(La la la, PlayStation!)
It’s about time, but there’s still no concrete release date for North America. To be fair, Sony has opened up pre-orders for the game’s standard digital and deluxe digital editions. But that 12/31/2018 release date is a bit questionable (games usually pop up on Tuesdays and I don’t think a New Year’s Day release date would be a thing). FYI, with no official launch date decided, pre-orders have to include a tentative date so potential buyers have a general idea of when a product will arrive as a download or at retail. I hope this game rolls in before the end of the year, as it’s a bit crazy-cakes that a worldwide release wasn’t in the cards from day one.
That said, I’m also surprised I didn’t snap up the import version at this point, but that was a mix of finances not being where they needed to be and not wanting to go to the hassle of creating a Japanese PSN account to get DLC. Well, that and I thought the game would have been out already, Ah well. I have plenty of games to wade through in the backlog, so at the end of the day, holding out for this one in English means I’m going to be going in totally cold and enjoying every minute.

-GW


KEMCO and ever-busy developer EXE-CREATE along with a few other studios have been whipping out dozens of mobile JRPGs for years and fortunately, a bunch of them have been slowly but surely arriving on home consoles, a great thing if you happen to be a fan of “old-school” dungeon dives. 


Okay, at this point I’m hoping the planet doesn’t blow up just so I can get my grubby little paws on the three upcoming 
I don’t believe in ghosts at all (an unapologetic non-flaw of mine), but I do believe in a good ghost story when it works flawlessly in delivering the spine-chilling stuff that leads to a restless night. That said, Nobuo Nakagawa’s 1959 masterpiece Tōkaidō Yotsuya kaidan (Ghost Story of Yotsuya) is one of the more frightening horror films I’ve ever seen. Given that it’s based on Japan’s most popular ghost story (written as a kabuki play and originally performed in 1825), Nakagawa’s film is memorable on a few fronts, melding its stage origins with the director’s perfectly placed camera as he brings us a tried and true tale of murder and vengeance, Japanese style.


