Hmmm, perhaps I should pay more attention to more stuff online, right? Hey, it’s kind of hard to do these days when you burn so much energy trying to avoid all the negativity out there, grrrr. Anyway, I actually missed out on that video above that noted Hidetaka (SWERY) Suerhiro and developer White Owls, Inc. were working on a brand new game for Arc System Works America set to be published later this year.
Well, that game is called The Missing: J.J. Macfield and the Island of Memories and it’s set to drop digitally onto PC, PS4, Xbox One and Nintendo Switch before the year is out. Excellent. I have no clue as to what sort of game it will be other than it’s an action/adventure… well, that and you get all of three screenshots below:
Yep, I’ll be picking this up as well. SWERY’s work is always intriguing and it’ll be a nice enough appetizer while we wait for more news about The Good Life as that game tiptoes along its development cycle.
This one came as a surprise because I thought the Torchlight games were dead and gone. But it seems Perfect World Entertainment, Arc, developer Ectra Inc. (which includes some of the team behind a few classic ARPGs including the Torchlight and Diablo games) are going to be dropping an all-new online centered experience in 2019. Here’s the promo trailer for Torchlight Frontiers (which isn’t gameplay, sadly):
Introducing the next iteration of the award-winning Torchlight series: Torchlight Frontiers!
Set in the same beloved universe as Torchlight I and II, this shared-world action-RPG brings back many of the franchise’s signature features and mechanics that captured the hearts of ARPG fans around the world. Led by former Runic Games and Blizzard North co-founder, Max Schaefer, the team developing Torchlight Frontiers is comprised of veteran developers who were responsible for the games that defined the ARPG genre, including the original Diablo and Torchlight franchises.
Torchlight Frontiers combines the heart of the beloved Torchlight series with a shared, persistent and dynamically generated world. In true Torchlight style, players will team up with friends and devoted pets to hack and slash their way through a vibrant world, discover ancient ruins of lost civilizations and brave dungeons filled with riches and dangerous creatures. Additional details about Torchlight Frontiers will be revealed at a later date.
The good news is the pedigree along with Perfect World’s generally solid track record in the MMO scene. The shared, persistent world business means this will likely be an online only game with solo play as an option similar to what’s found in Neverwinter (a game I’m currently playing and enjoying). I’ll gather this will also be free to play with paid content, but we’ll see where that all goes. I like the art style in the trailer, although I’m hoping the game goes for a look closer to Torchlight II and/or won’t require a super-powerful PC to run. The console plans mean it should look similar across the board, which is a good thing in my book.
Torchlight Frontiers will be available on PC, Xbox One and PlayStation 4 at some point in 2019, but we’ll need to definitely get some hands-on time with a build at some point to see what’s what. Fingers crossed (and yes, cross-platform play would be keen, Sony).
Ladies and gentlemen, I never do this because such speculation is inherently ridiculous especially when it comes to product that’s still not released, but I’ll take the risk and call Red Dead Redemption II my Game of the Year and it’ll be yours as well. Take a look:
Of course, as I’ve noted previously, it was clear as soon as the game was officially announced that Rockstar was going to be redefining the open world game once again, so it’s a bit redundant to be heaping praise when that bar was being raised was also one set in each of the large scale games they’ve created. Anyway, I’ve got nothing left to say because this gameplay footage speaks very well enough for itself. Me? I’m going to watch this a few more times while trying to figure out a long list of excuses to not venture outside so I can spend way too much time playing this.
Worth buying a console over and pre-ordering? Absolutely, I say.
“Once upon a time in the west…” er, wrong movie, but you know what I mean…
Yep, it’s here and it’s great. As a fan of old-school arcade beat ’em ups, Trinity Team’s excellent Bud Spencer & Terence Hill: Slaps and Beans ($19.99) does exactly what its meant to do and does it with a ton of love (and many slaps and beans). I’ll give those of you scratching your heads a second to look up some of the duo’s films (here you go) and admit that for some of you, they may not be your to your taste (which means you need to watch a few and become a convert to their brand of international slapstick).
The game is an absurd amount of fun as a solo or co-op experience with a wacky story line, mini-games galore and some really great music that’s worth buying on a disc if you’re a fan of what’s here. While it’s not a terribly long game, it’s one where you’ll replay it either alone or with a buddy because it’s packed with laughs and challenge on the harder difficulties. Personally, I don’t grasp at all people who only play an otherwise solid game one or two times and shelve it away, but such is the current state of gaming where hours seem to mean more than overall quality to some “gamers” out there. It makes me wonder how the deal with heavier entertainment like non-fiction books or serious documentaries. But I digress – here’s some gameplay to ogle from yours truly:
Hey, it took these guys a while to make and I’ll bet a penny that’s it’s worth a load of replays like any other fun arcade beat ’em up should be, so yeah, it’s worth that price point whether you grab the PS4, Xbox One or Nintendo Switch version. As for those of you who don’t get the fuss, I leave this as a parting gift:
As a longtime fan of Sega’s Shining series (the import version of Shining in the Darkness was the first JRPG I completed way back in 1992), it’s been quite interesting (to say the least) watching the series evolve over time. While the first game, the assorted Shining Force entries, Shining Wisdom, Shining the Holy Ark and the portable Shining Soul have been the most engaging, some of the games localized after that point fall into the hit or miss category. The last three I played, Shining Tears, Shining Force Neo and Shining Force EXA traded in the first person dungeon crawling found in SitD and Shining The Holy Ark and the more strategic play in the Shining Force games with seemingly simpler hack and slash action against some very powerful enemies that made combat quite challenging. While there was some enjoyment to be found in these despite a few flaws, the bloom was definitely not on the Shining rose during the PS2 era.
Shining Resonance Refrain ($49.99) isn’t quite the return to glory the series needs, but this enhanced port of the 2014 PlayStation 3 import manages to be quite enjoyable overall. Developer O-Two took the Media Vision original PS3 game and added an all new “Refrain Mode” that allows players to experience the game with two of its main foes as playable characters along with what seems to be a nice load of included (on disc or as part of the digital download) DLC content added at no cost across all platforms. Yes, it’s best to explore Refrain Mode after you’ve played the main game, as plenty of spoilers abound. But if that’s your thing, you do you, I say. It’s also the first time a new game in the Shining series has appeared on current-gen consoles and PC and hopefully, it will do well among JRPG fans on those platforms.
The game hits all the expected notes many JRPGs take these days from lengthy expository scenes, a cast filled with familiar likable to annoying characters, a decent combat system, and more than enough strangeness that might knock the wind out of the sails of those new to these types of games when they see some of the game’s kookier moments. When your party members or enemies break out into song as part of an attack, it’s more than clear you’re not in Kansas anymore. But if you surrender, Dorothy, it’s all in good fun at the end of the day.
With his trusty bottle of J&B to keep warm, R.J. MacReady (Kurt Russell) and Vance Norris (Charles Hallahan) try quite unsuccessfully to make snow angels.
So, what did YOU do during last week’s too damn hot weather? Me, I dragged my slightly sickly self out in that nasty, unbearable heat to go sit in a nice, well-chilled home with seven other people with the express purpose of making some of them scream. No, I didn’t do my *legendary* crowd-pleasing Chippendale’s act, people (wait, I have a Chippendale’s act?). I simply put a very old plan into action I’d successfully executed a few times in the distant past in introducing a fine horror film to some friends who had either never seen it previously, have only seen a heavily edited for TV version or yes, just disliked scary movies.
Sharp-eyed readers may have noticed that I’ve actually previously reviewed an older DVD version of the 1982 John Carpenter film and I’ve also deconstructed the 2011 prequel which I found okay, but lacking in some respects (I think the studio meddled a bit too much with the film, turning it into less than what director Matthijs van Heijningen intended to be a more solid horror experience). Now, I didn’t just show up unannounced, tie seven people to assorted furniture and force them to watch the movie, so there. Nope, as a matter of fact, I was actually asked to host a little screening party by a friend who borrows movies from me on a semi-regular basis.
Soooo, so THAT’S What Death Stranding is about (that’s an in-joke, by the way).
Oh, now this is (not so) amusing. I wrote up about 2000 or so words on a few upcoming games shown at E3, but WordPress failed me in not saving my draft (I’m staring at the “! Saving of draft failed” note in the upper left of the screen as we speak, grrrr) so here we go again, but in shorter form because I’m a bit ticked off about needing to redo what was a pretty decent post and I’ve got a few other writing tasks to accomplish. Anyway, it’s really hard to enjoy gaming as much thanks to the real world madness creeping into the hobby side of things, but there are way too many interesting games on the way to avoid.
Yeah, death, DOOM, and gloom are all the RAGE 2, but it’s going to be a beautiful ballet of bullets and bombs bouncing all over. Bethesda’s presser was pretty amusing because Todd Howard knew how to balance self deprecating humor with the business side of things as the company poked fun at itself and some gamers who tend to either not have a clue about game development (it’s not an easy thing) or maybe think some franchises are a bit overworked. On the other hand, this is one of those always fascinating developer/publishers where sequels are eagerly anticipated each time one is revealed.
I have no clue what Fallout 76 will be about, but I’m going to guess it will feel like the Fallout Shelter (which just dropped onto the PS4 and Switch) but set in a world four times the size of Fallout 4 (which is pretty massive). As my laptop died, I eagerly downloaded it from PSN (it’s free) and ended up playing longer than I thought. Or: I ended up saving my game so I could take a nap. I woke up a bit later and accidentally clicked on the YouTube button on my Wii U and ended up catching the beginning of the PlayStation press event. I was very surprised that I liked pretty much all that was shown I’ll get to those in separate posts after the show), but Media Molecule’s Dreams stood out as a game I really need to try out. Well, that is if SCEA ever invites me back to a press event in NYC. They seem to have cleared out their press list and I don’t hear jack from them these days. Boo.
I didn’t watch Microsoft’s presser because I don’t own an Xbox One (too many awful experience with Xbox 360’s dying on me). But I did check out the plethora of game trailers and found they do look nice overall. I’m not much into the Halo games (although I own them up to ODST and have played bits of Halo 4 at a friends place), but that teaser for Halo 5 showed off a pretty impressive engine. As for the AAA developers (EA, Activision/Blizzard, Ubisoft, etc.) I’ll be looking at those trailers over the next week and maybe posting thoughts. A lot of AAA titles seems set in a certain reliable sector where you get what you expect (which is both good and bad based on your desire to pay for extra content, season passes and the like), but I tend to gravitate to single player games or those where playing with others is an option.
What else? Um… Namco Bandai, Sega, Xseed/Marvelous, Devolver Digital and a ton of indie devs have WAY TOO MANY GOOD GAMES COMING. To the point that it’s just daunting seeing what they’re doing and where everything is going. I need clones, stat. Capcom will make a bazillion dollars with that Resident Evil 2 remake (which means we’ll be getting RE 3: Nemesis at some point hopefully before the planet explodes. As for Nintendo? Yeah, yeah, I’ll get to them in a day or so. I know they tend to do things differently, so they’re going to get er, special treatment. The Switch is selling like hotcakes, third party and indie devs are filling the roster with excellent games and yes, the first party stuff is the mostly evergreen stuff they’re well known for. Back in a bit – I have a few demos to try out.
If Bonus Level Entertainment’s excellent Fox n Forests was released on a cartridge for the Super Nintendo or Sega Genesis back in the mid-90’s before both consoles were phased out in favor of newer systems, it would probably be a Game of the Year contender. Hell, it would even be a fine enough essential 2D platformer/RPG hybrid on the Saturn or PlayStation. Well, it’s out today and it’s a total blast from the past with excellent visuals, music and sound effects, replay value galore, and the perfect length (for those who know, most platform games weren’t over five or six so hours). The crowdfunded game arrives today on PC (Windows, Linux, Mac) and consoles (PlayStation 4, Xbox One, Switch) and yes, is a must buy if you’re big on the retrogaming stuff (or just want a game that’s going to make you work hard in order to see everything).
It’s not a speedrunner at all (thankfully for us old and slow players!), so forget about direct comparisons to Sonic, Mario or other swifter mascot characters. The game combines its platforming with exploration elements out of the Legend of Zelda or Castlevania, but fans of classics such as the Wonder Boy games, Super Ghouls and Ghosts and Actraiser 2 will also see a few influences here. The Fox (i)n those Forests is named Rick and he’s conned into helping out the wise old sentient tree by a partridge named Patty he was planning to eat. Of course, that batty bird just so happens to own all the shops in the game, so guess who needs to spend his hard-earned gold coins at them?
I really liked RAGE a lot despite it hogging up a load of space on my PS3’s hard drive and having a few slow moments here and there. With the upcoming Spring 2018 release of RAGE 2 teaming up original developer id Software and veteran developer Avalanche Studios, it’s clear that Bethesda is going for a sort of new gold standard that combines id’s FPS expertise and Avalanche’s penchant for massive and massively entertaining open world games with that post apocalyptic vibe that’s guaranteed to sell a few million copies right out of the gate.
I’ll say no more on this unless Bethsoft is planning a press stop here in NYC post-E3 so I can get some hands-on time and write about the experience. That said, I’m thinking I’ll like this a lot more than I liked that first game.