more familiar elements from that game appear here, but the game also has more than enough loot dropping, skills, upgrades and rewards to keep even the most jaded players quite busy. As with a few other games in my rather large backlog, I’ve held off doing a full review because the game really needed to be patched up so I could give a it a solid recommendation. The latest patch (1.0.5) now makes this one a greater (yet still flawed) game rather than a somewhat decent one that needed a lot more polish.

Warhammer 40K IMa

Get ready to do a whole lot of this, plus a nice bit of detective work. it’s like CSI with demons and a hell of a lot more weapons.

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Fist of the North Star: Paradise Lost Launch Trailer: Sega, On a Roll With Everything

 

Fist_of_the_North_Star_Lost_Paradise_coverI don’t know about you, but I think Sega has been having a few really awesome years packed with mostly high-quality releases, HD upgrades (Bayonetta and Vanquish on PC are superb must-buys) and yep, even Sonic the Hedgehog blazing and bouncing back to his former 90’s glory. The latest big deal game, Fist of the North Star: Lost Paradise,  is from the studio that makes the stellar Yakuza series and uses that game’s versatile engine to great effect.

I finally got around to playing the demo and yes, am currently downloading the full game as we speak. I’m still plowing through the enormously entertaining and borderline brilliant Valkyria Chronicles 4 (I should have a review up by Friday or Saturday) and I still haven’t gotten to the Sega Ages stuff on the Switch yet.  Yeah, that will get sorted soon enough, but today, I’m going to be making some people dance for a bit (well, not quite like this, though):

 

 

 

Back in a bit.

-GW