Review: The Shapeshifting Detective (PS4)

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That’s the lovely and quirky Violet (Aislinn De’Ath). Is she the killer? Maybe? I dunno, but she’s certainly looking like she’s about to be one in this screenshot.

TSD_boxI consider publisher Wales Interactive as the new gatekeepers of the FMV (Full-Motion Video) flame these days simply because they’ve put out a number of memorable modern titles that bring this style of game to players in full HD glory. Yes, the Digital Pictures comeback (Night Trap, Double Switch) is a good thing for those who recall the 1990’s fondly through those older games. But Wales’ modern FMV output stands out with better production values, less gimmicky casting and some decent mature story lines as hooks that make them well worth a look.

Granted, there’s a fair bit of comic relief to be found in D’Avekki Studios The Shapeshifting Detective ($12.99), but it’s a case where if you’re into what’s on display, you’re chuckling with the game rather than at it. A murder most foul has been committed in the sleepy town of August and it’s up to you to help solve the crime. Well, it’s not you, but a character named Sam (which isn’t really his name) who can transform into other characters who’s tasked with discovering the culprit. The game works well on a few levels where thinking outside the box can net some interesting results that will change each time you play based on how you handle those transformations and who you interact with.

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Esmonde Cole is Zak, handsome man with a camera who knows how to use it to get what he wants. You’ll see he makes quite the suspect as well. Killer? Oh, we shall see…

 

Your initial suspects are three tarot card readers holed up in a fancy inn run by a strange woman who’s taking pills that cause partial memory loss. The list grows as the game progresses (a shady photog, the victim’s boyfriend, a potential victim and a few others you meet) and you’ll discover less than perfect alibis all around as well as a few revelations that both help and hinder your efforts.  The intentionally loopy nature of the gameplay will keep you guessing for a bit, but as you start piecing things together, you’ll be dialed in for the long haul each session.

 

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Review: Don’t Knock Twice (PS4)

DKT_PS4.jpegWales Interactive’s Don’t Knock Twice is an “all-in” game if ever there was one. While it can indeed be played without the PSVR headset and during the sunnier daytime hours, the game works best when you wall yourself (Amontillado or not) up all alone in the dark (heh) completely wrapped up in those goofy goggles and a decent set of headphones. Being afraid of the dark and having the additional fear of things that go bump in the night also go a long way in making this mild experience in terror a bit scarier.

On the other hand, if you’re one of those really jaded people who think all horror games need to be gory undead shooting galleries or have stuff jumping out at you every ten seconds, you may not totally grasp what the fuss is all about when the game finally ends somewhere about an hour to hour and a half later. Is the game perfect? Nope. Does it do what it intends to do? Yep. If you let yourself become immersed in the mood it aims for, it’ll get under your skin and make you a bit jumpy for a tiny slice of time. You’re not going to use the (overused) word “innovative” here at all to describe this one. You’re getting a short and creepy horror experience that’s not going to wear out its welcome when all is said and done.

 

 

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