With Lost Dimension coming on July 28 to PS3 and Vita and yours truly almost done with his second play through for review purposes, it’s tough to keep from doing some bean spilling on what to expect from the game. Of course, you’ll have to chase me down and force a lot of real American dollars into my pockets just to get me to cough up the juicy details. I don’t carry change with me (the rustling of bills in a pocket hurts my follicles), so you’ll have to start with one hundred bucks at a minimum before I cough up some answers. But as I’ve already put a decent chunk of time into what’s here, let’s just safely say that the game has taught me how to lie very effectively. You may not get the truth out of me but you’ll at least get a convincing tale that will keep you entertained enough to believe every single word.
Of course, you just may bribe me and get nothing but dead air. Ever since I got my review code there’s been a black van outside my building with tinted windows and an ATLUS logo on the door. Methinks I’ll end up IN said black van if I talk too much.
Don’t plan on getting too attached to your party members in Lost Dimension, developer FurYu’s new RPG headed to the PlayStation 3 and Vita on July 28 from Atlus. Among the cast of powerful teen agents of SEALED are a number of traitors aligned with spiky-haired villain The End and the game rather effectively randomizes who those traitors are on each floor of the enemy packed tower you’re ascending.
While it’s yet another game in which Japan gets partially destroyed and it’s up to a cast of youths with special skills to save the day (and the planet), there’s an added layer of tension here that builds as your party gets whittled down based on your decisions. Even worse, choosing your allies based on how you as the person playing the game feels about them can have some pretty drastic in-game consequences.
Yeah, that’s right. In Lost Dimension you need to figure out who the traitors are in your party and eliminate them as you climb a deadly tower full of enemies. Why? Well, you’re saving the earth (maybe) and you don’t want to be stabbed in the back by someone you thought you trusted, that’s why. I’ll have a hands-on preview in a couple of days but let’s just say that “Trust No One… or Else” works well enough as a potential tagline here.
Here’s a little more about the game in the form of its E3 2015 trailer:
Now that your curiosity is piqued, you should probably know that Lost Dimension is headed to the PS3 and PS Vita on July 28, 2015 along with some nice free DLC for the first two weeks of its launch window. Atlus loves you, yes they do.
If you had the time and bandwidth this week you could have spend the better part of a few days watching Nintendo employees play a bunch of upcoming games at E3 that were part of their big puppet show press event. You also could have gotten to see at least one game not part of that family-friendly briefing that NEEDED to be given some mention outside the Treehouse Fatal Frame: Maiden of Black Water is coming this year, but you’d never know this if you only watched the main event. Anyway, the trailer is above and some 25 minutes of gameplay from the Treehouse trio is below. Listen for the warnings about the game’s content and prepare to chuckle a bit as the gameplay is a bit over-described yet is still unsettling. “Wetness Gauge” and all the uses of the word “creepy” made me crack up, but the game looks nice and scary where it counts and it’s absolutely not for the kids.
While this demo of Metal Gear Solid V: The Phantom Pain is incredible, not seeing “A Hideo Kojima Production” or his name (or his studio’s name) anywhere on the demo is a bit heartbreaking. Granted, Kojima does get credit for directing and editing the also great E3 trailer (which also has him properly credited as designer at the end):
But for some gamers the upcoming PS4/Xbox One/PC release itself may as well have “Alan Smithee” in the credits at this point. If you want a real laugh, watch the trailer with YouTube’s closed caption option set to ON. The messed up English that results is pretty damn funny considering the language being captioned in such a wacky manner IS English. Anyway, the game looks great and should sell quite well. But for some fans it’ll be a bittersweet play through with its creator ousted from what could be his best work.
My poor heart can’t take this suspense much longer. I know Avalanche Studios does some outstanding work and all, but this latest Mad Max game trailer is pretty damn spectacular, classic AC/DC tune and all. Even though the game isn’t anything close to a role-playing game, the open world and car customization are getting some fans to go a bit kooky making comparisons to Fallout 4 or other post-apocalyptic genre titles. I wouldn’t go that far with the comparisons but I’ll admit that this one will be a bigger game than some expect partly thanks to the success of the film. At least on the critical front as I don’t know what the box office take is to date.
Nothing much to say here other than Bethesda Softworks’ E3 lineup is small but spectacular even though I’m not completely sold on the mobile and free to play titles (because I’m old school stubborn like that but still respect them in the morning). Pull up a seat and something to eat as this is a nice lonng look at what’s coming this year and a bit beyond. I’ll run individual game trailers later this week. Okay, back to grinding my teeth and making pissed off faces at no one in particular. There’s still some work being done on the roof (which was supposed to end on the 5th of this month) and an inspector is coming to look at a wall that’s become a bit of a mess in the home office, grrrrr.
Tomonobu Itagaki’s Valhalla Game Studios has been busy getting its Wii U exclusive Devil’s Third ready for prime time and the game finally has a release date. Well, provided you’re in Japan (August 4, 2015) or Europe (August 28, 2015). I’d speculate that Nintendo of America will drop the North American date at E3 next week as well as show more gameplay footage, but we’ll see what’s what then. I have a feeling they’re translating that video above into English as it covers both the single and multiplayer modes as well as shows off how the gae has changed for the better since last year.
In the video Itagaki goes from game creator to extolling the virtues of the upcoming title in his trademark manner. Even if you don’t speak Japanese it’s a compelling video because of the man’s rough voice and distinctive look he’s kept for ages. The very bloody M-rated action game is certainly not for all tastes but it’s good to see the Wii U getting another game that’s not another family-rated party fest. The console needs quirky, funky games like this to show it’s not an “underpowered kid’s toy” as I’ve heard it described at a certain game shop around here.
Granted, it’s tough to say exactly how many fans of this over the top action game actually own a Wii U. On the other hand, I’m betting fans of Bayonetta 2 will be all over this game because that was another Nintendo exclusive that’d drove a few gamers to take the plunge and buy a console because it was the only one the game appeared on.
Well, now. I wasn’t at all a fan of the idea of a CG movie featuring these characters so the tagline “The Game Based On The Movie Based On The Game” made me cringe before I finished reading it. Nevertheless, all it took was one look at that trailer and later, the gameplay video below to change my mind. Mostly. Granted, Rainmaker Animation is certainly a talented group of folks and based on that E3 trailer from last year, they’ve certainly captured the spirit of the characters. Interestingly enough, pre-orders for the game are already being taken on a few sites despite not even the developer knowing what the price point will be.
That said, the big question is do we really need a movie at all? Insomniac Games is doing its best work on the PS4 to date with this remake/reboot, so there’s no question that will sell like hotcakes next year. But I don’t think the non-interactive movie will be as interesting to some gamers who don’t like sitting on their cans for an hour forty five or whatever NOT holding a controller in their hot little hands. Hell, people complain about cut scenes in games if they run over two minutes long. So having what amounts to an extended advertisement for the new game (and the PS4) may be seen as overkill to a bunch of folks who might skip paying for a ticket in favor of not so legally viewing the film once someone puts it online.
Eh, we’ll see what happens. I’m betting the critics who aren’t into games at all won’t get this much other than to lay praise on Rainmaker’s animation and storytelling. But what do I know? I’m the nut who wants a full on Disruptor remake. For the Vita. Yikes!
Atlus and developer ACE team are going to make some of us well-aged “B” movie fans really happy soon. The Deadly Tower of Monsters is coming to PC and PlayStation 4 soon and it looks like a total camp classic that captures the weird spirit of plenty of well-aged flicks that made for some fun weekends in front of the tube way back when. I’m gathering the humor will be lost on the more jaded gamers of today or those expecting new games to all look the same with super-shiny realism all over the place.
Nope, you’re not getting that here at all. TDToM seems to be presented from a mostly isometric perspective so comparisons to something like Diablo III or Gauntlet will no doubt be made by some. I’m liking the wires on that rocket above, the intentionally choppy stop-motion dinosaur and the super-colorful graphics while hoping there’s an optional black and white mode in the mix somewhere.
As I won’t be at E3 this year, I’m not going to be getting any hands-on time with the game (boo!). But I’ll keep an ear to the ground and keep an eye peeled for videos of gameplay because this one sure looks like something I’d play to death and beyond. Now, if only it was coming to more consoles. But I guess we’ll see what happens if it does well enough to expand onto more systems. As usual… we shall see.