Review: Leap of Fate (PS4)

 

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If you’re going to play Clever Plays‘ excellent twin stick action/roguelike Leap of Fate, you’ll want to make sure your controller is either brand new or of recent vintage. The game requires such precise aiming and fast reaction times if you plan on succeeding and a too-well broken in controller can male an already challenging game even more so. Yours truly found that out within the first few minutes of play when my first character got wiped out because the left stick on my Dual Shock was a bit loose.

On one hand, my first hour or so was spent dying and retrying more than I wanted to even with what I thought were some decent skills gained from many previous retries.  However, after borrowing a newer controller from a friend, the amount of deaths dropped dramatically (although I still got zapped by certain strong enemies or bosses and their cheap tactics). On the other hand, the game is actually set up so that you can gain from losing thanks to the randomly generated levels and mission types giving you decent goodies on occasion. Still, progression is what it’s all about at the end of the day and despite a few hiccups, what’s here can be pretty addictive.

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VCI’s Fall 2017 Lineup: Eclectic, To Say The Least

VCI logoVCI Entertainment has been around for decades (I’ll let you read their “About Us” page at your leisure) and with a library of over 5000 titles from vintage to modern in nearly every genre available in physical, download, or digital rental format, you’ll very likely find something to watch.

The company’s fall 2017 lineup is a small but nice one with a bit of horror, history and a little rock ‘n roll to get the neighbors out of bed and pounding on your door late at night if your TV is up too loud. Hmmm… perhaps they’re all bringing over some popcorn and beverages so they can join in on the fun at that hour… as they’re not getting in otherwise. Anyway, let’s take a peek at what’s coming below the jump.

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Just An Update Or Two

“When you wake up and the world hasn’t ended, that’s at least good enough for a second cup of coffee.”

Ah, senior citizen logic. No, not from me, silly. Some older guy in the elevator here spontaneously said that the other day and it made me laugh out loud. Anyway, it’s kind of busy on a few fronts these days, but yeah, yeah – more reviews are incoming.

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This one’s fun and weird so far, so heads up if you like those Idea Factory/Compile Heart dungeon crawlers that borrow heavily from the classic Wizardry series while adding a few interesting JRPG twists. There are a few other (mostly) RPG-related reviews coming as well, but we’ll get to them over say, the next week. It’s tricky to make it through some recent games where you’ve got cut scenes that feature a novel’s worth of text with a novella of lore to wade through and you want to read every word.

I’ve been plowing through a stack of movies as well so my to-do pile is now a comfortable collection I can stroll past without feeling like I have to watch a film or three I’m not in the mood for. Amusingly enough, I’ve been stacking by genre and country, so you may see a few too many posts in a row about Japanese, Italian, or French films I’ve received. Or not, as I’m playing this my ear at the moment.

Was that a Blue Velvet reference? Oh, I don’t know. I think I need a new nap or something. Back in a bit.

-GW

Blu-Ray Review: The Ghoul

The Ghoul_AV103Psychological thrillers can sometimes be an unintentional mixed bag, (no) thanks in part to a certain segment of the moviegoer audience who want everything explained to them in easy to digest (and too easy to debate after the fact) format. If this core doesn’t “get” a film’s intentions, they’ll pounce and trounce it online despite some fine efforts by the filmmakers and solid work by its cast.

On the other hand, those who love these “pay attention” films will very likely have a grand time with Gareth Tunley’s The Ghoul and its troubled lead excellently played by Tom Meeten (Sightseers). For a super-low budget film, there’s a lot of impact in the visuals as well as a compelling power to the plot and acting that add that extra kick to things. It’s also a film where you’ll find a few similarities to other memorable psychological thrillers from the past while appreciating the twists and turns Tunley and company bring to the table in the present. It’s also one of those films where telling too much of the plot kind of ruins the experience, so a bit of vagueness is in order here.

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Review: ARK: Survival Evolved (PS4)

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ARK_artAt the climax of Billy Wilder’s brilliant 1950 film Sunset Boulevard, Norma Desmond (Gloria Swanson) pumps three slugs into Joe Gillis (William Holden), leaving his body floating in her swimming pool and shortly thereafter gives us a classic line of dialog as well as one of the best endings in movie history.

ARK: Survival Evolved is, in its own quirky manner, a digital Norma Desmond all made up and ready for her close-up and you’ll be playing the part of poor Joe Gillis, but in a remake of Groundhog Day with a hell of a lot more dinosaurs and without the romance angle. Translation: expect to die in this game. A lot. That out of the way, the sheer amount of things to do here makes it somewhat fantastic if you put aside a few nagging “warts and all” issues.  Then again, hell, it’s basically like dumping all the best toys you ever had as a kid onto the floor and making the biggest, craziest “epic” playset you can think of. Except the toys bite back harder and might make you want to bite your controller in half on occasion.

 

 

Based on that last bit alone, Studio Wildcard‘s game is worth the $60 with a few caveats. On the technical side, expect performance highs (great looking creatures and often gorgeous environments) and lows (frame rate dips, assorted glitches, too tiny font text) along with plenty of patch updates (five since release day). Unlike poor Joe Gillis, the game is also bullet-proof (and unlike Norma Desmond’s career, critic-proof) thanks to a very dedicated legion of longtime players since it first appeared on PC as an Early Access game back in 2015 who don’t give a hoot what anyone says. The overall kitchen sink sandbox approach works quite well on one hand as the game is never shy about giving you a ton of choice in most areas. But yes, it’s a case where patience and even more practice is required in order to fully enjoy all the rides in this Jurassic Park meets Minecraft meets sci-fi/action survival hybrid.

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Some Kiwami Films For Yakuza Fans

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With Yakuza Kiwami out now and hopefully selling well for Sega as an evergreen title into the future, overall interest in the long-running series over the past few years seems high enough that I’m thinking some of you folks might be interested in a few of the many Japanese gangster films out there. If you’re new to them, this very short list of recommendations may pack a ton of surprises on a few fronts.

If you’ve played Yakuza 0, Yakuza 4 or more recently, Kiwami (which means “extreme” in Japanese), you’ll very clearly see cinematic influences in abundance throughout the series. Even though the games are set in a more modern version of Japan, most of these films have very similar scenes that show how in general, some criminal behavior never really changes and it’s quite a draw for some who choose to live that lifestyle despite the risks.

Anyway, just step into this alley over here and I’ll set you up right… or set you upright after setting you up, right?

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Cops Vs Thugs * – Prolific director Kinji Fukusaku made a number of great yakuza-themed films, but this 1975 gem is probably his best. Notable for a brutal interrogation scene where an actor playing a gangster is actually beaten by actors playing crooked cops (the rehearsal footage is included as one of the bonuses), that scene is somehow very tame once added to the assorted forms of other violence on display.

When crooked but loyal to a fault cop (Bunta Sugawara) and his equally crooked and loyal to a fault Yakuza pal Hirotani (Hiroki Matsukata) clash with a gung-ho young detective who wants all corruption purged from the force, plenty of mayhem ensues. There’s not a dull moment at all here and it’s also a case of seemingly minor characters having major roles as the plot twists pile up.

Fukusaku’s candid camera catches it all, sometimes tilting mid-action during certain scenes and freeze-framing during others for added emphasis. The imminent threat of random violence and no clear black and white heroes makes you almost root for both sides. But you’ll see that there’s no winners here when all is said and done. This one’s a must despite the kind of goofy title as well as a great way to embellish your Kiwami experience outside the game.

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Review: Night Trap: 25th Anniversary Edition

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Good luck finding one of these, folks!

NT_tinyPlaying Night Trap after about 15 or so years away from any version brought back a few sour memories. Not those about the game’s campy/cheesy vibe and still somewhat clunky gameplay that’s better if you don’t use a walkthrough to blow through your purchase within the first hour of the day you buy it.  Nope, I ended up thinking too hard about how a bunch of overly zealous politicians lied their asses off to the public (and themselves) about an intentionally silly videogame being a potential root cause for real-life violence and mayhem.

Just as they did with comic books, Dungeons & Dragons, and Hollywood movies before that (I’d include Prohibition in this as well, but let’s not get too carried away today), Night Trap was made an easy scapegoat back in 1993 along with Mortal Kombat and a few other games deemed inappropriate for kids who very likely knew they weren’t being brainwashed into axe murderers en masse. As a result, it ended up selling out in spots, was briefly taken off the market but eventually reemerged on 3DO, Sega 32X, MS-DOS, and Mac OS, turning absolutely no one into a sex fiend or blood-lusting serial killer (well, the last time I checked, at least). In terms of the remaster/re-release, Screaming Villains has definitely delivered the definitive Night Trap experience, which is kind of like saying you’re getting dented canned tuna for dinner, but it’s the best damn dented canned tuna you can buy.

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Blu-Ray Review: Brain Damage

BD_AV090 (Custom)I somehow missed out on Frank Henenlotter’s Brain Damage when it was first released back in 1987, but it’s been on my very long list of films to see for quite some time.  Arrow Video’s recent restoration is pretty awesome and is filled to the brim with some great bonus features. Depending on your tastes this is one of those outrageously creative films that you’ll love or hate, but like Henenlotter’s other exploitation flicks (the three Basket Case movies, Frankenhooker, Bad Biology), your best bet is to jump in feet first and enjoy the wild ride.

When a somewhat phallic-shaped brain-eating parasite named Aylmer (or Elmer) escapes from the apartment of the elderly couple keeping it as a twisted addiction source and ends up a few doors away with a new host, Brian (Rick Herbst), things get gory quite quickly. The old couple had been feeding Aylmer fresh from the meat market calf brains thinking they could sate his hunger, but you know how these things go in movies like this, right? Yes, there’s an explanation for how the parasite ended up in the apartment of that couple, but that comes later on in the film and I’m not telling.

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Blu-Ray Review: The Big Knife

The Big KnifeAA014One of those interesting “message” pictures of the 50’s, Robert Aldrich’s 1955 filmed version of Clifford Odets’ 1949 play The Big Knife works pretty well as a sort of riff on Sunset Boulevard, packing in mostly solid performances from a fine cast. Yes, there’s a certain “stagey” feeling to the film as well as a few scenery-chomping bits colliding like lumbering wrestlers in a busted ring. But it works well enough to leave an impression with a few memorable “noirish” scenes that make for a powerful viewing experience.

Jack Palance (trust me, just roll with it and it works) is Charles Castle, hot Hollywood hunk with a particularly pernicious problem. He’s set to sign a seven-year contract extension with studio head Stanley Shriner Hoff (Rod Steiger in full tilt gloriously nasty mode), but his wife Marion (Ida Lupino) has had it with Charlie’s womanizing ways which obviously threaten their somewhat busted marriage and properly raising their young son. As the film begins, the harried couple is estranged and already living apart, but Charlie is constantly working “hard” on keeping the rubble of their happier days somewhat upright. Charlie also finds out Marion has an open marriage proposal from Horatio “Hank” Teagle (Wesley Addy), something that annoys him to no end because he’s something of a hypocrite.

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Review: Rock of Ages II: Bigger & Boulder (PS4)

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Warning: This review may be full of rock puns or something. Or not, as I’m writing this on the fly between campaign missions. Rock of Ages II: Bigger & Boulder is a must buy right out of the game if you love your games surreal, physics-based and packed with artistic genius that might roll over the heads of some gamers who won’t “get” the all-out insanity here at all. Granted, developer ACE Team has always gone out of its way to lace their games with stylistic influences that are far from the norm when it comes to pegging them with a particular style. But here, you get the kind of mind-bending overkill that’s constantly making you smile or burst out laughing because pulling off humor so well in a game like this makes it a total blast.

There’s a single player mode as well as co-op and online play for up to four. But at heart this is a spin on a few genres from racing to tower defense, to bowling with a dash of puzzle elements thrown in for good measure than can be fully enjoyed solo. Imagine if Rampart, Super Monkey Ball, and Marble Madness had a child raised on a steady diet of Monty Python animation while reading art history books for fun and you’re about a tenth of the way into what’s going on here. The game is also quite challenging and definitely not a cakewalk on the more difficult settings. That said, prepare to let the good times roll as you rock on with Atlas as he engages in rolling combat with assorted foes in not at all historically accurate settings.

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