Random Films of the Week: Some Clock Cleaning Before Things Go Cuckoo

Hey, it’s not Friday, but it may be by the time I complete this post. Anyway, here’s a few more films I finally sat down and watched. It stinks not having a flick watching partner to bounce things off of, but so it goes. I suppose a resolution can be made to rectify that, but you all know that sort of pressure makes for an often crappy time when you go rubbing lamps hoping for the correct results (he noted, cackling madly). Anyway, some of these were screeners, a few were bought for the library and almost all come recommended for assorted reasons.

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Suture – It’s a gimmick film with one huge gimmick, but it’s a good one and writer-directors David Siegel and Scott McGehee do a decent Hitchcock riff on a few fronts with this thriller/mystery mash-up. Shot in glorious black and white with a solid as a rock cast, this is one of those indie films that packs a wallop and isn’t afraid to use your brain as its target. The interesting thing is the film also works without the gimmick as a pure thriller, so you can indeed re-watch this and see it from a different perspective.

I saw this a few times in theaters back in 1993 and later on cable and it still works as a great little film worth tracking down. Arrow Video’s restoration job is great and you get way too many bonus features that make this an automatic buy right out of the gate.

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Random Films of the Week: Disk-y Business

Yeah, yeah. I’m still alive. I’ve been in a bit of a personal and creative funk for a few key reasons, some of which are health related with the rest fall squarely into the Nunya Bizness section of the classifieds. In any event, watching the news has been detrimental to my mental, but it’s a case of not knowing what’s going on is far worse than shoving one’s head into the sand. The problem here is the too smart for their own good “political junkies” posing as journalists tend to treat this all as a big, fun horse race crossed with story time and it’s a failure of  insane proportions because no one seems to want to interrupt that yakky daily narrative and let all the shoes that need to drop do so when the appropriate truths are revealed.

In the meantime, I’ve been dipping into my Blu-Ray and DVD backlog when I’m not gaming or too depressed after watching the latest soliloquy from some news show hosts who’d make perfect babysitters because after 20 minutes of them blathering away on some otherwise well-written preamble, I’m ready for a nap. Anyway, enough perambulating around myself – let’s go to the movies!

Ruby 1Ruby – Not to be confused with Abby (which NEEDS a full on restoration one of these days!), this interesting but flawed Piper Laurie vehicle is an odd bird that combines supernatural revenge horror elements. mild gore and a bit of demonic possession lifted from The Exorcist, albeit not all that well. Curtis Harrington’s 1977 flick does have its moments, but you’ll need to tap yourself on the skull with a small hammer when the film starts going off the rails with the plot contrivances.

VCI’s restoration job is decent but not flawless (kind of like the film) and the Blu-Ray/DVD combo means you can keep one disc in that old player you’ve kept around just in case you need it. What, you don’t own a second disc player? Eh, whatever. Just pretend you do for my sake. Or hell, you can give a friend one and keep the other unless you just buy the plain DVD release if you’re that stingy.  Either way, VCI will be happy.

 

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Blu-Ray Review: The Apartment

The Apartment BRI’d forgotten Billy Wilder’s forever brilliant The Apartment was a perfect seasonal movie for those of us isolated types looking for a lift as well as anyone else who has cold and loathsomely lonely winters. Granted, the first time I saw it (I think I was maybe 10 or 11), I was too young to understand much of what was going on. During these darker days as I age none too gracefully, Jack Lemmon is sort of my spirit animal, so this five Academy Award-winning film has become a personal favorite.

Poor C.C. Baxter (or “Bud” to some) toils away at his data collection job at a huge New York City insurance firm, often keeping late hours with no overtime thanks to his nearby apartment being used as a hot spot for a trio of philandering company executives, Mr. Dobsich (Ray Walston), Mr. Eichelberger (David White), and Mr. Vanderhoff (Willard Waterman). Baxter is hoping to climb the corporate ladder a bit faster by doing this (yes, he even has a calendar to keep track of who gets his place and when). But he’s also so accommodating that he even cleans up afterwards and takes suggestions from his cheating superiors such as restocking his liquor supply and buying cheese crackers without asking for a dime in return. Things get even more complicated after the big boss Mr. Sheldrake (Fred MacMurray) gets wind of Baxter’s bachelor pad and dangles a big promotion over his head if he can get access to the place for his own affair. Baxter agrees to the trade, but finds out that Sheldrake is romancing Fran Kubelik (Shirley MacLaine), the cute elevator girl he’s been chatting up.

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Blu-Ray Review: PULP

PULP_BRFinally seeing PULP was a bit of a revelation for me. This tonally almost polar opposite of 1971’s Get Carter brings together writer/director Mike Hodges, Michael Klinger and star Michael Caine in a pretty unusual black comedy/crime story, newly restored by Arrow Video with a few nice special features. You’ll also get to see Mickey Rooney in his underwear (eek!), some fine supporting roles from Lionel Stander, Al Lettieri, and Nadia Cassini, with a too brief appearance by Lizabeth Scott in her final film role.

Caine plays Mickey King, a writer of pretty tawdry crime novels who gets the call to ghost write the life story of Rooney’s pint-sized Preston Gilbert, a former movie star with organized crime connections that come back to bite him hard. With his cheap, bland corduroy suit and middle-aged dad body, King still gets by with the ladies and his writing is so terribly risqué even the male owner of the typing pool churning out his latest novel slips him his home number. Mickey is thrust into the film’s events after he gets that Gilbert gig and things start falling apart as a few bodies fall before the credits roll.

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Blu-Ray Review: J.D.’s Revenge

JDR_AV110Automatically calling Arthur Marks’ J.D.’s Revenge a mere “blaxsploitation” film before viewing the end result actually puts it in the wrong category because it works a bit more outside that box you’ve put it in. Sure, it’s got a mostly black cast, some violent bits, blood and some nudity to draw in genre fans. But it’s also a supernatural revenge flick that kind of makes sense despite a few plot elements that fall on their faces. I wouldn’t call it a “pure” horror film per se, but I can see some folks who tend to freak out over mysticism in their movies falling for the film’s attempts to frighten them whenever it gets the opportunity.

That said, you do have to feel sorry for poor Isaac Hendrix (Glynn Turman), a law student in New Orleans who ends up getting hypnotized while out on a night of fun with his wife Christella (Joan Pringle) and another couple. That hypnosis somehow summons up the spirit of the late J.D. Walker (David McKnight), a not so nice street hustler type with a scar on his face and a penchant for straight razors as a means of protection. J.D. wants in on Ike’s scrawny body so he can finally take revenge on the man who killed him and his sister, Betty Jo. Naturally, vengeful spirits tend to not care much about collateral damage, so Christella is the first victim to Ike’s possessed form as she’s in the wrong place when J.D. materializes and takes over.

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Blu-Ray/DVD Review: Satan’s Cheeerleaders

SC_VCI9032If you’re of a certain age (mine or slightly younger), you’re probably not watching Satan’s Cheeleaders for the acting (which is hammy bologna on white bread) or the old movie stars slumming for their paychecks. You’re very likely watching this slice of American cheese for the titular cheer squad and maybe to see where this Satan stuff goes with a cast partly made up of well-known actors close to the ends of their careers and partly made up of new to the business nubile tart types and a few unsexy dudes who pop up that are supposed to be on a college football team.

Well, friends – you get a proper dosage of tame 70’s nudity, but nothing at all indecently overexposed, a paper-thin plot that doesn’t hold up to a soft breeze and some muddling around with mysticism before a somewhat crummy finale that leaves a few things hanging. The sole notable things here are those slumming for paychecks stars (John Ireland, Yvonne DeCarlo, John Carradine) who have not much else to do except hit their marks and react to whatever they need to react to. That said, the film seems to aim for more of a campy feel that keeps things light and airy (or air-heady), and that’s fine with me.

Well, to a point.

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Mail Call 2: Movie Nights, Endless Version

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Eep. The backlog gets bigger with some nice entries to the library. Yeah, I’m old and have very varied tastes in my viewing preferences, so what? Anyway, reviews will go up as I get to these and a stack more discs I’ve gotten that need to be watched. Keep, ’em, coming, folks. I do need a decent movie watching pal, I’d say. Not that it’s boring watching movies at all, but it’s just nice to have someone to bounce commentary off between films. Eh, whatever. Off to do some eyeball exercises and catch up on classics and non-classics alike. Back in a bit.

-GW

Blu-Ray Review: Blood Feast/Scum of the Earth

Blood Feast_AV107So, officially (to me, at least) Blood Feast isn’t a “Halloween” movie at all – it’s more of a big, plump Thanksgiving Day turkey surprise. Under-cooked enough to give you a terrible gut-ache, but stuffed with tasty treats for those willing to push on and make it to that pumpkin pie and ice scream. And yeah, you’ll scream maybe a few times too many if the late H.G. Lewis’ classic 1963 gore-fest isn’t up your alley, but it’s the film’s campy pull wrapped in that grue brew that makes this one entertaining.

Fuad Ramses (Mal Arnold) just so happens to be the caterer chosen by wealthy suburban mom Dorothy Fremont (Lyn Bolton) to cater a party for her pretty young daughter, Suzette (Connie Mason). Little does Mrs. Fremont know she’s hired a somewhat criminally insane man with a bit of a strong desire to chop up a bunch of nubile young ladies and use their body parts as sacrifices in order to resurrect the Egyptian goddess, Ishtar. Mua-ha-ha-haaa! I’m telling you, though – those damned eyebrows Ranses has would make me NOT want to hire him because they look like chalk-outlined squished caterpillars on his face. Now, go drink some recently cooled molten iron to coat your stomach while I spill out some more gory details on this gem.

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Blu-Ray Review: The Legend of the Holy Drinker

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Based on Joseph Roth’s 1939 novella, Ermanno Olmi’s 1988 film, The Legend of the Holy Drinker is about as good as it gets if you’re looking for a bottle of melancholy to sip and sit with that’s also a fine whine of meditative work featuring a flawless performance by Rutger Hauer as the titular homeless drunkard, Andreas Kartack. The film’s somewhat romanticized but still realistically grimy Paris (which looks lovely that way) works well as a character of its own with a solid cast that helps create some of the drama and dilemmas Kartack faces after a stranger gives him 200 francs with the simple request that he repay it by donating the money to a local shrine.

Kartack ends up running into what could be called a run of really good luck for a homeless guy who sleeps under a bridge as in no short order he finds a temporary job, affords himself a few necessities such as a shave, decent food, and the company of women. But his drinking gets in the way of his quickly repaying the loan as does part of his past when he meets up with the lovely Gabby (Sandrine Dumas), a woman he’s got a particularly messy past with. Saying more would ruin the film’s quiet surprises, but Olmi’s assured direction flows along with the wine and supporting actors as Kartack’s luck swings in a few directions.

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Blu-Ray Review: Children of the Corn

COTC_AV106Back in 1984, I didn’t see Children of the Corn because if I’m not mistaken, I believe I was “Stephen Kinged Out” by so many adaptations of his work popping up in theaters and not being all they could be. Amusingly enough, when this screener of the nicely restored 2K version popped up from Arrow Video in my mailbox, I’d actually been thinking about films made from King’s novels and short stories thanks to the recent arrival of IT into theaters.

I’d read a long time back that King wasn’t too fond of director Fritz Kiersch’s film partially thanks to the rewritten script by George Goldsmith altering and adding elements to King’s original short story. Let’s just say that the end result is a mixture of good intentions and lousy cost-cutting and leave it at that. Well, okay – that would mean this review would end at that last sentence, so I’ll elaborate if you care to read any further.

The best things about the film are the principal actors giving it their all, a few very effective shots and a nice reliance on “less is more” when it comes to onscreen violence. The worst things are some truly crummy visual effects that weren’t good back in 1984 (and really stink now), the abrupt ending that feels as if was added in post-production and the addition of two annoying kid characters (and a voice over narration) that give the film a sappy gloss that lessens the horror factor geometrically.

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