Review: Reverie (PS Vita)

 

With Reverie, New Zealand-based developer Rainbrite has cooked up a fantastic, fun and must-buy game for the supposedly ‘dead’ (but still defiantly breathing) PlayStation Vita. Everything here clicks from the Earthbound-inspired visuals to the gameplay that references The Legend of Zelda‘s puzzle, enemy and trapped-filled dungeons and overworld map. Adding to the perfection, you get an interesting take on the Māori myth Māui and the Giant Fish woven throughout the game that makes the adventure all the more interesting.

Sure, the main character is just a nondescript kid named Tai who just so happens to end up spending his summer vacation saving the tiny island he’s on visiting his grandparents from all sorts of evil during his stay. But Rainbrite has wisely made the kid quite the young man of action on his trip to this new Adventure Island. You’ll get a cricket bat, yo-yo, a sort of Nerf gun and other goodies as you take on the game’s six nicely-sized dungeons and a somewhat dangerous overworld packed with local wildlife out to gnaw or peck you to death. Spot-on controls help out here, but you’ll need to be constantly on your toes because some enemies (such as angry hopping statues) won’t react until you’re in whispering distance.

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TERA Online Headed to PS4/Xbox One April 3

After dabbling in a few too many online games on the PS4 for about a year plus, I’ve narrowed down my focus to the upcoming free TERA Online, developer Bluehole Inc. and publisher En Masse‘s successful PC MMO that’s finally headed to consoles on April 3, 2018. I had the great fortune to try the game on three occasions when it was in beta over the past few months and while the test phase was sometimes a bit wonky, as things were tweaked and polished based on user feedback, the experience became a great deal more enjoyable to the point it was hard to put down.

Key to the overall experience is the game’s real-time combat system that’s quite responsive using the PS4 controller and allows for plenty of creative offensive and defensive moves. Given the ferociousness of the enemies here, you’ll need to have fast reflexes as well as sufficient healing and buffs at the ready. The game won’t hesitate to hit back hard with creatures that just won’t quit until you’ve beaten them or vice versa, and if the beta is any indication, both solo and group players should feel quite at home.

Yours truly ended up recording way too many videos during the betas on my YouTube channel (go sign up and feel free to send me a friend request on PSN – my handle there is GeeLW), but my body is ready for the full game when it lands on PSN shortly. Those of you interested in playing TERA on consoles can go all in for free or snap up one of a fewFounder’s Pack options that will give you some cool gear, in game money and other fun stuff along with the ability to start playing a week early.

Alrighty, then. Guess I’ll (hopefully) see some of you online at some point. I’ll likely be soloing this for the most part (I’m liking that Mystic class a lot, but the Archer is solid as well), but I’ll certainly need assistance with the 5-player boss maps.

-GW

Review: Yakuza 6: The Song of Life

If Yakuza 6 (available April 17 on PS4) is your first trip to Kiryu Kazuma’s world, fear not. As an option on the title screen, the game can fill you in with rundowns of the previous five entries with a series of cut scenes taken from previous installments. These cinemas not only get you well up to speed, they’ll very likely make you want to track down the older games at some point (well, you’ll also need a PS3 for three or four of the older titles). As for this latest installment, it’s brilliant, bittersweet and worth the time investment for plenty of reasons.

Kiryu’s journey takes him from Okinawa back to his old stomping (and kicking and punching) ground of Kamurocho with an eventual journey to Onomichi Jingaicho in Hiroshima. Par for the course, the many plot twists and turns he’ll face range from melodramatic to absurd, but the main plot is quite serious stuff. After his former pop idol daughter Haruka goes missing, Kiryu tracks her to Kamurocho only to discover she’s been struck and badly injured by a car. He also finds out he’s a grandfather as Haruka was hit while protecting her son who Kiryu knew nothing about until he has to take care of him. With all this happening, the poor guy has to deal with a Yakuza and Triad gang war where both sides also want him taken out and a few other matters you’ll want to check out.

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Ni No Kuni II Demands Your Desire

 

Even with the up, down and sideways health issues happening, I’m still intent on diving into a bunch of games this spring. Right at the top of things to get to is Ni no Kuni II: Revenant Kingdom, out NOW on the PS4 and PC. As a fan of developer Level-5’s games since the two Dark Cloud games, it’s been fantastic to see each new experience grow more and more polished. As you can see here and below, this game is absolutely packed with things to do including all-new kingdom building and RTS elements that seem very much like whole games in themselves.

While Studio Ghibli wasn’t part of the sequel, on board are former Ghibli character designer Yoshiyuki Momose and music composer Joe Hisaishi, both returning from the wonderful first game. Keeping that unique anime look and lovely sound is key to the experience and yep, this game nails it perfectly. In any event, get it digitally or get it physically (a walk to the game store counts as EXERCISE, folks!) – just get it and prepare to spend way too much time thinking about it when you’re not playing (well, that’s what I fully expect to happen to me given my past experience with Level-5’s other great RPGs).

-GW

Review: Beholder: Complete Edition (PS4)

Beholder_CE_PS4I’m not much of a good and nosy neighbor in real life, but in the past I’ve been the subject of scrutiny a few times by some pokey-snouted folks when I’ve either moved to or visited spots where they exist. A game like Beholder: Complete Edition normally wouldn’t even pop up on my to play radar, but here I sit typing out this review of a fairly solid yet depressing yet game experience. A mix of simulation, time management with a gloomy vibe straight out of Orwell’s 1984, the game may leave you with a jittery sense of unease because there seems to be no such thing here as a truly satisfying sense of closure.

Then again, when you’re forced by the state to spy on, harass and in some cases, have a tenant in the building you’re running bumped off, you kind of know you’re in for a weird time.

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Hakuoki: Edo Blossoms Is Eating My Free Time’s Lunch

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Okay, Idea Factory International, cut it out with putting out games that are too damn good. I’m still playing Hakuoki: Edo Blossoms on my Vita thanks to a few things like packed backlog and this follow up to Hakuoki: Kyoto Winds being such a solid visual novel that I’m trying to follow as many story paths as possible and failing miserably because they’re all so well localized. So, what should you do while you’re waiting for my verdict? Um, maybe read my review of the first game and get your wallets ready for more?

Well, that’s what I’d do, but I’m kind of predictable. Give me maybe two days, ladies and gents.

-GW

Review: Don’t Knock Twice (PS4)

DKT_PS4.jpegWales Interactive’s Don’t Knock Twice is an “all-in” game if ever there was one. While it can indeed be played without the PSVR headset and during the sunnier daytime hours, the game works best when you wall yourself (Amontillado or not) up all alone in the dark (heh) completely wrapped up in those goofy goggles and a decent set of headphones. Being afraid of the dark and having the additional fear of things that go bump in the night also go a long way in making this mild experience in terror a bit scarier.

On the other hand, if you’re one of those really jaded people who think all horror games need to be gory undead shooting galleries or have stuff jumping out at you every ten seconds, you may not totally grasp what the fuss is all about when the game finally ends somewhere about an hour to hour and a half later. Is the game perfect? Nope. Does it do what it intends to do? Yep. If you let yourself become immersed in the mood it aims for, it’ll get under your skin and make you a bit jumpy for a tiny slice of time. You’re not going to use the (overused) word “innovative” here at all to describe this one. You’re getting a short and creepy horror experience that’s not going to wear out its welcome when all is said and done.

 

 

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Review: Midnight Deluxe (PS4/PS Vita)

Midnight Deluxe PSA gentle “Fore.” with a sly smile is what you may find yourself whispering with a grin on occasion while playing Midnight Deluxe, Petite Games (ported and published by Ratalaika Games) sweet little indie, now available on PS4 and Vita. This is an initially simple on the surface but eventually fiercely challenging game where all you do is attempt to hit a cube-shaped fairy into a hole in each level.

It’s an easy enough to write description, but the fun and friskiness here comes from the “How the *hey* can I get that thing from here to there?” in increasingly complex maps where taking less than five shots seems impossible. Well, until you knock that fairy into the occasional well-placed hole in one or otherwise clear what you thought was a super tough stage under par.

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Redbox’ March Game Week: Happy Madness Time

If you’re a Redbox user or are interested in trying out the service, well listen up: From March 6 – 12, in-app (iOS or Android, of course) or online users can get a free game rental during the March Game Week event. This is pretty cool for new users who don’t live near a location with a Redbox machine (raises hand high) or current users looking to check out a few games on their backlogs.

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That is all, commence the online stampede. Wait, let me get out of the way fir… (*RUMBLE…STOMP!) Ouch.

-GW

Review: One Eyed Kutkh (PS4)

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Charmingly abstract and somewhat brief, One Eyed Kutkh comes highly recommended as a game that’s just as entertaining for kids as it is for adults looking for a nicely non violent bedtime story experience. Developer Baba Yaga Games and Sometimes You bring their inexpensive Unity engine indie to the PS4 and it’s a winner despite that short play length. Hey, sometimes you just need a tiny bite late at night, as a big full meal can often leave you with a rumbly tummy afterwards.

The story’s a simple one (and yes, so simple I’m swiping this from the official site because the PlayStation Network page isn’t up just yet):

A single traveler on his way home crashes on a mysterious planet. To continue his journey, he’ll have to get to the ninth heaven, deceive the Sun and the Moon and steal their space-boats.

That’s pretty much it, except the game uses no words at all save for intentionally alien noises coming from a few characters.

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