
Now, that’s a title screen, Isn’t it?
Amusingly enough, I was wearing a Famous Monsters of Filmland T-shirt I got as a gift when I ran into an older neighbor in the supermarket last week who mentioned that as a kid, her parents took her to see Horror of Dracula back in 1958. She was only 8 years old, but was a big fan of sci-fi and horror movies, noting her parents were as well, and they’d make trips to the movies regularly. She noted she couldn’t sleep for about a month or so, but not because of Dracula, mind you, as (spoiler!) he’s as dead as a door nail at the end of the film (well, until his revival in the next films), but because of his brides.
She was convinced they were going to come after her for some reason and I noted that I’m sure many people who’ve seen this film sure as heck wanted a nibble on the neck from any of the lovely ladies in that film, vampires or not. Maybe even a few too many nibbles.
She laughed, and said “I know, but there was one in particular… what’s her name? The one that looked like a cat?” I thought for a few seconds and guessed correctly it was Andrée Melly, who indeed did look like a cat, and yes, briefly played that favorite bide of too many others as well. The neighbor let out a loud laugh. “Well that was fast! I guess she made an impression on you, too!”, which made me laugh as well, as there’s a pun in there she didn’t realize she was making. Anyway, we chatted a bit more and I helped her get a big aluminum baking pan off a high shelf for the ham she was making, as family was visiting that weekend. She paid for her groceries and left with a wave, thanking me for jogging her memory.

Meow! Careful. I hear she bites…

I sure wish director 




From the moment you hear Bernard Herrmann’s outstanding main theme that sets up the thrilling adventure ahead, director Nathan Juran’s The 7th Voyage of Sinbad sets itself squarely in fantasy film history as a true classic. Of course, having Ray Harryhausen on board and in full charge of the film’s effects work at the height of his talents makes this one an absolute must-see as well as one of the best genre films ever made. It’s a perfect blending of talents by all involved and it’s probably the one film Harryhausen worked on I’ve seen the most times as have many who’ve been influenced by it over the decades. This film was yet another hit for Harryhausen and producer Charles H. Schneer and also introduced the word Dynamation into the movie lexicon (later rechristened “Super DynaMation” and later, “Dynarama”), which amusingly enough, ONLY refers to the stop motion technique the master perfected over time and became an immediate means of letting his fans know who was behind the visual effects in that latest cinematic treat they wanted to catch…