While ECHO is out now on PC, I’m really more interested in developer Ultra Ultra‘s upcoming PlayStation 4 version set to be released in October. Partially because I hate the constant upgrading of PC hardware and mostly because I’m really curious to see how the Unreal 4-powered game looks on Sony’s hardware.
Granted, looks aren’t everything in my book. Great gameplay is always going to be far more important than pretty visuals at the end of the day. But it seems the dev team here is striving for both and if that trailers above and screenshot gallery below are any indication, succeeding in their mission.
The game’s story also makes me want to dive in feet first, so I’m avoiding reading anything else about the game until I get to take it for a spin myself. That said, if everything falls into place with this one, En’s big, deadly adventure could be one of the better original IP this year
Ah, high school days. The loads of homework, Salisbury “steak” and canned veggies for lunch, getting shoved into lockers by bullies, and that curvy teacher you’ve got a secret crush on transforming into a hideous axe-wielding demon-thing who will try really hard to chop you to pieces after hours…
Wait, what?
Okay, that last bit is why you’ll be way up too late on a school (or work) night and all bleary-eyed and freaked out in the morning if you’re playing The Coma: Recut. This remastered version of the Korean survival-horror cult classic, The Coma: Cutting Class manages to be pretty scary stuff from developer Devespresso Games and publisher Digerati. If you’re a fan of games such as Clock Tower (both the Super Famicom original and its first sequel on the original PlayStation), this one’s well worth snapping up.
Survival/Crafting games are a dime a dozen these days (or cheaper if you poke around at PC game bundle sites, heh), but a game like Teotl Studios and Grip Games’ The Solus Project manages to rise above the digital ton of games that are less “survival” oriented and more about scampering around shooting at assorted organic life with food and water meters acting like gas and oil tanks in an arcade racing game.
What’s here is a also a fine sci-fi adventure game where the environment on planet Gliese-6143-C is possibly your worst enemy, but other things can also do you in if you’re careless in your roaming. Interestingly enough, the game later dips a toe (okay, its entire being) into horror elements and the unsettling sense of dread the early exploration brings turns into moments where you might be too freaked out to take another step. That the game slides through a few genres along the way ends up being a nice touch because it’s completely unexpected.
Last year, the first chapter of Too Kind Games’ gorgeous, excellent and challenging platformer Pankapu made for a pretty captivating experience on PC and now it’s on PS4 as a complete game that’s equally beautiful and a must-play for genre fans. Bold, colorful visuals, blend with with solid, satisfying gameplay and an initially simple story that changes into more than the bedtime tale it starts out as.
Don’t let that stunning color palette and super-cute art here fool you one bit. This is a seriously tough game at times thanks to the dead-on jumping and combat skills you’ll need to succeed. Initially, you’ll play as a sword and shield-bearing warrior type, but Archer and Mage Aegis outfits eventually appear and add more combat variety as well as pros and cons. Swapping between all three Aegis types, often on the fly makes for some pretty fluid navigation when things go right. On the other hand, enemies and assorted traps can ruin a good run if you make too many mistakes. You will, trust me – Pankapu can be quite hard at times. I’m looking at you, Tokatanka (grrr!)
As a big fan of offbeat games and bizarre humor, Finish Line Games’ first-person 2016 adventure MAIZE was one of those instant must-play titles based on the concept alone. Well okay, I didn’t get to it until it hit PS4 this past week, but it was worth the wait. Sentient (mostly) British-accented corn created by a pair of not right in the head scientists, a cranky Russian-accented talking teddy bear and a silent protagonist out to figure out what’s going on? What’s not to love?
Of course, if you’re going into this game expecting something action-heavy with bouncy platforming and happy tunes to hum along to as you’re bouncing, you’re in the wrong game and should leave immediately before Vladdy finds out. He’ll just call you mean names and not let up until you split. That, and all the corn will ignore you and run off for a nap while you sit there looking for a “Jump” button. Everyone else, listen to Miss Davis below as you line up, single file for what’s to come:
If you’re going to play Clever Plays‘ excellent twin stick action/roguelike Leap of Fate, you’ll want to make sure your controller is either brand new or of recent vintage. The game requires such precise aiming and fast reaction times if you plan on succeeding and a too-well broken in controller can male an already challenging game even more so. Yours truly found that out within the first few minutes of play when my first character got wiped out because the left stick on my Dual Shock was a bit loose.
On one hand, my first hour or so was spent dying and retrying more than I wanted to even with what I thought were some decent skills gained from many previous retries. However, after borrowing a newer controller from a friend, the amount of deaths dropped dramatically (although I still got zapped by certain strong enemies or bosses and their cheap tactics). On the other hand, the game is actually set up so that you can gain from losing thanks to the randomly generated levels and mission types giving you decent goodies on occasion. Still, progression is what it’s all about at the end of the day and despite a few hiccups, what’s here can be pretty addictive.
At the climax of Billy Wilder’s brilliant 1950 film Sunset Boulevard, Norma Desmond (Gloria Swanson) pumps three slugs into Joe Gillis (William Holden), leaving his body floating in her swimming pool and shortly thereafter gives us a classic line of dialog as well as one of the best endings in movie history.
ARK: Survival Evolved is, in its own quirky manner, a digital Norma Desmond all made up and ready for her close-up and you’ll be playing the part of poor Joe Gillis, but in a remake of Groundhog Day with a hell of a lot more dinosaurs and without the romance angle. Translation: expect to die in this game. A lot. That out of the way, the sheer amount of things to do here makes it somewhat fantastic if you put aside a few nagging “warts and all” issues. Then again, hell, it’s basically like dumping all the best toys you ever had as a kid onto the floor and making the biggest, craziest “epic” playset you can think of. Except the toys bite back harder and might make you want to bite your controller in half on occasion.
Based on that last bit alone, Studio Wildcard‘s game is worth the $60 with a few caveats. On the technical side, expect performance highs (great looking creatures and often gorgeous environments) and lows (frame rate dips, assorted glitches, too tiny font text) along with plenty of patch updates (five since release day). Unlike poor Joe Gillis, the game is also bullet-proof (and unlike Norma Desmond’s career, critic-proof) thanks to a very dedicated legion of longtime players since it first appeared on PC as an Early Access game back in 2015 who don’t give a hoot what anyone says. The overall kitchen sink sandbox approach works quite well on one hand as the game is never shy about giving you a ton of choice in most areas. But yes, it’s a case where patience and even more practice is required in order to fully enjoy all the rides in this Jurassic Park meets Minecraft meets sci-fi/action survival hybrid.
Like your games of the semi-arcade space shooter variety with assorted adventure elements mixed in to shake things up? Want something that’s pretty cool but tough to play for a nice price? Well, step right up and snag a copy of Defenders of Ekron, currently available on PS4 and PC.
If you’re one of those gamers who won’t keep silent about some games being “too casual” these days, get ready for one that’s ready to get you jumping up and down on your controller if you’re that type of person. Well, PS4 controllers aren’t cheap, so maybe get one of these and keep it handy. Granted, the challenge is a welcome one overall if you’re willing to jump in and explore.
Mixing single player twin stick “bullet hell” shooting with a top-down view, gear upgrades and a few different styles of play is what keeps the game fresh. Chilean developer In Vitro Games has cooked up a pretty cool sleeper that’s well worth the price point. Somewhat like DOGOS and to some extent, the top-down levels in Thunder Force II, the ability to explore areas at will makes for a nice change of pace. Add in puzzle-themed missions, some great boss battles and a ton of other surprises and you get a game that’s pretty deep overall.
Warning: This review may be full of rock puns or something. Or not, as I’m writing this on the fly between campaign missions. Rock of Ages II: Bigger & Boulder is a must buy right out of the game if you love your games surreal, physics-based and packed with artistic genius that might roll over the heads of some gamers who won’t “get” the all-out insanity here at all. Granted, developer ACE Team has always gone out of its way to lace their games with stylistic influences that are far from the norm when it comes to pegging them with a particular style. But here, you get the kind of mind-bending overkill that’s constantly making you smile or burst out laughing because pulling off humor so well in a game like this makes it a total blast.
There’s a single player mode as well as co-op and online play for up to four. But at heart this is a spin on a few genres from racing to tower defense, to bowling with a dash of puzzle elements thrown in for good measure than can be fully enjoyed solo. Imagine if Rampart, Super Monkey Ball, and Marble Madness had a child raised on a steady diet of Monty Python animation while reading art history books for fun and you’re about a tenth of the way into what’s going on here. The game is also quite challenging and definitely not a cakewalk on the more difficult settings. That said, prepare to let the good times roll as you rock on with Atlas as he engages in rolling combat with assorted foes in not at all historically accurate settings.
Meanwhile, over at Legatus Laendur’s camp, the tactician supreme is fuming. The land of Fenumia has branded him a traitor to Princess Cecile, so he’s on the run with intent on crushing the empire and possibly taking over the kingdom. This begins Fallen Legion: Flames of Rebellion, a game that expands the story from Fallen Legion: Sins of an Empire on the PS4.
While the portable game has longer loading times and some slowdown to deal with, it controls and plays exactly the same. In other words, expect a challenging time indeed if you simply jam on the buttons thinking that’ll get the job done. Success here as in the other game demands precision and timing as well as learning who where and when to use your growing arsenal of moves on.