Review: Where Are My Friends? (PS4)

Posted on April 18, 2018 by geelw

Don’t let the childlike look of its hand-drawn visuals fool you one bit. Where Are My Friends? ($5.99) is going to absolutely break those gamers out there who take it for a spin expecting an easy Trophy hunt. Between the wordless storytelling that requires paying full attention when exploring the game’s point/click adventure segments, to some insane platforming sections, this one’s a hardcore challenge well disguised as a more light, family friendly affair. Actually, it may take an entire family to complete some of the fiercely tough sequences here, so get everyone together and maybe even the family pet can even give this a shot after everyone else fails.

My own reflexes aren’t as sharp these days, so at one point after discovering the somewhat challenging (okay, brutal) platforming sections, I actually made a phone call, packed up my PS4 and hoofed it over to a friend’s place so his 11-year old kid could do what I couldn’t. Let’s just say that kid earned his free pizza after that, but he also wanted me to note (and I quote): “This is one of the most crazy games I’ve ever played in my life, and I’m only 11! You should pay me more next time!” Hey, kid? There won’t be a next time (until the next time I get a game like this), and you didn’t get paid, per se (don’t child labor laws prevent that sort of thing?) . You’re a ringer, pal – you’re supposed to do your thing, do it well and zip it. Well, I didn’t say that, but I’m thinking he’s now thinking he’s getting pressed into service whenever I need some game-related help.

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Figment – Music to the Ears (and Eyes) Headed to Switch

Posted on April 17, 2018 by geelw

With all that’s going on these days, stressful times call for less stressful entertainment and thankfully, we have games such as Bedtime Digital Games’ multiple award-winning indie musical adventure Figment to help lighten the daily load somewhat significantly. The formerly PC/Mac/Linus-only game is headed to Nintendo Switch on May 31, 2018 with PS4 and Xbox one versions to follow. Check out that trailer below, won’t you?

Charming, right? For some reason, the art style reminds my well-aged brain of George Herriman‘s wildly imaginative Krazy Kat, so this one is going to get looked at with a smile if the gameplay is appropriately invigorating. Keep an eye peeled for this one on the eShop and later, PSN and Xbox Live. Or hey, if you have a PC or Mac that can run it, gog.com or Steam are whispering to you as we speak. Hmmm. I’d close this post with a “‘pleasant dreams”, but it’s 11:15am and I think it’s a wee bit too early for a nap.

-GW

Review: Reverie (PS Vita)

Posted on April 14, 2018 by geelw

With Reverie, New Zealand-based developer Rainbrite has cooked up a fantastic, fun and must-buy game for the supposedly ‘dead’ (but still defiantly breathing) PlayStation Vita. Everything here clicks from the Earthbound-inspired visuals to the gameplay that references The Legend of Zelda‘s puzzle, enemy and trapped-filled dungeons and overworld map. Adding to the perfection, you get an interesting take on the Māori myth Māui and the Giant Fish woven throughout the game that makes the adventure all the more interesting.

Sure, the main character is just a nondescript kid named Tai who just so happens to end up spending his summer vacation saving the tiny island he’s on visiting his grandparents from all sorts of evil during his stay. But Rainbrite has wisely made the kid quite the young man of action on his trip to this new Adventure Island. You’ll get a cricket bat, yo-yo, a sort of Nerf gun and other goodies as you take on the game’s six nicely-sized dungeons and a somewhat dangerous overworld packed with local wildlife out to gnaw or peck you to death. Spot-on controls help out here, but you’ll need to be constantly on your toes because some enemies (such as angry hopping statues) won’t react until you’re in whispering distance.

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Review: Tiny Metal (PS4)

Posted on April 12, 2018 by geelw

Console owning fans of turn-based strategy games, specifically the late, lamented Advance Wars and similar military themed titles set in fictional scenarios really haven’t had too much to cheer about (well, other than still having the ability to go back and replay those older games whenever they like). PlayStation-only owners have a handful of games like this, but Area35’s very solid Tiny Metal ($24.99) is the coolest and closest thing to Intelligent Systems’ games you can get on the PS4. It takes inspiration from Nintendo’s series (which needs a new version one of these days) and adds a few nice gameplay twists to the formula that keep the battles past the early tutorial maps pretty engaging overall.

There’s a story here that basically pits an initially small force of troops and hired mercenaries against a powerful nation’s military after their president’s plane is shot down over enemy territory and the mission is to find out if he, along with a great military hero traveling with him are still alive. The game is set up so you’re going to get lengthy static manga cut scenes pre- and post-mission with the occasional mid-mission break when the story wants to nudge in some more dialog. There’s a lot of back and forth communicating here and everyone is suitably wrought to overwrought as they sell their lines in pretty melodramatic fashion. Interestingly enough, You can only select English for in-battle squad commentary – the cut scenes are all subtitled. This isn’t a bad thing, mind you (especially if you like your games in their native language as much as possible and don’t mind subtitles).

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Random Film of the Week: Hard to be a God

Posted on April 11, 2018 by geelw

(Thanks, kinolorber!)

Hard to be a God MP Imagine an episode of Game of Thrones as performed by the cast of Peter Weiss’ Marat/Sade minus the fantasy elements and with an even more staggering attention to medieval detail and you’ll maybe grasp a small potion of the late Aleksei German’s outstanding, brutal (yet beautiful) Hard to be a a God. This 2013 film (the director’s last) isn’t for the easily disturbed but if you’re willing to sit through the almost three hour running time, you’ll likely find yourself glued to the screen from beginning to end.

While it may not look like a sci-fi film, right from the start you’ll see subtitles that note the story takes place on an earth-like planet going through its medieval phase about 800 years after ours. A group of scientists have been send there to observe the planet and gently nudge it forward without using technology or politics as it goes through what should be a renaissance phase. Unfortunately, things kind of get a bit out if hand when intellectuals of all types become targets for murder by a tyrant’s roaming militia intent on keeping the people uneducated and (mostly) harmless. Actually, about 28 minutes in, you get a reminder that you’re on another world thanks to a quick shot of something mechanical making itself known. But even then, the illusion of an incessantly nasty age isn’t at all broken.

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Random Film of the Week: Alien Resurrection

Posted on April 11, 2018 by geelw

(Thanks, Forever Horror!)

alien_resurrection_V2 So, I think it was around spring 1997 and I’m sitting in a movie theater when “surprise!”, that teaser trailer above for Alien Resurrection pops up like a chestburster squeezed into a jack-in-the box. I recall some people in the theater being either not too thrilled or just plain shocked that there was another film on the way. I also recall my eyeballs didn’t pop out like they did when I saw the ALIEN³ teaser trailer six years previously, but I think my new-ish eyeglasses kept them from ending up on the floor. Actually, I was more amused than shocked by what I saw (so there!).

I saw the first ALIEN back in 1979 at age 15 (in dangerous Times Square, baby!), ALIENS was a day one view when it premiered in 1986 (there’s a funny story about screening that I’ll tell one day). The third film was, I thought, going to be the last one when it landed in 1992 and yes, I bade the franchise a fond farewell thinking it had run its course. Welly-well-well, imagine my surprise when 20th Century Fox trundled out the ALIEN name for one more installment that turned out to be less scary than the others and actually somewhat more amusing while unsettling on a few fronts in terms of the visual vibe it delivered. How the heck does that work and how the heck did I find myself bopping into a theater in November 1997 with a wry grin not expecting anything other than to be somewhat giddy partly because I knew some in the audience wouldn’t appreciate this Resurrection at all?

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