Okay, the whole zombie genre is so played out to me that it would take something really quirky to get my yawny brain percolating in deciding to watch yet another entry in an already packed field. Well, thanks to the one and only Jim Jarmusch, here’s a zombie film I’d run out to see in a theater as well as snap up a disc at some point down the road:
Also, Iggy Pop as a zombie? Too damn funny (although Keith Richards would have been a more obvious choice), and the rest of the casting is inspired and diverse enough to make this a crowd pleasing gem for fans of everyone in this hopefully awesome flick. Of course, we’ll have to wait and see (and not pay a damn bit of attention to aggregate scores at all), but I’m prepared to go in cold and come out all warmed up about this one based on my appreciation towards Jarmusch’s previous work alone.
“Once upon a time in the west…” er, wrong movie, but you know what I mean…
Yep, it’s here and it’s great. As a fan of old-school arcade beat ’em ups, Trinity Team’s excellent Bud Spencer & Terence Hill: Slaps and Beans ($19.99) does exactly what its meant to do and does it with a ton of love (and many slaps and beans). I’ll give those of you scratching your heads a second to look up some of the duo’s films (here you go) and admit that for some of you, they may not be your to your taste (which means you need to watch a few and become a convert to their brand of international slapstick).
The game is an absurd amount of fun as a solo or co-op experience with a wacky story line, mini-games galore and some really great music that’s worth buying on a disc if you’re a fan of what’s here. While it’s not a terribly long game, it’s one where you’ll replay it either alone or with a buddy because it’s packed with laughs and challenge on the harder difficulties. Personally, I don’t grasp at all people who only play an otherwise solid game one or two times and shelve it away, but such is the current state of gaming where hours seem to mean more than overall quality to some “gamers” out there. It makes me wonder how the deal with heavier entertainment like non-fiction books or serious documentaries. But I digress – here’s some gameplay to ogle from yours truly:
Hey, it took these guys a while to make and I’ll bet a penny that’s it’s worth a load of replays like any other fun arcade beat ’em up should be, so yeah, it’s worth that price point whether you grab the PS4, Xbox One or Nintendo Switch version. As for those of you who don’t get the fuss, I leave this as a parting gift:
Developer Owlchemy Labs really has a decent handle on this VR stuff, so Rick and Morty: Virtual Rick-ality ($29.99) is pretty much a no-brainer for fans of that popular show who just so happen to own a PlayStation 4 and PS VR setup. The game’s about as as insane as the show and the VR is pretty neat and designed to be a good deal less frantic on the eye holes (meaning those of you who get a bit woozy from VR can rejoice).
While I’m not as much into the show as some of its more avid fans, a well-made game will always catch my eye (ow), particularly one with the totally offbeat (and not for the young kiddies) humor the show excels at. So, yeah, if you’re new to the show, have wee ones and this game pops up as a request (because some kids can be cooler than their parents, or at least get away with watching cartoons out of their age range), you may want to play it for yourself and have your jaw hit your shoes a few times before you let those kids take it for a spin. Oh, you’ll very likely laugh your ass off in the process of checking this out. But that’s a good thing, correct?
Well, okay. A CERTAIN segment of folks want this, me being one of that segment. It’s on Steam now and is 20% off if you’re interested. Know that it’s not going to be a 30-hour epic RPG at all. You’re getting an homage to arcade beat ’em ups in which the replay value is like those classics. If you like or love what you’re playing, you’ll be coming back for more. I’m gathering the chances of this hitting consoles is slim to none, so figure on this being the sole version you’ll see until something else is announced. Thanks to Trinity Team for getting their dream game all done. It’s a niche title for sure, but I’d bet most fans of the duo are grinning about this one.
Ooh, this one’s been a long time coming, but if you like to laugh it up significantly and like old TV (or hey, just want to see something more fun than the usual modern reality junk), well here you go. Okay, so you have to wait until October, but that’s not too far away, right? Right.
Take A Good Look – The Definitive Collection is now set for release on October 17! This DVD set is the third box set of Ernie Kovacs amazing body of television work (1952 -1962) to be released over the better part of this decade. All 49 existing episodes of Kovacs cockeyed and offbeat gameshow are presented here, fully restored and digitized by the Library of Congress.
Take A Good Look hosted an eclectic mix of guest stars, such as my mom (!), performer Edie Adams, writer/director Carl Reiner, the glamorous Zsa Zsa Gabor, comedian Mort Sahl, Our Gang’s Jean Darling, chess world champion Bobby Fischer, Major League Baseball’s Rogers Hornsby, White House Butler Alonzo Fields, Los Angeles Dodgers Chuck Essegian and Don Drysdale, Hawaiian Congressman Daniel Inouye, Miss America 1959 Mary Ann Mobley, several Olympic athletes, and many mor
I don’t remember the first time I saw the late, great Don Rickles on TV, but if it was a comedic appearance, I laughed my ass off. I think it was one of his appearances on an episode of The Dean Martin Celebrity Roast from 1974, but I think it may have been a few years earlier thanks to X: The Man With The X-Ray Eyes airing on what I think was WPIX’ late, great Chiller Theater. Anyway, Don was the master of perfectly timed insults, the Prince of the Putdown, The Man You Went To See When You Needed To Be Taken Down A Few Notches And Wanted To Pay For The Privilege Of Being Insulted By The Best. Period. That sort of insult comedy was a great deal bigger back when Rickles was playing the circuit, when people were less triggered and more willing to laugh at themselves thanks to a man who could peg you with zingers, moving onto the next lucky or unlucky sap who dared to sit too close to the stage. Don made it work because you knew he was a total pussycat off stage, but once he got up to perform, all bets were off and if he singled you out, you’d better be prepared for the worst with an entire room full of people laughing at you.
Watching him in these old clips still makes me laugh loudly and that’s the best medicine for pretty much anything that ails you. I recall working for a guy many moons ago who was a bit of a stingy sourpuss, yet he paid good money to see Don live a few times around the country. Let me tell you, his mood was so much lighter after he returned that he was quite the nicest guy on the planet for a few days. I got a random raise once after one of his trips to see Rickles perform, apparently thanks to an ugly tie I’d given him as a birthday gift and a guy and his wife seated next to him who wanted to switch seats at the last minute. So I own an indirect thanks to the funnyman for getting me more money at one point in my life. Thanks, Don, er… Mr. Rickles. I’d probably not know what to say to the man if I ran into him at Patsy’s here in NYC, but I understand that he was pretty good with fans who approached him. Off stage, he was still a big prankster with his close friends, but treated regular folk just right.
Now, you probably don’t need to buy both seasons of CPO Sharkey on DVD if you need a Rickles fix (although you should, as it was quite a hilariously wacky show for the era. My suggestion is to grab a copy of the 2007 documentary Mr. Warmth: The Don Rickles Project for a nice and hilarious look at the man at work. Yes, he also did a few dramatic performances and of course, younger folks will remember him as the voice of Mr. Potato Head in the Toy Story movies. I’ll stop here because I need some laughs, and Don would probably give me one of those looks and lay into me something fierce for trying to be too damn sentimental.
You know how you sometimes or often go to look something up on the internet and stumble across something NOT at all what you wanted to find that sucks away what was supposed to be otherwise productive time? Well, to quote the (not so) immortal Frank Booth: THIS IS IT. No not that extended clip, from a film that absolutely needs to get the treatment from The WOL Project. There’s an excellent mix of mostly movies with a handful of TV shows that benefit from the addition of Dire Straits’ 1985 hit Walk of Life.
All of the clips chosen are fantastic and it’s hard to choose a favorite, but here’s a pair of videos from the WOL YouTube Channel (go subscribe!)
Perfect. Anyway, go boogie on over and spend too much time spoiling the finales of 50 films and shows (most of which you should have already seen or have at least bucket-listed at some point in your cinematic life). I can think of a few hundred more films that need this song added to their endings, so let’s hope this project doesn’t stop at a mere 50 entries.
Feh. This past week or so has been a bit too insane partially thanks to more apartment repairs disrupting the daily routine. I didn’t sleep at all Monday night thanks to moving stuff around the apartment (and writing up a game review), so I was passed out by noon Tuesday with a Blu-Ray playing(yes, you should buy this) and a cup of coffee I somehow managed not to spill a drop of. It’s pretty hilarious to wake up all bleary-eyed with a cup of coffee in your hand a guy working on your wall about ten feet away and a subtitled Japanese movie playing. I think the poor plasterer was trying to figure out if I spoke the language or how I could watch a movie with my eyes closed, but I like to confuse people whenever I can. Mission accomplished!
While it’s still an example of great American film-making and a must-see movie, I’ve been having a recurring dream of a Taxi Driver followup for quite some time. As in over 20 years of random story ideas hitting me in the dream-space or while strolling around NYC. The city has changed so much since the film’s 1976 release, but in a (not so) weird way certain elements have cycled back into that film’s bleak version of the city, citizens, and some of the politics around them.
Granted, it’s never (ever!) going to happen unless the stars are in order (on a few fronts, ha and ha-ha) and some other key people think it’s a good idea. It’s not (at all), but Hollywood has done far worse updates of other films (for better or worse… mostly worse in my opinion). Nevertheless, I’m getting this silliness off my chest and out of my head so I can clear up space in the grey matter filing cabinet. Continue reading →