Platform: PlayStation 3
Developer: Access Games
Publisher: Rising Star Games
# of Players: 1
ESRB Rating: M (Mature)
Score: A- (90%)
Just like its original incarnation as an Xbox 360 game, Deadly Premonition: The Director’s Cut is a victory of surprising supernatural and surreal substance over what’s expected by some as visual “style” in a game this generation, and that’s exactly what makes it just as much fun to play as before. Actually, better aiming, vehicle controls and a handful of PS3-specific features make this the content superior version, as do the new brief movie segments that add a tiny bit more lore to the story. The frame rate takes a dip here, but this new “flaw” actually adds an even more dreamlike quality to the game and definitely isn’t as bad as some have noted. I’d gather some new players won’t notice it all that much because the game’s general weirdness in every area demands and commands one’s complete attention. Continue reading

Since I’m feeling sick as a dog today, I’ll share the wealth (without making your temperature go up to stay in bed levels) by getting you a bit queasy with this rather wretched 1980 sci-fi/ “horror” film that completely wastes the talents of too many good people and is so surprisingly awful that anything resembling a proper remake would require the invention of a mass mind-wiping machine PLUS time travel so you could stop the original from being made.
Yuk. So, I’m a bit under the weather today thanks to too many people in a few places I drop into for some wi-fi time being too generous with their germs. Bleh. I hate having a cold or whatever this is in such nice weather, but I’ll need to resist the temptation to start carrying around a paddle to whack those public sneezers and wheezers on the back of their head while telling them to stay the hell home if they’re not feeling well. Especially when there’s a table full of them all yakking about their symptoms and what meds they’re taking while still under the spell of what’s laying them low…
For years, I disliked most of Clash of the Titans because by 1981, I’d thought I’d outgrown the type of work Ray Harryhausen was doing and it seems that, despite the film’s OK success at the box office, some movie audiences just weren’t into so much classic stop motion animation in such a large scale film either.
When I was a wee bairn, I actually went to two different schools where some kids thought this 1967 film was based on actual facts and at least one really deluded kid thought it was a documentary. Seriously. My ears still spin in opposite directions thinking about that, but I digress. You’re either watching One Million Years B.C. for its faux historical value, Ray Harryhausen’s excellent dinosaur effects or Raquel Welch with a side order of Martine Beswick in that cave gal cat-fight sequence. Don’t deny it, now…