Well, today was the big moving day… but not for me. I’d be posting up a storm right about now, but I had to assist in the “getting a ton of stuff out of the elevator” part of a big move and I’m just about BEAT. I’m actually polishing up a quick post from yesterday evening now and it will hopefully get up in about half an hour or so, but if I decide to pass out on top of my keyboard, you’ll all hopefully forgive me. Okay, enough stalling – off to tweak and post. Someone want to pour a cup of coffee on me (room temperature, of course). Eh, I guess it could be worse… a LOT worse (cue the over-obvious movie clip):
In regards to every well-worn fairy tale, “It’s not the tale, but how it’s told” is the order of the day. Parents and other creative adults well-versed in story time voices and acting have this mantra branded on their brain cells and know how to make any yarn they spin keep kids at rapt attention. Still, for many of his longtime fans, Ray Harryhausen’s incredible stop-motion versions of Mother Goose stories and five classic fairy tales are some of the most memorable versions ever created.
Save for The Tortoise and the Hare (which was incomplete until its 2002 premiere), I can recall some of these films along with his earlier Mother Goose shorts being shown during assembly hall sessions or in the occasional class where a regular teacher was out sick and the substitute called in hadn’t time to whip up a proper lesson plan. While most of these 16mm shorts were part of my childhood, I’d imagine plenty of today’s little (and more tech savvy) whippersnappers haven’t a clue who Harryhausen was or what made (and still makes him) him great and such a huge inspiration of countless filmmakers and visual effects artists to this day.
Yeah, it’s like that now. Rather than cover that crazy and reveal-packed press conference from yesterday, I’ll just drop dates and let you go get started on the line waiting, day-planning and other activities so you work AROUND these release dates which seem to be set in some sort of mystical stone. Yeah, it’s going to be a really busy five years for all those actors, writers, directors and even busier pre- and post-production teams:
Avengers: Age of Ultron – May 1, 2015
Ant-Man – July 17, 2015
Captain America: Civil War – May 6, 2016
Doctor Strange – November 4, 2016
Guardians of the Galaxy 2 – May 5, 2017
Thor: Ragnarok – July 28, 2017
Black Panther – November 3, 2017
Avengers: Infinity War Part 1 – May 4, 2018
Captain Marvel – July 6, 2018
Inhumans – November 2, 2018
Avengers: Infinity War Part 2 – May 3, 2019
I’m not usually one to zip out to a theater on opening week, as I hate those crowds and their unpredictable antics, sticky seats and the usual screaming child who doesn’t belong there that makes any movie stink. That said, I do like that there’s a plan for all these films to tie in together somehow and be one big arc that takes these characters somewhere. Even if it’s to places I don’t normally venture. Yeah, they’re all still comic book movies, but they’re getting more watchable as time goes on and not less to some extent. I don’t even want to know what that eventual box set of whatever will look like. Then again, I’d say there’s going to be a division in how people get films by then, but no matter what, a segment of those fans WILL want something physical to hold in their hot little hands and pop into a player of some sort…
And how was/is YOUR Sunday? Mine is pretty lousy at the moment, but pretty much everything’s fixable with some time and a bit of money. My home PC decided to flip out and not want to boot up properly, my backup solution isn;t working (thank goodness for the laptop), the connection today is super-slow, I accidentally broke the paper holder on one of the printers here (nothing a little glue can’t fix, but it was a total “DUH!” moment when it happened), my Logitech G15 finally died, I can’t find the driver CD for my gaming mouse, some of the plants I was growing decided to keel over thanks to the temperature changes this past week and I still need to get to that pile of laundry I was supposed to do last week, but kept putting off because of so many games coming in and me needing to get to them. Yaaaaah. There are a few other things going on as well, but those are for me to know and you to not find out.
(Thanks, DreamWorksTV!)
Eh, small world problems, but all happening around the same time makes for a REALLY annoying day. Eh, here’s a little laugh for you while I get back to trying to actually be something resembling “productive” today. Back in a bit…
As for me? Well, I’ll have to pass on these sassy eyeball exercises, as Dungeon of the Endless and TRI: Friendship and Madness have both been giving them quite a wild time this week. That’s a good thing in terms of their overall scores, by the way. Anyway, I’m in the midst of some innnnnnteresting changes on the work front, but no reveals yet, people. I’ll let you know what’s what should what happen and if it somehow doesn’t happen, I’ll be all “Wha’ Happened?”:
Ah, there’s nothing like the darkly comic insanity of Kubrick’s Dr. Strangelove (or: How I Learned to Stop Worrying and Love the Bomb) to remind us that painting oneself into a corner before deciding to spray a few cans of Raid around the house, then light up a cigarette to relax is always a terrible idea. Anyway, if you’re up late tonight and into Friday morning, you can catch this classic on TCM at 1am (eastern time – dip backwards on that clock according to your own time zone). I tend to watch this one a few times a year because it’s both hilarious and bracing while showing not much has changed over time except news (and bombs) can travel a hell of a lot faster. While the film is perhaps the bleakest of black comedies, according to one New Yorker article from earlier this year… a good deal of what happened in the film was (and perhaps still is) entirely plausible to some extent. Eeeeek. Um, sleep well, ladies and gents… sleep well…
Well, I have no idea what I’d say or do once I popped out of that time machine and found myself in the presence of the lady, but I’d probably faint dead away from surprise that my time travel experiment worked and wake up a few seconds before I was to be zapped back to the present. Oh well. I guess staying safe at home with these five films is a safer bet:
8PM: And God Created Woman (1956)
9:45PM: Une Parisienne (1957)
11:30PM: Plucking the Daisy (1956)
1:30 AM: The Night Heaven Fell (1958)
3:15 AM: Contempt (1963)
The good thing for me is I’ve only seen two of these films, so the rest will be my first time. Um… er… (*beet!*) you know what I mean! Get your mind out of the gutter, you. I need all that space for mine to float around in later! ;^P
“What’s in the box?… WHAT’S IN THE BOX?!“ Yeah, yeah. Anyway, Mezco Toyz isn’t telling because they want you to BUY one or a couple of these $20 steal deals and I’m not telling because hell, I have NO idea other than you’ll get at LEAST $40 worth of goodies for that money. All I can say is it’ll be one or more items from the company’s popular Universal Monsters, Chucky, The Living Dead Dolls, Sons Of Anarchy, Breaking Bad, Mez-Itz, Axe Cop, or other product lines. Yeah, you know you’re curious, yellow. Or blue because you want more of these than you can afford (“let’s see now, 310 times $20 is…”). So goes the wild life of the American consumer, right? Anyway, get your own box before they’re all gone!
Well, maybe this is actually more of a generic post to say Sunday will be slow for them. Posts, that is. I’m doing some away team stuff today (playing Destiny at a friend’s place for a review using his speedy connection and PSN account) and generally keeping a low profile because it’s a busy week ahead and I want to expend as little energy as possible today. “But what about Destiny?” you ask? “Isn’t it EXCITING?!” You ask? Um… welll… it’s FUN, don’t get me wrong, folks. Oh, you’ll see in my review later this week. I do like it so far, but to quote a certain fake Harry: “A man’s got to know his limitations…” Anyway, back in a bit. Maybe I’ll even get in another post today if I get back early enough to ramble about something.
Orson Welles may have not directed Journey Into Fear, but it sure looks and feels as if he was behind the lens or at least had a hand in setting up a few scenes. Featuring a bunch of Mercury Productions actors (Cotten, Ruth Warrick, Everett Sloane, Agnes Moorehead and others), a snappy, script by Welles, Joseph Cotten, Richard Collins and Ben Hecht (based on the Eric Ambler novel), the film is a spy drama with a fun cast and some great, memorable sequences that keep you hooked in right from the clever pre-credit opening sequence.
Cotten plays Howard Graham, an American munitions expert (or is that arms dealer?) who has to go on the run from a rather pesky Nazi assassin after an attempt is made on his life. Well, by “on the run”, the film means Graham has to temporarily separate from his wife (Ruth Warrick) and travel by steamship from Istanbul to Batumi (a Russian port city) to finalize a deal with the Turkish Navy. Wait, Turkey had a Navy back then? You learn something new every day, I suppose… Continue reading →
"DESTROY ALL FANBOYS!" 