In a new interview included on this superb Arrow Video release, director Dario Argento notes he initially didn’t much like his second film, The Cat O’Nine Tails partially because it felt “Too American” Interesting, but in a way, I’d say he’s correct to a degree. That said, as a followup to The Bird With The Crystal Plumage, the film pushes some of the right buttons it needs to while providing a pretty impressive murder by onrushing train scene early on that’s still pretty awesome even when you find out how the trick was done.
That “Too American” comment is very likely about the two Americans playing key roles in this film, James Franciscus and Karl Malden. Both give solid performances in film that’s a bit slower in pacing than Bird was, but has a few tense moments that liven things up. Malden plays Franco Arnò, a blind former journalist who lives with his young niece, Lori (Cinzia De Carolis). The pair are out for a nighttime stroll when Franco overhears a bit of a conversation from a parked car they’ve passed. It later turns out a nearby genetics lab has been broken into and onto the scene the next day arrives Carlo Giordani (James Franciscus), a reporter who ends up bonding with Franco. The two men set out to solve the case, but yep, there’s a murderer on the loose connected to the theft and he’s got his sights set on not only the two men, but little Lori as well.


I’d forgotten Billy Wilder’s forever brilliant
Finally seeing
In its current state, Justice League both looks and feels like an incomplete film that should have gotten its release delayed simply in order for the creative team to make a more entertaining (and more polished) experience. As it stands, this hunk of colorful, expensive fluff will no doubt still make a good chunk of its money back and also get a home video release about three months or so from now in an “extended cut” that, like the extended disc versions of Suicide Squad and Batman v. Superman: Dawn of Justice should have been the version people are paying to see in theaters. Well, not that longer versions of either helped much thanks to their plots being way too full of hard to fill holes.
Yep, I’m calling it now.
Automatically calling Arthur Marks’
So, officially (to me, at least)
Having had items stolen from me in the past, I’m not at all a fan of thievery as a *proper* lifestyle choice (grrr!). That said, it’s hard to pass up a good (fake) crime caper and Jules Dassin’s wonderful, amusing 1964 film
What do you do after making one of the most influential horror films ever? Given that George Romero really didn’t have much of a clue that his first film, Night of the Living Dead would become such an essential genre masterpiece, the director went on to make a few different films between 1971 and 1975 that were either interesting failed experiments or more polished but flawed films all worth a look. Arrow Video has restored and collected three of Romero’s post-NOTLD works in